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Viewing: Blog Posts Tagged with: Michelle, Most Recent at Top [Help]
Results 1 - 7 of 7
1. Why Agents Are Lovely People


Some days emails to my agent start like this:

Dear Ma'am:
I'm wondering if you could instruct me on how to write a novel. ;)
Where I go on to explain all the mistakes I see in my work and sign the message with my typical C.

Then I find in my inbox a response like this:
Hi C, (and now I'm back to childhood with my favorite orangey drink),
Sounds like a day of epiphanies. As such, it would appear you CAN write a novel. :)
11 Comments on Why Agents Are Lovely People, last added: 1/21/2011
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2. When Things Don't Go As Planned

As some of you have heard by now, Random House Children's books has decided to close my imprint, Tricycle Press. Books scheduled through summer 2011 will be printed as Tricycle books.


MAY B. was to be released Fall 2011.


I first heard of Tricycle Press when my boys were younger, during our hitting-the-fifty-book-limit library days. We eagerly read things like THE PICKLE PATCH BATHTUB, TURTLE SPRING, FINKLEHOPPER FROG, and PUMPKIN CIRCLE: THE STORY OF A GARDEN.
The Pickle Patch Bathtub Turtle Spring  Finklehopper Frog  Pumpkin Circle: The Story
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<div class= 47 Comments on When Things Don't Go As Planned, last added: 11/22/2010

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3. Getting Closer, But Not There Yet

Since spring, I've been re-working a picture book manuscript called OVER IN THE WETLANDS.  My agent and I are probably on round six at this point.


Each time I return the story to Agent Michelle, she sends back ideas to strengthen my work and always includes some variation of "your work is getting closer, but it's not there yet." It would be maddening if her comment weren't right on target.

I am so fortunate to have someone working with me who only wants my best out there in the world. My writing reflects on both of us. She's asked me to try directions I never would have imagined, and they're working. My most recent breakthrough came in the middle of the night (thanks to a certain puppy), and Michelle agrees I'm onto something good. 

This weekend I sent WETLANDS back to Michelle. I'm hoping we've reached the end of our revision rounds. But if it ends up in my mailbox with "close but not there yet" attached, I'll trust her judgement and get back to work.

15 Comments on Getting Closer, But Not There Yet, last added: 10/23/2010
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4. Denise Jaden Interview and Giveaway

I'm thrilled to host the next stop on Denise Jaden's blog tour. Denise's YA contemporary novel, LOSING FAITH, debuts this week.


Losing Faith
Denise and I met through our agent, Michelle Humphrey of International Creative Management. We've since become critique partners. I value her honesty, sharp eye, and generous feedback.

Be sure to enter to win a signed copy of LOSING FAITH and a book bag made by my talented friend, Robyn Vines Smith of the Warehouse Fabrics Inc. blog. Deadline to enter is Sunday, September 12 at 3:00pm MDT.
Hello,Here is the link to my blog post. It's not posted yet, but this should take you there once it is:http://www.warehousefabricsinc.com/blog/stylish-book-b…you-can-win-it/And a photo is attached.



Can you tell us about LOSING FAITH?

Sure! LOSING FAITH is the story of Brie Jenkins, a sixteen-year-old girl who loses her sister, Faith, in a tragic fall from a cliff. Through the bizarre and devastating process of mourning her sister, Brie discovers that her so-called predictable sister had some pretty big secrets, including a strange religious home group she had joined and kept from Brie and the rest of her family.

What inspired you to write this story?

At first, I just knew I wanted to write a sister story. From there, I figured out that one of the sisters had a secret, and the secret would only be discovered after she died. I lost a close friend of mine when I was sixteen, and I’ve always felt there was a lot to explore with a teen experiencing such a big and devastating event. It’s hard to remember exactly where the story started in my mind, but that’s my best guess.

What was your publication process like, from initial idea to sale?

I came up with the idea for LOSING FAITH in the summer of 2007. Through the summer and early fall, I worked on a detailed outline for the book and had my critique partner go through and scrutinize it for me. By November, I was ready to launch into NaNoWriMo, and I wrote the first draft in 21 days. From there, I spent about nine months revising and then begun my agent search. I queried widely with several requests and many rejections and then went to a writer’s conference in October 2008, where I received some encouragement and advice from authors and editors. From there, I revised one more time and then se

44 Comments on Denise Jaden Interview and Giveaway, last added: 9/8/2010
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5. How It All Happened

Yesterday Megan asked:

I definitely want to hear more about the details of what happened, how it felt, and how you've since celebrated :)

Three weeks ago, Agent Michelle sent me an email saying, Good news! Best discussed over the phone. Which number should I call? As you can imagine, I went a bit crazy!

As soon as she called, she told me two, possibly three editors were interested in my book. This floored me. My work is nothing big and flashy, and I never expected to draw this sort of attention. I talked to editors over the course of the next two weeks, starting with pep talk phone calls from Michelle and ending with follow up conversations with her (while I talked with the editors, she took notes and later emailed them to me -- so helpful!).

It was amazing to talk with three people who loved my work, had shared it with others in their office, had thought through ways to strengthen the storyline, etc. The work editors are willing to put into a book before even knowing its theirs is amazing.

Michelle gave the three editors a deadline to turn in offers (last Friday at noon). Every hour or so, she'd call to update me on who'd turned in what. I thought I could do something productive between phone calls, but I was unable to focus on anything other than brainless TV.

I had three amazing editors to choose from and three different and exciting publishing houses. In the end, I went with the editor I felt understood May was well as I did. I'd had the strongest personal connection with this person. The thing that sealed the deal for me was a fabulous marketing plan.

Michelle called Nicole Geiger of Tricycle Press to tell her I'd accepted her offer. I few hours later I got a lovely email from Nicole, telling me how as a child she'd loved books about a lone character struggling against the world and how thrilled she was to get to work on such a story.

My husband was out of town Friday, and between phone calls from Michelle and trashy TV, I talked with Dan and my parents, often cutting them off to take a call. I'd been holding onto a bottle of champagne for months, longing for this day, and I couldn't wait any longer. The thought of  opening it alone was the lonliest thing I could imagine, so I invited a few friends over. It was wonderful to finally be able to talk about everything that had happened and all that was to come.

34 Comments on How It All Happened, last added: 3/24/2010
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6. On Love Letters Past and Present

Below is another reflection on the life of a publicist from Michelle Rafferty. Rafferty has been a Publicity Assistant at Oxford University Press since September 2008. Prior to Oxford she interned at Norton Publishing for a summer and taught 9th & 10th grade Literature. She is chronicling her adventures in publishing every Friday so be sure to visit again next week.

Not long ago a friend and I discussed the art of a really good romantic e-mail exchange—one with just the right mix of cultural allusion, flirtation and wit. While e-mail has killed the suspense of the old fashioned epistolary exchange, it is not nearly lamentable as the rapid fire (and often lazy) text message. Although the love letter has been reduced to 160 characters, it still stands as an imperative in modern day courtship.So, how do you think you would survive in a time when romantic exchanges were made through handwritten letters and sonnets? That was the question I pondered while reading Edna St. Vincent Millay’s biography What Lips My Lips Have Kissed: The Loves and Love Poems of Edna St. Vincent Millay. In 1999 Daniel Mark Epstein was one of only two biographers granted access to the poet’s diary entries and the letters she exchanged with her many lovers and family, up until her death in 1950. There was so much overlap in her poetry, letters, and love live, that he was able to piece together her life story, which I tore through like a salacious romance novel; her reputation as the “sex goddess of Greenwich Village” was well deserved.

Millay was always involved in at least one or more affairs, and over the course of her life she exchanged hundreds upon hundreds of fervent love letters and poetry with men and women alike. Many fell in love with her based on her poetry alone. Before ever meeting Millay the Latin American poet Salomon de la Selva wrote to her:

I love you, ugly or beautiful. But if you are beautiful you will always be a thing apart from me, somehow, like a lovely music. But if you are ugly, I will take your face in my hands and kiss you very deeply, until your face pales and glows like a star and I feel how nothing that God made is ugly, and then you shall be beautiful with the beauty of a dream that I bear in my heart.

Millay’s longest love affair was with poet Arthur Ficke; despite the fact that they were probably intimate only one or two times, their relationship spanned over three decades. It began with the exchange of letters, in which Ficke offered Millay “avuncular literary advice and criticism of her poems. He sent her his books of verse; he mailed her a volume of Blake, whom she had never read.” The married Ficke put on a “gallant” show of resistance in response to her flirtatious letters, even clipping out inappropriate passages, but this did not stop their exchanges. When they met in person six years later, it was “love at first sight,” but then Ficke was shipped to war, where he wrote her a number of sonnets which prompted her to write the greatest sonnets of her book Second April. Throughout their respective marriages to other people, the two remained close, and the relationship ended just as it began: with an exchange of letters. As Ficke lay on his death bed in 1949, he wrote to Millay: “I like to think that your and my very strange, very fluctuant, profound love for each other has, in all these many years, been evocative of the very finest things in each of us, many a time.” At his funeral she read the famous sonnet “And you as well must die, beloved dust,” which she wrote for Ficke 30 years prior.

As I pored over the loves and love poems of Millay, I found myself touched, even brought to tears, but also wondering if such an emotional correspondence is possible via email. A computer screen can’t substitute for the personality of a hand written letter (smell, remnants of the writers lunch, idiosyncratic penmanship, origami), and prose becomes a little less magical when a delete button is involved—you can feel the passion and sweat infused in a really good love letter that has been outlined and drafted 3-4 times. The perfect e-mail does exist, but I believe its effect will always be less than that of a hand written letter.

Then again, I could be wrong. Maybe one day a biographer will scour through your text messages, e-mails, and facebook account, admiring the perfect balance of wit and compassion you strike in 30-second-response-time on your QWERTY keyboard, or your ability to transpose pop culture references, song lyrics, hyperlinks, and digital photos in all the right places. You might be a modern Millay.

0 Comments on On Love Letters Past and Present as of 4/10/2009 12:05:00 PM
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7. Is Romance Back?: Notes on love from the publicity desk

Today I am excited to introduce Michelle Rafferty who has been a Publicity Assistant at Oxford University Press since September 2008. Prior to Oxford she interned at Norton Publishing for a summer and taught 9th & 10th grade Literature. She will be chronicling her adventures in publishing on this site so be sure to check on Friday’s to hear more about what she is learning.

It began when I was sifting through what I like to think of as the “want ads” for journalism. Everyday reporters across America are looking for experts to quote in their stories. These queries pile up in my inbox daily, and I sort through them like a scavenger in hopes that an Oxford author can provide their insight and subsequently garner some free publicity. Earlier this week one reporter inquired: Is romance back? And I began to think, when was it gone? And for how long? And if it’s back, can it stimulate the economy? The more I wondered, the more perplexed I became, and I soon realized that it is because it is virtually impossible to logically sort through the deluge of findings and instructions I receive daily on matters of love. I fear that unless I abstain from books, film and the internet, I am forever doomed to remain utterly confused on the present state of romance. Let me explain.

According to an article I recently read in the New York Times, science has brought us ostensibly close to developing an actual love potion. Dr. Larry Young believes that a “cocktail of ancient neuropeptides” could actually increase our urge to fall in love or booster a dwindling romance. But, what if these drugs have disastrous side effects? According to In the Name of Love: Romantic Ideology and Its Victims, a book I came across this week at work, some of the most sinister acts in history have been done in the name of love. Even more disturbing is that 30% of all female murder victims have died at the hands of a former or present spouse or boyfriend. Couple these statistics with a love potion, and we could have murders of mass proportions on our hands.

The film He’s Just Not Into You [Spoiler alert!]begins to touch on these love hinged neurosis, but then opts for the happy ending route—I assume that producers felt Scarlett Johansson’s character was better off absconding to India, rather than hacking her new lover to bits after he makes love to his wife as she sits in the closet nearby. Test audiences might disagree, but I think this could have worked. The majority of the film spends its time offering both men and women those much needed cold doses of reality (If he doesn’t call you, it’s because he doesn’t want to call), so I think a murder would suit the film’s depressing appeal. But instead, in the last 15 minutes viewers are told to discard all the previous advice given and believe that there are in fact exceptions to the rules of dating and that women can change men.

Are all the complications and twists and turns necessary to get a happy ending? In film yes, because catharsis doesn’t only apply to Greek tragedy. But perhaps in real life we can get a happy ending without all the drama. According to a recent article in Newsweek, the key to happiness can be narrowed down to one thing: an irrevocable decision. Psychologists once believed that people are happier when they can change their minds, but in 2002 Daniel Gilbert found that people are happier when they are locked into a decision because it leaves no room for doubt. For example, if you are stuck in a marriage, you might as well focus on the positive. That is why according to Gilbert, “I love my wife more than I loved my girlfriend.”

But in terms of love, why does marriage have to define the “irrevocable decision”? Why not a six figure contract for a hit reality show? When Jay Lyon signed onto MTV’s new reality show The City as protagonist Whitney Port’s love interest, he surely considered the consequences of high ratings—he and Whitney could be together as long as the show remains popular. Thus viewers are perfectly poised to perpetually compare their own fated toils with his, which are equally fated but in a more artistically appealing, seamlessly stop-motion sense. The longer contracts keep these reality stars together, the longer we feel bad about our own comparatively humdrum relationships.

So is romance back? At a time when we are on the verge of reducing love to a “magic” pill, it seems the answer would be no. But when Ben Affleck’s character in He’s Just Not That Into You makes the requisite romantic gesture (hiding the engagement ring in the pockets of the pants Jennifer Aniston’s character once told him to throw out), and 300 giddy movie goers “ooo” and “aww,” I lean towards yes. This is the problem.

What are we to do when we are told to simultaneously denounce and clamor for romance daily? What if you, despite all logic, have welcomed romance back into your life and are using all restraint possible to avoid a moment very much like the one that marked the beginning of the end of Tom Cruise? Perhaps I can provide one ounce of solace. As Milan Kundera writes in The Unbearable Lightness of Being, “No matter how we scorn it, kitsch is an integral part of the human condition.” What this means is that the author of perhaps the most pragmatic fictional expose on love that has ever been, has granted you permission to indulge. If this isn’t enough justification, perhaps a certain upcoming Hallmark Holiday is.

4 Comments on Is Romance Back?: Notes on love from the publicity desk, last added: 2/23/2009
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