JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans. Join now (it's free).
Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.
Viewing: Blog Posts Tagged with: museums, Most Recent at Top [Help]
Results 1 - 25 of 60
How to use this Page
You are viewing the most recent posts tagged with the words: museums in the JacketFlap blog reader. What is a tag? Think of a tag as a keyword or category label. Tags can both help you find posts on JacketFlap.com as well as provide an easy way for you to "remember" and classify posts for later recall. Try adding a tag yourself by clicking "Add a tag" below a post's header. Scroll down through the list of Recent Posts in the left column and click on a post title that sounds interesting. You can view all posts from a specific blog by clicking the Blog name in the right column, or you can click a 'More Posts from this Blog' link in any individual post.
Goldin, David. 2012. Meet Me at the Art Museum: A Whimsical Look Behind the Scenes. New York: Abrams.
With a mixture of humor, photography, collage, cut paper, virtual realia, and some expressive and artfully-place eyeballs, David Goldin has created a book that takes children on a comprehensive and behind-the-scenes tour of an art museum.
Employing the friendly docent's helper, Daisy, and the unceremoniously discarded Stub, Goldin guides the reader from the practical,
"Now is a good time for a break," said Daisy. "This is a cafe, where you can sit and rest your feet. ... You need to get your energy back, because there's another whole floor of treasures. You don't want to miss a single one!"
to the protective,
"Other high-tech equipment is also used to keep precious objects safe," said Daisy. "It's the conservator's job to make sure the air is not too humid, not too dry. "They control the temperature. Not too hot, not too cold. They control the lights, too. You can't have it too dark or too bright. Everything has to be just right. The conservator also fixes damaged objects in the museum's workshop."
to the awe-inspiring,
Stub discovered ... ancient writing sculptures of wood, bronze, and stone mobiles paintings costumes. It was thrilling! One day I'm gonna live in a museum, thought Stub.
The adorable Stub and Daisy provide the fun; and a surprise ending offers Stub the chance to live out his dream.
Back matter includes "Who's Who at the Museum" (archivist, conservator, curator, etc.), "What's What at the Museum" (exhibition, gallery, etc.), and "Art Titles" (a list of pieces depicted in the book).
The punctuation is a bit peculiar, with several instances of unclosed parentheses, but no matter, it's a book of art, not grammar.
If I were escorting a child or class to a museum, this book would be on my "must share" list. Well worth the price of admission!
Thanks for bringing this book to our attention. It's one I wish I'd written as I'm an art museum addict and have not seen a truly user-friendly/ Kid-friendly book about this topic (although many great kids' boks about artists and how to MAKE art of all kinds . . .) Will look for this one, and will also pass your review onto friends who work in the education depts. of a couple of our local art museums.
The John Updike Society has finalized a contract to purchase John Updike‘s home for $200,000.
Located in the Pennsylvania town of Shillington, Updike lived in the home for thirteen years as a child. John Updike Society president James Plath announced that the organization plans to make the house a historic site and convert it into an operational museum.
Here’s more from Reading Eagle: “Out of respect for the residential neighborhood, Plath said, he expects the historic site to be open only by appointment and not list regular hours. Plath said he has researched the operations of similar historic sites that were once authors’ homes, including the Carson McCullers Center for Writers and Musicians in Columbus, Ga., and the Scott and Zelda Fitzgerald Museum in Montgomery, Ala.”
Beatrice May Ross signed on for a summer job at the Museum of Natural History. Then her supervisor turns up dead in the Red Rotunda, his pocket full of glass eyes. Taxidermist turns detective in this museum-based crime-fiction.
I may be stretching the definition a little, but if you’re after an arty YA book, you really can’t go past Graffiti Moon. Lucy is an artist who works with glass. She’s trying to meet the mysterious graffiti artist known as Shadow. There are many beautiful descriptions of Lucy’s and Shadow’s respective artworks, as well as many references to well known artists and their works, from Picasso to Bill Henson. You can view a great online gallery of the art featured in the book over here.
Three best friends, Gem, Lo, and Mira, undertake themed summer projects together. The “underground” summer starts when a school visit to the National Gallery of Victoria inspires Gem to make an underground film.
Emily attends a summer art program in Philadelphia – world’s apart from her old suburban existence, just like she wants. As well as following Emily’s growth as an artist (and an individual), there’s also a class trip to a museum.
When Cyn and I were up in Dallas for BooksmART, we took an afternoon to go see the Dallas Museum of Nature and Science. At the moment, the museum is actually in three buildings, formerly the Museum of Natural History, the Museum of Science, and the Children's Museum, in Fair Park, just across from the Cotton Bowl. A new facility is currently being built in Victory Park. Check out the new digs here.
The dinosaur paleontology exhibits are spread between the Nature Building and the Science Building.
The Science Building has a "Dino Pit," where kids can "dig" for dinosaur bones. Looming above the sand boxes is a T.rex and a Quetzalcoatlus.
Author and pterosaur
In the room next door are various displays of Alamosaurus bones, as well as other creatures from the Texas Mesozoic. One of the more interesting exhibits is of a bird called Flexomornis howei, discovered in the Woodbine Formation of Texas (about 93-100 million years ago).
Author and bird
Over at the Nature Building, paleontology displays include a Malawisaurus (discovered by researchers from SMU), ammonites and other sea creatures (including the primitive mosasaur Dallasaurus), and Deinosuchus.
Greg and Deinosuchus skull
The basement of the Nature Building houses the prep lab, where paleontologists are presently at work preparing a new Alamosaurus for display. It's my understanding that this Alamosaurus is proof that this genus was a lot larger than previously thought...
“Growth of Overt homosexuality in City Provokes Wide Concern”
-New York Times (headline in 1963)
The world recoiled when the gay community started receiving credit for its influence in fashion and culture, but at least, according to Christopher Reed, they were being acknowledged. In his new book Art and Homosexuality: A History of Ideas, Reed argues that for some time the professional art world plain ignored the gay presence.
We had the chance to speak with Reed recently at his Williams Club talk, where he laid out the tumultuous relationship between art and activism. Below we present a few of the controversial things we learned.
1.) Art that didn’t get a chance…
During the most formative years of the gay rights movement in the 70s and on through the late 80s, arts publications and professionals, and even museums like the Museum of Modern Art, ignored imagery associated with gay and lesbian identity. Imagery like the graffiti pictured below which emerged in urban areas during the 70s:
Grafitti on “The Rocks,” Lincoln Park, Chicago, mid-1990s.
According to Reed, “These sites of visual history were destroyed with no organized documentation when rising property values prompted local governments to reclaim these areas.”
2.) Censorship…
Is right for people to ban art today? Even if it’s in the imaginary town of Pawnee, Indiana? Reed surprised us with his answer, making us consider that there’s actually a worse kind of censorship. Listen below to hear what he said.
Transcript:
Censorship is an interesting question because there are overt examples of censorship like what just happened with the Hide/Seek show and the David Wojnarowicz piece, where particular politicians make a statement to their constituency by removing something that’s on exhibition. And then the kind of thing that you’re talking about where institutions simply don’t show things or don’t buy things – in the case of libraries – or don’t do things or don’t let particular people in, which often doesn’t read as censorship because people never realize what they could be seeing or could be reading, or could be going on, because the institution has already created a kind of logic in which that kind of thing doesn’t exist.
And so in a lot of ways I actually think that’s the most dangerous kind of censorship because people aren’t aware of it and they can’t make a
Last night at dinner, Mark and I were discussing cities we would like to visit in the future. Mark has done extensive traveling throughout his life, I have not. We would like to take one real vacation each year (in addition to "staycations" which I also like), and I'm a planner, so…
Some on our brainstorming list: Edinburgh, Scotland; San Juan, Puerto Rico (again); Buenos Aires, Argentina (again for him, first time for me); Washington DC (again); Atlanta (again, Mark lived there for a while); San Francisco (neither of us have been to California, how can that be!); somewhere in Ireland; London (again for Mark), and also our regular trip each year to Philadelphia and a nod to NYC where we have visited separately and together in the past.
So, we were talking about the pros and cons of various places and how we would like to spend our time while away. I said I would like to visit the National Gallery of Art again as well as the Museum of Modern Art in Buenos Aires (they just had a 15 million dollar rennovation) and also the National Museum of the American Indian in Washington, DC.
I got to thinking about the museums I've visited and photos taken, and thought it would be fun to share them with you. (I always ask for permission, or a definition of the museum's rules, before taking photos.) I'm sorry I don't know the artist or date on some of these pieces, but perhaps you will enjoy seeing them anyway.
Selznick, Brian. 2011. Wonderstruck. New York: Scholastic.
(Advance Reader Copy)
During the course of reading Wonderstruck, I misplaced the book. When I asked my family if anyone had seen it, my daughter answered, "Which book? The one with two different covers?" I hadn't thought of it that way, but yes, the book with two different covers. *minor spoiler alert* (though I'm not giving any more away than Brian Selznick does in his Wonderstruck video - see below)
Wonderstruck's cover is a preview of its contents - two stories, two eras, two modes of storytelling. One would think that after his ground-breaking, Caldecott Winner, The Invention of Hugo Cabret, Brian Selznick could not have any more surprises up his sleeve, but in Wonderstruck, he again inspires us with this singular story of two mysterious and wonder-filled journeys.
Ben's story begins in Gunflint Lake, Minnesota, in June, 1977; Rose's, in Hoboken, New Jersey, 1927. Though 50 years divide their stories, the children embark on parallel journeys fraught with uncertainty and risk, and guided by purpose - a need to know. Ben's story is told in third person prose, while Rose's is told in Selznick's incredibly detailed, unmistakable pencil drawings. The two stories are woven together, sometimes almost touching, other times gathering distance until at last, in a single drawing, with a simple turn of the page, Selznick seamlessly binds the two stories together, where they stay, until Wonderstruck's conclusion.
It is clear that Selznick's fascination with silent film and early cinema did not end with Hugo Cabret. Silent film is featured in Wonderstruck, not in the same capacity as in Hugo, but rather as a vehicle for introducing deaf culture. It is museums, not film or mechanics, that take center stage in Wonderstruck. Both Rose and Ben are seeking something, and both find themselves, a half century apart, at the same location, the American Museum of Natural History, where they are fascinated by museum dioramas and early museum collections, or "cabinets of wonder."
Readers will be fascinated as well, by Wonderstruck's story, artwork, and the offered glimpse into another time and another culture.
Did you like it more than Hugo? I can't wait to get my hands on a copy of this book. I have muted hopes for the Hugo movie after seeing the preview. The trailer left much to be desired.
Hmmmm... did I like it more than Hugo? That's a tough one because they're so different. Forced to choose, I think I would pick Hugo Cabret, but it's really a toss up. I would offer you my book, but I passed it on to a deaf friend of mine. I hope to get her reaction to it. There are so few books featuring deaf characters. I don't believe that Wonderstruck immerses the reader in deaf culture, but it offers a wonderful glimpse. I hope she likes it. As for the movie, I hate to admit it, but all it takes is Jude Law's name in the credits to spark my interest. ;)
I've mentioned before that one of the fun things about writing CHRONAL ENGINE is that it provides an excellent excuse to visit natural history museums and other places where paleo-stuff abounds.
T.rex ("Sue") and H.sapiens (unidentified)
Over the past few years, a number of the major natural history museums have revamped their dinosaur and paleontology displays. The Field Museum in Chicago did so a few years back in conjunction with the acquisition of Sue, the largest, most complete T.rex. The Carnegie Museum in Pittsburgh also recently completed a remodel, changing their old dinosaur hall into an exhibit called Dinosaurs in their Time.
Exhibit in progress. Photo courtesy Carnegie Museum of Natural History
Paluxysaurus. Photo courtesy Fort Worth Museum of Science & History
Just to the east, in Dallas, the Museum of Nature and Science is expanding into a new Victory Park Facility, to be named the Perot Museum of Nature and Science and scheduled to open at the end of 2012. I understand they're going to be having a fantastic display of my favorite sauropod, Alamosaurus.
In honor of NCTE/ALAN being in Chicago this year, I thought I'd toss in a post about Chicago dinosaurs. :-). If you have the time, check out the Field Museum:
Tyrannosaurus rex (background) with (unidentified) Homo sapiens.
The Field is home to Sue, one of the largest, most complete Tyrannosaurus rex skeletons ever found, as well as a Daspletosaurus and a host of other, less carnivorous dinosaurs (like Parasaurolophus and Diplodocus).
Sue is prominently placed in the Stanley Field Hall (the main hall), with the elephant diorama and the big totem poles. On the balcony above the skeleton is the actual skull (the real one being too big to mount) and a mural depicting what Sue would've looked like in real life.
Sue close-up
Upstairs is the Evolving Planet exhibit, which takes you chronologically through the eras of life on earth. Dinosaurs on display include Triceratops, dromaeosaurs, stegosaurs, sauropods (including a juvenile Rapetosaurus), and hadrosaurs, such as Parasaurolophus. The classic Charles M. Knight murals still adorn the walls.
Triceratops and T.rex face off
And sometimes in Chicago, you see dinosaurs in the oddest places: be sure to check out the brachiosaur at the United Terminal at O'Hare Airport (a duplicate of the one outside the Field).
The John Updike Society has finalized a contract to purchase John Updike‘s home for $200,000.
Located in the Pennsylvania town of Shillington, Updike lived in the home for thirteen years as a child. John Updike Society president James Plath announced that the organization plans to make the house a historic site and convert it into an operational museum.
Here’s more from Reading Eagle: “Out of respect for the residential neighborhood, Plath said, he expects the historic site to be open only by appointment and not list regular hours. Plath said he has researched the operations of similar historic sites that were once authors’ homes, including the Carson McCullers Center for Writers and Musicians in Columbus, Ga., and the Scott and Zelda Fitzgerald Museum in Montgomery, Ala.”
“…Five, six, pick-up sticks!” This week’s collections object is a set of Pixie Pic-Up Sticks! Manufactured by Steven Manufacturing Company between 1940-1960, the classic game tests the players ability to keep a steady hand while trying to pick up a stick without disturbing the rest.
Put on your looking eyes and see if you can find it during your next visit! And while you are looking high and low, don’t forget to encourage curiosity by asking open-ended questions and engaging your child in the conversation. For example: How many sticks do you think you could pick up? Or simply play a quick game of pick-up sticks at home!
0 Comments on Hide and Seek of the Week as of 1/1/1900
This week’s collections object is the Play Family Nursery School playset! This carry-along nursery school was first introduced by Fisher Price in 1978. In addition to furniture and accessories needed to learn, the Play Family Nursery School also included all the necessary equipment to play!
Put on your looking eyes and see if you can find it during your next visit! And while you are looking high and low, don’t forget to encourage curiosity by asking open-ended questions and engaging your child in the conversation. For example: What’s your favorite part of school? What games do you play on the playground?
0 Comments on Hide and Seek of the Week as of 1/1/1900
Whoa…that’s one sweet ride! Vroom….Vroom! This vintage Wyanotte Toys convertible wind-up roadster is fully loaded and just revving to get out on the road. All Metal Products Company, founded in 1920, produced inexpensive pressed metal toys under the Wyandotte Toys brand name. This classic roadster not only rolls along when its key is wound, but also features a working convertible roof!
Put on your looking eyes and see if you can find it during your next visit! And while you are looking high and low, don’t forget to encourage curiosity by asking open-ended questions and engaging your child in the conversation. For example: Where would you go on a road trip? What kinds of things do you think you would see?
0 Comments on Hide and Seek of the Week as of 1/1/1900
Salted Fish by Yeo Wei Wei, illustrated by Ye Shufang
Lynn is visiting an art museum for the first time. She knows that the National Art Gallery will have lots of art inside it. She and her toy bunny find a painting of fruit and then set out to see if they can find one with strawberries in it. As they are looking, they smell something strange coming from one of the paintings. As she counts things in the painting, she and her bunny hear a voice speaking from the painting. Lynn finds herself drawn into the painting and learning about the way they are making salted fish. The taste of the salted fish reminds her of her grandmother’s home. As she leaves the painting with a bundle of fish to take with her, she promises to return to the art museum again.
The story here is told with a quiet, gentle voice. Lynn’s interaction with the painting is not frightening at all, but an enthralling moment of connection. It is what one hopes a child will experience at an art museum. The story is built around a famous painting by Cheong Soo Pieng called Drying Salted Fish. At the end of the book, information on the painting and the artist is shared.
Shufang’s art is engaging with the bright-eyed child and the strong architectural lines of the building itself. A muted palette that has pops of bright color at times adds to the quiet appeal of the book.
This book gives young readers a small taste of Singapore which they will probably appreciate much more than the smell of salted fish! Appropriate for ages 4-6.
Reviewed from book received from The National Art Gallery, Singapore.
Dinosaur Hall, photo courtesy of Houston Natural Sciences Museum
Big news from the Houston Museum of Natural Science (Houston, TX)! They've unearthed a nearly complete, articulated Dimetrodon skeleton, scheduled to go on display in the museum's paleo hall in 2012 (This is a big deal because, despite what you see in museums, paleontologists rarely find nearly whole fossil vertebrates).
Check out the HNSM blog post here. Oh, and Dimetrodon is a synapsid, not a dinosaur. It's also from the mid-Permian, so predates dinosaurs by about 30 million years. Oddly enough, although it looks like a reptile, it's actually closer to mammals.
Homo sapiens (foreground) with juvenile Edmontosaurus
The museum, which is now a century old, has at the center of its Mesozoic display a Tyrannosaurus rex that stalks an adult and juvenile Edmontosaurus. A large sauropod stands aloof from the whole thing, while a Quetzalcoatlus soars overhead (see top photo). A number of smaller "raptors" and birds watch from afar.
Turtle (Toxochelys, I believe) and Mosasaur
The museum also features a number of life re-creations, including an ankylosaur being attacked by a pack of dromaeosaurs. (The ankylosaur, in fact, is the one Sinclair had built for the New York World's Fair. Two others are in Dinosaur Valley State Park in Glen Rose.).
I had a great time pottering around Amsterdam for three days with my sister and Stuart. My sister and I did a lot of general goofing around and we did a lot of walking in the freezing cold. Here's a photo she took of me in a coffee shop. (No, not that kind of coffee shop.)
We stayed in a hotel that had once been a rather grand theatre, so we were expecting a great lobby, but even more pleased to find we had an amazing view from our top floor room. Here's a picture I drew, looking out through the window in the slanted ceiling.
And a rough panorama photo collage of the view (which doesn't include the ringing church bells):
I made some pen sketches of a few of the paintings we saw in museums. Here's one from the Rijksmuseum. I rather like how it came out.
And a few from the Van Gogh Museum:
The guards at both museums were rather distractingly interested in what I was drawing. I think they were very bored. In the Van Gogh Museum, I thought one guard was telling me off for about two minutes and going to chuck me out, until I realised he was just being overly friendly. (...You are a weirdo, sir. Is this Dutch humour?.)
When we weren't almost getting run over by them, we love-love-loved all the bicycles everywhere. I bought one of the really big bells to put on my bike back in London.
The Dutch know how to haul things around on their bikes, I don't know why Londoners don't have more of this sort of gear. I suppose the cycling's a bit gentler in Amsterdam.
We took the train, a much more civilised way of travelling than airports with their endless security queues and having to get to the faraway airport super early.
Here's a picture I drew on the train of my sister reading Vainglory by Geraldine McCaughrean.
And a cool station clock:
As always, it was fun spotting bits of English slightly out of context.
We headed over to the Rembrandt House Museum, but only Stuart ended up going in because my sister and I got completely distracted by a nearby flea market. I drew this when we met him in the reception area, clutching three vintage dresses and a coat in our arms.
A few more photos from my sister's visit. Here she is at the Tate Britain, lit up like a chandelier. Mary's such a magpie, she loves little crystals and shiny things.
I doodled a few of the paintings, and they don't look anything like the original portraits.
We're always fascinated by The Cholmondeley Ladies, painted around 1600. The two ladies aren't twins, but are said to have been born and married on the same days. It's such an old painting but it looks so incredibly strange and modern.
The wall labels at the Tate Modern says that three big canvases by Cy Twombly are paintings of Bacchus, the god of wine; and it's true, a person can get very drunk on the colour red in that room.
Today I decided to do a quick post for teachers, highlighting what hopefully are some new resources you don't know about. I believe great teachers today have to be creative, intuitive, and always on the lookout (and I want to help make that latter activity easlier). I thought it might be fun to share some resources with you, starting with my current hometown on Huntsville, AL
1) The U.S. Space and Rocket Center. Some of you may be interested in a field trip to Space Camp but even if you can't come with your class in person, they've put together a great set of resources for you: Check out these teacher resources.
2) Do you know that Maupin House (the publisher of The Literacy Ambassador's two print books (Anytime Reading Readiness for parents of 3-6 year olds and the partner title, Before They Read, for educators working with children the same age), has a wealth of quick, free videos to watch from the talented pool of authors? Check them out at: http://www.maupinhouse.com/.
3) Need a little encouragement and solid advice to motivate you? Visit Inspiring Teachers. From e-books, to advice for first time teachers, and those who have been around the block a few times, you're sure to find something there for you.
4) Hands on museums are always fun but many of them have online resources you can tap into as well like Exploratorium's Evidence website and of course the Smithsonian. .
5) Need supplies, materials or technology for your classroom? Check out the Thinkquest competition. The Deadline is April 24 for the year 2011. Check their website for updates in future years.
Finally, don't forget how zoos can combine fun and learning. Many have webcams so you can watch the animals live from your classroom and find fantastic online games for growing young brains.
I'd love to have your feedback. Did you know about these resources? Do you have others to share?
0 Comments on Teachers ARE Sparklighters: Where Do They Get Their Spark? as of 1/1/1900
A couple years ago, Cyn and I spoke to a class in Michigan at Oakland University and, as part of the research on THE CHRONAL ENGINE, we stopped by the University of Michigan Natural History Museum (Ann Arbor, MI).
This small museum on the campus of the University of Michigan has an entire floor devoted to vertebrate paleontology.
An Allosaurus is on display next to a stegosaurus "carcass," and an Edmontosaurus is laid out before a huge mural showing "now" and "then" scenes of what paleontologists thought and think its life must've been like. You can also get up close to a Deinonychus and an Ankylosaurus tail club, sauropod leg and hip bones, and see various theropod, ornithopod, and sauropod skulls. Looking up, you can also see pterosaurs and a mosasaur.
Skull of Edmontosaurus
I particularly like the way the displays are laid out. You can get close enough to touch most of them (but you shouldn't :-)) and really get a feel for the size of these creatures, especially the Edmontosaurus, which stretches a good part of the width of the hall.
Deinonychus
Next time you're in Ann Arbor, check it out!
1 Comments on UM Exhibit Museum of Natural History, last added: 4/1/2011
This year is the 100th anniversary of the opening of the present building of the National Museum of Natural History (Washington, DC)! (The museum itself officially opened in 1910).
Part of the Smithsonian Institution, the National Museum of Natural History has an extensive array of dinosaurs, arranged as part of a chronology of life, from Paleozoic to Cenozoic times.
Triceratops
In addition to tyrannosaurs, the National Museum of Natural History features stegosaurs, diplodocids, ceratopsians, hadrosaurs, as well as a full complement of aquatic reptiles, pterosaurs, and Mesozoic birds. And it's all just down the ramp from the Hope Diamond.
Maiasaura juvenile
0 Comments on National Museum of Natural History as of 1/1/1900
A couple weeks ago, I ran a post about Massachusetts schoolboy Pliny Moody, who dug up dinosaur tracks on his family farm and is credited with the first authenticated dinosaur track discovery in North America.
Closer to home, though, dinosaur trackways are known from at least fifty locations throughout Texas. Among the most famous are the trackways in Glen Rose, on a portion of the Paluxy River now part of Dinosaur Valley State Park. The trackways extend over a large area of what was once a coastal plain, on the shores of the Western Interior Seaway.
In 1938, Roland T. Bird excavated portions of the tracks, taking them back to the American Museum of Natural History, where they are still on display.
Another portion of the trackways is currently housed at the Texas Memorial Museum, where they have been on display in a building outside the museum since 1941. The tracks include those of a sauropod (probably Paluxysaurus, but possibly Sauroposeidon) and a theropod (probably Acrocanthosaurus).
The problem is that the building is non-climate-controlled and, apparently, is built on a slab of non-reinforced concrete. This has led to a degradation of the stone the trackways are formed in, which could eventually lead to the complete loss of slab.
But plans are afoot to move the trackways indoors, into the Hall of Geology and Paleontology. The museum and the Texas Natural Sciences Center have begun a fundraising campaign to preserve and move the trackways. Go here to check out information on donating to Save the Dinosaur Tracks!
0 Comments on Save the Dinosaur Tracks! as of 1/1/1900
Thanks for bringing this book to our attention.
It's one I wish I'd written as I'm an art museum addict and have not seen a truly user-friendly/ Kid-friendly book about this topic (although many great kids' boks about artists
and how to MAKE art of all kinds . . .) Will look for this one, and will also pass your review onto friends who work in the education depts. of a couple of our local art museums.
Thanks, Jen.
oh, this looks like a lot of fun!