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Viewing: Blog Posts Tagged with: Jennifer, Most Recent at Top [Help]
Results 1 - 6 of 6
1. My Chicago Tribune Review of Jennifer, Gwyneth, & Me (Rachel Bertsche)

Readers of this blog know that I take no pleasure from reviewing books that dodn't turn out to be quite my kind of book. I know how hard writing is. I know how big the hopes of writers are. I am the last person in the world who wants to disappoint, or hurt.

But when reviewing for the Chicago Tribune's Printers Row and elsewhere, my first responsibility is to the readers. And so I admit that I was challenged by this new immersion memoir by Rachel Bertsche, despite the fact that I suspect that the author herself is kind and openhearted.

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2. Top 3 differences between The Colbert Report and The Daily Show

By Jennifer Burns


How does being a guest on The Colbert Report compare to being a guest on The Daily Show? Here’s a breakdown!

More Face Time with Everyone: Backstage at The Daily Show was a blur; I had no sooner arrived than I was in make-up, met Jon, and was heading out into the lights. By contrast, I had lots of time at The Colbert Report to see the stage, meet the producers, and chat with sundry tech people. And I got way more face time with Stephen Colbert! “I’m not my character!” was pretty much the first thing he said to me. He explained that he would feign willful ignorance and my job was to educate him and the audience. And of course we talked about Ayn Rand. Colbert told me he read Anthem in a Christian ethics class in college, and then while backpacking in Europe traded somebody for Atlas Shrugged. But he only made it to the scene where Dagny discovers world renowned philosopher Dr. Hugh Akston flipping burgers at a roadside diner and recognizes his genius by the way he handled a spatula — this stretched credulity for Colbert and he gave up on reading the rest!

The Audience: The audience was a much more intimate part of The Colbert Report than The Daily Show, where guests make a grand entrance and can’t even see the audience because of the blinding lights. This time, I was seated on the set for about a minute beforehand in full view of the audience, and their laughter and response seemed a bigger part of the interview. While I was waiting to go on, I could hear everyone laughing uproariously, clearly having a great time, and that made me feel excited and ready.

The Host: The biggest difference, of course, is Jon vs. Stephen, but I had an unexpected reaction. Where most people seem to think Stephen Colbert would be a more difficult interview, I actually found him to be personally warmer and easier to talk to than Jon Stewart. Some of this was because I felt more confident the second time around. But the interview itself was also less serious and more of a performance, whereas on The Daily Show I felt I was being grilled by a formidable intellect. Before The Daily Show interview, the producer told me it would be extemporaneous, and that Jon didn’t have notes. But as I was waiting for my interview with Colbert to start, I was told he was finalizing his jokes. When I was seated on the set, I could see a detailed note card on Stephen’s side of the table. I’m pretty sure we veered off the script, but that level of planning was reassuring. The Colbert producer also did a great job of helping me understand what would create a good interview. Her top piece of advice (which I also heard at The Daily Show): “Don’t be funny!”

Author Jennifer Burns on The Colbert Report


Author Jennifer Burns on The Daily Show with Jon Stewart

Jennifer Burns is Assistant Professor of History at Stanford University and the author of Goddess of the Market: Ayn Rand and the American Right. A nationally recognized authority on Rand and conservative thought, she has discussed her work on The Daily Show, The Colbert Report, Book TV, and has been interviewed on numerous radio programs. Read her previous blog post: “Top Three Questions About My Interview On The Daily Show”

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3. GIVEAWAY!

If you're one of the lazy schmoes out there that hasn't purchased the book yet, Jenn over at Booksessed is offering up a chance to win not only a copy of Fathers and Sons, but Liars and Thieves as well.

That's right. Two books for doing almost nothing at all.

It's that easy.

Oh, and there's also a free piece of original art thrown in there.

Giveaway ends on the 10th. click the linky-link below and get on it.

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4. X Marks The Spot On Illustrator Jennifer Thermes' Imagekind Store

Illustrator Jennifer Thermes creates whimsical illustrated maps for various clients, such as Westchester Magazine, Mobile Travel guide, Wisconsin Trails, The Wall Street Journal and others. Through pens, paints and paper, Jennifer has traveled the globe.

Jennifer is also a children’s book author and illustrator. She has written and illustrated two well received children’s books. When I Was Built is a story of an old 18th-century house which is given a voice and persona to remember how people lived when it was first built, compared to life for the people who live in it today. And Sam Bennett’s New Shoes, is about a boy growing up on a farm in colonial times, who learns about the tradition of hiding old shoes in the walls of his family’s house to bring good luck, and eventually passes on the tradition to his own child.

Prints of the charming illustrations above, along with a selection of Jennifer's beautifully illustrated maps and other illustrations can be purchased online at her imagekind store.

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5. Jennifer Greene, Clarion

This entry is part 3 of 3 in the series Why YOU Should Attend a National Conference

One main reason to attend a national conference is to meet editors, listen to how they describe their lists, and find out what they are looking for. Attendees are usually offered an opportunity to submit for a short period of time, even if the house policy is no unsolicited manuscripts.

Needs Contemporary, Upper Middle Grade and YA

greene001Jennifer B. Greene, Senior Editor at Clarion Books (an imprint of Houghton Mifflin Children’s Books) talks fast and passionately about the books she has published.

Clarion’s submission policy: Open to unsolicited, but will not respond unless interested. Do not include an SASE. NO email submissions. Greene adds that personally, she’s not a fan of query letters, but would rather see the entire fiction manuscript. For nonfiction, she needs to see a detailed proposal with sample chapters. Be aware, though, that for a first contract with an author, Clarion wants to see a completed nonfiction manuscript.

She handed out a long list of books that she has edited, or wishes she has edited. Like many other editors, she looks for fresh, distinctive and original books.

Specific needs:

  • Preschool Picture books. Quirky & subversive, with illustrations that have vintage appeal. No bedtime stories. Books shouldn’t be for adults for should reflect the early experience of preschool or early elementary kids.
  • Multicultural. Only 2 % of books feature Latino characters, yet our population has many bilingual families. Asian folktales, especially if they affirm our shared humanity.
  • Nonfiction picture books. These are often for upper elementary students. Would like to see something on the topics of art, food, architecture, design.
  • Nonfiction for older readers. Wide variety of nonfiction topics and biographies.
  • Fiction. For either middle grade or YA readers, Greene looks for character oriented stories. Emotionally true. Not fast-paced action. Would like to see something in an alternate universe, apocalyptic stories, life after death. By or about emigres, especially India, Pakistan and Bangladesh. Something that includes the clash of cultures.

Does NOT want to see

  • Rhymed picture books
  • Picture books written for adults instead of kids
  • No mass market ideas.
  • For historical fiction, setting is secondary to characters. Make sure it’s a character driven, literary story.
  • Chick-ick
  • Romance
  • Sports

There is MORE from the Conference coming this week! Subscribe to Revision Notes by Email.

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6. Lloyd Alexander: "All you can know..."

One of the world's most beloved fantasy authors, Lloyd Alexander, died last week at the age of 83, leaving behind a rich legacy of stories that are sure to entertain and beguile a new generation of readers in the years to come. In The Wand in the Word: Conversations with Writers of Fantasy (Candlewick, 2006), Leonard S. Marcus speaks with Alexander about his life and working methods, and here--

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