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Viewing: Blog Posts Tagged with: Yen Press, Most Recent at Top [Help]
Results 1 - 25 of 29
1. Fruits Basket is coming back from Yen Press, along with lots more from Natsuki Takaya

fruits-basket-full-9697.jpgNatsuki Takaya’s Fruits Basket was one of the greatest hits of the First Manga Era, with the English editions from TokyoPop one of the best selling manga of the time. The original was published from 1998 to 2006 in Japan and was turned into a successful anime as well. While ToykoPop's manga have been OP for five years, Yen Press knows a good thing when they see it and they're bringing back Fruits Basket in fully updated collector’s editions AND publishing more from Takaya’s list including her classic Twinkle Stars and her new Liselotte & Witch’s Forest.

0 Comments on Fruits Basket is coming back from Yen Press, along with lots more from Natsuki Takaya as of 12/4/2015 8:38:00 PM
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2. Emma Review

Title: Emma Genre: Seinen, Romance Publisher: Enterbrain (JP), Yen Press (US) Artist: Kaoru Mori Serialized in: Comic Beam Being an avid reader of Kaoru Mori’s Bride Stories, I expected Emma to be just like its successor: beautifully detailed with sharp and charismatic characters, and great stories. However, by reading the first volume…I saw how it ... Read more

The post Emma Review appeared first on Organization Anti-Social Geniuses.

1 Comments on Emma Review, last added: 9/25/2015
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3. SDCC ’15: Manga Publisher Roundtable Bust Myths

by Zachary Clemente

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Photo taken by Manga Classics representative.

Mid-afternoon on the Friday of San Diego Comic-Con 2015, veterans of the manga publishing world got together to discuss what excites them and to lay down some truth on the myths surround publishing manga in North America. From left to right: Deb Aoki (Publisher’s Weekly), Leyla Aker (VIZ Media), Kurt Hassler (Yen Press), Ben Applegate (Random House/Kondansha Comics), and Erik Ko (Udon Entertainment).

The panel consisted of a lot of back and forth discussion on the nature of trying to publish various kinds of manga in North America and the main talking points came through during Aoki’s round of true or false manga publishing myth questions:

Sports manga doesn’t sell in North America – False. According to Aker, Hassler, and Applegate, this is patently false. While there an important hand of curation that needs to go into what sports manga will succeed in the US, the excitement around properties such as Yowamushi Pedal settles the argument.

Josei (women’s comics) doesn’t sell well in North America – Inaccurate. Though Hassler and Aker disagreed at first on the fundamental wording of this question, everyone agreed on the inherent challenge in bringing Josei to North America. Considering that the most successful Josei titles in their lines (such as works by Kaoru Mori) often have a historical or fantasy setting, the panel suggested that the slice-of-life stories that Josei manga offers in Japan is a niche already very well filled in prose publication in North America.

Older manga series are hard to sell in North America – True. Every publisher agreed that this is incredibly hard. From collecting publishing rights (often scattered between numerous entities) to restoring original pages (much of older manga was printed off of film which could have significant wear and tear), older manga is a much steeper investment that has a lower chance of finding a market big enough to justify the expense.

Long series of 10+ volumes are no-go – False. A vast majority of series brought over by VIZ, Kondansha, and Yen are easily more than 10 volumes long in Japan. This often leads to the production of larger collections (or in the case of Kondansha, their Colossal Attack on Titan books) for North America release.

Anime series drives manga sales – True. Literally no one had anything but yes to say to this.

Scanlations hurt manga sales – True. This was a consistent conversation throughout the panel about the hugely negative affect that scanlation has on the manga industry in totality – not just in the US. In fact, according to Aker, it’s common for scanlations of chapters from the popular Shonen Jump to be online before VIZ received them from Japan – meaning that they are actually either uploaded directly from Japan or stolen. No matter how fast publishers attempt to keep up with the pace of manga translation, the simple fact of the matter is that to conduct this business legally – it’s just slower. Aker noted that VIZ has a 5-day window to turn around hundreds of manga pages from receiving them on Monday to having them ready for digital release on Friday for the subscribers of VIZ’s digital Shonen Jump and if even one person is sick or out that week without notice, genuine problems can occur.

Publishers make decisions based on scanlations – False. Everyone was in agreement that the idea that publishers track what is popular on scanlation websites as a gauge for what should be licensed and published next is completely erroneous.

The best summation stated during the panel was in response to Aoki’s humorous question of “Japan, why you so slow?” Aker, if I remember correctly, responded quickly to the affect that it’s not why is Japan so slow, but why is the US so big?

 

Thanks for checking in on our ongoing coverage of San Diego Comic-Con. Join us for ongoing coverage through the weekend!

2 Comments on SDCC ’15: Manga Publisher Roundtable Bust Myths, last added: 7/13/2015
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4. OMG these Yotsuba&! figures are so cuuuuuuuute!

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In my post on making money making comics, Tyler James had an interesting comment about how merchandising has to be part of a creator’s business plan:

Any book that can raise $90K in profits on floppy comic sales alone should be able to ALSO raise at least half that much in related merchandise designed around that property.

I see so few “mainstream” creator-owned creators taking advantage of the significant investment they’re making in building properties by providing their superfans additional opportunities to throw money at them on higher margin items (prints, t-shirts, artist editions, posters, plushies, etc.)

(There are, of course, some exceptions to this… Case in point, the CHEW guys teaming up with our friends at Skelton Crew — https://www.kickstarter.com/projects/49910827/tony-chu-mini-bust?ref=nav_search )

Successful webcomic creators never had that problem, and realized years ago that the comic itself is only one piece of the puzzle for building a successful career. Multiple streams of income and revenue sources are a must for most creators in 2015… gotta think beyond the page rate and the $3.50 floppy.


Reading this reminded me of my trip to the Page and Panel TCAF store located in the Toronto Reference Library. This is the nicest comics “gift shop” I’ve ever been to in North America, inspired by the great stores of France, with a carefully curated selection of comics and very appropriate merchandise, from a Kate Beaton tea towel to Moyocco Anno mugs. Topatoco merchandise based on popular webcomics was indeed well represented and seeing goods that moved on beyond the usual superhero and Star Wars lines was inspiring.

All of which is a prelude to saying, I WANT THESE YOTSUBA&! FIGURES!!! These are tiny 5cm high figures made by Kotobukiya. In case you never read it Yotsuba&! (pronounced, as I believe, Yot-su-ba-sa) is a manga by Kiyohiko Azuma, currently published by Yen Press, about a little alien girl who changes a bachelors life with her sunny attitude. It sounds hackneyed in the manner of any number of sitcoms (Small Wonder, anything starring John Stamos) and manga (Dr. Slump) but it’s actually warm, winsome, charming and sweet natured as all get out. It’s almost always on any top 10 Manga for Beginners list with good reason. BUY IT!

That’s part of the reason these figures are so sweet and endearing. I have nothing against Darth Vader, Superman and Iron Man, but they are everywhere and a lot of the merch is tacky. There are a lot of beautifully designed comics characters out there that would look great on a mug or a minifig or a tea towel, and as Adventure Time shows, people will buy cute things. It’s okay to take the Bill Watterson zero tolerance line on this, but I do agree with Tyler James: a well thought out, appropriate merchandising line is a powerful accompaniment to any business plan for creators and small publishers.
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2 Comments on OMG these Yotsuba&! figures are so cuuuuuuuute!, last added: 6/19/2015
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5. Q&A: Abigail Blackman On Manga Editing, Lettering, and Japanese Nuance

I posted the audio version of the manga insight panel I moderated at Castle Point Anime Con. Now, here’s the transcribed version of it, just for you people who aren’t prone to listening! So if you missed some audio when you listened to it originally or want to see what was said in text, you ... Read more

1 Comments on Q&A: Abigail Blackman On Manga Editing, Lettering, and Japanese Nuance, last added: 4/10/2015
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6. Manga Publishers On Last Pages in Manga Volumes

So not surprisingly, after I did my post where I discovered a trend where most manga publishers have started to stop including right to left diagrams in their manga volumes, I was curious about it. So I asked people working in the industry why this is the case, and if this is something we’re going ... Read more

2 Comments on Manga Publishers On Last Pages in Manga Volumes, last added: 8/21/2014
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7. Yen Press announces Yen On light novel imprint, new manga licenses

201404210327.jpg
It seems that there were about 8,000 comics and anime cons this weekend and they all had news. At Sakura Con in Seattle, Yen Press announced a new imprint called Yen On which will publish about 24 “light novels” a year, including A Certain Magical Index (left). Light novels are shortish genre novels aimed at what we’d called the YA demographic. Yen also announced some new manga licenses—including one by the co-author of most of Urasawa’s masterpeices—and here, I’m just going to quote the PR, because I’m lame.

King of Eden
 
Takashi Nagasaki, critically acclaimed co-author of Monster, 20th Century Boys, Master Keaton, Billy Bat, and Pluto, pens a sweeping new masterpiece of the grotesque with artist SangCheol Lee. Released in cooperation with Haksan Publishing, chapters will be serialized digitally with global availability beginning May 1, 2014.
 
PandoraHearts ~odds and ends~
 
The dark whimsy of Jun Mochizuki’s New York Times best-selling world comes to vivid life in this art book featuring over 120 color and black-and-white illustrations from the imagination of the author. This lavish edition will be available in November 2014.
 
Gou-Dere Sora Nagihara
 
Two-dimensional love bursts into reality when Sora Nagihara leaps off the manga page and into Shouta Yamakawa’s life in this hilarious fantasy romp from Suu Minazuki. The first volume will debut in November 2014.
 
Love at Fourteen
 
Fall in love with Kanata and Kazuki, two unusually mature teens, in this bittersweet manga from the creative talent of Fuka Mizutani. The first volume will be available in November 2014.
 
The Angel of Elhamburg
 
Aki returns to the Yen Press list with the tale of a precarious friendship between a king and his knight that begins to crumble under the weight of jealousy and contempt as a beautiful angel looks on. The Angel of Elhamburg will release in Spring 2015.
 
Another
 
Published digitally in two volumes by Yen Press in 2013, Yukito Ayatsuji’s spine-chilling horror novels make their way to bookstore shelves in a hardcover omnibus edition under the Yen On brand in October 2014.
 
A Certain Magical Index
 
One of Japan’s most beloved light novel series (and one of our most requested), A Certain Magical Index will help launch the Yen On venture. Kazuma Kamachi’s epic tale of clashing Magicians and Espers, accompanied by Kiyotaka Haimura’s lush illustrations, will debut in Winter 2014.
 
Is It Wrong to Try to Pick Up Girls in a Dungeon?
 
One of the light novel category’s latest breakthrough successes, Fujino Omori’s hilarious fantasy about a hapless adventurer and a failed goddess, with illustrations by Suzuhito Yasuda, will round out the Yen On initial launch list in Winter 2014.
 
Regarding the Yen On light novel program, VP and Publishing Director Kurt Hassler said, “We’ve been nurturing and publishing light novels successfully for years and are energized by the prospect of expanding our efforts through the Yen On initiative and putting these books into the hands of faithful supporters who have been clamoring for them. We look forward to adding even more titles to our already impressive line-up!”


 

1 Comments on Yen Press announces Yen On light novel imprint, new manga licenses, last added: 4/21/2014
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8. Yen Press’s Abigail Blackman’s Thoughts on Manga Licensing

Yen Press

As a follow-up to our recent round-up “What Manga Publishers Can Actually License in the US,” I reached out to Abigail Blackman, freelancer at Yen Press, for more insight after Lys pointed out we didn’t cover YP’s guidelines. Hit the jump for her thoughts!

Abigail notes that while there are no hard and fast rules when it comes to manga licensing…

Regarding licensing, there are no firm rules (for anyone, as far as I know) about who can license from whom. Like any business deal, licensing is a matter of negotiation between the two companies. In the cases of Viz and Kodansha, which are managed by a Japanese publisher, they may have restrictions built into their business about where they can get material, but even Viz has licensed Japanese series from companies other than their Japanese owners (Fullmetal Alchemist being the biggest one I can think of)…

…companies tend to go with who they know.

While there’s generally nothing that would prevent a US publisher from pursuing a particular series, you will often see one US company working more closely with a certain few Japanese companies simply because they’ve build stronger business relationships over the years. Even then, it’s no guarantee who will win out when it comes to a series that multiple companies want. (There’s a lot that goes into the negotiations) It’s also true that companies with direct connections, like Shueisha/Shogakukan and Viz or Kodansha (JP) and Kodansha USA, may have priority agreements that affect which series are ultimately available to other US publishers.

Don’t lose hope!

Yen does try to ensure our list has variety with titles like Bunny DropA Bride’s Story, light novels, etc., so I wouldn’t say any genre is out of the question.

But, as always, keep your expectations realistic.

But the US manga market is very small compared to Japan and elsewhere, so every publisher has to make careful decisions about which books to publish. A lot of manga readers stop reading comics after college, so it’s harder to make jousei and seinen titles or more “literary” titles successful, which is why you don’t see as many from most publishers. That doesn’t mean niche titles aren’t considered, but their appeal to the US readership has to be carefully weighed.

And there you go! Remember, don’t be afraid to reach out to companies for series you’d love to see published; as long as you do your research, the worst they can say is “no,” and you may learn a little bit more about the ins-and-outs of manga licensing in the meantime.

0 Comments on Yen Press’s Abigail Blackman’s Thoughts on Manga Licensing as of 1/1/1900
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9. Manga Editor Abigail Blackman’s Advice on Manga Editing

Triage XA Bride's StoryYotsuba&!

I guess this will never end!…And actually, I don’t mind if it doesn’t! Will always take info from people in the industry anytime, and I will post them. Because hey, people might learn a thing or two. I think.

Anyways, Abigail’s back again. As you might have learned from the lettering post, she also works on the editorial side for Yen Press, so she’s edited manga too. Since her editing credits aren’t listed, she let me know some of the manga she’s worked on, so here you go:

Soul Eater
Umineko
Higurashi
Inu X Boku SS
Triage X
Bloody Cross
A Bride’s Story
Yotsuba
The Melancholy of Suzumiya Haruhi-chan
The Disappearance of Nagato Yuki-chan

Since she answered the first two questions, you’ll get to read the editorial challenges for an editor from her.

What’s generally the biggest challenge you face when editing a manga series?

One of the biggest challenges in editing manga is addressing culture or language-specific references that just don’t translate well into English. Any of the four-panel books (Sunshine Sketch, Aron’s Absurd Armada, K-ON!) or comedies in particular take a lot of careful thought when we edit them. Yen tries to keep the text as faithful to the original as possible, but when it’s an idiom that doesn’t exist in English, we have to get really creative with wordplay and puns to make it make sense while keeping the meaning faithful to the Japanese. It’s especially hard when the text and the art are part of the joke. We do try to insert translation notes to explain the Japanese for these instances, but we want the reader to enjoy the punchline without having to flip to the back. Sometimes, there’s just nothing you can do…

If there is one thing an editor must keep in mind when looking over a manga, what is it?

Readability. Most of the text in a comic is dialogue, so it’s important that it feels like natural speech, that the flow of a conversation makes sense. Particularly in fantasy series or series where there are passages of explanation, the terminology can sometimes get in the way of what the character really means, even if the translation is technically correct. Thinking of how you would actually talk to or explain something to someone is critical to making the characters come to life and making the read more enjoyable for fans.

What would be the best way for an editor to break into the manga industry?

A lot of editing is being a good writer, being able to make small changes that give the final book polish. I was an English lit major, so I learned a lot about what makes an effective story and good writing there. I also took some publishing and business classes to help me understand how the book business works. If you’re entry-level, being able to write and communicate well is critical–you will learn a lot on the job. It’s also important to have some understanding of InDesign/Photoshop/Illustrator. At Yen, we work right in the files that will ultimately go to the printer, and editors frequently have to be able to design extra pages, make ads, clean Japanese out of art, letter books, etc. Again, you will learn a lot on the job, but it’s good to have looked at the program a little bit if possible. And of course, while you don’t have to be an expert in Japanese, it does help to have at least some basic Japanese under your belt.

What type of advice would you give to someone who might be interested in this venture?

Read critically. When you’re reading manga or a novel, look at where the dialogue reads well or poorly, look at how the artist uses the comic panels to tell their story, think about what makes a good character and what makes a weak one. An editor’s job is to take a work and smooth out the rough edges to make it really shine and be the best it can be, so developing the ability to zero in on problem areas and recognizing the best parts of a story are key.

0 Comments on Manga Editor Abigail Blackman’s Advice on Manga Editing as of 4/11/2014 12:39:00 PM
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10. Free Comic Book Day 2012: Reviews!

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Once again, I collected (almost) all of the Free Comic Book Day offerings, and offer my reviews on what’s good, what’s great, and what should have been better!

Titles are arranged alphabetically by publisher, and the images and summaries come from the offical FCBD website.  My comments are in purple.

What did you grab?  What did you enjoy?

Kid Friendly Titles

___________________________________________________________________________

ANTARCTICS ZOMBIE KID

STK460385 Free Comic Book Day 2012: Reviews!Publisher: ANTARCTIC PRESS
(W/A) David Hutchinson, Fred Perry (CA) David Hutchinson
(W/A) David Hutchinson, Fred Perry
(CA) David Hutchinson
All 6th-grader Bill Stokes wants is to get through middle school unnoticed so he can go on to become a big-time pro video-gamer.  Then his mom comes home from her medical research volunteer job with a zombie virus.  Now Bill has to deal with skin problems and body chemistry changes that make puberty look like a walk in the park!  How’s he supposed to realize his dream when his life has become a festering, rotting, undead nightmare?
I read the first four pages… it doesn’t appeal to me.  It’s kind of interesting…his mother is a zombie, he’s sort of a zombie (he’s still got his human reasoning).  But this is just another variant in the “kid’s diary” genre, with spot illustrations, which are pretty good for a zombie kid!
___________________________________________________________________________

MOUSE GUARD LABYRINTH & MORE HC

STK460061 Free Comic Book Day 2012: Reviews!
Publisher: ARCHAIA ENTERTAINMENT LLC
(W/A) Jeremy Bastian & Various (CA) David Peterson
(W) Jeremy Bastian, Nate Cosby, Royden Lepp, Jim McCann, Ted Naifeh, David Petersen (A) Jeremy Bastian, Chris Eliopoulos, Cory Godbey, Janet Lee, Royden Lepp and David Petersen
(C) David Petersen

This Free Comic Book Day, Archaia offers readers the chance to experience history in the making with a FREE, gorgeous, 48-page, 6″ x 9″ full-color original anthology hardcover featuring all-new material! David Petersen returns with an all-new Mouse Guard tale that’s guaranteed to tug at your heartstrings! Lose yourself once again in Jim Henson’s amazing world of Labyrinth, featuring a fantastical story from Eisner Award-nominee Ted Naifeh (Courtney Crumrin) and Cory Godbey (Fraggle Rock). Get a new perspective on Jet Jones in Royden Lepp’s

15 Comments on Free Comic Book Day 2012: Reviews!, last added: 5/7/2012
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11. App of the Week: Viz Manga & Yen Press

I’ve been trying to read more manga lately.  Manga in book form is very popular at my library, so I have been working on building up our print collection. My anime club kids are always telling me about new titles. There is also a lot of manga to be read electronically. Reading scanlated manga online has been a longtime habit of many fans, regardless of the copyright issues involved, (scroll down on this page for a good definition of scanlation) but more manga is becoming available electronically either for free or for reasonable prices.  It will  be nice if this encourages more fans to pay for content and support the creators whose work they enjoy. Even if it doesn’t, it does afford more options for consuming content for people who enjoy reading on their mobile devices. Viz Media and Yen Press, are two popular publishers making manga available via mobile app.  I decided to check out how these apps work and compare and contrast their features.


Title:
Viz Manga
Cost: Free App includes previews, but manga prices vary (3.99 – 8.99)
Platform: iOS (also available for Android and web browsers at VIZmanga.com)

 
To look through the available titles in the VIZ app, you can have options to view all series, or select titles by featured, new, or free options. A rotating banner at the top of the home page promotes titles as well. The first chapter (about 50 pages) of a manga series is offered as a free preview. This is enough that I felt like I could really tell if I was enjoying a series and if was interested in buying it or reading more by the end of the preview. Selections from Shonen Jump Alpha are also free through the VIZ app, which is nice because I think people will be missing the print version of Shonen Jump now that it has gone digital only.  You can zoom in the regular way by pinching and pulling.  The only thing I didn’t like about this app was that the screen alignment doesn’t change when you flip your device sideways. I like having that option because sometimes it makes things easier to read.

Some VIZ titles worth checking out:  Blue Exorcist, Dengeki Daisy and Bakuman.

 


Title:
Yen Press
Cost: Free App includes previews, but manga prices vary (6.99 -12.99 an issue)
Platform: iOS

 
There are three different options for viewing the available titles on the Yen Press app. You can scroll through cover images horizontally, which is fun if you swip

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12. Review: Highschool of the Dead Vol 2 by Sato and Sato

 

Title: Highschool of the Dead Vol 2

Author: Daisuke Sato & Shouji Sato

Publisher: Yen Press

ISBN: 978-0316132398

 

May Contain Spoilers

From Amazon:

Separated from the rest of the survivors from their high school, Takashi and Rei make their way through town, taking in the full scope of the sudden outbreak that’s turned most of the residents into undead terrors. Though the immediate threat of attack has subsided, their survival instinct is still on high alert. Among those untouched by the disease, anarchy is the only law, and when anything goes, Takashi and Rei may have to become monsters themselves if they want to stay alive.

Review:

It’s the last week before the Labor Day holiday.  This is a time for soaking up the last of the warm summer rays before the leaves start to change colors and the colder weather of autumn begins to settle in.  This is the time for brainless, action-packed movies, and caving in to the theory that too much thinking is sometimes bad for your noggin, I picked up the second volume of Highschool of the Dead to help usher out the last of the summer. 

Where to start?  Let’s see – brainless certainly fits this series.  It is a mindless festival of gore and blood splatters.  Oh, and impossibly large breasted women, but I think I already covered that in my thoughts on the first volume.  Takashi and Rei have split away from their friends because of a falling out with Shidou.  They race off on a motorcycle, each clutching blunt-edged weapons so they can pummel the crap out of any zombies they encounter.  Ignoring for the moment the fact that motorcycles are loud, noisy machines, they make it unscathed to a gas station, where they are accosted by a nut-case intent on kidnapping Rei so he can have his wicked ways with her.  And because he needs a chick to survive. Or something like that.  During this encounter, both Rei and Takashi discover that they enjoy beating the brains out of anything that moves, including cash registers.  Go figure.

After discovering that all of the bridges in town have been closed off and our little gang is trapped on the wrong side of all of them, Rei and Takashi are reunited with their buddies from the bus.  Naked bath scenes with large breasted bimbos ensue.  Again, I wonder at the intelligence of these characters as they cavort loudly and drunkenly with hordes of the undead searching for a snack just outside of their bathroom.  Since there isn’t really a plot, whatever, we’ll just go whichever way the rubber ducky floats.

There is a rescue scene, a Hummer running over zombies scene, and even police officers firing on frantic crowds of desperate people trying to escape becoming zombie chow scene.  The bulldozer squashing everyone in its path scene only got a few measly panels, but it’s here!  Flattening anything in its path, leaving human and not-quite human pancakes in its wake!

I am not a fan of brainless horror flicks, but some people love them.  Dean will sit in front of Syfy all day long, watching Mongolian Death Worms, Mega Piranha, and Dinocroc, one right after another.  This is why I read.  I am trying to avoid having my brain cells rot during the course of a Sunday afternoon.  Still, there must be an audience for these kinds of movies, because they keep making them.  So, in theory, there must be an audience for brainless manga as well.

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13. Review: Jack Frost Vol 5 by JinHo Ko

 

Title: Jack Frost Vol 5

Author: JinHo Ko

Publisher: Yen Press

ISBN: 978-0316126755

Recommended for Older Teens

 

May Contain Spoilers

From Amazon:

With his friends in danger, Hansen puts memories of the past behind him and squares off against his brother. Though long-dead, Der Freischütz is still a gunman to be reckoned with, but Hansen has a secret weapon in store that could turn the tables on the deadly sharpshooter. As Hansen delivers his final blow, Jack decides he’s had enough of sitting on the sidelines and does what Jack Frost does best. But victory is short-lived as the head of the East District moves his final pawns into place! What does the mastermind behind this attack have in store?

Review:

Gosh, I’m embarrassed to admit this, but some volumes of Jack Frost go right over my head.  Only the frenzied battle scenes manage to save the read for me.  If there are lots of explosions, impossibly large firearms, bullets, and blood spattering in every direction, my baser instincts emerge and can’t help but keep turning pages at a rapid rate.  It’s like driving by an accident scene; you know you shouldn’t be gawking, but you can’t help sneaking a peek as you drive by.  I consider this to be one of my worst reading weaknesses.  As long as there is a lot of action, I can usually get caught up in pretty much any series.

Which leads to my disappointment with this volume of the weird and occasionally grotesque Jack Frost.  While there is some fighting, with the requisite gunfire, bodies, and imploding buildings, the action sequences are just not as compelling as in previous outings with the demonic Jack.  He doesn’t really get to do much here.  He’s a supporting player in Hansen’s battle with his brother.  Jack does make a few cryptic remarks about the Tailor and the Mirror Image, but his comments are more of a tease than the exchange of any real information.  Boo.

Ethan from the East District makes his big move and attempts to blackmail Noh-A into joining his side.  He does a good job of it, but the whole storyline there is predictable and not very compelling, and that’s my problem with this volume.  I didn’t get caught up in the activity playing out across the panels, which made me not care who won and who lost.  I didn’t feel any emotional connection with any of the characters this time around, unlike in earlier volumes where the characters’ backstories engaged me in the read.  This time, there are just too many characters cycling throughout the volume that I found myself getting more and more detached from their individual plotlines.

Though this volume of Jack Frost left me underwhelmed, I’m still invested enough in the series to wonder what’s going to happen next.  I am hoping that this installment is the lull before an upcoming storm of epic Jack fighting.

Grade: C+

Review copy provided by publisher

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14. [PR] YEN PRESS LAUNCHES IPHONE APP WITH FREE GOSSIP GIRL, PSYCHO KILLER DIGITAL COMIC

{The San Diego Comic Convention is this week, and I’m starting to get some press releases from the publishers in attendance.  Here’s one of the first. I’ll have to give the app a spin.  I am curious about the 22 page Gossip Girl, Psycho Killer comic; the cover cracks me up.  Have you heard any SDCC news? Comment below and share.}

YEN PRESS LAUNCHES IPHONE APP WITH FREE GOSSIP GIRL, PSYCHO KILLER DIGITAL COMIC

SAN DIEGO, CA July 23, 2011 — Friday night at San Diego Comic Con, Kurt Hassler, Publishing Director of Yen Press, announced the expansion of their Yen Press comics app to include the iPhone and iPod Touch. As a special bonus, a free promotional comic and three chapter excerpt of the hugely anticipated novel GOSSIP GIRL, PSYCHO KILLER by New York Times bestselling author Cecily von Ziegesar is available through the application for an exclusive first look.

Cecily von Ziegesar’s forthcoming GOSSIP GIRL, PSYCHO KILLER (Poppy, 10/3/2011, 978-0-316-18509-7) is a gruesome and hilarious take on her iconic novel GOSSIP GIRL wherein the infamous socialites are reimagined as serial killers. To promote the release of the novel this October, artist HyeKyung Baek — who adapted and illustrated the GOSSIP GIRL: FOR YOUR EYES ONLY manga series — has created a special 22-page digital comic book preview of the book for fans.

Kurt Hassler said: “The concept behind GOSSIP GIRL, PSYCHO KILLER is brilliant and we knew we wanted to do something special to help promote it. HyeKyung Baek’s graphic interpretation will be a thrill for fans — if you thought these girls were bitchy before, this is just taking it to a whole new level!”

 

This exclusive digital comic was created to celebrate the expansion of the Yen Press app on the iPhone and iPod touch. In addition, Yen Press is also holding a month-long promotion whereby most first volumes in series available for download through the app will be priced at $2.99, including fan favorites like MAXIMUM RIDE, DANIEL X and NIGHTSCHOOL.
Kurt Hassler said of the new platforms: “Expanding our storefront manga application onto the iPhone and iPod touch gives readers an easily accessible way to read their favorite manga on the go – and to keep up with what’s happening with Yen Press.”

The Yen Press app is free to download at http://itunes.com/apps/yenpress.
Yen Press is an imprint of Hachette Book Group dedicated to publishing graphic novels for adults and young readers. Yen Press’ focus is primarily on licensed manga, but also publishes across the wide spectrum of the graphic novel market, including, but not limited to: original manga publications, original American comics/graphic novels, webcomics, licensed adaptations, and children’s graphic novels.
Hachette Book Group is a leading trade publisher based in New York and a division of Hachette Livre, the second largest publisher in the world. Hachette Book Group’s product lines include adult, illustrated, religious, children’s and audio books under the Little, Brown and Company, Little Brown Books for Young Readers, Grand Central Publishing, FaithWords,

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15. Review: Time and Again Vol 4 by JiUn Yun

 

Title: Time and Again Vol 4

Author: JiUn Yun

Publisher: Yen Press

ISBN: 978-0759530614

 

May Contain Spoilers

From Amazon:

"After it’s too late to turn back, after it’s too late even to regret…only then, realization comes with great pain."
On occasion, life offers an unexpected blessing: a natural talent, a promising opportunity, or even a spot of good luck. But human nature will not be satisfied by simply enjoying the fruits of fate. When greed takes over and man exploits the gifts he has been given, seeking more power, more wealth, more than is his share, it can only end in tragedy…a truth Ho-Yeon knows all too well…

Review:

Despite being occasionally hard for me to follow, Time and Again is one of my favorite series.  The art is pretty, with dramatic illustrations that compliment the action taking place on the pages.  This series is full of angst, which is probably why I enjoy it so much.  There are so many intense emotions woven into the plot.  Both Baek-On and Ho-Yeon have tragic pasts, and Ho-Yeon’s is explored in agonizing detail here.  No wonder the guy hardly ever smiles.  He did the one thing his father told him not to do, and it gives him nothing but regrets.  And, ultimately, has him crossing paths with Baek-On, which I’m not so sure is a good thing for him.

I enjoyed this volume so much because it does spend most of its focus on Ho-Yeon, instead of just following Baek-On and Ho-Yeon on exorcism cases.  Instead of  each chapter featuring a cursed,  random stranger who is usually being bothered by malignant spirits because of their own greed or short-sightedness, Ho-Yeon is front and center.  Left to support his mother and invalid sister after his father is executed, he struggles with his feelings of inadequacy.  It’s hard to keep your family fed when your father was branded a traitor, and you’re hard-pressed to find a position of any consequence because of the taint on your name.  When he’s given the opportunity to use his sword to make a name for himself, disaster and heartbreak seem to follow.

Full of melancholy and told in quiet, dreamy prose, Time and Again is a compelling series that keeps me coming back for more.

Grade: B+

Review copy provided by publisher

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16. Review: James Patterson’s Maximum Ride Vol 3 by NaRae Lee

 

Title: James Patterson’s Maximum Ride Vol 3

Author: James Patterson & NaRae Lee

Publisher: Yen Press

ISBN: 978-0759529694

 

May Contain Spoilers

From Amazon:

Narrowly surviving their encounter with Erasers in New York City, the flock is following up a lead on their pasts in Washington, D.C. But what they find waiting for them is…a home?! How will the flock adjust to a real school – one that doesn’t involve mad scientists and genetic freaks?

Review:

Maximum Ride is turning out to be a surprise favorite for me.  I had zero expectations going into the series, mainly because I haven’t read anything by James Patterson.  Sure, I’ve seen his books everywhere, but I was never interested enough to do more than pick up one or two of his titles to read the synopsis on the back before putting it down again.  Now both Maximum Ride and Yen Press’s adaptation of Daniel X are two Patterson series that I am really looking forward to reading more of.  Once I started this third volume of Maximum Ride, I could not put it down until I finished it. 

I think the engaging characters is the first thing that pulled me into this series.  I love Max and her flock.  These kids have some pretty cool powers, with the ability to fly being at the top of the list.  Their search for a place to fit in, and a desire to know who their parents are is also a compelling backdrop for their story.  What kid doesn’t want to fit in?  What kid doesn’t have an overwhelming desire to know who they are and how they got to be where they are?  This question is especially urgent for Max and her flock – they have all suffered at the hands of unscrupulous scientists, and being the subject of scientific experiments has left them all with emotional scars.

This volume has the kids taking a break.  After Fang is badly injured, the FBI swoops down on them and offers a trade-off.  They’ll make sure Fang receives the best medical care available, and the kids will have a place to de-stress, but they have to come clean about themselves.  Agent Walker gives them a safe place to stay, and before they know it, everyone is forced to act like normal kids.  Only that’s not so easy for Max and her family.  They aren’t normal kids, and they have no clue how to behave around kids their age.

I enjoyed this volume, because Max and company are thrust into a “normal” situation – they are enrolled in school.  I felt that I could relate to them all even better as they each struggled to fit in and not draw unwanted attention to themselves.  What would be a mundane day of classes for me is a minefield of uncertainty for them.  They don’t know how to trust anyone, and they are so accustomed to being on the run that school, and so many other kids, are an alien concept to them. Throw in the threat of the Erasers, and it’s a wonder that they can concentrate in class at all!

This is the best volume of Maximum Ride yet, and I’m looking forward to digging into volume four. 

Grade: A-

Review copy provided by publisher

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17. [PR] TWILIGHT: THE GRAPHIC NOVEL, VOL. 2 WILL GO ON-SALE ON OCTOBER 11, 2011

{ED. – I enjoyed the first volume of Twilight, the Graphic Novel much more than I was expecting, and I have been wondering when the next volume would hit store shelves.  Yen Press has finally announced a date!}

YEN PRESS ANNOUNCES

TWILIGHT: THE GRAPHIC NOVEL, VOL. 2

WILL GO ON-SALE ON OCTOBER 11, 2011

NEW YORK, NY (xx, 2011) — Yen Press, the graphic novel imprint of Hachette Book Group, announced that it will publish the eagerly-awaited second volume in the graphic novel adaptation of Stephenie Meyer’s Twilight on October 11, 2011. Twilight: The Graphic Novel, Volume 2 will be released as an e-book and in hardcover for $19.99 ($22.99 CAN) with a first printing of 350,000 copies.

A visually arresting retelling of the story that has captured the hearts and minds of countless fans, Twilight: The Graphic Novel, Volume 2 contains selected text from Meyer’s original novel with illustrations by the talented Korean artist Young Kim. Kim’s unique artistic style which combines Asian and Western comic techniques are showcased in this black-and-white graphic novel with color interspersed throughout. Meyer consulted throughout the artistic process and had input on every panel.

“Knowing how beautifully Young Kim rendered the Twilight universe in the first volume, I couldn’t wait for this next one,” remarked Meyer. “Her illustrations of characters and settings gorgeously capture the world and are very close to what I saw in my mind’s eye while writing Twilight.”

Kurt Hassler, Yen Press Publishing Director, commented, “The first volume of the Twilight graphic novel was an utter phenomenon in the category, and the reception by Stephenie’s fans was absolutely overwhelming. It’s an incredible testament to the collaboration between Stephenie and Young Kim, and we cannot wait to be able to put the second volume into the readers’ hands!”

Stephenie Meyer has become a worldwide publishing phenomenon. The Twilight Saga’s translation rights have been sold in nearly 50 countries and 116 million copies have been sold worldwide.

Yen Press is an imprint of Hachette Book Group dedicated to publishing graphic novels for adults and young readers. Yen Press’ focus is primarily on licensed manga, but also publishes across the wide spectrum of the graphic novel market, including, but not limited to: original manga publications, original American comics/graphic novels, webcomics, licensed adaptations, and children’s graphic novels.

Hachette Book Group is a leading trade publisher based in New York and a division of Hachette Livre, the second largest publisher in the world. Hachette Book Group’s product lines include adult, illustrated, religious, children’s and audio books under the Little, Brown and Company, Little Brown Books for Young Readers, Grand Central Publishing, FaithWords, Center Street, Orbit, Yen Press and Hachette Book Group Digital Media imprints.  For more information, visit www.hbgusa.com.

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18. Picture Book Roundup–Beauty and the Squat Bears

Title: Beauty and the Squat Bears by Emile Bravo

Publisher: Yen Press

It’s tough to be a bear, especially a squat bear.  The squat bears just want to be left alone in the forest, but a beautiful princess wanders into their house and disturbs their lives.  Fleeing from her evil stepmother, the princess is looking for a place to hide out, but being a princess, she refuses to help out with chores.  To get rid of the pesky freeloader, the bears decide that they need to find her a prince.  Sending one of the grumbling bears off to find one as quickly as possible, they hope he can locate a prince so they can get on with their lives.

Humorously mashing up several fairy tales, squat bear trudges through the forest in search of his prince.  Instead, he meets a blue bird claiming to be a prince, and the bear is reluctantly sent off on a quest to have the bird restored to his princely form. The book kept me amused, as the poor put upon bear meets one worthless prince after another.  The art is cartoony and whimsical, matching the tone of the bear’s quest perfectly.  The colors are bright and bold, facial expressions are overly exaggerated, and the dialog is clever and snappy.  A fun read for kids and adults alike.

In stores May 2011

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19. Review: Goong Vol 6 by Park SoHee

 

Title: Goong Vol 6

Author: Park SoHee

Publisher: Yen Press

ISBN: 978-0759531475

 

May Contain Spoilers

From Amazon:

Hoping to clear the air between Shin and Chae-Kyung, the ladies of the court pressure the young couple to get more intimate. But even a night together may not be enough to push the two close. Amid lingering suspicions of Shin’s involvement with Hyo-Rin, Yul takes the offensive in claiming not only his right to the throne, but to Chae-Kyung’s heart as well…Will her commitment to her husband and her duty as crown princess prevail?

Review:

If you enjoy soap operas and angsty teen dramas, Goong is the series for you!  I love all of the complicated interpersonal relationships, most of which are highly contentious.  Chae-Kyung has been forced into a life she never expected, and despite being a princess now, she longs to have her normal life back.  There are so many limitations placed on her, and she no longer has much control over her own activities.  She can’t even visit her grandfather, who is very ill and in the hospital, because it conflicts with her duties as a member of the royal family.  Shin, the Crown Prince and her young husband, is also making her miserable, because she is in love with him, but all they manage to do is argue with each other. 

With the press watching their every move, the adults in the palace are worried about Shin and Chae-Kyung causing more gossip, and embarrassing the royal family more than they already have.  Shin and Chae-Kyung are fodder for scandalous rumors, which is giving fuel to Yul’s mother’s ambitions for both her son and herself.  She is scheming to have Yul reinstated as the Crown Prince, and she is also plotting to have more governmental power granted to the royal family.  She is  not content to be a figurehead, and she is paving the way for big, big changes in the status quo.

With lavish art and a storyline that is growing ever more complicated and compelling, Park SoHee is crafting an entertaining, character-driven series.  Chae-Kyung and Shin both behave like what they are; two confused teenagers who have to live a very public life.  In the privacy of the palace, their interactions run a gamut of behaviors; they tease each other, they bicker with each other, they yell at each other, they laugh with each other.  In the public eye, they must always be conscious of their actions, and present a harmonious, united front.  It’s not easy for either one of them, because they are so confused about their own mixed up feelings.  What they need is some time to just be themselves and sort it out, but that isn’t going to happen with all of the meddling adults trying to control them, their obligations, and their busy schedules.

Grade: B+

Review copy purchased from Amazon

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20. Review: Bunny Drop Vol 2 by Yumi Unita

 

Title: Bunny Drop Vol 2

Author: Yumi Unita

Publisher: Yen Press

ISBN: 978-0759531208

 

May Contain Spoilers

From Amazon:

Returning to his family’s estate for his grandfather’s funeral, thirty-something bachelor Daikichi is floored to discover that the old man had an illegitimate child with a much younger lover! Needless to say, the rest of the family is shocked and embarrassed by this turn of events, and not one of them wants anything to do with the little girl, who refuses to say a word. In a fit of angry spontaneity, Daikichi decides to adopt her! But is living with an overgrown teenager who can barely take care of himself the key to making Rin come out of her shell?

Review:

What a fun series!  I love Daikichi and his determination to raise Rin by himself.  He has matured so much in just two volumes!  He is also getting valuable on-the-job training, learning how to take care of a little girl.  There are no instruction manuals, he’s discovered, and everything is new for him.  Even enrolling Rin in elementary school is wading into uncharted waters; for a guy with no clue about what he’s doing, Daikichi is doing a wonderful job providing a stable and emotionally supportive home to his small charge.  Tackling these unexpected tasks, which Daikichi would certainly never dreamed of having to do himself, is daunting for him, but so far he is ignoring the nay-sayers in his life and staying on course.

The more I get to know Daikichi, the more I like him.  He doesn’t understand how anyone could reject such a wonderful little girl, so he searches relentlessly for clues about Rin’s mother.  Who is she? Why isn’t she a part of her daughter’s life?  When he finally tracks her down, he is certain that he made the right decision by becoming Rin’s guardian.  Her mother is barely capable of caring for herself!  She has done everything in her power to distance herself from her daughter, despite Daikichi’s grandfather’s attempt to cox her into bonding with Rin.  I don’t think too highly of Grandpa for getting Masako pregnant in the first place, but at least he didn’t reject Rin the way Masako seems to be.

I loved the shopping sequence, when Daikichi takes Rin to buy a desk.  Her delight at getting to pick out a “big girl’s” desk is obvious, and so cute, too!  Daikichi’s only had to use a little bit of psychology to convince her to buy a work area he thought would be more suitable than the desk she decided she liked. As Rin is growing  more confident in her new surroundings, she is becoming more expressive, and so much more fun for Yumi Unita to draw.  Like with Daikichi, there has been a big change in Rin, too.  She’s starting to discover who she is, and she is starting to exert some independence.  The character growth makes Bunny Drop a touching read, and I’m looking forward to reading more about Daikichi and Rin.

Grade: B+

Review copy purchased from Amazon

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21. Review: James Patterson’s Maximum Ride Vol 2 by NaRae Lee

 

Title: James Patterson’s Maximum Ride Vol 2

Author: NaRae Lee

Publisher: Yen Press

ISBN: 978-0759529687

 

May Contain Spoilers

From Amazon:

Having recovered Angel, Max and the flock head to New York City to pursue a lead regarding their true identities. But where the flock goes, erasers are sure to follow! Even more troubling, though, is the voice that’s begun whispering in Max’s head. Is it really her destiny to save the world?

Review:

I like most of the Yen Press manga adaptations of popular novels, and Maximum Ride is no exception.  The pacing is killer fast, with Max and her flock of escaping one harrowing ordeal after another.  These guys don’t have it easy, and nobody takes it easy on them because they are kids.  They are imprisoned, tormented, and chased from one corner of the country to the next.  They get into and out of so many hair-raising predicaments that it’s kind of exhausting!  It’s lots of fun, but it stretches the limits of my credibility. Good thing for these magic manga glasses that I have, that allow the impossible to seem possible, and allow me to immerse myself into the plot.

Max discovers the hard way that there isn’t really anyone she can trust, and she is even having doubts about some of her closest friends.  Angel has got her wary, as the young girl continues to manifest incredible powers.  She can compel others to do her bidding, and it’s kind of scary to see just how easy it is for her to manipulate others.  Max is already under so much pressure to keep everyone alive and out of the evil clutches of the Erasers, and now she has to wonder just how much she can trust Angel.  This story thread has got my complete attention!

Most of this volume has the gang looking for scraps of information about themselves, before they were given up by their parents to be research subjects.  They all want to know who they really are, and who their parents are.  Most importantly, they want to know why their parents abandoned them.  A mysterious voice in Max’s head gives them guidance, and also gives her never-ending headaches.  Is the voice a friend? Or is it a foe, steering them into yet another trap?

Fast pacing, appealing characters, and attractive art ensure that I will read along a while longer. 

Grade: B

Review copy provided by publisher

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22. Review: 13th Boy Vol 6 by SangEun Lee

 

Title: 13th  Boy Vol 6

Author: SangEun Lee

Publisher:  Yen Press

ISBN: 978-0759529991

 

May Contain Spoilers

From Amazon:

Sae-Bom’s birthday turns into the happiest day…of Hee-So’s life?! After Won-Jun asks her out during Sae-Bom’s birthday party, Hee-So’s on cloud nine! But is everything really all sunshine and roses? Sae-Bom has had to grow up in the span of a day, Won-Jun is secretly troubled by Sae-Bom’s obvious distress, and Whie-Young’s magical exertions have kept him out of commission. On the five-day anniversary of Hee-So’s relationship bliss (leave it to her to celebrate even the smallest milestones!), she runs into the long-absent Whie-Young en route to school and gets dragged into cutting class with him! But when they return to find Won-Jun waiting for them back at Hee-So’s, will her cheating ways (?) lead to an explosive finale for her second chance at love?!

Review:

Any book that manages to make me feel sorry for a love-struck cactus deserves props.  A CACTUS!  Little Beatrice had me sniffing back tears.  His dreams of happiness seem so unlikely, and the impossibility of his situation tugged at my heart strings.  Until this volume I thought of Beatrice as more of comic relief, but that impression went completely out the window.  He has become an important character to me, quite possibly my favorite.  He certainly seems to have more feelings and common sense than his owner, though he is clearly given to as many flights of fancy as Hee-So.

This volume of 13th Boy solidified the series for me.  While it still has an abundance of humor and comedies of error, it has also grown into a more emotional read for me.  Hee-So can be so shallow and simpleminded that I have never felt a connection to her.  She is the type of person who will bounce back from any setback, and her enthusiasm and zeal for life will see her through any situation.  I can’t say the same for Sae-Bom, Whie-Young, or Won-Jun.  The three of them keep orbiting each other’s lives, making themselves miserable because they are unable to communicate or accept how they feel about each other.  It’s only through Hee-So that they make any progress toward understanding how they feel at all.

I love the complicated relationships and the slow exploration of feelings taking place in the book.  Just when the atmosphere starts to get overwhelming, Hee-So does something selfish or harebrained, usually with amusing results.  There are some occasions when even her happy go lucky attitude fails to smooth things over, and that’s when I find myself enjoying the series best.  The first volume was a struggle for me, but as I got to know the characters, I started to appreciate the title more.  It gets better with every volume, and it has become one of my favorites.  And a cactus made me cry.  A CACTUS!

Grade: A-

Review copy provided by publisher

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23. Review: Gabby & Gator by James Burks

 

Title: Gabby & Gator

Author: James Burks

Publisher: Yen Press

ISBN: 978-0759531451

 

May Contain Spoilers

Review:

I saw a sample for Gabby & Gator online, and after seeing just a few panels, I desperately wanted to get my hands on the book.  Imagine my delight when I saw it at the library!  I immediately checked it out and counted the minutes until I could read it.

Gator is having a bad day. In fact, he is having 10 bad years of bad days after he gets flushed down the toilet at the insistence of his owner’s mother.  Alligators are dangerous!  Alligators don’t belong in the house!  Alligators will EAT you!  So bye-bye, two-dollar-and-fifty-cent gator hatchling, you are no longer welcome here!  Suffering from a harrowing journey through the sewer system, Gator then must resort to gobbling up dogs, cats, and squirrels to feed his never ending hunger.

Gabby isn’t having a wonderful life, either.  Her mom is always working, and her enthusiasm for social causes has earned her the contempt of her peers. They think that she is weird, and enjoy making fun of her.  Secure in the knowledge of who she is, Gabby isn’t ready to change herself for the sake of such judgmental people.  She just wishes she had a friend or two.  Along comes Gator, and theirs seems like a match made in heaven.  Well, except for Gator’s uncontrollable urge to eat.  Will he be able to resist snacking on his new friend?

Gabby and Gator is such a cute book!  I love both characters, and found Gabby especially easy to relate to.  She is intelligent and is driven by her sense of responsibility.  She’s very unique, and that leaves her open to teasing and bullying.  I loved when she finally stood up for herself.  That took guts because she acted outside of her comfort zone.  

This graphic novel is presented in hardback, with glossy, full-color pages. The illustrations match the tone of the book; they are adorable and full of personality.  If you are new to graphic novels, this is a good one to start exploring the world of comics with.  Gabby & Gator is a fun story about two misfits who are meant to be together.

Grade: A

Review copy obtained from my local library

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24. Review: Highschool of the Dead Vol 1 by Daisuke Sato & Shouji Sato

 

Title: Highschool of the Dead Vol 1

Author: Daisuke Sato & Shouji Sato

Publisher: Yen Press

ISBN: 978-0316132251

For Mature Readers

 

May Contain Spoilers

Review:

A mundane day at school takes a turn for the gross when a zombie invasion has Takashi Komuro and a group of his classmates running for their lives!  Hungry zombies are everywhere, and it’s going to take every bit of sheath, courage, and luck to avoid being eaten. 

This is a fun read, but it doesn’t do much to set itself apart from other zombie tales that I have read.  An intrepid group of students and teachers band together to avoid the rampaging zombie horde, and body parts and blood quickly fill the panels as the undead gain the upper hand.  Tensions mount between the survivors, as egos clash amid the slaughter.  

There’s lots of non-stop action as Takashi’s group undertakes the number one activity in any zombie yarn – they start running as fast they can away from the monsters. I have developed a love for zombies, and I’m not quite sure where it came from, because I don’t usually enjoy horror stories.  The terror of being chased by things that can’t be killed appeals to me, as do the relationship dynamics among the surviving humans.  That has got to take a toll on your psyche, wondering when you are going to be chased down and eaten by a rotting, stinking zombie.  If zombies weren’t so appealing to me, Highschool of the Dead would have gotten a “meh” from me.  The female character designs have me wondering how these girls can stand upright, but that is a common point of contention for me in seinen manga.

I altered my grading scale to better reflect how I felt about this book:

Fun Factor: Summer blockbuster fun, but avoid eating popcorn while reading unless gore doesn’t dampen your appetite

Action Factor: Tons of running, hiding, and whacking zombie skulls, resulting in blood spatters everywhere

Page Flipping Factor: Fast.  Really, really fast, though dialog to skull-whacking factor is surprisingly high

Jiggle Factor: Too high.  Not sure how the women can get back up if they fall, and I worry about back strain

Review copy provided by publisher

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25. Review: Jack Frost Vol 4 by JinHo Ko

 

Title: Jack Frost Vol 4

Author: JinHo Ko

Publisher: Yen Press

ISBN: 978-0316126748

 

May Contain Spoilers

Synopsis:

Siegfried of the South District makes his move against the North, and his weapon of choice is…Jin? But despite the fact that this latest threat to her power bears the countenance of her associate, Helmina does not hesitate to unleash her terrible strength against Jin. With Siegfried successfully removed from the good doctor’s mind, Helmina plots her next strategy…Will even Jack Frost be able to counter the devils she is prepared to release?

Review:

I don’t think I understand what is going on in Jack Frost.  I don’t know if I really need to, because the explosions and wanton destruction are a lot of fun.  Ignorance is bliss, maybe?  There is a war brewing in Amityville, I get that, and the Mirror Image has set things in motion.   Helmina looks cool wielding her awesome powers, but I question the wisdom of doing battle in garters and lace panties.  Are thongs passé, or something?  I didn’t care for her granny panties, but not everyone can have the stunning sense of fashion that I possess.

Like previous volumes of Jack Frost, this one showcases heavy-duty fight scenes, both in flashbacks and in the present timeline.  Noh-A fades to the background, though, and the light shines on Hansen.  His tragic past is painfully revealed, including his guilt for not dying with his brother and the girl he loved.  When the past catches up with him, he has a hard time putting his feelings in the past, where they belong.  Instead, it looks like he’s going to repeat the mistakes he’s made in the past, without doing anything to try and change things. 

Jack is a squeaky toy most of the volume. I just know that he is conserving his energy so he can turn into a complete badass in the next installment, but still I worry about his welfare.  That big, nasty villain who is trying to squeeze the life out of him looks like he’s pretty strong.  Will Jack end up looking like a smushed banana?  I don’t think so, but it’s fun wondering how he’s going to get himself, and everyone else, out of trouble.

Grade: B

Review copy provided by publisher

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