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I’m a sucker for a good secret. The Maze Runner is all about secrets.
If you’ve read James Dashner’s novel, seeing the Twentieth Century Fox movie (released September 19, 2014) is a completely different experience than it would be if you were new to the story. Instead of wondering how a gaggle of teenaged boys ended up trapped in a clearing surrounded by a constantly changing maze with their memories wiped, you wonder how director Wes Ball will handle all the information that the book gradually reveals.
The movie keeps the essence of the book as well as many of its details; the sense of confusion at the beginning is particularly well-rendered. Most of the significant changes are to elements that worked well in the book but would have been difficult to execute onscreen. Unsurprisingly, since the characters’ minds have been altered, much of the novel takes place on a mental level. Thomas (played by Dylan O’Brien) and Teresa (Kaya Scodelario) communicate through telepathy, which doesn’t happen in the movie. In the book, code-breaking plays a bigger role, which might’ve felt dull on film.
But the biggest change is in how the story’s secrets are filtered through Thomas’s mind. Neither the book nor the movie is the sort of post-apocalyptic story whose characters think everything is as it should be because they’ve never seen a better way, though some residents of the Glade are satisfied that the order they’ve established is the only safe option. These characters know that someone is deliberately sending them to the Glade one by one. They just don’t know who or why. If you encounter the story first through the book, you’re likely to spend much of it feeling like questions are being dangled in front of you. Book Thomas has an overwhelming sense that the Glade is familiar and hides this feeling from the other Gladers, which leads to suspicion between them and him. Though the movie Gladers suspect that Thomas holds an important role in their situation, all we hear from Thomas is what he tells them — the secrets he’s keeping from them are not revealed verbally. (The movie forgoes voiceovers and similar devices.) Instead, we see flashes of memory as Thomas sees them, first very briefly and then in more depth when he takes risks to pursue more information. Although these flashes don’t give many details, they do show the setting of Thomas’s memories very early on, giving a major clue as to how everyone arrived in the Glade. Instead of dangling questions, the movie dangles bits of the answers.
A few plot points are eliminated for the sake of pacing, and the ending is structured a little differently, but the general story arc is preserved. So are the important characters’ personalities, with a couple of notable exceptions. First, hardened-but-ultimately-loveable leader Alby (Aml Ameen) is a softie throughout the movie. More importantly, what happened to Teresa? The novel’s only girl in the Glade comes in with useful information and figures out quite a bit, as befits the super-intelligent character she’s meant to be. Movie Teresa still shows up with a note in her hand declaring her to be the last arrival and still remembers Thomas’s name, but most discoveries that are hers in the book come instead from Thomas in the film. As the first Glader to show enough curiosity to bend the rules, Thomas has agency coming out of his ears. The movie could easily have let Teresa keep her more useful lines and still let its main character come off as the hero.
O’Brien and Scodelario play Thomas and Teresa with an appropriate sense of determination, and though some of the Gladers deliver exposition more smoothly than others, the movie is well-cast overall. Blake Cooper is perfect as guileless Chuck.
For a movie whose characters keep saying, “Everything is going to change,” The Maze Runner keeps most of the important things the same.
The post The Maze Runner movie review appeared first on The Horn Book.
I’ve been reviewing Barry Lyga’s I Hunt Killers trilogy (I Hunt Killers, Game) for the Magazine and am about to start reading the just-released final volume, Blood of My Blood. So I was very excited to get my hands on Lucky Day: An I Hunt Killers Prequel by Barry Lyga (Little, Brown, April 2014), one of several digital-only novella prequels to the series.
Lucky Day follows Sheriff G. William Tanner (a mentor and father figure to the novels’ protagonist Jasper “Jazz” Dent, who makes a very brief appearance here) as he investigates two cases in the last weeks before a county election. One girl has been abducted and is presumed murdered, and another is found raped and killed not long after — brutal violence the likes of which small-town Lobo’s Nod and its surrounding county have not seen since pioneer days.
As the cases go colder and the community’s fears grow, G. William’s chances of re-election to sheriff’s office dwindle. But then he makes a connection between the cases, follows an uncomfortable hunch about an upstanding community member, and finds himself face to face with the killer.
Appropriately, given its adult protagonist, the tone of this prequel is very different from the novels’. Instead of Jazz’s teenage first-person narrative, here a partially omniscient third-person narrator relates G. William’s (very mature) concerns and experiences. His guilt about the cases potentially going unsolved, coupled with grief over his wife’s recent death, sends him into a near-suicidal depression. Perhaps this novella is better suited to adult readers of gritty hardboiled detective/jaded cop novels (I’m thinking fans of Jo Nesbø or Tana French) rather than the teen audience the trilogy is aimed at. That said, as a fan of those types of books myself, I enjoyed this suspenseful look at G. William’s — and the infamous Hand-in-Glove killer’s — earlier career.
Available for various e-readers; $1.99. Recommended for young adult and older users.
The post Lucky Day: An I Hunt Killers Prequel e-book review appeared first on The Horn Book.
It’s Banned Books Week! From The American Library Association’s website: “Each year, the ALA’s Office for Intellectual Freedom compiles a list of the top ten most frequently challenged books in order to inform the public about censorship in libraries and schools. The ALA condemns censorship and works to ensure free access to information.” Based on 307 challenges, here are the top ten most challenged books of 2013.
- Captain Underpants (series) by Dav Pilkey
Reasons: Offensive language, unsuited for age group, violence
- The Bluest Eye by Toni Morrison
Reasons: Offensive language, sexually explicit, unsuited to age group, violence
- The Absolutely True Diary of a Part-Time Indian by Sherman Alexie
Reasons: Drugs/alcohol/smoking, offensive language, racism, sexually explicit, unsuited to age group
- Fifty Shades of Grey by E.L. James
Reasons: Nudity, offensive language, religious viewpoint, sexually explicit, unsuited to age group
- The Hunger Games by Suzanne Collins
Reasons: Religious viewpoint, unsuited to age group
- A Bad Boy Can Be Good for A Girl by Tanya Lee Stone
Reasons: Drugs/alcohol/smoking, nudity, offensive language, sexually explicit
- Looking for Alaska by John Green
Reasons: Drugs/alcohol/smoking, sexually explicit, unsuited to age group
- The Perks of Being a Wallflower by Stephen Chbosky
Reasons: drugs/alcohol/smoking, homosexuality, sexually explicit, unsuited to age group
- Bless Me Ultima by Rudolfo Anaya
Reasons: Occult/Satanism, offensive language, religious viewpoint, sexually explicit
- Bone (series) by Jeff Smith
Reasons: Political viewpoint, racism, violence
Here’s how the Horn Book reviewed 2013′s most challenged children’s and young adult books.
The Adventures of Captain Underpants: An Epic Novel and sequels
by Dav Pilkey; illus. by the author
Intermediate Blue Sky 124 pp.
09/97 0-590-84627-2 $16.95
Best friends and fellow pranksters George and Harold create a comic book superhero, Captain Underpants, and hypnotize their school principal into assuming his identity. Clad in cape and jockey shorts, Principal Krupp foils bank robbers and a mad scientist until the boys “de-hypnotize” him. Written in a tongue-in-cheek style and illustrated with suitably cartoonish drawings, the story is consistently laugh-out-loud funny. PETER D. SIERUTA
reviewed in the Spring 1998 Horn Book Guide
The Absolutely True Diary of a Part-Time Indian
by Sherman Alexie; illus. by Ellen Forney
Middle School, High School Little 232 pp.
9/07 978-0-316-01368-0 $16.99 g
The line between dramatic monologue, verse novel, and standup comedy gets unequivocally — and hilariously and triumphantly — bent in this novel about coming of age on the rez. Urged on by a math teacher whose nose he has just broken, Junior, fourteen, decides to make the iffy commute from his Spokane Indian reservation to attend high school in Reardan, a small town twenty miles away. He’s tired of his impoverished circumstances (“Adam and Eve covered their privates with fig leaves; the first Indians covered their privates with their tiny hands”), but while he hopes his new school will offer him a better education, he knows the odds aren’t exactly with him: “What was I doing at Reardan, whose mascot was an Indian, thereby making me the only other Indian in town?” But he makes friends (most notably the class dork Gordy), gets a girlfriend, and even (though short, nearsighted, and slightly disabled from birth defects) lands a spot on the varsity basketball team, which inevitably leads to a showdown with his own home team, led by his former best friend Rowdy. Junior’s narration is intensely alive and rat-a-tat-tat with short paragraphs and one-liners (“If God hadn’t wanted us to masturbate, then God wouldn’t have given us thumbs”). The dominant mode of the novel is comic, even though there’s plenty of sadness, as when Junior’s sister manages to shake off depression long enough to elope — only to die, passed out from drinking, in a fire. Junior’s spirit, though, is unquenchable, and his style inimitable, not least in the take-no-prisoners cartoons he draws (as expertly depicted by comics artist Forney) from his bicultural experience. ROGER SUTTON
reviewed in the September/October 2007 Horn Book Magazine
The Hunger Games
by Suzanne Collins
Middle School, High School Scholastic 374 pp.
10/08 978-0-439-02348-1 $17.99
Survivor meets “The Lottery” as the author of the popular Underland Chronicles returns with what promises to be an even better series. The United States is no more, and the new Capitol, high in the Rocky Mountains, requires each district to send two teenagers, a boy and a girl, to participate in the annual Hunger Games, a reality show from which only one of the twenty-four participants will emerge victorious — and alive. When her younger sister is chosen by lottery to represent their district, Katniss volunteers to go in her stead, while Peeta, who secretly harbors a crush on Katniss, is the boy selected to join her. A fierce, resourceful competitor who wins the respect of the other participants and the viewing public, Katniss also displays great compassion and vulnerability through her first-person narration. The plot is front and center here — the twists and turns are addictive, particularly when the romantic subplot ups the ante — yet the Capitol’s oppression and exploitation of the districts always simmers just below the surface, waiting to be more fully explored in future volumes. Collins has written a compulsively readable blend of science fiction, survival story, unlikely romance, and social commentary. JONATHAN HUNT
reviewed in the September/October 2008 Horn Book Magazine
A Bad Boy Can Be Good for a Girl
by Tanya Lee Stone
High School Lamb/Random 227 pp.
1/06 0-385-74702-0 $14.95 g
Library edition 0-385-90946-2 $16.99
“Stupid / humiliated / foolish / stung / heartbroken / pissed off / and a little / bit / wiser.” High school freshman Josie sums up how she feels after falling for an only-out-for-one-thing senior, and she isn’t alone. The three (very different) teen girl narrators in this candid free-verse novel form a chorus of varied perspectives on how a “bad boy” — the same boy for all three — causes them to lose control before they even realize what’s happening. Stone’s portrayal of the object of their (dis)affection is stereotyped, but the three girls are distinct characters, and she conveys the way the girls’ bodies and brains respond to the unnamed everyjerk in electrically charged (and sexually explicit) detail. Finally returning to her senses, Josie decides to post warnings about her ex in the back of the school library’s copy of Judy Blume’s Forever…because “every girl reads it eventually.” Others add their own caveats in a reassuring show of sisterhood. As this scribbled “support group” illustrates, even the most careful and self-aware among us sometimes gets bitten by the snake in the grass. CHRISTINE M. HEPPERMAN
reviewed in the January/February 2006 issue of The Horn Book Magazine
Looking for Alaska
by John Green
High School Dutton 237 pp.
3/05 0-525-47506-0 $15.99 g
A collector of famous last words, teenage Miles Halter uses Rabelais’s final quote (“I go to seek a Great Perhaps”) to explain why he’s chosen to leave public high school for Culver Creek Preparatory School in rural Alabama. In his case, the Great Perhaps includes challenging classes, a hard-drinking roommate, elaborate school-wide pranks, and Alaska Young, the enigmatic girl rooming five doors down. Moody, sexy, and even a bit mean, Alaska draws Miles into her schemes, defends him when there’s trouble, and never stops flirting with the clearly love-struck narrator. A drunken make-out session ends with Alaska’s whispered “To be continued?” but within hours she’s killed in a car accident. In the following weeks, Miles and his friends investigate Alaska’s crash, question the possibility that it could have been suicide, and acknowledge their own survivor guilt. The narrative concludes with an essay Miles writes about this event for his religion class — an unusually heavy-handed note in an otherwise mature novel, peopled with intelligent characters who talk smart, yet don’t always behave that way, and are thus notably complex and realistically portrayed teenagers. PETER D. SIERUTA
reviewed in the March/April 2005 Horn Book Magazine
Bone: Out from Boneville and sequels
by Jeff Smith; illus. by Jeff Smith and Steve Hamaker
Intermediate Scholastic/Graphix 140 pp.
2/05 0-439-70623-8 $18.95
When greedy Phoney Bone is run out of town, his cousins, Fone and Smiley, join him. Fone makes friends with a country girl, her no-nonsense gran’ma, and a dragon; Phoney must contend with ferocious rat creatures who are led by a mysterious “hooded one” and who want Phoney’s soul. This graphic novel (originally published in comic-book form) is slow paced but nevertheless imaginative. MARK ADAM
reviewed in the Fall 2005 Horn Book Guide
Are you reading any banned books this week?
The post Banned Books Week 2014 appeared first on The Horn Book.
September Nonfiction Notes comes out today, and in this issue we’re highlighting our 2014 BGHB Nonfiction Award winner and honor books. You can read it online or sign up if you’re not already subscribed. Read reviews of all of the 2014 nonfiction winners here; see below for a lot more web extras to celebrate them.
The 2014 Boston Globe–Horn Book Nonfiction Award winner is Steve Sheinkin’s The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights (Roaring Book).
Steve Jenkins received a BGHB Nonfiction Honor for The Animal Book: A Collection of the Fastest, Fiercest, Toughest, Cleverest, Shyest — and Most Surprising — Animals on Earth (Houghton).
Author Patricia Hruby Powell and illustrator Christian Robinson received a BGHB Nonfiction Honor for their biography Josephine: The Dazzling Life of Josephine Baker (Chronicle).
For more on children’s nonfiction, check out these articles from The Horn Book:
The post 2014 BGHB Nonfiction Day appeared first on The Horn Book.
I’ve been reading a lot of Jewish-themed books lately (thank you, Sydney Taylor Book Award committee ). I just finished Donna Jo Napoli’s very-alternate Noah’s Ark novel Storm about a teenage stowaway who’s saved by two bonobos. Strange and lovely.
To celebrate Rosh Hashanah, here are some recent picture books. Lesléa Newman’s beautiful Here Is the World, illustrated by Susan Gall, is a lyrical, kid-friendly survey of Jewish holidays throughout the seasons.The sweet and rollicking Rabbi Benjamin’s Buttons by Alice B. McGinty, illustrated by Jennifer Black Reinhardt, begins (and ends, the following year) on Rosh Hashanah. You’ll never look at holiday sweaters the same way again.
More recommendations from past years, courtesy of The Horn Book Guide
Cohen, Deborah Bodin Engineer Ari and the Rosh Hashanah Ride
32 pp. Kar-Ben 2008. ISBN 978-0-8225-8648-7
Gr. K-3 Illustrated by Shahar Kober. In 1892, Ari is chosen to drive the first train from Jaffa to Jersusalem at Rosh Hashanah. In his excitement and pride, he ignores two friends, which he later regrets. Ari returns to Jaffa as soon as possible to do teshuvah, the annual New Year’s effort to do better. Cheerful illustrations accompany the pleasant but didactic text. With an author’s note. Glos.
Greene, Jacqueline Dembar The Secret Shofar of Barcelona
32 pp. Kar-Ben 2009. ISBN 978-0-8225-9915-9
PE ISBN 978-0-8225-9944-9
Gr. K-3 Illustrated by Doug Chayka. Rafael and his orchestra conductor father live as conversos (Jews who practice their faith in secret) in sixteenth-century Barcelona. The text describes how Rafael manages to blow the shofar for Rosh Hashanah right under the city leaders’ noses. The story is intriguing, but the telling is a little stiff. Well-composed gold-hued paintings illustrate the tale. An author’s note gives more information.
Heiligman, Deborah Celebrate Rosh Hashanah & Yom Kippur
32 pp. National 2007. ISBN 978-1-4263-0076-9
LE ISBN 978-1-4263-0077-6
Gr. K-3 Holidays around the World series. Heiligman’s writing evokes respect for religious traditions while making them accessible to children. Her use of the inclusive “we” will encourage readers to embrace their own traditions or imagine themselves in less familiar ones. Festive photographs from around the world reinforce the unifying effect of the holidays. Additional facts, a recipe, a map, and a one-page essay about the holidays are appended. Reading list, websites. Glos.
Jules, Jacqueline What a Way to Start a New Year!: A Rosh Hashanah Story
24 pp. Kar-Ben 2013. ISBN 978-0-7613-8116-7
PE ISBN 978-0-7613-8117-4
Gr. K-3 Illustrated by Judy Stead. A series of accidents prevents Dina and her family, who’ve just moved, from celebrating Rosh Hashanah with their former neighbors. Luckily, a new family invites them to dinner after services, making them feel welcome. The be-nice-to-your-neighbor message, reinforced by friendly illustrations, isn’t subtle; kids may enjoy reciting the book’s exasperated refrain (also the title). An explanation of the holiday is included.
Kimmel, Eric A. Even Higher!: A Rosh Hashanah Story by I. L. Peretz
32 pp. Holiday 2009. ISBN 978-0-8234-2020-9
Gr. K-3 Illustrated by Jill Weber. Where does the rabbi disappear to during the days before Rosh Hashanah? His congregants think he visits heaven to intercede for them with God. When a skeptic comes to town, he follows the rabbi and learns of his true (earthly) good deeds. Kimmel’s lively adaptation of the I. L. Peretz tale is well matched by Weber’s spirited, child-friendly mixed-media illustrations.
Kropf, Latifa Berry It’s Shofar Time!
24 pp. Kar-Ben 2006. LE ISBN 1-58013-158-1
PS Photographs by Tod Cohen. Clear color photos of preschoolers celebrating Rosh Hashanah are accompanied by simple, large-type descriptions of holiday essentials and related New Year fun. One caveat–any preschooler would find it almost impossible to blow the very long shofar pictured. This book is one of a series of photo-essays about Jewish holidays.
Marshall, Linda Elovtiz Talia and the Rude Vegetables
24 pp. Kar-Ben 2011. ISBN 978-0-7613-5217-4
PE ISBN 978-0-7613-5218-1
Gr. K-3 Illustrated by Francesca Assirelli. Talia is confounded by her grandmother’s request for some “rude vegetables” (carrots, turnips, potatoes, etc.) for the Rosh Hashanah stew. While digging up an “ornery onion” and “garish garlic,” she thinks about her own behavior; all ends with holiday sweetness. The joke goes on a little long, but the end is rewarding. Autumnal colors and rounded shapes evoke comfortable family scenes.
Ofanansky, Allison What’s the Buzz?: Honey for a Sweet New Year
32 pp. Kar-Ben 2011. LE ISBN 978-0-7613-5640-0
Gr. K-3 Photographs by Eliyahu Alpern. A group of students visit an Israeli bee farm and learn about how honey is made, just in time for Rosh Hashanah. Sharp color photographs against autumn-hued backdrops show the children enjoying the day. The text, though bland, delivers copious facts about bees and honey, which may be interesting to Jewish children preparing for the holiday. “Fun Facts” are appended.
Silverman, Erica When the Chickens Went on Strike: A Rosh Hashanah Tale
32 pp. Dutton 2003. ISBN 0-525-46862-5
Gr. K-3 Illustrated by Matthew Trueman. Silverman adapts a tale by Sholom Aleichem, best known for his Tevye the Milkman stories. A young boy explains the custom of making Kapores — waving a chicken over one’s head to get rid of one’s sins — and recalls the year the chickens went on strike. Trueman’s comically angry chickens aptly reflect the humor of the tale. The rich, dark colors of his mixed-media paintings evoke the Old World setting.
Wayland, April Halprin New Year at the Pier: A Rosh Hashanah Story
32 pp. Dial 2009. ISBN 978-0-8037-3279-7
Gr. K-3 Illustrated by Stéphane Jorisch. Izzy loves Tashlich, a Rosh Hashanah ceremony during which people apologize to those they’ve wronged then throw bread into the water to symbolize cleansing. Izzy has four apologies to make and is pleased when others apologize to him. The story’s educational aspects are handled with a light touch, a style reinforced by the loosely drawn pen-and-ink, watercolor, and gouache illustrations.
The post Blowing the shofar for fine books for boys and girls appeared first on The Horn Book.
Yesterday we gave you web extras on our BGHB Nonfiction Award winners — today we’re honoring the Fiction Award winner and Honorees. Read reviews of all of the 2014 fiction winners here; see below for more web extras to celebrate them.
The 2014 Boston Globe–Horn Book Fiction Award winner is Andrew Smith’s Grasshopper Jungle (Dutton/Penguin).
Author/illustrator Gene Luen Yang received a BGHB Fiction Honor for Boxers & Saints (First Second/Roaring Brook).
Elizabeth Wein received a BGHB Fiction Honor for Rose Under Fire (Hyperion/Disney).
Stay tuned for picture book web extras tomorrow!
The post 2014 BGHB Fiction Day appeared first on The Horn Book.
I just spent a week in New Orleans, a place I’ve wanted to visit since first reading Interview with the Vampire as a teen. The week held plenty of sights and experiences I’d been highly anticipating (a ghost tour, the Garden District, blues and jazz clubs, and — of course — beignets) and some I hadn’t expected (Mardi Gras beads hanging in many trees; the informative but emotionally intense National WWII Museum, which Cindy also visited last year; lots and lots and lots of rain).
One pleasant surprise during my trip to NOLA was an encounter with Pete the Cat, star of the series of picture books and early readers written by Eric Litwin and illustrated by James Dean. During a leisurely stroll in the French Quarter, I spotted Pete’s familiar face in the window of Gallery Rinard. My parents are huge Pete fans (and I’m an unrepentant cat lady), so I dragged my boyfriend into the gallery to take a look at Dean’s original art.
While the gallery offered lots of original canvases, prints, and even puppets of the cartoony Pete his picture-book readers will know and love, many of Dean’s paintings are geared towards adults in content and humor (such as this “Most Interesting Man in the World” Dos Equis commercial parody). A series of re-creations of well-known photos and paintings — including The Mona Lisa, Klimt’s The Kiss, and Munch’s The Scream — features cameos by Pete.
And much of Dean’s work portrays his feline friend in a softer, more realistic manner, revealing the artist’s deep affection for the real-life Pete. After quite a bit of deliberation, I eventually chose one of these as a souvenir for my parents:
“Pete the Cat: Weather or Not” by James Dean
Like Cindy encountering a Dahl book at the WWII Museum, I didn’t expect for my kidlit life to come out to play while I was on vacation — but I’m glad it did!
The post Pete the Cat in the Big Easy appeared first on The Horn Book.
Apparently Katie’s not the only one with a matchy-matchy problem. Thanks to Lolly for noticing the similarities between the color palette of my dress (and for taking the picture)
and of Grace Lin’s Where the Mountain Meets the Moon (reviewed by, well, me, in the September/October 2009 Horn Book Magazine).
The post More matchy-matchy appeared first on The Horn Book.
Like me, my friend Marie (hi Marie!) is a huge fan of Garth Nix’s Abhorsen YA fantasy trilogy. And like me, she’s been patiently(ish) anticipating Clariel, the prequel publishing in October, for years.
A lot of them.
Unlike me, however, she doesn’t have an ARC…so I’m mailing her my reviewer copy. Here are some Abhorsen read-alikes — featuring badass heroines, restless dead, adventure, and a hint of romance, all recommended by The Horn Book Magazine and Guide — in case you can’t wait until October either!
Every year, the Seeker, currently teen Ashyn, enters the Forest of the Dead to quiet damned spirits. The Keeper, Ashyn’s twin Moria, remains in the village as protector. But things go terribly awry, and the sisters are forced to travel across the Wastes to save their kingdom from the undead. Author Kelley Armstrong’s elaborate world is populated with complex characters in Age of Legends series-opener Sea of Shadows. (HarperCollins, 2014)
An electromagnetic pulse kills most of the country’s population instantly at the beginning of Ilsa J. Bick’s trilogy opener Ashes; many of those left become zombielike, “brain-zapped” cannibals. Survivor Alex teams up with eight-year-old Ellie and soldier Tom to search for other people. The trio’s deepening bond adds to the already high tension. This horror/survival story (with graphic violence) presents an intriguing take on zombie fiction. Look for sequels Shadows and Monsters. (Egmont, 2011)
After Otter’s mother, a binder of the dead, commits suicide rather than allow herself to be possessed by a ghostly White Hand, Otter and her friends venture beyond the bounds of their forest settlement to find the White Hands’ origin. The spirit-filled fantasy world of Erin Bow’s Sorrow’s Knot gives a hair-raising sensation of being surrounded by unknown dangers and evokes Native American cultures without caricaturing them. (Scholastic/Levine, 2013)
In Shadowcry, the first volume in the Secrets of Wintercraft series, fifteen-year-old Kate discovers she’s a Skilled, able to see and manipulate the “veil” between life and death. Moreover, she learns her ancestors wrote the coveted tome Wintercraft, which explains the veil’s secrets. Author Jenna Burtenshaw’s elegant, complex prose sweeps readers along to a dark world teeming with creepy underground passageways, abandoned buildings, and graveyards. Kate is a bright spot, facing each obstacle with defiance and determination. The series continues with Blackwatch and Winterveil. (Greenwillow, 2011)
Striving for normality in her magic-practicing family, Amy is happy for a summer of hard work at her aunt’s Texas ranch. But the deathly cold apparition in Amy’s bedroom pulls her into a dangerous mystery. Rosemary Clement-Moore’s Texas Gothic mixes suspense, humor, and lots of local flavor in this lively teen ghost story — with sex appeal — that’s one part Texas history and one part CSI. (Delacorte, 2011)
Running from an arranged marriage, seventeen-year-old Ismae lands up at St. Mortain’s convent, discovers she has special gifts (and that her true father is Mortain, the god of Death), and trains to become an assassin — the true vocation of a daughter of Death. Robin LaFevers’s Grave Mercy is a romantic fantasy, set in an alternate, fictional, quasi-late medieval Brittany. The His Fair Assassin series continues with Dark Triumph; volume three, Mortal Heart, will be published this November.
Only a fence separates Mary’s village from the Unconsecrated — zombielike creatures that must be kept at bay in order for her primitive post-apocalyptic community, governed by a religious sisterhood, to survive. Carrie Ryan’s inventive horror story The Forest of Hands and Teeth combines mystery, romance, and suspense as it records Mary’s quest to search beyond the barrier for alternatives to the life she has always known. Also look for companion books The Dead-Tossed Waves and The Dark and Hollow Places. (Delacorte, 2009)
In The Archived by Victoria Schwab, Mackenzie’s job is to return the wakeful dead to the Archive, a repository of all human memory. Persuading the dead to return to their rightful resting place often involves kick-ass combat, but this is no common policing-the-supernatural romantic thriller: Schwab writes of death, sorrow, and family love with a light, intelligent touch and inventive vigor. The story continues in sequel The Unbound. (Hyperion, 2013)
The post Abhorsen read-alikes appeared first on The Horn Book.
On Friday Cindy and I went to see actor Jason Segel discuss his new middle-grade novel (cowritten with Kirsten Miller) Nightmares! The sold-out event was sponsored by the Harvard Book Store and the nonprofit writing organization 826 Boston (program coordinator Karen Sama led the conversation with Segel). Cindy loves How I Met Your Mother (even the ending!), I love Freaks & Geeks, and we both love The Muppets. Segel is also the guy you may have seen naked in the very funny Saving Sarah Marshall (which he also wrote), and he was one of the bromantic leads in I Love You, Man.
Photo: Cynthia K. Ritter
Nightmares! is his first children’s book, and he kicked off the event by asking everyone in the audience under age fourteen to raise their hands (there were a few). Later on he asked for kid volunteers to come up and read aloud from the book, instead of reading himself, which could have backfired but was awesome. “I’m like the Pied Piper,” Segel quipped as a girl named Tessa, two boys named Sam, and a cutie little one named Lucas came up onstage to read. Afterward he told them, appreciatively, “You’re so much braver than I would have been at that age.”
Photo: Cynthia K. Ritter
The audience participation didn’t stop there. He asked people to share their nightmares; his as a kid involved a witch nibbling his toes (“because I have delectable toes”) and being chased around Dracula’s castle (“it was more Rococo than I would have thought”) which happened so frequently that he discovered a secret room where he could hang out and play video games. (Side note, and there were a lot of those: as a kid, Segel wore a Superman cape under his clothes “just in case” and carried the MYST game book around with him. Also? He’s been 6’4” since age 12 and the other kids used to jump on his back and chant “Ride the oaf!”)
And then there was the singing. During the Q&A a woman nervously asked: “What’s your favorite show tune?” “It’s gotta be the confrontation from Les Miz. Do you know it?” “Um, yes (giggle giggle).” “Ok, do you want to do it? Which part are you going to sing?” She chose Javert, and Jason sang his heart out as Jean Valjean (here’s how he did it with Neil Patrick Harris). The evening ended on an amazing note for fans with Segel at the piano doing the Dracula song (“‘Die… die… die…’ ‘I cahhn’t'”).
Cindy in the signing line
If this guy isn’t the nicest, most genuine-seeming Everydude in Hollywood, well, he must be a truly great actor (slash-master-manipulator), because he seemed really thrilled (“This is so much fun! Seeing those kids read up there, that’s the coolest thing ever”) and humbled to be there — even after a two-hour-plus signing line that Cindy waited on. Any “grown man” (he was in his late twenties at the time) who “burst into tears” upon seeing Kermit the Frog “in person” and who also cried while sitting in “kind of a rough pub in London” after finishing Winnie-the-Pooh is a-ok in my book. I’ll even forgive his publicist for ignoring my Five Questions request *cough cough.* Jason Segel, we love you, man.
Nightmares! was originally a screenplay I wrote at age 21, after Freaks & Geeks ended and I was unemployed and thinking, “I’m going to have to live with my parents forever.”
When I was a kid, movies like Labyrinth and The Goonies and Roald Dahl’s books made me believe I might find buried treasure. There’s still magic out there. You can catch a kid at the right age to say: don’t forget there’s magic…Kids’ imaginations are so much better than what you can put onscreen.
My mentor Judd Apatow said to me, “You’re kind of a weird dude.” Also [after Segel played him the Dracula song] he said: “Don’t ever play that for anyone else ever again.”
I’m willing to sit through the fear of doing something badly to get to passable. I tell myself: “I’m bad at this… right now”…The only thing I’m afraid of is being unprepared.
Coraline really scared me, and I’m a grown man!
Audience question: Who was your favorite actor growing up? Answer: Kermit. When you’re a kid, Kermit is Tom Hanks, Jimmy Stewart.
I wrote The Muppets when I was in London. With all those double-decker buses and furry hats, it’s a very Muppet-y place…The Muppets are Monty Python to a kid.
I did a Muppets screening at the White House and got to meet Barack Obama. He shook my hand and said, “I love you, man,” and I said, “I love you too, Mr. President!” It gets worse. Then I said, “You should come to the screening. There will be free snacks,” and he said, “Yeah, that’s what I’m missing. Not being able to get free snacks.”
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The story below is one reason we love Marla Frazee. Find out many more by reading her Talks with Roger interview.
I was once a clown, in high school. A bunch of us were nominated to be on the homecoming court — twenty-five or thirty people — and I did not want to be one of those. Not interested in that at all. There was this assembly — we were supposed to appear before the entire student body — so I wore this head-to-toe clown costume. Full-on, with the ruffle and the big shoes and the red nose. I worked on the makeup for a really long time. I drove to school in my ’67 Mustang, smoking a cigarette, and then I had to hide before the assembly because we weren’t allowed to wear costumes to school. So the curtains opened and we were all there, introduced to the students, and then as I was walking off the stage in the dark, I felt this hand grip my upper arm. It was the girls’ vice principal, who hauled me outside, walking me to her office. I’m slapping in my clown shoes, you know. She’s saying to me, as we’re walking side by side, “How dare you disrespect the school this way? How dare you disrespect” the whole homecoming-whatever-it-was. And then she wheels me around and stares at me and goes, “Wipe that smile off your face.” I’m laughing behind this smile. It took me about forty years — I don’t know if there’s something in this book [The Farmer and the Clown] about that, the “Wipe that smile off your face” line, but it definitely has stayed with me my whole life.
Talks with Roger is a sponsored supplement to our free monthly e-newsletter, Notes from the Horn Book. To receive Notes, sign up here.
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Simple app Breathe, Think, Do with Sesame (Sesame Workshop, December 2013), starring a blue, horned Sesame Street monster, models the “Breathe, Think, Do” problem-solving strategy for the very youngest (ages 2-5): “First…breathe to calm down after facing a challenge; next, think of plans to solve the problem; and then choose one of the plans.” (From the “About This App” note in the “For Parents” section; useful “Tips and Strategies” are also offered).
The opening screen shows the smiley monster looking up at five easy-to-identify icons (sneaker, backpack, block, slide, bed). The eager narration — in English or Spanish — urges: “Go ahead, tap on ones of these.” Each icon then takes us to a kid-centric scenario; selecting the backpack, for example, brings us to school. The narrator calls attention to visual cues about the monster’s state of mind: “Oh, no. The monster is frowning and it looks like he might cry. He feels sad because he’s not happy that it’s time to say goodbye to his mommy.” (The “sneaker” scenario models frustration at not being able to put on his own shoes; the “block” scenario models disappointment when the monster’s block tower topples over.)
Step 1: Breathe
The next screen shows the still-frowning monster against a red background. “Tap on the monster’s belly to help him put his hands on it. / Tap slowly on his belly.” The monster breathes in and out, and the background color lightens as the monster’s face relaxes (“Look! The monster is calming down. He needs to take another breath. Tap on his belly again”). After three slow breaths: “Yes! He looks much calmer.”
Step 2: Think
On the next screen we “help” the monster think of a plan. Bubbles appear over his head, and kids tap to pop them (the popping sound effects, along with monster-thinking noises, make this extra-fun) while the narrator says: “Think think think…Aha!” In the “Personalize This App” section (in the parents area) you an record your or your child’s voice to encourage the monster: “Think of a plan! Keep thinking! You’ve almost got a plan!”
The app then presents three problem-solving ideas; in the case of school: 1. find a friend to play with; 2. draw a picture of someone he loves to look at during the day; 3. ask a grownup, like his teacher, for a hug.
Kids pick one of the choices, which brings us to:
Step 3: Do
The monster successfully implements the chosen plan. The narrator does a quick recap (“remember: breathe, think, do; you can always ask a grownup for help”), then the monster celebrates with confetti (which kids can tap).
Learning life skills and having silly fun — this is a child-friendly, research-based app that could be very useful for a variety of settings.
Available for iPhone, iPad, and iPod touch (requires iOS 6.0 or later) and Android devices; free. Recommended for preschool and primary users.
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So, I saw that movie based on a YA novel about teens in love who are faced with questions of life and death. No, not that one, at least not most recently. I’m talking about the New Line Cinema/MGM adaptation of Gayle Forman’s 2009 novel If I Stay, directed by R. J. Cutler and released August 22, 2014. (Warning: If you stay with this post, you’ll find some major spoilers.)
When I went looking for a viewing companion, the premise produced shudders from more than one friend. For the uninitiated, the title refers to seventeen-year-old Mia (Chloë Grace Moretz)’s wrenching decision to go on living — or not — as she observes her comatose body after a car accident that left her critically injured and the rest of her family even worse.
In case you haven’t noticed, YA movies are hot these days, and studios seem to get that the books are hot, too. Like The Fault in Our Stars, Divergent, and other recent movies based on YA novels, this one keeps its story very close to the original text. Mia’s cello playing is important in the book, and so it’s important in the movie, too, even though it’s not as “Hollywood” as her boyfriend Adam’s (Jamie Blackley) rock band.
If I Stay is a cinematically paced book, which helps. Forman alternates between scenes of Mia’s pre-accident life and the post-accident drama. This structure saves both the book and the movie from long strings of hospital scenes and breaks up the emotional intensity with happier moments that increase our emotional investment in these characters. Mia’s rocker parents, affably performed by Mireille Enos and Joshua Leonard, and little brother Teddy, played by a sincere Jakob Davies, are simply fun and lovable characters; we want to spend time with them and understand why Mia does, too.
Though the movie mostly adopts the book’s pacing, it does make a few significant tweaks. In the book, Mia and the reader find out very quickly (and slightly more graphically) that both parents have died. The movie ratchets up tension by revealing her mother’s death later and having her father live long enough to arrive at the hospital. The change creates more reasons to keep watching the hospital scenes: Mia has hope for her family early on, and viewers who haven’t read the book (or, well, seen the trailer) might be on the edge of their seats. Teddy’s death comes later in both the book and the movie — but as movie-Mia stays in the same hospital instead of being helicoptered out, she finds out much more directly and it’s more of a defining moment.
If you thought Mia and Adam’s undying-unless-she-goes-to-Julliard love was a little cheesy in the book, you’ll find the same goops of cheddar in the movie. But neither book nor movie pretends their relationship is perfect, and the movie makes their conflict harsher but bases it on the same issues. Although the ending is essentially the same, Adam’s promises leading up to it manage to make the love story more sentimental. (These changes in Mia and Adam’s relationship also make it seem less likely that the studio plans to film the 2011 book sequel, Where She Went.)
Just like that other tear-jerking YA movie about love and mortality, this one emphasizes the choices its characters get to make. Even before Mia must decide whether to live, she’s deciding what to do with her life. Maybe that’s what so many teens like about these kinds of stories. Teens are at a time in their lives when even ordinary decisions start to have higher stakes. There’s something validating about stories that acknowledge that, in some cases, a teenage life is an entire life, and maybe something reassuring about seeing teens confronted with questions so big that choices about school and relationships seem lighter.
Yes, these tragic tales show that some things are beyond teens’ control, but they also make it clear that some things aren’t.
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During a recent weekend in New York City I had some time between brunch and a Broadway show. I was able to spend a leisurely few hours exploring The ABC of It: Why Children’s Books Matter (curated by kidlit historian and frequent Horn Book contributor Leonard Marcus), an engaging exhibit at the New York Public Library.
The exhibit is a winding journey of children’s literature that follows its history from early readers such as Dick and Jane to the phenomenon of Harry Potter. As I wandered through the exhibit, the books on display led me down the memory lane of my childhood favorites. On one wall was Charlotte’s spider web, complete with her written words aptly describing Wilbur. An interactive component consisted of the author E.B. White reading aloud chapters from his classic novel, Charlotte’s Web. As I listened I was instantly transported back to my youth. Around the corner I found the original stuffed animals of A. A. Milne’s Winnie-the Pooh looking very worn and loved in a glass case.
from left: the original Eeyore, Tigger, Kanga, Piglet, and Pooh stuffed animals
Each turn I took throughout the exhibit brought me to another special book that had been meaningful in my childhood. I next encountered my all-time favorite character, Mary Poppins. It is well known that P.L. Travers was very protective of her beloved Mary Poppins and was less than thrilled with Disney’s musical version. While the magical nanny in the book is somewhat more bitter than in the “spoonful of sugar” movie, Julie Andrews will always be my vision of the character. P.L Travers’ own parrot head umbrella is on display next to a Mary Poppins doll. The interactive exhibit also includes video of a musical number from the movie.
A theme found throughout the exhibit is how the history of children’s books parallels the evolution of thinking on child development. As you go through the exhibit you find the works of such children’s literature icons as Margaret Wise Brown, Eric Carle, and Maurice Sendak.
the great green room of Goodnight, Moon
The books of these authors/illustrators speak to various aspects of children’s development. Society’s understanding of how children grow and learn is reflected in the stories created for them. “Behind every children’s book,” we read on the exhibit wall, “is a vision of childhood: a shared understanding of what growing up is all about.”
illustrations from William Blake’s Songs of Innocence
The books in the exhibit reflect not only childhood, but also the times in which the books were written. One fascinating fact that I was not aware of: the book The Story of Ferdinand by Munro Leaf was considered by some as political propaganda when it was published in 1936. I have always thought of it as a sweet story of a bull that didn’t want to fight — I had no knowledge of the controversy that originally surrounded it. Of particular interest to me was the section of the exhibit dedicated to censored books throughout the years, ranging from such popular titles as Mark Twain’s Huckleberry Finn to Judy Blume’s Are you there God? It’s me, Margaret. The topic of censorship remains crucial as current books such as Harry Potter as well as perennial titles continue to be questioned and censored.
The exhibit, which closed on September 7th, offered a thoughtful tour of both children’s literature and societal conceptions of childhood.
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One hundred years ago today, the first shots of World War I were fired. These books about the WWI era — fiction and nonfiction for a range of ages — are all recommended by The Horn Book Magazine and The Horn Book Guide.
The text of Timothy Decker’s unusual picture book The Letter Home is a letter from a medic serving on the front lines during World War I to his young son back at home. A mood of sometimes ironic calm pervades both the spare, observant letter and the laconic black-and-white drawings, which depict the terrors of war in childlike terms: “Sometimes we played hide and seek.” It’s not clear who this book’s audience will be, but it deserves one. (Boyds Mills/Front, 2005)
Mikey’s mother and sister are knitting for the troops in Deborah Hopkinson’s Knit Your Bit: A World War I Story; asked to join them, Mikey proclaims: “No way! Boys don’t knit.” Then Mikey’s teacher encourages students to participate in the Central Park Knitting Bee, and Mikey enlists his fellow boys. Heavy on olive and khaki, Steven Guarnaccia’s illustrations indicate the WWI setting but also capitalize on white space, giving readers room to consider the book’s themes. (Putnam, 2013)
J. Patrick Lewis offers a fictionalized account of the 1914 Christmas Truce of World War I in a picture book for middle-grade readers, And the Soldiers Sang. A Welsh soldier relates how British and German troops facing each other in trenches of the Western Front ceased their fighting on Christmas Day to engage in songs and friendly games. Gary Kelley’s dark, somber pastel illustrations add intensity to this moving story. (Creative Editions, 2011)
The story of the same unofficial World War I Christmas truce is narrated by a grandfather and illustrated with Henri Sørensen’s eloquent oil paintings in Christmas in the Trenches. The bleakness of the trenches is balanced by author John McCutcheon’s emphasis on the indomitable spark of humanity. Based on the author’s 1984 folk song, the book displays a gentle and moving example of how to create peace. An author’s note, musical score, and CD are included. (Peachtree, 2006)
Archie Albright, protagonist of Marcia Williams’s Archie’s War, keeps a scrapbook/journal from 1914 to 1918; he collects his own comics and commentary, letters and postcards, newspaper clippings, and trading cards. Readers will be drawn in by the collage format. The satisfyingly busy pages provide much to pore over, unfold, and lift up, as well as a glimpse into life on the home front during World War I. (Candlewick, 2007)
In Sam Angus’s novel Soldier Dog, Stanley watches his beloved brother go off to war and then suffers from his father’s angry bouts with grief. Determined Stanley vows to protect his puppy, Soldier, from his father, and to reconnect with his brother. Stanley secures a spot in the military’s messenger dog service where he and the unit’s clever canines provide readers with a unique perspective on the Great War. (Feiwel, 2013)
Four years ago, nine-year-old Alfie Summerfield’s dad, Georgie, went off to fight in WWI. For a while, letters from Georgie came regularly. Then they stopped altogether. Now Alfie (accidentally) learns that Georgie is in a nearby hospital, suffering from shell-shock. The third-person limited narration of John Boyne’s Stay Where You Are & Then Leave keeps readers experiencing events solely from Alfie’s intelligent but childlike point of view. (Holt, 2014)
Nathan Fox and Sheila Keenan present three stories of dogs who were active participants in wars in their wrenching graphic novel Dogs of War. Fox’s illustrations highlight the chaos and grimness of war, and the text, though sometimes dense, is overall well balanced with the art. A powerful author’s note, compelling stories, and the heroism of these dogs will likely inspire and move readers. (Scholastic/Graphix, 2013)
In 1917, neighboring families face a sea of troubles. Two sons enlist in WWI; a suffragist aunt goes on a hunger strike; a seven-year-old daughter nearly dies from influenza. In Crossing Stones, Helen Frost reveals her story through tightly constructed poems. The discipline of the form mitigates against sentimentality, and the distinct voices of the characters lend immediacy and crispness to the tale. (Farrar/Foster, 2009)
Dennis Hamley’s Without Warning: Ellen’s Story takes place in World War I England as rigid class and gender boundaries begin to crumble. Teenage Ellen moves from her home to work at an estate, then turns to nursing in London, and finally to overseas duty at a French field station. Not even a fairy-tale ending can diminish this poignant and insightful historical novel told from Ellen’s first-person point of view. (Candlewick, 2007)
In Sonya Hartnett’s The Silver Donkey, a provocative and elegantly honed tale about war’s toll on innocents, sisters Coco, eight, and Marcelle, ten, discover an English soldier hiding near their French village. They bring the WWI deserter food; he tells them allegorical stories inspired by a silver donkey given to him by his terminally ill brother. Occasional full-page black-and-white art by Don Powers deftly suggests setting and mood. (Candlewick, 2006)
A tale about family secrets and well-intentioned lies, Michael Morpurgo’s A Medal for Leroy is inspired by the real-life experiences of the first black British Army officer, who was prejudicially denied a medal for his actions during WWI. Though the focus of the book is on family relationships and the stories people invent to protect their loved ones, Morpurgo also offers an understated, unexpectedly gentle meditation on prejudice. (Feiwel, 2014)
With a difficult grandmother and a troubled mother, Winnie’s family life is challenging. But when the Spanish influenza hits in 1918, Winnie’s first priority is protecting them. The fear and desperation resulting from pandemic illness ring true in Jenny Moss’s Winnie’s War as the heroine faces her limitations, accepts uncontrollable events, and discovers a future for herself. An author’s note gives more history. (Walker, 2009)
Jack Christie and his best friend Angus are caught up in the plot to assassinate Archduke Franz Ferdinand. Having traveled through time to 1914 Sarajevo, the two become pawns in a struggle between competing factions. They must grapple with preserving or changing history and facing the resultant implications for the future. In Day of the Assassins, author Johnny O’Brien provides a fast-paced combo of speculative and historical fiction. (Candlewick/Templar, 2009)
In Marcus Sedgwick’s The Foreshadowing, seventeen-year-old Sasha is a half-trained British nurse cursed with the ability to foresee imminent death. She runs away and follows her brother to the front, intent on saving him after a vision of his demise. An ongoing exploration of contemporary reactions to shell shock during World War I complements the plot and enriches Sasha’s character, and the clever conclusion is both surprising and apt. (Random House/Lamb, 2006)
After his older brother dies in combat, Edward, a sixteen-year-old Saskatchewan farm boy, lies about his age and enlists. He sees action in Palestine; it’s here that the horrors of the Great War are most graphically described. Arthur Slade puts an original spin on the experience of a young man going to war in his novel Megiddo’s Shadow. (Random House/Lamb, 2006)
Scott Westerfeld’s Leviathan features a mix of alternative history and steampunk. As WWI breaks out, Prince Aleksandar and his advisers flee to the Swiss Alps. Meanwhile, Deryn Sharp, disguised as a boy, is aboard the British airship Leviathan, which crashes near Alek’s estate. As the two meet and begin the complicated dance of diplomacy, the story and characters come to life. Black-and-white illustrations by Keith Thompson capture Westerfeld’s complex world. Sequels Behemoth (2010) and Goliath (2011) continue the tale. (Simon Pulse, 2009)
Ann Bausum provides an informative overview of America’s involvement in WWI in Unraveling Freedom: The Battle for Democracy on the Home Front During World War I. She discusses President Wilson’s fight to enact laws against “anti-American” activities as an example of how political leaders during a national crisis have attempted to restrict personal freedom in the name of patriotism. Illustrations, photographs, and notes enhance the succinct text. A “Guide to Wartime Presidents” chart is appended. (National Geographic, 2010)
With an abundance of historical photographs and a characteristically lucid, well-organized text, Russell Freedman’s The War to End All Wars: World War I documents the history of the First World War: from its tangled beginnings, through years of stalemate, to the collapse of empires and uneasy peace, and ending with a brief description of the rise of Hitler. Freedman’s narrative, dedicated to his WWI veteran father, is dramatic and often heart-wrenching. (Clarion, 2010)
The first part of Truce: The Day the Soldiers Stopped Fighting by Jim Murphy sparely and effectively outlines the causes of the Great War. Murphy then moves into a close-up view of the trenches before providing an account of the 1914 Christmas Truce. This historical background gives the truce emotional resonance; the subsequent carnage is all the more sobering in contrast. Plentiful photographs and period illustrations convey the paradoxes well. (Scholastic, 2009)
On December 6, 1917, two ships headed for WWI-ridden Europe — one carrying relief supplies, the other carrying an extraordinary amount of explosive munitions — collided in the Halifax, Canada harbor. Blizzard of Glass: The Halifax Explosion of 1917 author Sally M. Walker sets the stage, then focuses on five families that lived in the waterfront neighborhoods. Through their eyes, we experience the explosion, devastating aftermath, and eventual rebuilding. Numerous black-and-white photographs, plus a couple of welcome maps, further chronicle events. (Holt 2011)
Don’t miss Touch Press’s nonfiction WWI Interactive app (2012), reviewed here.
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Happy birthday to one of kidlit’s most beloved and backlashed big-name characters, Harry Potter! (He’d be thirty-four this year. Holy hippogriff.)
The Horn Book has had a lot to say — good, bad, and damn, these books are long — about The Boy Who Lived over the years. Here’s a roundup of reviews, articles, and blog posts about the series, including Roger Sutton’s breakdown of how it’s changed publishing.
Recommended read-alikes list
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These titles — all recommended by The Horn Book Magazine — offer a mix of magic, adventure, humor, and suspense that will enchant Harry Potter fans.
So You Want to Be a Wizard by Diane Duane [Young Wizards series] (Delacorte, 1983; reissued by Harcourt, 2003)
A splendid, unusual fantasy tells of the efforts of two young wizards, Nita and Kit, to keep the world from being overcome by the Prince of Darkness. This twentieth-anniversary edition of the first book in the series contains a new afterword and a short story about Nita and Kit, originally published in Jane Yolen’s anthology Dragons and Dreams.
Charmed Life, The Magicians of Caprona, Witch Week, The Lives of Christopher Chant, Mixed Magics: Four Tales of Chrestomanci, Conrad’s Fate, and The Pinhoe Egg by Diana Wynne Jones [The Chrestomanci Chronicles] (reissued by Greenwillow, 2001)
This series is linked by the character Chrestomanci, a magician with nine lives, whose charge is to maintain the balance of magic among parallel universes.
The Merlin Conspiracy by Diana Wynne Jones (Greenwillow, 2003)
The story is narrated in alternating chapters by Roddy (a girl) and Nick. Roddy and a friend summon Nick, an unknown helper, when they discover that the Merlin (in charge of magic) has been murdered. Writing on an epic scale, the author deftly creates a fully realized fantasy universe with a series of worlds that resemble one another and our own but with distinct differences. This is a vastly absorbing story of good battling evil.
Sabriel by Garth Nix (HarperCollins, 1995)
A compelling fantasy has for a heroine Sabriel, the daughter of the necromancer whose duty it is to protect the Old Kingdom: unlike other mages, he has the power to bind the dead as well as bring the dead back to life. The story is remarkable for the level of originality of the fantastic elements and for the subtle presentation, which leaves readers to explore for themselves the complex structure and significance of the magical elements. The story continues in sequels Lirael: Daughter of the Clayr and Abhorsen; a prequel, Clariel, will be published in October 2014.
The Magic Thief written by Sarah Prineas; illus. by Antonio Javier Caparo (HarperCollins, 2008)
Precocious pickpocket Conn becomes an apprentice to Nevery Flinglas, a wizard trying to stem the loss of magic from the city. Readers will find the familiar character types and straightforward plotting of this amiable tale (akin to that of another well-known boy wizard) easy to grasp, while the evolving conflicts and distinctive setting will draw them on.
The Cabinet of Wonders by Marie Rutkoski [Kronos Chronicles series] (Farrar, 2008)
Petra Kronos’s father has magical abilities to construct creatures out of tin and to make a wondrous weather-controlling clock. When the prince of Bohemia blinds Kronos, cutting out his eyes and magicking them for his own use, Petra resolves to steal them back from the prince’s Cabinet of Wonders. Rutkoski’s bucolic old-world atmosphere keeps her workmanlike plotting feeling fresh and fortuitous. The story continues in sequels The Celestial Globe and The Jewel of the Kalderash.
The Emerald Atlas by John Stephens [Books of Beginning series] (Knopf, 2011)
Siblings Kate, Michael, and Emma discover a book that transports them back fifteen years in time. Thus begins their adventure with the Atlas, one of three Books of Beginning–powerful magical volumes whose secrets brought the universe to life. This imaginative and enjoyable series starter explores the bonds of family and magic while setting up an inevitable good-versus-evil showdown. The story continues in The Fire Chronicles.
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Hipster teens rejoice! Here is your new poster child (though she would probably reject the title — which is, of course, the hipster thing to do).
With The Isobel Journal: Just a Girl from Where Nothing Really Happens (Switch Press, August 2014; first published in her native UK by Hot Key Press, 2013), nineteen-year-old art student Isobel Harrop shares her journal of quirky drawings accompanied by obvious, but often hilarious, observations about life. (Sometimes she likes to play “Pretend I am Beyoncé.” Don’t we all?) Imagine Amelia of Amelia’s Notebook growing up and going to the Rhode Island School of Design. If you love the grungy and odd, vintage clothes, championing music no one else has heard of, rhapsodizing about tea, and ironically listening to ’90s girl bands, meet your new best friend!
A few of my favorite entries:
I can empathize — I, too, fear of being “one of those people.”
Here’s a link to a soundtrack compiled by Isobel to listen to while perusing the book.
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To celebrate World Elephant Day (August 12, 2014), here are some books about those larger-than-life creatures, with reviews from The Horn Book Guide Online.
Bunting, Eve Tweak Tweak
40 pp. Clarion 2011. ISBN 978-0-618-99851-7
(Preschool) Illustrated by Sergio Ruzzier. “‘Hold on to my tail, Little Elephant,’ Mama Elephant said. ‘…If you want to ask me a question, tweak twice.’” Tweak and ask she does: from the names of the animals they encounter to what each is doing. Can she, Little Elephant, do those things, too? The pairing of Bunting’s elegant text with Ruzzier’s offbeat art, including surreal, rather Seussian landscapes, is unexpectedly fabulous.
de Brunhoff, Jean and Brunhoff, Laurent de Babar’s Anniversary Album: Six Favorite Stories
144pp. pp. Random 1993. ISBN 0-394-84813-6
(Gr. K-3) Reissue, 1981. Introduction by Maurice Sendak. This compilation of six stories–three by Jean de Brunhoff, Babar’s creator, and three by Jean’s son Laurent–about the French elephant was originally published to commemorate Babar’s fiftieth birthday. The volume includes a photo-essay by Laurent de Brunhoff that includes family photographs and sketches and paintings by both Laurent and his father.
McKee, David Elmer’s Christmas
32 pp. Andersen 2011. ISBN 978-0-7613-8088-7
(Gr. K-3) After a day of Christmas preparation, patchwork elephant Elmer and seven young elephants spy on Papa Red (complete with Santa hat and whiskers). While watching him gather gifts from under their tree, Elmer explains, “this is the season for giving.” McKee’s story sends a friendly reminder about the importance of generosity during the holidays. Playful, vividly colored illustrations complement the cheery tone.
Willems, Mo Elephants Cannot Dance!
64 pp. Hyperion 2009. ISBN 978-1-4231-1410-9
(Gr. K-3) Elephant & Piggie Book series. Elephant Gerald intones, “Elephants cannot dance.” But as it turns out, elephants can try to dance. Even though Gerald can’t keep up with Piggie, he has a few (unwitting) moves of his own. Color-coded speech bubbles in this easy reader focus attention on the simple words and expressive illustrations. The easily understood story will provide instant reading success and lots of laughs.
Applegate, Katherine The One and Only Ivan
307 pp. HarperCollins/Harper 2012. ISBN 978-0-06-199225-4
(Gr. 4-6) Illustrated by Patricia Castelao. In short chapters that have the look and feel of prose poems, Applegate captures the voice of Ivan, a captive gorilla who lives at the “Exit 8 Big Top Mall and Video Arcade.” When a new baby elephant arrives, Ivan realizes they deserve more than their restrictive environment. Ivan’s range of thoughts and emotions poses important questions about kinship and humanity. 2013 Newbery Medal winner.
DiCamillo, Kate The Magician’s Elephant
202 pp. Candlewick 2009. ISBN 978-0-7636-4410-9
(Gr. 4-6) Illustrated by Yoko Tanaka. In a fictional Old World city, Peter searches for his sister, instructed by a fortuneteller to “follow the elephant.” The book’s theme is the triumph of hope over despair, as Peter’s idea that the “world is broken” gives way to a belief in possibility. DiCamillo’s prose is remarkable in this allegorical and surreal novel.
Fleischman, Sid The White Elephant
95 pp. Greenwillow 2006. ISBN 0-06-113136-9 LE ISBN 0-06-113137-7
(Gr. 1-3) When Run-Run’s elephant accidentally sprays water on a cranky prince, he and Run-Run get a gift they neither want nor can handle: Sahib, a sacred white elephant. Fleischman’s original tale tells a touching story of the enduring power of love. Short chapters, evocative pencil sketches, and a rich Siamese setting will hold the interest of readers and listeners alike.
Kelly, Lynne Chained
248 pp. Farrar/Ferguson 2012. ISBN 978-0-374-31237-4
(Gr. 4-6) Ten-year-old Hastin must endure the cruelty of his employer, a circus owner. Kelly crafts a layered, convincing tale of interspecies friendship as Hastin comes to understand his charge, Nandita, an elephant calf. A kind older man proves an ally in Hastin’s quest to protect Nandita, but it is the bond between boy and elephant that will stick in readers’ minds.
Lewin, Ted and Lewin, Betsy Balarama: A Royal Elephant
56 pp. Lee 2009. ISBN 978-1-60060-265-8
(Gr. K-3) In Mysore in southern India, elephants are featured in the annual Dasara festival procession. The Lewins describe Balarama’s triumphant first appearance as procession leader. Pageantry and noble beasts alike are vividly realized in Ted Lewin’s signature watercolors, while Betsy Lewin’s agile drawings add deft characterizations, lively action, and humor. It’s a gorgeous glimpse at a continuing custom. “Elephant Facts” are appended. Glos.
Lewin, Ted and Lewin, Betsy Elephant Quest
48 pp. HarperCollins 2000. ISBN 0-688-14111-0 LE ISBN 0-688-14112-9
(Gr. K-3) In search of African elephants in Botswana, the Lewins provide careful observations of animals in their habitats that lend insight into animal behaviors and survival tactics. Throughout, a cheerful tone combines with reverence for the beauty and variety of nature. Betsy Lewin’s humorous, emotive sketches and Ted Lewin’s full-page paintings illustrate their encounters.
O’Connell, Caitlin A Baby Elephant in the Wild
40 pp. Houghton 2014. ISBN 978-0-544-14944-1
(Gr. K-3) Photographs by Caitlin O’Connell and Timothy Rodwell. In text and numerous color photographs we follow a newborn female elephant through her first months in the Namibian scrub desert as she learns the behaviors that will enable her to survive. The account is straightforward and unsentimental yet filled with detailed and fascinating scientific information, including the lifelong ties among elephants that will resonate with readers’ own experience of family.
O’Connell, Caitlin and Jackson, Donna M. The Elephant Scientist
71 pp. Houghton 2011. ISBN 978-0-547-05344-8
(Gr. 4-6) Photographs by Caitlin O’Connell and Timothy Rodwell. Scientists in the Field series. Scientist O’Connell’s contributions to our understanding of elephant communication propel this account. O’Connell and Jackson describe the findings in a way that lets readers witness the unfolding of a research program, as hypotheses lead to new insights that beget even more questions. The many photographs, predominantly from Namibian field sites, capture the majestic elder elephants, their always-appealing offspring, and dusty, rugged landscapes. Reading list, websites. Bib., glos., ind. 2012 Boston Globe-Horn Book Nonfiction Honor Book winner.
Schubert, Leda Ballet of the Elephants
32 pp. Roaring Brook/Brodie 2006. ISBN 1-59643-075-3
(Gr. K-3) Illustrated by Robert Andrew Parker. Big, lumbering elephants performing a ballet? This event did happen–with fifty elephants (and fifty human ballerinas). Four individuals (John Ringling North, George Balanchine, Igor Stravinsky, and Vera Zorina) are artfully introduced through background material that connects each person to the whole. Parker’s loosely scrawled ink outlines contribute to the magical tone. A personal yet informative author’s note is appended. Further reading, websites.
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The brand-new story told in Dreamworks’ Dragons, Book 1: Flight of the Returnwing e-book (Dreamworks Press with Genera Interactive, July 2014) takes place between the 2010 How to Train Your Dragon film (based on Cressida Cowell’s intermediate novel of the same name) and the sequel released earlier this summer.
The user begins by creating a character profile and selecting one of three reading levels: “hatchling” (suggested for users five years and younger), “broad wing” (six to eight years), and “titan wing” (nine years and up). The user may easily edit his or her profile or select a different reading level; the engaging narration, music, and sound effects may be turned on or off at any time from the parent-locked settings menu. All three levels of the story have the same basic plot and address the user directly in present-tense, second-person narrative.
You come-to underwater, with amnesia and a mysterious dragon egg in tow, after an apparent shipwreck. Human boy and dragon pair Hiccup and Toothless — protagonists of both the books and films — rescue you from a hungry water dragon, then fly you to their island home, Berk, to help save the hatching egg. The new hatchling gets spooked and escapes, leading you, Hiccup, and Toothless on a merry chase around four island locations (the blacksmith’s shop, the dragon-training academy, the dragon hanger, and a quiet cove) while encountering the human and dragon inhabitants.
You finally track down your baby dragon and earn its trust. Navigating among the various locations — or returning to a favorite chapter — is easy with a map of the island.
Each of the five chapters (one for the shipwreck scene, plus each of the island destinations) is followed by a first-person “journal entry” in which your character ponders her or his forgotten past, describes emotional reactions to the story’s events, and offers some foreshadowing for future installments. Endearing watercolor-like illustrations accompany the entries. Though the main narrative is simplified in the hatchling and broad wing levels, the journal entries are identical across levels and no narration is offered — so younger users may need some help reading these sections.
The humorous text (most nuanced and funniest in titan wing mode) and high-quality animation are accompanied by upbeat music, sound effects, and a few simple interactive moments, including a game of “Returnwing” (think “boomerang”) fetch with Toothless. But the real draw for Dragon fans will be reuniting with these lovable characters.
Available for iPad, iPhone, and iPod Touch (requires iOS 6.0 or later); $4.99. Next installment coming fall 2014; $.99. Recommended for primary and intermediate users.
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In honor of Shark Week, here’s a list of recent YA books featuring sharp-tongued narrators with biting wit. (Thanks to WE television network, home of Will & Grace reruns, for giving us this idea for “Snark Week.”)
Hattemer, Kate The Vigilante Poets of Selwyn Academy
Middle School, High School Knopf 327 pp.
4/14 978-0-385-75378-4 $16.99
Library ed. 978-0-385-75379-1 $19.99
e-book ed. 978-0-385-75380-7 $10.99
A reality show competition for the title of “America’s Best Teen Artist” comes to Ethan’s bohemian high school, and his best friend Luke proposes a “folk uprising.” Ethan gets fired up by Luke’s idealism, so he feels profoundly betrayed when their scathing long poem (à la Ezra Pound) lands Luke a spot on For Art’s Sake…Luke’s apparent objective all along. Ethan’s voice — self-deprecating, witty, and full of both literary and pop-culture references — makes him an appealing narrator for the madcap comedy, and readers will cheer as he takes a leading role in his own life.
Howell, Simmone Girl Defective
High School Atheneum 303 pp.
9/14 978-1-4424-9760-3 $17.99 g
e-book ed. 978-1-4424-9762-7 $10.99
From the roof of her father’s failing used record store, fifteen-year-old Sky and her glamorous older friend Nancy spy a poster of a beautiful but sad-looking girl whose image lingers in Sky’s dreams. When Sky learns that Mia, the girl in the picture, was found dead in nearby St. Kilda harbor — and that Mia’s brother now works in the record store — she wants to learn more. Part mystery, part romance, and part unconventional family story, the book introduces an intriguing cast of characters, each of whom has his or her own mystery or problem to solve. Sky’s first-person narrative is observant, questioning, and self-critical.
Maguire, Gregory Egg & Spoon
Middle School Candlewick 479 pp.
9/14 978-0-7636-7220-1 $17.99
e-book ed. 978-0-7636-7582-0 $17.99
An imprisoned man tells his story, Scheherazade-like, in letters to the tsar. He begins with Elena, a young girl in the impoverished Russian countryside, who meets well-to-do Ekaterina. Their lives collide and intertwine, sending the story in two directions: to a ball in St. Petersburg and deep into the forest to an unforgettable Baba Yaga — who is exactly the type of hardboiled, witty, snarky, and timeless a character as one could wish for from Maguire.
Portes, Andrea Anatomy of a Misfit
High School Harper/HarperCollins 330 pp.
9/14 978-0-06-231364-5 $17.99 g
e-book ed. 978-0-06-231366-9 $10.99
Anika Dragomir looks the part of the blond-haired, blue-eyed All-American girl-next-door, but “nobody knows that on the inside I am spider soup.” On the first day of school, “nerd-ball turned goth romance hero” Logan McDonough fixes his smoldering gaze on Anika, and they begin a secret courtship — that gets even more complicated when God’s-gift-to-Nebraska, Jared Kline, asks Anika’s mom for permission to take her daughter out on a date. Anika’s observations are razor-sharp, especially when she is describing other people (and especially when she’s ragging on her own family: “My dad is Romanian and looks like Count Chocula. Seriously. He looks like a vampire”).
Smith, Andrew 100 Sideways Miles
High School Simon 277 pp.
9/14 978-1-4424-4495-9 $17.99 g
e-book ed. 978-1-4424-4497-3 $10.99
Finn Easton has unusual scars on his back, products of the freak accident that also killed his mother when he was a kid. He has a pretty good life otherwise: his sci-fi novelist father loves him; his best friend Cade makes him laugh; and he has recently met Julia, the girl of his dreams. After Julia moves away, crestfallen Finn embarks on a college visit with Cade, a trip that turns the boys into heroes. Finn has a funny, fluid narrative voice, and his banter with Cade is excellent — and often hilariously vulgar.
Willey, Margaret Beetle Boy
High School Carolrhoda Lab 200 pp.
9/14 978-1-4677-2639-9 $17.95
e-book ed. 978-1-4677-4626-7 $12.95
As Charlie Porter convalesces from a ruptured Achilles tendon, his past — years of being paraded around in a beetle costume by his opportunistic father as the child author of the Beetle Boy series — resurfaces in nightmares in which he’s tormented by a giant beetle. Charlie wrestles with anger regarding the exploitation and abandonment he suffered as a child, guilt for escaping that suffering while leaving his little brother behind, and gratitude toward the crotchety children’s book author who cared for him. In her relentlessly honest but hopeful novel, Willey crafts a delicate psychological landscape through carefully timed flashbacks.
For Shark Week reading, click here.
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Well, after the glorious, gleeful exhaustion brought on by the Wizarding World of Harry Potter, your intrepid intern still had a whole conference to attend.
For those of you who haven’t heard of LeakyCon, it originally started as a Harry Potter–themed fan conference in 2009, but has since morphed into an all-out geek-fest in which fan communities from all kinds of media platforms come together to celebrate the power of story and fandom. In fact, the conference has been renamed and will be known as GeekyCon from here on — opening up to the wide, wide world of geekdom!
It will not surprise any of you that I spent most of my time at the conference at the LeakyCon Lit panels. Organized by YA authors Maureen Johnson and Robin Wasserman, LeakyCon Lit brings together YA authors from all over to talk about writing, their books, and plenty of weird, awesome, totally unrelated things. This year’s speakers were Stephanie Perkins, Laurie Halse Anderson, Malinda Lo, Alaya Dawn Johnson, Holly Black, Gayle Forman, John Green, Varian Johnson, Kazu Kibuishi, Lauren Myracle, Rainbow Rowell, and Scott Westerfeld. With such a diverse group presenting, we got to hear about everything from designing love interests to killing off beloved characters, from graphic novels to world-building, from Stephanie Perkins’s morning jigsaw puzzle routine to Alaya Dawn Johnson’s near miss with quicksand.
The programming ranged widely between serious panels (such as “Diversity in YA” and the “War Against YA Lit”) to game shows (including Jeopardy and a variation on The Lying Game, an old British game show). Maureen Johnson interviewed John Green in a Between Two Ferns–eqsue style, providing a hilarious exposé of their friendship. Johnson also moderated the panel about killing off characters — which meant, unfortunately, that the audience didn’t get any new information about a certain beloved [spoiler] she killed off in [spoiler]. But we did have the opportunity to harangue some of the other authors, who discussed the tension between emotional attachment and resonance and deciding when a character’s death serves the story best.
The panel centered on diversity in YA was especially powerful. The panelists discussed YA literature’s erasure and misrepresentation of people with diverse gender identities and sexuality, people of color, and people with disabilities — as well as the kind of backlash faced by authors who create those characters. I found it provocative when the authors on the panel discussed a question they often get regarding their characters of color: “Why did you make that character a specific race if your story isn’t about racism…why bother?” The discussion which followed emphasized the importance of recognizing the bountiful diversity of experience in the world and the role literature plays in representing that diversity to its readership.
While most of the programming at LeakyCon Lit this year was phenomenal, a couple of the panels were better in conception than they were in execution. One panel called “I Made You, You’re Perfect” focused on romance in YA and how to construct romantic relationships and compatible characters. The panel, however, was comprised entirely of straight women; this lack of diversity was particularly apparent during a mishandled question on asexuality. The “War on YA” panel was concerned with the way that YA as a genre has been either denigrated by the media as too sweet and too small (especially for adult readers) or lambasted as the source of all evil for young people. Rather than exploring this phenomenon and its impact in depth, however, the speakers on the panel mostly reiterated what many of us had seen them write on Twitter and their blogs in recent months.
Overall, however, LeakyCon Lit was a perfect mix of whimsy, banter, and critical discussion. The authors are all knowledgeable and engaging, and their comments and discussions were accessible and enjoyable. I’ve been attending this track for the past four years and I can say with certainty that there is plenty to enjoy for both teens and adults.
The rest of the LeakyCon is not devoid of book-related fun for kids and grown-ups, of course. The subjects of the panels range from investigations into Harry Potter canon and characters to sing-alongs and debates. Each night there’s a concert by bands who get their material from Harry Potter (or The West Wing, or Doctor Who, or a whole host of other awesome platforms and stories). Pemberly Digital, a production company which creates modern adaptions of well-loved classics, premiered the first two episodes of Frankenstein, M.D., which follows Victoria Frankenstein, a young doctor determined to prove herself in a male-dominated field. Pemberly Digital is the same group who created the Emmy award–winning adaptation of Pride and Prejudice, The Lizzie Bennet Diaries. Which you should watch right now. Don’t worry. I’ll wait!
Seriously though, they are really good – as is Emma Approved (adapted from Jane Austen’s Emma), which is currently airing on Pemberly’s YouTube channel.
By the time we woke up on Sunday morning, we were about ready to lounge the day away by the pool. But we were in Orlando, and there is no such thing as a trip to Orlando without a visit to the Magic Kingdom. We did have to put down all our new books and our new geeky swag…but books are always there when you get back!
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2013 was an anniversary year for the live-action educational TV program Bill Nye the Science Guy. In honor of that occasion, developer Disney Education created the Bill Nye the Science Guy 20th Anniversary App.
Welcome to Nye Labs, where you’ll discover on the main screen (a.k.a. Bill’s retro-looking desk) an assortment of objects that when tapped lead you to different sections of the app, all narrated by Bill himself.
Learn about telling time with a sundial on Mars versus on Earth (Martian minutes are longer) or enter the “Whorl of Illusion!” to learn about different types of optical illusions. When you tap the Bill Nye bobblehead on the desk, he provides science trivia (e.g., “Humpback whales can go without eating for six months”). In the TV portion of the app, you can watch episodes of the show in which Bill teaches you about chemical reactions, the heart, the planets and sun, gravity, earthquakes, magnetism, friction, light optics, and mammals. NB: Each video costs an additional $1.99 in the app store. “The Book of Do-It-Yourself Experiments” provides instructions for hands-on projects, such as testing eggshell strength and cleaning pennies, to try at home.
Two games are included in the app. One is an “Archeology Dig of Science” with robot Diggity and his dog Rocky in the yard behind the lab. Complete three levels (crust, mantle, core) by having the robot dig down into the earth to discover artifacts worth points. You need to earn a certain number of points within the time limit to advance to the next level. In the other game you are looking for signs of life on the Plutoid Pluto — but you have to travel there from Earth in a rocket ship. Along the way you’ll pass other planets and learn facts about each one. You must figure out how to use each planet’s orbit to move you forward in space when you launch your rocket; timing is everything here. You also must complete missions along the way, such as photographing each planet and launching satellites. Engaging in missions will earn you “money,” which you need to continue playing the game (launching rockets is expensive!). But remember to save some missions for the end so you can drop a probe on Pluto and get back to Earth. And don’t get lost in space!
Both games were a bit tricky to master and certainly not designed for the youngest users, but with a little practice they were fairly enjoyable.
Inside the desk drawer on the main page, you’ll find a few little extras, including a step-by-step guide on “How to Tie a Bow Tie” — so you can wear one like Bill Nye — and a copy of the Periodic Table of Elements with facts about some of the elements. There’s no way turn off the sound effects or Bill’s narration in any of the sections, so they got repetitive after a while.
This app contains a random assortment of science facts and experiments… but it’s just that sort of variety that made the show so interesting to watch when it aired on PBS Kids in the 1990s and that makes the app, with its impressive and responsive graphics, an informative and entertaining e-introduction to Bill Nye’s approach for making basic science concepts accessible to kids.
Available for iPad, iPhone, and iPod Touch (requires iOS 6.0 or later); free with in-app purchases. Recommended for primary and intermediate users.
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Over the weekend my family visited the Norman Rockwell Museum in Stockbridge, MA. It was suggested as a things-to-do-with-kids-in-the-Berkshires activity because of Rockwell’s “accessibility” as an artist. (Be that as it may, the little boys were much more interested in climbing on the outdoor sculptures — allowed! — and running around on the lawn.) Amidst all the small-town folksy scenes and the smiling cheerleaders was Rockwell’s arresting The Problem We All Live With. Large and horizontal, among the mostly vertical and more contained (and restrained) pieces, the image commands attention and reminds viewers that Rockwell, though undoubtedly adept at capturing cozy Americana, had something more to say.
I then read in the news about the flap caused by illustrator Mary Engelbreit, best known for her sweet, cherubic children and bucolic scenes — from her website: “Mary Engelbreit is known throughout the world for her distinctive illustration style, imbued with spirited wit and nostalgic warmth.” The St. Louis native was inspired by events in Ferguson, Missouri. Who knew she had it in her? You go, Mary.
It’s an apt time to re-post last summer’s thoughtful, moving piece by Christopher Myers — “Young Dreamers” — about cultural diversity in children’s media, the state of race in America, and childhood cut short.
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As summer winds down and the new school year looms, we look back on the year that was. Here are our senior superlatives for characters in the class of 2013-2014. What superlative would you award your favorite character?
Wild-and-craziest: Mr. Tiger (from Mr. Tiger Goes Wild by Peter Brown)
Slow-and-steadiest: Giantess George (from Galápagos George by Jean Craighead, illus. by Wendell Minor)
Bravest: Peggy (from Peggy: A Brave Chicken on a Big Adventure by Anna Walker), Chicken Little (from Brave Chicken Little by Robert Byrd)
Most chicken: Alvin Ho (Alvin Ho: Allergic to the Great Wall, the Forbidden Palace,
and Other Tourist Attractions by Lenore Look, illus. by LeUyen Pham)
Most zen: Koo (from Hi, Koo! A Year of Seasons by Jon J Muth)
Most loyal: Santiago (from Santiago Stays by Angela Dominquez)
Class clowns: the Vole Brothers (from Splat! Starring the Vole Brothers by Roslyn Schwartz)
Miss Congeniality: Princess Ko (from The Cracks in the Kingdom by Jaclyn Moriarty)
Mr. Congeniality: Jackson Greene (from The Great Greene Heist by Varian Johnson)
Cutest couple: Emily and Sam (from Just Call My Name by Holly Goldberg Sloan), Amy and Matthew (from Say What You Will by Cammie McGovern), Devorah and Jaxon (from Like No Other by Una LaMarche), Mouse and Mole (from Mouse and Mole, Secret Valentine by Wong Herbert Yee)
Most complicated love triangle: Alix, Swanee, and Liana (from Lies My Girlfriend Told Me by Julie Anne Peters)
Most likely to elope in Vegas: Holly and Dax (The Chapel Wars by Lindsey Leavitt)
BFFs: Rose and Windy (from This One Summer by Mariko Tamaki, illus. by Jillian Tamaki), Sophie and Bernice (from Sophie’s Squash by Pat Zietlow Miller, illus. by Wilsdorf), Pom and Pim (from Pom and Pim by Lena Landström, illus. by Olof Landström)
Best frenemies: Dog and Cat (from Dog vs. Cat by Chris Gall)
Best dancer: Josephine (from Josephine: The Dazzling Life of Josephine Baker by Patricia Hruby Powell, illus. by Christian Robinson), Rupert (from Rupert Can Dance by Jules Feiffer)
Best artist: Emily (from Emily’s Blue Period by Cathleen Daly, illus. by Lisa Brown), girl with red crayon (from Journey by Aaron Becker), prehistoric child (from The First Drawing by Mordicai Gerstein)
Best knitter: Needles (from When I Was the Greatest by Jason Reynolds)
Best dresser: Rose (from The Midnight Dress by Karen Foxlee)
Best/worst babysitter: Octopus (from Thank You, Octopus by Darren Farrell), Baba Yaga (from Egg & Spoon by Gregory Maguire)
Best car: Mike and Tschick (from Why We Took the Car by Wolfgang Herrndorf)
Best facial hair: George E. Ohr (from The Mad Potter: George E. Ohr, Eccentric Genius by Jan Greenberg and Sandra Jordan)
French: Mr. Hulot (from Hello, Mr. Hulot by David Merveille)
Chinese: Norman (from Norman, Speak! by Caroline Adderson, illus. by Qin Leng)
Sex ed: Sophie Blackall (author/illus. of The Baby Tree)
Best bus drivers: Joe (from My Bus by Byron Barton), Gus (Gus, the Dinosaur Bus by Julia Liu, illus. by Bei Lynn)
NBA-bound: Josh and Jordan (from The Crossover by Kwame Alexander)
Future mathlete: Annika (from Annika Riz, Math Whiz by Claudia Mills, illus. by Rob Shepperson)
Future gymnast: Jake (from Jake at Gymnastics by Rachel Isadora)
Most likely to be a vet: Lulu (from Lulu and the Rabbit Next Door by Hilary McKay, illus. by Priscilla Lamont)
Most likely to win an Oscar: Kate Walden (from Kate Walden Directs: Night of the Zombie Chickens by Julie Mata)
Most eco-concious: Kate Sessions (from The Tree Lady: The True Story of How One Tree-Loving Woman Changed a City Forever by H. Joseph Hopkins, illus. by Jill McElmurry)
Most traveled: cat (from City Cat by Kate Banks, illus. by Lauren Castillo), dad (from Fortunately, the Milk by Neil Gaiman, illus. by Skottie Young)
Most likely to get abducted by aliens: Robbie and Marilee (from The Summer Experiment by Cathie Pelletier), Aidan, Dru, and Louis (from Little Green Men at the Mercury Inn by Greg Leitich Smith, illus. by Andrew Arnold)
Cutest siblings: Gaston, Fi-Fi, Foo-Foo, and Ooh-La-La/Antoinette, Rocky, Ricky, and Bruno (from Gaston by Kelly DiPucchio, illus. by Christian Robinson)
Weirdest siblings: Merciful and Gospel Truth (from Engines of the Broken World by Jason Vanhee)
Most dysfunctional family: the Romanovs (from The Family Romanov: Murder, Rebellion, and the Fall of Imperial Russia by Candace Fleming)
Most well preserved (for her age): Lady Dai (from At Home in Her Tomb: Lady Dai and the Ancient Chinese Treasures of Mawangdui by Christine Liu-Perkins, illus. by Sarah S. Brannen)
Poshest: Lord and Lady Bunny (from Lord and Lady Bunny — Almost Royalty!: By Mr. & Mrs. Bunny by Polly Horvath, illus. by Sophie Blackall)
Bathing beauties: Queen Victoria (from Queen Victoria’s Bathing Machine by Gloria Whelan, illus. by Nancy Carpenter), Elizabeth (from Elizabeth, Queen of the Seas by Lynne Cox, illus. by Brian Floca)
Night owls: Hannah (from Hannah’s Night by Komako Sakai), Chengdu (from Chengdu Would Not, Could Not Fall Asleep by Barney Saltzberg), Tippy (from Tippy and the Night Parade by Lilli Carré)
For more Horn Book silliness about books we love, see the 2014 Mind the Gap Awards and our 2012-2013 yearbook superlatives.
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