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Viewing: Blog Posts Tagged with: Frank Viva, Most Recent at Top [Help]
Results 1 - 9 of 9
1. INTERVIEW: Frank Viva on Narrative Experimentation and Graphic Design in SEA CHANGE

VVBBannerFrancoise Mouly "said to me on several occasions that she doesn’t really want to be doing what other book publishers are doing. Why should I? There’s lots of them out there doing that. Let’s try some new stuff. That is her attitude. She loves experimentation."

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2. Video Sunday: Be Kind to Your Web-Footed Friends

Aww. Didja miss these? It’s not like I see as many videos these days, y’know. Not for lack of interest. They just don’t float in front my nose the way they used to. Fortunately there are a couple that I’ve collected in my travels and I’m featuring them here today. They may be a bit old. You may have seen them 100 times before. But what the hey, right? Life is short.

First up, ALSC released the Newbery/Caldecott/Wilder reaction videos.  Grab your popcorn and enjoy:

I just saw this next trailer online (thank you, Monica!) and I cannot convey to you the avarice I hold for anyone who has already seen this.  It’s Matt Phelan’s latest.  And it’s gorgeous:

Another trailer to follow.  True, the violin brings to mind a kind of Ken Burns-y feel. Not that there’s anything wrong with that.

A couple months ago young Marley Dias put out the call for middle grade black girl books. I missed the fact that she appeared on Ellen. Problem alleviated!

EllenMarley

Thanks to Rita Williams-Garcia for the link.

I do not wish to take away from Travis Jonker his drop dead amazing compilation of peculiar I WANT MY HAT BACK videos he compiled.  So I will just put one here and tell you to go to his site to see the rest.

This does my little 1984 heart good.

It’s summer.  Everyone’s making summer reading videos.  This is my library’s.  My superintendent is sitting on a slide (at Penny Park, clearly).  It gives me great respect for the man.  Plus, check out that logo at the end.  I hate to say it, guys, but I think my library hosts the most attractive summer reading t-shirt this year.

Hm.  That would make a good blog post. . . .

And just to round this all out in a nice way, here’s the book trailer for Evan Turk’s The Storyteller (one of the most beautiful picture books of the year):

Happy 4th of July!

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2 Comments on Video Sunday: Be Kind to Your Web-Footed Friends, last added: 7/4/2016
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3. Young Charlotte, Filmmaker

Young Charlotte, Filmmaker by Frank Viiva

by Frank Viva (MoMA Publications, 2015)

So this is a super cool book. It’s part MoMA history, part this funky young visionary’s story. Look at her camera perched by her side! Her confident gaze directly into the reader’s eye! A nearly animated cover where the bittiest blocks of color almost blink!

Young Charlotte, Filmmaker by Frank Viiva

One of the things that I always look for in books for kids are stories that honor their realness. Their hopes and dreams and fears and feelings that sometimes grownups have forgotten all about. Charlotte always carries that slim smile, even when the nun tells her none of that. I’d imagine this isn’t the only place she’s heard that she might be a bit unusual.

Young Charlotte, Filmmaker by Frank Viiva

That’s because Charlotte prefers black and white to color, and when kids have a preference, it’s usually a pretty strong one. Kids don’t generally go around only sort of caring about something.

Young Charlotte, Filmmaker by Frank Viiva

And here’s a beautiful example of that. Charlotte’s safe world is black and white, a stark contrast to that of her parents. To the left of the gutter, a home, and to the right, something unfamiliar and loud.

But her parents know this and they understand.

On Friday nights they take her to see black and white movies. And Charlotte is happy.

And on Sundays, they go to the Museum of Modern Art. And Charlotte is happy.

Young Charlotte, Filmmaker by Frank Viiva

That’s where Charlotte meets Scarlett, an aficionado of black and white too, and how it clears away the clutter. And that’s where Charlotte’s smile returns.

Here’s a kid, wholly in love with something that might seem unconventional. But she has parents who get it, a trip to an art museum that seals it, and a cat who is always willing to play a part.

So that’s what Charlotte does: makes a film in black and white. Scarlet calls it dazzling and genius, but the colorful people?

Young Charlotte, Filmmaker by Frank Viiva

Only that was their reaction at the beginning, before Young Charlotte, Filmmaker had finished telling her story.

Be sure to check out Young Frank, Architect as well. These two are a perfect pair.

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PS: Over on Instagram, a bunch of us teamed up to share one book on a particular theme each month. This was Michelle‘s brilliant idea, and we’d love it if you followed along. Check out #littlelitbookseries! Janssen of Everyday Reading shared another favorite Frank Viva book as part of that series, which is the same one that I wrote about once upon a time for Design Mom!

And thanks to Frank Viva for the images in this post!

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4. Goodnight Songs: A Celebration of the Seasons

Enter to win a copy of Goodnight Songs: A Celebration of the Seasons, by Margaret Wise Brown! Giveaway begins August 4, 2015, at 12:01 A.M. PST and ends September 3, 2015, at 11:59 P.M. PST.

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5. Frank Viva

Read a terrific interview with illustrator Frank Viva at American Illsustration


...and here's a video on his delightful MOMA book 'Young Frank, Architect'...

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6. Librarian Preview: Candlewick Press (Fall 2012)

You’ve got your big-time fancy pants New York publishers on the one hand, and then you have your big-time fancy pants Boston publishers on the other.  A perusal of Minders of Make-Believe by Leonard Marcus provides a pretty good explanation for why Boston is, in its way, a small children’s book enclave of its own.  Within its borders you have publishers like Houghton Mifflin Harcourt and Candlewick holding court.  The only time I have ever been to Boston was when ALA last had a convention there.  It was nice, though cold and there are duckling statues.

So it was that the good people of Candlewick came to New York to show off some of their finest Fall 2012 wares.  Now the last time they came here they were hosted by SLJ.  This time they secured space in the Bank Street College of Education.  Better location, less good food (no cookies, but then I have the nutritional demands of a five-year-old child).  We were given little signs on which to write our names.  I took an extra long time on mine for what I can only assume was an attempt to “win” the write-your-name part of the day.  After that, we were off!

First up, it’s our old friend and Caldecott Honor winner (I bet that never gets old for him) David Ezra Stein.  The fellow’s been toiling away with his paints n’ such for years, so it’s little wonder he wanted to ratchet up his style a notch with something different.  And “something different” is a pretty good explanation of what you’ll find with Because Amelia Smiled.  This is sort of a take on the old nursery rhyme that talks about “For Want of a Nail”, except with a happy pay-it-forward kind of spin.  Because a little girl smiles a woman remembers to send a care package.  Because the care package is received someone else does something good.  You get the picture.  Stein actually wrote this book as a Senior in art school but has only gotten to writing it officially now.  It’s sort of the literary opposite of Russell Hoban’s A Sorely Trying Day or Barbara Bottner’s An Annoying ABC.  As for the art itself, the author/illustrator has created a whole new form which he’s named Stein-lining.  To create it you must apply crayons to wax paper and then turn it over.  I don’t quite get the logistics but I’ll be interested in seeing the results.  Finally, the book continues the massive trend of naming girls in works of children’s fiction “Amelia”.  Between Amelia Bedelia, Amelia’s Notebook, and Amelia Rules I think the children’s literary populace is well-stocked in Amelias ah-plenty.

Next up, a title that may well earn the moniker of Most Anticipated Picture Book of the Fall 2012 Season.  This Is Not My Hat isn’t a sequel to 4 Comments on Librarian Preview: Candlewick Press (Fall 2012), last added: 4/25/2012

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7. Along a Long Road


I'm lucky enough to have a dear friend who works at a beautiful city library near me. She often puts aside picture books she wants me to read, and frankly, she has amazing taste.
While the book trailer for Along a Long Road is lovely, this book begs to be held, read, and touched. The paper stock marries the 5 color printing and UV spot as beautifully as the words marry the art. You don't feel at all as if you're looking at one giant 35' illustrator file, but that's truly what it is.
I loved spending time with this book on my own, then sharing it with my son. He follows that road with his finger from cover to bookend and back again. Frank Viva, I do hope you have more books in that brilliant mind of yours.
Visit the book's website. And if you are so lucky, visit the 35' artwork at Society of Illustrators in NYC this fall.

1 Comments on Along a Long Road, last added: 11/3/2011
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8.

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9. Along A Long Road

Written and illustrated by Frank Viva
$16.99, ages 4-8, 40 pages

One read through Frank Viva's debut and you'll feel as if you've sailed the coast in a bicycle.

The New Yorker illustrator celebrates the exhilaration of riding a bicycle and going as fast as your feet will pedal in his first picture book.

In it, a rider flies down a seaside road through woods, between electrical towers, up a hill, around a town, into a tunnel, over a bridge and through a city, only to want to do it all over again.

The images are fluid and freeing and give you the sense of being let loose on a journey that could be endless, like a boat gliding out to sea, even as you keep to the road.

Simple shapes in gray-blue, black and cream elegantly define the landscape, as touches of muted red anchor the eye on the cyclist's shirt and liven the page by drawing your eye to small details.

The book was created from one 35-foot-long piece of art. Lines in the backdrop flow across the pages as if following the lead of the road, a solid mango-yellow line, the brightest thing on the page. Or is it the other way around?

In the country, the road loops up like the electrical lines above the rider. In the city, the road is ruler-straight like the roof lines and bricks he passes by. And at ride's end, it serpentines like the roller coaster that he curves around.

Viva elongates the boy's bicycle to create a sense of flow and speed, and curves his body in different ways to suggest changes in his momentum and mindset:

When the boy is gliding and taking it all in, his body relaxes and his arms stretch like noodles to the handle bars.

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