The release of Brett Morgen’s documentary Montage of Heck has inspired new discussions of the legacy of Kurt Cobain, the Nirvana frontman who upended popular music before committing suicide in 1994. Few artists have straddled the line between nonconformity and commercialism like Cobain. Consider the three-album arc of his band’s life: though Nirvana boasted of producing its debut album Bleach for $600, Cobain became a Generation X icon by releasing its follow-up, Nevermind, on a major label, and by having a hit single, “Smells Like Teen Spirit,” that dominated MTV.
The post Kurt Cobain, making comedy of commercialism appeared first on OUPblog.
CTIA and ESRB have put a mobile app rating system in place (to help parents and kids understand which apps are age-appropriate. The system is meant to be industry-wide, though the two giants, Google and Apple, are holding out and don’t plan... Read the rest of this post
Following the lead of papers like the Los Angeles Free Press, the East Village Other, and the Berkeley Barb, young Americans in the 1960s launched hundreds of mimeographed pamphlets and flyers, small press magazines, and underground newspapers. New, cheaper printing technologies democratized the publishing process and by the decade’s end the combined circulation of underground papers stretched into the millions. Though not technically illegal, these papers were often genuinely subversive, and many of those who produced and sold them-on street-corners, at poetry readings, gallery openings, and coffeehouses-became targets of harassment from local and federal authorities. With writers who actively participated in the events they described, underground newspapers captured the zeitgeist of the ’60s, speaking directly to their readers, and reflecting and magnifying the spirit of cultural and political protest.
In the deeply researched and eloquently written volume Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media in America, author John McMillian captures all the youthful idealism and vibrant tumult of the 1960s as it delivers a brilliant reappraisal of the origins and development of the New Left rebellion. McMillian pays special attention to the ways underground newspapers fostered a sense of community and played a vital role in shaping the New Left’s highly democratic “movement culture.” Below, we present a conversation with McMillian, who is also Assistant Professor of History at Georgia State University and the co-editor of The Radical Reader: A Documentary History of an American Radical Tradition, The New Left Revisited, Protest Nation: The Radical Roots of Modern America, The Sixties: A Journal of History, Politics and Culture
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How did you get interested in the 60s, and what made you want to write about that period?
I’ve had a longstanding layperson’s interest in the 1960s, going all the way back to high school, when I became a huge Beatles fan. I read about them obsessively, and then a little later on started getting interested in other iconic groups and personalities from the era: Abbie Hoffman, the Black Panthers, even Charles Manson (as weird as that sounds). But it wasn’t until a bit later – after I started my Ph.D. at Columbia in the mid-to-late 1990s – that it even occurred to me that this was a topic I could study professionally.
Up until that point, most of the writing on the 60s had been accomplished by people who had lived through the decade, and who (at least by some accounts) seemed a little protective of the field. But soon I discovered that a newer generation of scholars – made up of people who are just a little bit older than myself – were beginning to do some really fascinating work on the period. Meanwhile, I’d encountered essays by Maurice Isserman and Rick Perlstein, both of which were persuasive and encouraging about the idea that the scholarship on the 60s scholarship could use an infusion of fresh voices and new approaches. And then once I started doing just a little bit of work on the New Left, I realized there were so many amazing troves of untapped primary sources relating to the 60s (the underground newspapers are foremost among then). Most of the time, I really enjoy doing archival w
Will Rolling Stone's interview with Justin Bieber (tarnish the pristine image of the pop idol? In the article, due out Feb 18, he disses the U.S. and gives his opinions on politics, fame, abstinence, and abortion, among other topics. After a... Read the rest of this post
Today we bring you our weekly sampler of the cool youth media and marketing gigs. If your company has an open position in the youth media or marketing space, we encourage you to join the Ypulse LinkedIn group, if you haven't yet, and post ... Read the rest of this post
Today we bring you another installment of Youth Media Movers and Shakers. We've culled through industry publications looking for the recent executive placements we think you should know about. If you have executive news that you want us to... Read the rest of this post
Today we bring you another installment of Youth Media Movers and Shakers. We've culled through industry publications looking for the recent executive placements we think you should know about. If you have executive news that you want us to highlight... Read the rest of this post
Don't call it 'Planet Hollywood' (Rolling Stone announces plans to open a large-scale restaurant and nightclub in LA. Also MTV offers a 360-degree video of tonight's broadcast of the Woodie Awards) (Los Angeles Times) (CNET)
- Facebook and real... Read the rest of this post
Today we bring you our weekly sampler of the cool youth media and marketing gigs you can expect to find on our Ypulse Jobs Board. If your company has an open position in the youth media or marketing space, we encourage you to post there. Post a... Read the rest of this post
