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I recently re-read Angela Booth’s “Change Your Life with Your Journal.” I’ve  journaled through many down periods in my life, and it’s always been therapeutic. However, her following statement hooked me.

“The key point to note is not the therapeutic effects of writing in a journal but rather the fact that regular journal keeping will influence the way you think or feel about a specific topic.”

And what big change did Angela accomplish in her writing career by using journaling? It’s a change I would give almost anything to also achieve! This is the leap of growth that journaling allowed her to make.

“I could see that unless I changed my reluctance to market my writing, I would be stuck at a level of income I knew I could surpass… Journaling helped me change my mind about marketing my writing. I went from someone who became physically ill at the thought of sending out query letters and making cold calls to market my copywriting, to someone who LOVES marketing.” What a change!

The Proof in the Pudding

I tried her idea. In my journal I wrote about a writing task I had put off for weeks–and it had grown in my mind to mammoth proportions. I wrote about why I didn’t want to do it, what I feared would happen if I failed, all that angst stuff.

Then later I sat down to do that task, wondering if the journaling self-talk had helped. I got the job done–it took only 25 minutes according to my kitchen timer–and minus the angst. I was amazed. Only 25 minutes after procrastinating on the chore for weeks. Sheesh!

Make It a Habit

Give this idea a try with something in your writing life that has you stumped or scared or blocked. Share your experience with journaling toward an attitude change.

Did this idea work for you?

I can’t believe I never thought of this before! I feel ditzy even admitting this, but maybe it will help you like it’s helped me.

Aha! Moment

I have dozens of great writing books, and many of them contain terrific writing exercises to help us improve our craft. Some will improve the quality of your description, some will develop character emotions, some will pep up your dialogue, etc.

When I buy a book like this, I start out with great enthusiasm, using a clean notebook to do the writing prompts and exercises. Less than a week later, I’ve put the book on the shelf. Why?

Doing the writing exercises takes time. And I have so little writing time that I don’t feel I can spend it doing writing exercises.

What’s the Answer?

I never thought–until today–to combine the two things! I can’t believe this never occurred to me. I’m reading The Writer’s  Portable Mentor: A Guide to Art, Craft, and the Writing Life.  At first, I groaned when I read this: “Basic productivity underlies everything else. Take the chapters one by one. Actually do the exercises!“

I sighed and almost quit reading. But the author, Priscilla Long, added this instruction that created the AHA! for me: “But–and this is crucial–do every exercise in relation to some peice you are working on. Don’t just make up sentences on the fly, out of your head. Instead, in your writer’s notebook, write out a paragraph from the piece you are working on as it currently exists. This is your ‘before’ paragraph. Then work the paragraph, using whatever craft technique you are currently deepening… When you get an ‘after’ paragraph you like, type it back into the piece.”

Paradigm Shift

Actually doing the exercises in the craft books (or your lesson manual) is what improves your writing craft. So put your study/craft book right beside the manuscript you’re working on and use portions of your current work to do the exercises. You’ll be growing as a writer AND revising your manuscript at the same time.

I’m going to go back and systematically use the writing exercises in all the books on my shelf–while applying the exercises to my current revison. This technique will revolutionize my studying from now on!

I realize that many of you have probably been doing this for years! But it’s news to me–and I’m excited to see how this is going to change the way I write. If you try this, let me know how it works for you.

According to Walking on Alligators: A Book of Meditations for Writers by Susan Shaughnessy, “Depression is surprisingly frequent in writers… ”

I think it shows up on Mondays more than any other day. It could be from a downward turn in your health, bad news about a child, a day job issue, a fight with your spouse, or your hormones have gone haywire. Or you could just be really tired.

Whatever the cause, the “blues” can derail your writing for the day–or week–if you let it.

Dealing with Depression

I used to spend so much time “dealing” with depression. Getting to the bottom of it, finding out what the experts said about my issue, praying for help, figuring out a “plan” to deal with the problem, and…not writing.

All that dealing took away from my writing, but I assumed there was no choice. After all, you can’t write when you’re depressed, can you? Won’t everything you write be horrible and dark and depressing?

Surprisingly not.

Grit and Determination?

Shaughnessy continues: “Writing goes on in spite of depression. Depression can be paralyzing; but if you can, by sheer discipline, fight your way to your regular writing place, you may be amazed by the quality of what you produce… Writing won’t banish depression. But depression doesn’t have to banish writing.”

Actually, for me, the writing often does banish depression–at least for the time you’re writing. But the important truth there is this: depression doesn’t have to banish writing.

Just Try It

So if you’re having a “blue Monday” today, get into your favorite writing position, and write anyway. Don’t waste the day. Put your problems on hold for an hour or two, and just write. You will probably be astounded in a few days at the fine quality of what you produced, even when depressed.

One caution: Don’t edit (especially, don’t discard) while depressed. Write instead. You’re not a good judge of your work when blue. Wait to edit until the sun comes out again.

Why do some writers struggle for each word, while other writers have words that seemingly flow from their fingertips?

I’ve Got a Secret!

Are there secrets to being able to write with ease? Does anyone really know what works and what doesn’t?

Well, Daphne Gray-Grant’s article on “The Seven Habits of Highly Effective Writers” will give you a lot of food for thought in this area. She studied effective writers to discover their secrets–and has revealed them here.

Make It Personal

Read the article–study it–maybe even journal about it. We all need to periodically consider if we need to develop some new habits–and drop a few old ones.

Is there something you’d add to Daphne’s list? If so, leave it in the comments below. Then make your own list of habits you want to develop to further your writing career. Post several copies where you’ll see them daily–and then watch them transform your writing life.

Last night we had our young grandkids overnight. Roasted hot dogs and marshmallows, hiked, and made lots of memories. I could have written after they went to bed, but I was too tired!

If you have a family–whether it’s preschoolers and toddlers like I had when I started writing, or grandkids like I have now–it’s something you have to consider when trying to write more. It’s a balancing act, especially if your family comes first in your heart, as mine does.

It’s no good putting the writing before your family and then living in guilt. The guilt will short circuit your writing and create a solid writer’s block. So, how can you make more time to write without short-changing your family? It’s a juggling act!

Tight Rope Balancing Act

In the second Glimmer Train Guide to Writing Fiction (2007), the volume called Inspiration and Discipline, an interesting point was made. A mother/writer was asked about balancing family and writing.

In part, she made this observation: “It’s very hard. There’s no way of glossing it over. It’s very, very difficult. At this point, my children are grown, but still they’re–of course–more important than my work. And that’s how it is… I sometimes think back through history: Were there any great women writers with children? I’ve been unable to find any. Of course, the way history is written, we don’t know…but those whom we know didn’t have children and families.”

I had never thought about that, but my favorite female writers (Jane Austen, Louisa May Alcott, and others) were single women without children.

Can You Be Both Mom and Writer?

What do you think is the reason behind that fact? Is it merely the time needed to raise a family, preventing you giving enough time to the writing? Or is it that both writing and raising children take the same kind of dedication, love, focus, and sheer energy? Can babies and bylines mix? Or if you try to do both, do both suffer?

I don’t personally think either has to suffer, although there are only 24 hours in anyone’s day. You probably can’t be as prolific while raising five kids! You may write five great books instead of ten, but they can still be awesome, award-winning books.

What do you think? I welcome your insights too. In your experience, have you been able to combine writing with having children? Do you have a secret you could share with other (struggling) moms?

If so, please leave a comment!

Like many families, summertime for us often means traveling by car for long distances. (I’ve learned that going anywhere in Texas means traveling a long distance.)

This summer I re-read an old post on writing while traveling and decided to practice what I preached. I packed the laptop and my novel notes, and we took off.

The Realities

Did I like working on a laptop in the front seat of a compact car? No. I don’t like typing with my elbows close to my waist or trying to find angles where the sun won’t glint off the screen. Happily, we were driving in the dark a good bit of the time, so the sun wasn’t a huge problem.

Did I like writing with the radio blaring? No–I like total quiet to write. Despite the less-than-ideal writing conditions, I was able to write a whole chapter going and half a chapter on the way home. That was about 4,200 new words of a rough draft. If I hadn’t written, what would I have done otherwise? Daydreamed. Napped. Stared out the window.

Additional Benefits

Besides getting the words down, the words written in the car will be very helpful to me later today. When I sit down to write, I won’t have to go back and see what I wrote three days ago and try to remember the emotions of that scene or where I was headed with it. It’s still fresh in my mind from writing in the car last night. I can pick up where I left off with little trouble.

(By the way, I readily admit that writing with no small children in the car is MUCH easier! When my children were little and I didn’t own a laptop, my writing in the car was done with pencil and notebook, using a flashlight after dark. Where there’s a will, there’s a way!)

Dare to Be Flexible

All our best laid plans for setting up a writing schedule can go out the window during the summertime. We don’t live on islands, but instead in families that require our flexibility. So learn to build that flexibility into your writing life.

By all means, have a set schedule and a favorite place that is most conducive for your writing. But learn to go with the flow too–and fit the writing in whenever and wherever you can. Later, you’ll be glad you did!

During the summer and vacation time, what are some other places you’ve discovered that you can write? I’d love to hear about them.

Have you ever finished a rough draft or a revision, then wondered if the story held together and all the elements were there in the right places?

Did you suspect some of your favorite scenes should be cut, and other boring ones needed beefing up? Yet you had no idea where to begin…

Welcome to the Club

That happens to me with every book. Only this time, I stumbled across a book at Border’s that has turned out to be a gold mine of help. It’s one of the best writing craft books I’ve read in a long time: Make a Scene: Creating a Powerful Story One Scene at a Time by Jordan E. Rosenfeld.

Make a Scene takes you through the basics of strong scene construction, showing you the necessary core elements needed (e.g. setting, charactere development, tension). However, Rosenfeld also applies these core elements to ten specific different scene types. The requirements are different for first scenes, suspense scenes, dialogue scenes, epiphany scenes, and six other types.

With specific checklists, questions, and excellent examples, the author acts like a personal instructor as he helps you analyze your scenes and then revise and add what’s missing.

Talk About a Bargain!

This 275-page book is perfect for anyone who’s ever thrown up their hands over revising a book and making it stronger. No longer will you have that vague feeling that something’s wrong, but no idea how to fix it!

To top it off: today, at least, there are multiple new and used copies at Amazon.com for under a dollar. If I were you, I’d head right over there and grab a copy while they last.

You’ll be glad you did!

“Of all things I’ve lost, I miss my mind the most.”

I don’t recall who said that famous line, but occasionally it’s true of all of us. We don’t always need to learn new things. Sometimes we just have to remember some things we once knew–but have slipped from our present-day thinking.

Time Management Re-Visited

Because of Memorial Day this week, plus a lengthy appointment, plus joining a gym, plus speaking at the City Council meeting, plus spending time with my grandkids, my available work hours looked like a piece of Swiss cheese. It was like an old movie, just my own variation: “Honey, I Shrunk the Writing Time.”

I was thinking about it this week and realized I’ve been around this mountain a hundred times over the past thirty years. What did I do before to fix it? Silly as this sounds, I read back through the Writer’s First Aid blog’s time management posts.

Jogging the Memory

One concept that I covered in three posts (thinking like a 9-to-5 office worker) made good sense to me–again. I’m going to re-post those links from over two years ago for those of you who are newer to the blog. Hope you find them as helpful as I did this week!

• Part 1: Thinking Like a Nine-to-Fiver
• Part 2: True Grit for Writers
• Part 3: Changing Our Minds

“Life is what happens when you’ve made other plans.” We’ve all heard that saying. I want to remind you that it’s during these unexpected “life happens” events that you most often lose sight of your writing dreams.

How do we keep that from happening?

According to Kelly Stone in Time to Write, “The only requirement to be a writer is a Burning Desire to Write, coupled with the dedication that that desire naturally creates. Follow that desire up with action and nothing will keep you from success.”

Life Interrupted

I agree with Ms. Stone. Adhere to that formula for success, and you can’t miss. BUT life gets in the way sometimes: personal illness, job loss in the family, sick parents or children, a teen in trouble, a marriage in trouble. It’s at these times when you need to take precautions to keep your dream alive inside you.

Other writers struggle with this too, whether it’s during calm times in life or when there’s more upheaval. “It’s easy to believe that what you do doesn’t matter, but you have to think that it does matter,” says novelist Mary Jo Putney, “that you have stories to tell, and a right to tell them.  You should take the time to yourself to explore this ability. You’ll always be sorry if you don’t do it.”

Practical Tips

There are many tried-and-true actions to take to keep your dream alive. Write out your goals and action plan, breaking it down into small, do-able steps. Set small daily goals, and write–even if it’s only for ten minutes–to stay in the habit. Visualize in great detail having pieces published, autographing your first novel, or quitting your day job to write full-time.

You don’t have time for all that?

Okay, then just do ONE thing. Steve Berry, NY Times bestselling author, said it well: “The number one thing you must do is write. You have to write, write, write, and when you can’t write anymore, write some more.”

Don’t go to bed tonight until you’ve spent at least ten or fifteen minutes writing. Nothing keeps a writer’s dream alive and flourishing like sitting down and writing. Absolutely nothing.

Last week I took a clear look at my 2010 goals and my office–and was appalled. I started off so great in January! What had sidetracked me to the point that my office was buried under paper–truly couldn’t even see my desk top–and only one of four self-assigned deadlines had been met?

Actually, I’d suspected I was off track about six weeks ago. Knowing I was behind schedule, I worked longer hours, telling myself “it would all work out somehow.” Nose to the grindstone, I just kept pushing.

Did that get me back on track? No! I’m even further away from my goals than before.

I had to stop and admit that I had taken a wrong turn somewhere. I was no longer on the “road to success” that I started down in January. And all the prayer and positive thinking wasn’t going to change that.

What Happened?

I backtracked several months, trying to find out where my train had derailed. Luckily, I journal, so it wasn’t too difficult to find those triggering events. Some of the events were negative, and some positive (which surprised me).

For example, one of my New Year’s Resolutions (goals) was to stay off the Internet until after lunch and write in the mornings. I’d done it for a couple of months, and had a lot of writing to show for it. But one early morning when I had to post something before leaving on a trip, I was on Facebook and up popped an instant message from my deployed daughter in Iraq! Due to the time difference, she was online during my early morning hours. My journal that day reflected the joy I’d felt after instant messaging with her for nearly 45 minutes. After that, I started getting online early in the morning “just in case.” My plan was to see if she was online, and if not, get right off. That lasted less than a week. Soon I was back to checking and answering unimportant email, reading newsletters, and paying bills online–instead of writing.

Messy, Messy

I don’t know about you, but I can’t work in a mess. My office had had piles of paper stacked on the floor and both desks for weeks. It drove me nuts, but since I felt pushed for time, I worked on the kitchen table instead. Why so much mess? All because I dropped a five-minute habit two months ago.

One thing I learned in Margie Lawson’s “Defeating Self-Defeating Behaviors” class was to take 5-10 minutes at the end of the work day and clean your desk. File things away. Get out the first thing you’re going to work on in the morning–but just that one thing sitting on your clean desk. I used to do that–and feel energized just walking into my office.

I spent two days last weekend cleaning it. You can now actually walk INTO my walk-in closet. (Previously it was a lean-in closet, and you had to stand outside and reach for things.) Two big bags full of papers went to be recycled. Everything is now filed in clearly labeled WalMart storage boxes. And I’ve doubled my work output this week just by having the office clean!

Lay New Track

When we make our goals, we plan to follow a straight line to success.  However, if you’re moving away from your goals instead of closer, don’t just reassure yourself with (false) positive statements and keep going down the same path.

Stop! Backtrack. Pinpoint where you made a wrong turn so that you can now make a course correction. Lay some new track–track that’s headed again in the direction you intend.

I’m back to cleaning my office every evening before I quit work. And until my daughter comes home from Iraq, I&rsquo

In the midst of the doldrums, our writing lives come to a standstill. We stop writing, reading craft books and magazines,  journaling, critiquing, and researching.

There is actually a place near the equator named the Doldrums. Because of shifting winds and calm spots in the area, a sailboat caught in the Doldrums could be stranded for days due to lack of wind. When we’re caught in the writing doldrums, our writing boat is stranded for days too.

What causes this? The Doldrums near the equator are caused by alternating calms and squalls. Super highs and super lows. Hyperactivity and then no activity.

That’s exactly what causes the writing doldrums too.

Uneven Pacing

The cycling back and forth between hyperactivity and doldrums is where many of us live. NOTE: the hyperactivity can be writing-related or nonwriting activity. Writerly hyperactivity includes writing marathons for ten hours, getting caught up in the Twitter-Facebook-LinkedIn-MySpace-blog frenzy, and other ways of operating in hyper-drive. Nonwriting hyperactivity can be rushing from one kids’ activity to another while juggling your day job, a birthday party, a sick parent, and your aerobics class.

Either way, you’re too busy and out of balance. This always–and I do mean ALWAYS–is followed by the doldrums where you just can’t make yourself do a thing. (Partly it’s nature’s way of making you slow down and rest.)

Is this your pattern? If so, you’ve probably noticed that the time spent in the doldrums effectively wipes out how much you gained during the hyper times.

The Solution

Do you get tired of crashing, of having days of no productivity that follow your super productive days? After the flurry of frenzied activity that accompanies your adrenaline rush, your bodies, minds, emotions and spirits shut down. This can be prevented though!

It takes daily discipline, but it can be done. And oddly enough, the discipline that’s called for is slowing down. You want to avoid the hyperactive days–be they writing or nonwriting hyper days–so that the doldrums don’t automatically follow.

To avoid the crash, you have to avoid the frantic days that precede it.

Balance and Pacing

If you want to have a writing career that will go the distance, your best bet is to avoid the extreme highs so you can avoid the extreme lows. Even if you can write five straight hours, it’s better for most people to stop after two hours and take a break. Do something else, something physical. Change gears. Let the adrenaline subside. You can write again later if you have time.

If you’re hyper in the nonwriting world, it may mean saying “no” a lot more often. Not everyone who asks for your assistance needs it nearly as much as you need to stop and take a few deep breaths and relax. Most of us have such an automatic “yes” that we don’t even stop to think or pray about the request. It’s only later–when we’re up till midnight trying to get our own things done–that we realize we agreed to something that we should have declined.

The Pay-Off

The writers who last, who keep producing quality writing, are usually those who have found a way to stay on an even keel most of the time. Then they can write daily, produce pages that add up over time, and still have a balanced life away from the keyboard.

Give yourself permission to get out of hyper drive, and thus avoid the writing doldrums. You’re the only one who can make that change. I urge you–and ME–to begin today.

In the midst of the doldrums, our writing lives come to a standstill. We stop writing, reading craft books and magazines,  journaling, critiquing, and researching.

There is actually a place near the equator named the Doldrums. Because of shifting winds and calm spots in the area, a sailboat caught in the Doldrums could be stranded for days due to lack of wind. When we’re caught in the writing doldrums, our writing boat is stranded for days too.

What causes this? The Doldrums near the equator are caused by alternating calms and squalls. Super highs and super lows. Hyperactivity and then no activity.

That’s exactly what causes the writing doldrums too.

Uneven Pacing

The cycling back and forth between hyperactivity and doldrums is where many of us live. NOTE: the hyperactivity can be writing-related or nonwriting activity. Writerly hyperactivity includes writing marathons for ten hours, getting caught up in the Twitter-Facebook-LinkedIn-MySpace-blog frenzy, and other ways of operating in hyper-drive. Nonwriting hyperactivity can be rushing from one kids’ activity to another while juggling your day job, a birthday party, a sick parent, and your aerobics class.

Either way, you’re too busy and out of balance. This always–and I do mean ALWAYS–is followed by the doldrums where you just can’t make yourself do a thing. (Partly it’s nature’s way of making you slow down and rest.)

Is this your pattern? If so, you’ve probably noticed that the time spent in the doldrums effectively wipes out how much you gained during the hyper times.

The Solution

Do you get tired of crashing, of having days of no productivity that follow your super productive days? After the flurry of frenzied activity that accompanies your adrenaline rush, your bodies, minds, emotions and spirits shut down. This can be prevented though!

It takes daily discipline, but it can be done. And oddly enough, the discipline that’s called for is slowing down. You want to avoid the hyperactive days–be they writing or nonwriting hyper days–so that the doldrums don’t automatically follow.

To avoid the crash, you have to avoid the frantic days that precede it.

Balance and Pacing

If you want to have a writing career that will go the distance, your best bet is to avoid the extreme highs so you can avoid the extreme lows. Even if you can write five straight hours, it’s better for most people to stop after two hours and take a break. Do something else, something physical. Change gears. Let the adrenaline subside. You can write again later if you have time.

If you’re hyper in the nonwriting world, it may mean saying “no” a lot more often. Not everyone who asks for your assistance needs it nearly as much as you need to stop and take a few deep breaths and relax. Most of us have such an automatic “yes” that we don’t even stop to think or pray about the request. It’s only later–when we’re up till midnight trying to get our own things done–that we realize we agreed to something that we should have declined.

The Pay-Off

The writers who last, who keep producing quality writing, are usually those who have found a way to stay on an even keel most of the time. Then they can write daily, produce pages that add up over time, and still have a balanced life away from the keyboard.

Give yourself permission to get out of hyper drive, and thus avoid the writing doldrums. You’re the only one who can make that change. I urge you–and ME–to begin today.

To thrive in the present publishing climate, our manuscripts need to be submitted in the best condition possible. I’ve written previously about the need to continue studying the writing craft. [Strong Writers Do This, Self-Study Advanced Writing Program]

“But how do you find the TIME to study on top of writing and marketing?” I’ve been asked time and again. Actually, it’s simple.

Shorten the Learning Curve

Whenever possible, I piggyback on someone else’s research. For example, I prefer a book like Time to Write by Kelly L. Stone, who interviewed more than 100 professional writers about how they fit writing into their busy lives. All that experience condensed into one book is a gold mine.

Likewise, last week I put together two e-booklets that could also shorten your learning curve. First is 50 Tension Techniques: Hold a Reader’s Attention from Beginning to End. I teach a writing workshop called “Tension Techniques,” based on my thirty years of writing and selling 35 books. A few months ago in Austin, I met a woman who had attended that workshop years ago; she told me she’d worn out her hand-out and wished she had another one. I use the hand-out myself in my fiction writing when I come to spots that drag or when things are too calm for too long!

Editors tell us that we need tension on every page in order to keep readers hooked. But what exactly is tension? And how can you possibly increase tension on every page? The fifty simple techniques in this e-booklet show you how to infuse page-turning tension into your dialogue (15 techniques), your plot (14), your characterization (12), and setting descriptions (9). I’ve gathered these techniques from years of reading how-to and writing craft books. (I have six bookcases full of writing books in my office.)

Special Tension Needed

I love mysteries and have had eleven mysteries published (one won a children’s choice award), and mystery stories and books never seem to go out of fashion with kids. A few years ago I wrote a monthly magazine column on mystery writing. I’ve gathered those columns into a 50-page e-booklet called Writing Mysteries for Young People.

I’ve studied close to two dozen books on mystery writing, and these sixteen short chapters are the best techniques I’ve found. Writing Mysteries for Young People will show you how to construct a mystery. This includes the development of heroes, victims and villains, plotting and planting clues, creating the sett

If you’re traveling west, you’ll end up in California. Go East, and you might land in New York instead. The direction you choose determines your destination. 

But what makes you choose one direction over the other? For most people, it’s whatever grabs your attention. If warm beaches and surfing snag your attention, you’re more likely to head west than east. As your attention goes, so goes your life.

What does that mean for your writing life? It means that when distractions come along–and they will–these distractions can snag your attention, pull you off course and change your direction if you’re not careful.

The Formula

Whatever grabs your attention determines the direction you head. And the direction you head determines where you end up. This is true for everyone. For every area of your life, the formula is the same:

               Attention –> Direction –> Destination

How can you make this “principle of the path” work for you instead of against you in your writing life?

This? Or This?

You can remember that we have choices. We don’t have to be ruled by the things that initially grab our attention. (Attention-grabbers include pop-up ads whenyou surf the web, commercials for food on TV, new cars as you drive by a car lot, a fight with your teenager, and being snapped at by your boss.) We can choose to give our attention to these things. Or we can remove or disentangle our attention from something and deliberately place it somewhere else.

According to Andy Stanley in The Principle of the Path, “Whereas emotion fuels the things that grab our attention, intentionality fuels our decision to give certain things our attention.” In other words, distractions excite our emotions and snag us almost against our will, but we can intentionally choose to give our attention to something else, like a goal.

Death to Distractions

This is good news for writers! We all need a strategy for dealing with things that distract us from our writing goals. Distractions do more than rob us of our writing time that day or that week. They can set us on a path that will lead us to a destination we don’t want.

You don’t think so? Does it sound melodramatic? Well, look back on your life. Are there areas you now wish you’d given more attention to? Maybe you wish you’d paid more attention to your health or your marriage or the way your handle money. Things might be better for you now if you’d given more  attention to those areas then.

Fork in the Road

The same thing is true of your writing career. If you are consistently turning away from unwanted distractions and choosing instead to give your attention to writing and writing-related activities (reading, studying, networking with other writers), you’re heading in a good direction. You will end up at a different destination five, ten or fifteen years from now.

Each time a distraction tempts you to veer away from your writing, you’re at a fork in the road. You will choose one path or the other. I hope you choose the writing path!

Getting into the writing habit is difficult, especially in the early years of writing. Our lives are full to overflowing already, so where can we possibly fit in some writing? How can we form a consistent writing habit when our schedules change from day to day, depending on our obligations?

Believe it or not, you have more time to write than you think. Keep a time log, tracking how you spend your time for a few days or a week. If you do, you’ll spot “down” time that you use for other things which could be snagged for your writing.

Redirect Your Time

When my kids were very young, I desperately wanted to write. I realized that instead of catching up on laundry and chores during their afternoon naps, I could write. Instead of making beds and doing dishes during the morning half hour of “Mr. Rogers,” I could write. Instead of thumbing through ragged magazines for twenty minutes every Friday afternoon while my daughter got her allergy shots, I could write.

Bed making and dishes and laundry could be done while little ones milled around. I chose to write instead when they didn’t need me. That “nap-Mr. Rogers-allergy shot” schedule became my writing routine until my youngest went to kindergarten. By that time, Atheneum had published my first five middle grade novels.

Hidden Time

“But I really don’t have any free time!” you might truly think. I challenge you to study your schedule very closely. Everyone has pockets of “down” time during the day. It may vary from day to day, but usually it is consistent weekly. (For example, you may sit in the pick-up line at your daughter’s elementary school every afternoon for fifteen minutes. Instead of listening to the radio, write.)

You might free up some time by doubling up on your mindless activities. Most of us multi-tasked before the word became popular, but if you’re not, try it. While supper is cooking, don’t watch the news; pay those bills or wrap those birthday gifts, and free up a half hour in the evening to write. If you want to write YA novels, listen to those young adult books on tape while you walk your dog. You’ll be doing your “market research” for an hour, freeing up an hour later to write.

Get It in Writing

Write down whatever pockets of time that you discover can be used for your writing. Even if it’s only fifteen-minute chunks, note them. You can write an amazing amount in ten or fifteen minutes at a time-and it adds up. You may find these chunks in the “between times.” You might have a bit of time between when the kids get on the school bus and you have to leave for work. Or between your day job and supper, you may have half an hour that you wait on a child at ball practice. (I wrote a lot sitting in bleachers waiting for children at practice.)

Write all these pockets of time down on a weekly schedule and write it on your daily calendar. Make it a habit. Perhaps on Monday, Wednesday and Friday, you write half an hour before work, plus daily you write fifteen minutes before cooking supper, and Saturday morning you write an hour while the kids watch cartoons. That’s four hours of writing in a week, just in the free bits and pieces. Since many of us started writing while caring for small children and/or holding down a day job, this kind of weekly schedule may be the best you can do for a while.

And that’s fine!

Time-Honored Tradition

The highest percentage of today’s famous, best-selling authors admit that their writing schedules were exactly like this in the early years. But they had that “burning desire to write” too. And that desire is what motivates us to find those pockets of time, give the