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You are viewing the most recent posts from the 1553 blogs currently in the JacketFlap Blog Reader. These posts are sorted by date, with the most recent posts at the top of the page. There are hundreds of new posts here every day on a variety of topics related to children's publishing. We have provided a variety of ways for you to navigate through the blog posts. Click the dates in the calendar on the left to view blog posts from a particular date. Scroll down through the list of Recent Posts in the left column and click on a post title that sounds interesting. Click a tag in the right column to view posts about that topic. You can view all posts from a specific blog by clicking the Blog name in the right column, or you can click a "More Posts from this Blog" link in any individual post.
Gut: The Inside Story of Our Body's Most Underrated Organ by Giulia Enders
Ordinary by Michael Horton
Great Day for UP by Dr. Seuss
When Books Go To War by Molly Guptill
The Original Folk and Fairy Tales of the Brothers Grimm translated by Jack Zipes
Wouldn't it Be Deadly an Eliza Doolittle and Henry Higgins Mystery by D.E. Ireland
The Zookeeper's Wife by Diane Ackerman
An Unmarked Grave by Charles Todd
A Bitter Truth by Charles Todd
Murder at the Brightwell by Ashley Weaver
The Fellowship of the Ring by J.R.R. Tolkien
The Two Towers by J.R.R. Tolkien
The Return of the King by J.R.R. Tolkien
The Thief by Megan Whalen Turner
Finding Serendipity by Angelica Banks
The Monogram Murders by Sophie Hannah
Conjured by Sarah Beth Durst
The Little Way of Ruthie Leming by Rod Dreher
P.S. I Still Love You by Jenny Han
Search the Dark by Charles Todd
Did I Ever Tell You How Lucky You Are by Dr. Seuss
The Kashmir Shawl by Rosie Thomas
The Lost Princess by George MacDonald
Murder on the Bride's Side by Tracy Kiely
Murder Most Persuasive by Tracy Kiely
Murder Most Austen by Tracy Kiely
Mr. Churchill's Secretary by Susan Ella MacNeal
Library Loot is a weekly event co-hosted by Claire fromThe Captive Reader and Linda from Silly Little Mischiefthat encourages bloggers to share the books they’ve checked out from the library. If you’d like to participate, just write up your post-feel free to steal the button-and link it using the Mr. Linky any time during the week. And of course check out what other participants are getting from their libraries
Each year, the SCBWI sponsors four conference scholarships for full-time graduate or undergraduate students studying illustration. (Two for the New York conference, two for the Los Angeles conference). Many of our SIS winners have gone on to be represented by agents, get illustration work, and publish books.
Congratulations to these 2015 Summer Conference SIS winners!
Candace Fleming is the author of over thirty-two books for children, ranging from picture books to middle grade fiction to award-winning biographies. Her most recent, THE FAMILY ROMANOV, is the winner of the Golden Kite for nonfiction.
If it was up to Steve Mooser next year's major blockbuster would be this book.
SCBWI is an organization that changed Candace's life. She joined twenty years ago. After joining she headed to her first conference, unpublished and with manuscripts in hand. There she met Anne Schwartz who she has now had a long working relationship with.
With THE FAMILY ROMANOV, Candace had many challenges which included the time and setting, a whole lot to tell, Russian history, characters who seemed boring. How would she make it all work? After more than seven drafts, she finished the book. With the need to escape, she went to see the movie Philomena, and in that film her biggest doubt about her own book was highlight:
Russian history, who is interested in that?
Candace thanks the SCBWI for acknowledging the book with Golden Kite for nonfiction and affirming, that yes, people are interesting.
Paul Fleischman's novels, poetry, picture books, and nonfiction are known for their breadth, innovation, and lyrical language. He's won the Newbery Medal for Joyful Noise: Poems for Two Voices, a Newbery Honor for Graven Images, the California Young Reader Medal for Weslandia, and was a National Book Award finalist for Breakout. His book Seedfolks has been used in citywide reads across the country. In 2012 he was the United States' nominee for the Hans Christian Andersen Award for the body of his work. Visit www.paulfleischman.net.
Paul has written wordless books and he's written an opera, but he always comes back to picture books.
He touches on length, age level, and how picture books are mediated by an adult and what that means – and doesn't mean – in terms of vocabulary and subject matter.
"The best picture books can be enjoyed by all ages."
Models to consider: ballads, songs, lyrics - and how they leave out a lot.
"Does your idea require art? If you can imagine your story without art, a picture book might not be the way to tell it."
"Weigh every word." And then he adds that that is "good advice for all genres."
And when he has things that happen in his story that aren't in the text? Like the moment in his own "Time Train" when the text says, "some passengers got on in Pittsburgh" but it's Civil War Soldiers who are walking into the train car?
He puts it in brackets. (But urges us to keep them to a minimum, "just what is required.")
Paul finishes the session with questions, and his answers cover so much more.
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Shannon Hale is the New York Times best-selling author of fifteen children's and young adult novels, including the popular Ever After High trilogy and multiple award winners The Goose Girl, Book of Thousand Days, and Newbery Honor recipient Princess Academy.
Even as a little girl, Shannon was aware of gender and that girls were treated differently than boys.
Messages girls hear growing up: marry rich; boys are smarter than girls; your value is in your looks; even the things women are supposed to best at, men are better. These are the things Shannon had mulling inside her.
Shannon just unraveled a string of her rejection letters across the entire ballroom stage!
When THE GOOSE GIRLS came out, there was the assumption that boys do not read books about girls, so Shannon believed she wrote books that boys would never read. When Shannon wrote RIVER OF SECRETS with a male protagonist, boys still did not read the book because she was woman.
If Shannon knew what a big deal the PRINCESS ACADEMY title would be, she wouldn't have title it that.
(Note: Shannon has the room clapping and cracking up!) A teacher once told Shannon: "When I tell I class I'm going to read the Princess Academy, the girls go ________, and the boys go___________." (Just like the room could here, you can fill in the sounds made by the girls and boys.)
Shannon asks the boys: Boys, why are you so scared of princesses?
She asks the girls a long list of questions about choices they can make (Can you wear blue? Can you wear pink? Can you be a race car driver? Can you be a clothing designer?) Then asks the boys: Who told you can only do half the stuff?
Shannon tell us, women have half the audience. It's how it is. We have labeled book by and about girls for girls, and girls only.
Shannon has a collection of great slides, showing that you can't get cooties from reading PRINCESS ACADEMY. This all started with Jon Scieszka. Love it!
Men as mentors is so critical. A boy who loves reading turns to his dad and asks, "Dad do you like to read?" Dad answers, "No, not really." Boy responds, "Me neither."
Are you giving books about girls to boys, and saying, "I think you'll like this book because it's funny, etc." We need to do this. We must!
Reading novels creates empathy. We are asking boys to live in a world that is 50% female while telling them not to read books about them. This needs to change.
Candace Fleming is a true youth literature rock star. She is the author of over thirty-two books for children—picture books, middle grade fiction, and biographies. Her most recent book, The Family Romanov, is the 2015 SCBWI Golden Kite winner for Nonfiction.
In her breakout session today, she offered some tips for writing great narrative fiction (longer pieces of work, middle grade, YA):
1. Vital idea. Consider what it is that you have to say with your story, and not just the facts. As writers, we are storytellers (or bakers, as Fleming used a great metaphor to illustrate the concept). Writing is like baking so create a great cake—bake a great piece of fiction.
What do you want to tell your readers? What are you showing them about their current world? What do you want to add to the conversation? Fleming used her book, The Family Romanov, as an example of what happened when people of power didn't pay attention to their job of focusing on the people.It was her personal opinion, but that's okay, "insert your bias, make a statemen" she said.
Think in scenes and bridges. All nonfiction is written in scenes connected by bridges (or summary). A scene shows the reader what is happening, while a bridge adds context and helps the reader understand and push the story forward. Bridges help the reader know what they need to know in order to understand the next scene. Scenes should be dramatic, as should all nonfiction.
Brandy Colbert is the author of POINTE, winner of the 2014 Cybils Award for young adult fiction, and was named book of 2014 by Publishers Weekly. Her next book LITTLE & LION will be published by Little, Brown in spring 2017.
POINTE was the fourth novel Brandy wrote. She knew it was almost there because she really started caring about the characters.
It really helps to create a backstory for your supporting characters, though you don't need as much as you have for your main character, but they too need a story. Be careful of stereotype with your supporting characters.
Watching TV is a great way to learn about great dialogue. While watching it's helpful to assess what people do with their hands and body language. Also, close your eyes and listen to what their voice alone sounds like.
Do your characters use certain words or slang (but also be careful of these)?
Empathy is huge. Give readers a reason to care about your characters.
What Brandy worked on most when writing POINTE: detail, detail, detail, and body language. She wanted to allow the reader to imagine the characters as much as possible without giving to much detail, but Brandy's editor was often asking: Where is she? and Where are you characters on the page? She had to work on this.
If You Love Honey by Martha Sullivan, illustrated by Cathy Morrison
August's word-of-the-month is "Picnic" and I just happened to have an image that relates. This book comes out in a couple of weeks and while I wouldn't say it was a picnic to illustrate it, I can say I totally enjoyed researching and illustrating it. The publisher is Dawn Publications!
Title: We Should Hang Out Sometime
Author: Josh Sundquist
Publisher: Little, Brown Books for Young Readers
Publication Date: December 23, 2014
ARC provided by publisher
Josh Sundquist is a Paralympian, motivational speaker, and YouTuber who's not so good with the ladies. This biography tells the tale of all the girls he's loved before (or at least crushed on
Welcome to Weekend Links! Is summer whizzing by or what?? Reading is always an important part of our children’s lives no matter what time of year it is. Here are some great booklist to help everyone squeeze out the last drops of summer:
“End of Summer??!!” I hear you wringing your hands and gasping in dismay from here.
Yes, I know it’s hard to believe that those words could even be coming from my lips, but the truth of the matter is that school starts here in Maryville, TN next week already. Vacations have been achieved, many travel miles have been logged and I feel the lazy days of summer beginning to wind down. So as things come to a close and thoughts begin to turn to the upcoming school year for many families, my focus is shifting to books and activities that will take us into (and through) the colder months ahead.
Instead of being sad to see summer go, I choose to Celebrate! And what better way to do it than with an End of Summer Audrey Press Book Sale. For two weeks only readers can get a great deal on two of my most popular books. But don’t delay; this super special sale ends August 14, 2015!
First book on sale is the extremely popular Waldorf Homeschool Handbook: The Simple Step-by-Step guide to creating a Waldorf-inspired #homeschool. And for a limited time, this best-selling book by Donna Ashton, The Waldorf #Homeschool Handbook is now only $17.95 until August 14th, 2015 !
Enjoy more month-by-month activities based on the classic children’s tale, The Secret Garden! A Year in the Secret Garden is a delightful children’s book with over 120 pages, with 150 original color illustrations and 48 activities for your family and friends to enjoy, learn, discover and play with together. AND, it’s on sale until August 14th ! Grab your copy ASAP and “meet me in the garden!”
Two great children’s books-Your choice, $17.95 each!
The research for this book began not far from here in Santa Barbara, where Melissa got to see one of Roget's original word books in a private collection. Melissa has illustrated word-centric biographies before, but unlike being able to pull from the imagery evoked in the words of William Carlos Williams, Melissa had to figure out how to visualize Roget's lists of words.
For the better part of two weeks, Melissa handlettered Roget's original word list in sepia and had a jolly old time doing it.
Melissa got to handle original Roget pages like these—without gloves!
Melissa thanks her publisher Eerdmans Books for Young Readers, her author Jen Bryant, and the SCBWI/Golden Kite committee.
"My hope with this book is that readers will be delighted and informed, but most importantly, always find the right word when they need it."
Susan wrote this about herself: Susan Eaddy and begins work every day with clean hands. Within 15 minutes those hands are bright green, or purple, and covered in clay! Each illustration is a discovery process as she studies nature and animals to figure out how to bring them to life in clay. Her clay critters inhabit pizza boxes in her attic studio and she’s pretty sure they play at night while the humans sleep. She loves to travel and has done school visits all over the world from Alabama to Taiwan to Brazil to Hong Kong!
She is the Illustrator Coordinator for the Midsouth and a member of the SCBWI Team Bologna.
Each year the SCBWI awards Member of the Year to one person who has made a significant contribution to the organization. Lee Wind has done just that in generous ways over many years. He has served as a Regional Advisor, he's advocated and led LGBTQ sessions within the conferences, and he leads SCBWI Team Blog.
Congratulations to our blog team's leader, Lee Wind!
Stephen Fraser joined The Jennifer De Chiara Literary Agency as an agent in January 2005. He worked most recently at HarperCollins Children’s Books, where he edited such creative talents as Mary Engelbreit, Gregory Maguire, Michael Hague, Ann Rinaldi, Kathryn Lasky, Brent Hartinger, Stephen Mitchell, and Dan Gutman. He began his career at Highlights for Children and later worked at Scholastic and Simon & Schuster. A graduate of Middlebury College in Vermont, he has a Master’s degree in Children’s Literature from Simmons College in Boston. He represents both children’s and adult books in a wide range of genres. Lin calls him a leading light in our field, and tells us he is very helpful, very concrete, and very specific. He also wears some very dapper bowties. Stephen says an agent is supposed to be impartial about the books he represents, but he does admit he loves middle-grade fiction the best, growing up he read everything, and his inner eleven-year-old is still an active connoisseur of MG manuscript submissions. "Some of the strongest books in the whole canon of children's literature rest in middle grade." What are some of the writing rules that 12 classic or beloved middle grade books teach us? Here are six of the books and their lessons: Every time an editor asks you to revise, see this as an opportunity to make a perfect book with carefully crafted writing like in Charlotte's Web.
Some of the best novels can be brief, like Stone Fox. It's a satisfying narrative with true drama. Books for middle grade readers can have real drama in them and be story-packed.
The Last of the Really Great Whangdoodles, celebrity can get a book published, but it can't keep it in print for forty years. This book stays, Stephen says, the lesson here is to let imagination ride high in your story.
Louis Sachar, you may already know, takes about a year to write a book, but Holes took him two years. What he does so well here, Stephen says, is maintain the hilarious voice of hapless Stanley. Humor if done well can fuel an entire novel. As a side note, Stephen says, consider taking two years to refine your novel and you may just win the National Book Award and the Newbery. And an Emmy.
In Missing May, the setting is as much a character as the human main characters. Do yourself a favor and invoke a rich setting to help bring your story to life and set it concretely in the reader's mind.
Sarah, Plain and Tall, is Stephen's favorite book in the universe. This short novel, clocking in at a mere 58 pages, rewrote the tradition of middle grade fiction. Every word resonates so that you almost feel like the book is illustrated, but there are no pictures! It's the writing that is that good. Originally this book was planned as a picture book, but the author felt there was more story to tell. Every book, says Stephen, should have this level of imagery.
Stephen leaves us with a Henry James quote: "Remember that your first duty is to be as complete as possible. Remember that your first duty is to be as complete as possible—to make as perfect a work. Be generous and delicate and pursue the prize."
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@mbrockenbrough is Martha's Twitter handle. Magnum Blackbeard is her CB radio handle.
Author Martha Brockenbrough shares some fantastic and salient social media marketing gems. Spoiler alert: It's all about relationships!
Your strategy for social media, says Martha, is not to be on there to sell books, it's to build relationships. It is not about the technology/particular media platform, either, that is totally secondary to the connections you make on whatever platform you are comfortable being in or on.
You wouldn't start an in-real-life friendship by telling someone to buy your book, that's not how you should approach social media either. It's fine to make people aware that you write or illustrate, but Martha's hope is that you instead focus your efforts on being friendly, interacting online, and adding something to the conversations.
Give them reasons to interact with you: you can show snippets of your life, your family, vacations, things that inspire you.
Who are you building these social media relationships with? Five-year-olds don't tweet, but booksellers, librarians, teachers and parents do! All of these people are potential gatekeepers to your intended audience of your published book.
If you aren't published? Well, your fellow industry professionals, fellow authors and illustrators and agents and editors are on social media, and you can start building these relationships now and support authors and illustrators you are fans of and herald their work.
Martha's Core Principles for Online Social Media (and Martha can do an 8-minute plank, so she knows about core strength)
1. Be Positive 2. Focus on the long term 3. Build an authentic community (Martha admits it is difficult to be careful and professional while also being authentic, but hold both of these things in mind when you do broadcast yourself/opinions online)
Martha provides some platform-tailored tips and hints for how to interact on Facebook, Twitter, Linked In, and more, for both your personal and professional pages.
One Facebook hint: Images are often more popular than text-only posts for views and shares, consider making a quote from your book or a new, glowing review you want to share as word art or an image. Or consider using pictures to promote your event, like one of Martha's most popular booktour event info posts was this one:
See some great social media in action by using Martha as a case study:
BLT stands for Bacon, Lettuce and Tomato. I honestly don't know if that's just an American, or English-speaking thing, or if it translates to other languages or cultures. Here, you just go into a restaurant and order a "BLT" and you might be asked what kind of bread you want it on, and maybe "toasted?", but otherwise they know what you're ordering.
Some places have fancied-up versions with avocado, which to me makes it something else altogether. A proper BLT should be on white toast, with mayo.
I had fun putting together the reference for this! I fried up some bacon, sliced some nice 'off the vine' tomatoes, rinsed some leaves of head lettuce, toasted up some plain white bread, and cracked open a jar of Best Foods mayonnaise. (It HAS to be Best Foods. )
The other fun thing was shopping for the frilly toothpicks. I am now the proud owner of a box of 1,000 of them, since that's the only way they come, apparently. So I am well stocked for a lifetime of BLT making!
This was the first work-in-progress scan I did. The toast was the most challenging part of the drawing. Lots of nooks and crannies.
And then the next, with the toast done, the toothpicks in, and the bacon and tomatoes partway there.
And then I didn't do any more work in progress shots. I wanted to just get it done, so I glued myself to the chair and didn't feel like getting up to scan.
I purposely did this drawing a little looser in style than my previous 'architectural food' pieces. It still has a formal layout, with the top, and section views. But I combined the "side" and "section" views by doing the individual quarters this way, and also let the sandwich itself be a little sloppy - the way they are in real life.
And then I thought it would be fun to show one of them eaten, with just the toothpick left.
Tales of wonder usually have happy endings. They may have danger and darkness, forbidden places and strange creatures, witches and cruel magic...but wonder tales -- fairy tales -- do have happy endings...with very few exceptions. The journey may be fearsome, but salvation and awakenings occur in the end...and these stories endure forever.
Beauty, Horror, and Ignition Power...
Enchanted Hunters, The Power of Stories in Childhood by Maria Tatar, takes the reader on a wonderful journey through children's literature.
In the chapter entitled, Beauty , Horror and Ignition Power, she writes about the effect of wonder tales on the imagination of children, including the balance between the dark side and positive endings. Here are excerpts..."We rarely worry about the effects of beauty, but horror is another matter...with an allure all its own, horrorhas the power to frighten as well as to fascinate...how much do we want children to find in their stories and how soon?..."
Tatar then illustrates the idea of too much horror with "Hans Christian Anderson's'The Girl Who Trod On The Loaf', a tale that revels in torturing Inger, the 'girl' in the title." Tatar then writes, by contrast. of three classic tales where all ends well.
"By contrast,'Little Red Riding Hood', 'Hansel and Gretel', and 'Snow White' begin with the child as victim, but they end with the triumph of the underdog and the punishment of the villain. 'Children know something they can't tell; they like Red Riding Hood and the wolf in bed' Djuna Barnes once declared. Fairy tales and fantasy enact perils and display horrors, but they always show a way out, allowing children to explore great existential mysteries that are far more disturbing when they remain abstract and uncharted rather than take the concrete form of the story."
The illustration of Little Red Riding Hood is by Hermann Vogel.
The Defining Dynamic of the Fairytale
Amanda Craig,is an acclaimed British novelist, journalist, and children's book reviewer. The following excerpt is from her insightful review of Marina Warner's "OnceUpon A Time, A Short History of the Fairy Tale", in the Guardian
"One of the most interesting aspects of reworking fairytales is that it tends to be practised by idealists and reformers, whether devout Christians, such as CS Lewis, or socialists, such as JK Rowling. The defining dynamic of the fairy tale is optimism (as opposed to the tragic tendencies of the myth), but this has encouraged bowdlerisations from the dark and gruesome aspects of many originals – Dickens hated the way the illustrator George Cruikshank softened stories, the brothers Grimm tinkered to “excuse the men and blame the women”, and the ambiguity of the fairytale led to them being twisted into Nazi propaganda, with Little Red Riding Hood being saved from a Semitic wolf.
Happily, they have also been transmuted by modern feminism: Neil Gaiman’s striking novella, The Sleeper and the Spindle... conflates and subverts Snow White and Sleeping Beauty into a tale of female courage and choice..." Read it all in the Guardian
The illustration from Tom Thumb is by Warwick Goble.
Where the Light is Golden...
“October knew, of course, that the action of turning a page, of ending a chapter or of shutting a book, did not end a tale. Having admitted that, he would also avow that happy endings were never difficult to find: "It is simply a matter," he explained to April, "of finding a sunny place in a garden, where the light is golden and the grass is soft; somewhere to rest, to stop reading, and to be content.” ― Neil Gaiman, The Sandman, Vol. 4: Season of Mists
The Humane Society of Missouri helps more than 85,000 homeless, abused and unwanted animals each year. Here is their mission statement:
"Since 1870, the Humane Society of Missouri has been dedicated to second chances. We provide a safe and caring haven to all animals in need - large and small - that have been abused, neglected or abandoned. Our mission is to end the cycle of abuse and petoverpopulation through our rescue and investigation efforts, spay/neuter programs and educational classes. We are committed to creating lasting relationships between people and animals through our adoption programs. We further support that bond by making available world-class veterinary care, and outstanding pet obedience and behavior programs..."
"Wulff`s heartwarming storiesabout a household of misfit dogs, reminds me that family can include the four-legged variety, as well as the two-legged. Her simple affirmation that "My dogs are not perfect.... but they are perfect for me," guides the telling of these gentle stories. For dog lovers everywhere."
If you have not yet read "Born Without a Tail: the Making of an Animal Advocate" or "Circling the Waggins: How 5 Misfit Dogs Saved Me from Bewilderness", this mini ebook is the perfect introduction to the world of C.A.Wulff."Parade of Misfits" is only available in digital format.
C.A. Wulffis an author, artist, and animal advocate. She has volunteered in animal rescue for more than 26 years and attributes her love of animals to having been raised by Wulffs.
Dr. Seuss’ ‘What Pet Should I Get?’
By MARIA RUSSO,in the NY Times. MS Russo writes an appreciation of the incredible Theodore Seuss Geisel, his wonderful books, and the new-found book, What PetShould I Get? Here's an excerpt...
"First, though, the book itself: It features a round-faced brother and sister — his close- cropped hair is bristly on top, she has a long, wispy ponytail — who enter a pet store excited about the prospect of taking a new animal home. 'Dad said we could get one./ Dad said he would pay,' the boy exclaims. Inside, they confront a head-spinning lineup of choices. Also, they don’t have much time — their mother has told them to be home by noon. A few pages into their predicament and again toward the end, the words MAKE UP YOUR MIND charge across the top of a two-page spread, each held aloft by a different invented Seussian creature — floppy-limbed, scruffy-coated, oddly proportioned, jubilantly weird. On one of those pages, the boy sums up the book’s central point in a deceptively innocent lament: 'Oh, boy! It is something to make a mind up!' ”
Here's a link to a delightful and informative Dr.Seuss Today Show report on the new book, Theodore Geisel, his widow, his personal assistant, and his publisher.
"To the uneducated, an A is just three sticks."
“People say nothing is impossible, but I do nothing every day.”
“We'll be Friends Forever, won't we, Pooh?' asked Piglet. Even longer,' Pooh answered.”
“I think we dream so we don’t have to be apart for so long. If we’re in each other’s dreams, we can be together all the time.”
A.A. Milne, Winnie-the-Pooh
The illustration is by Earnest Shepard. ...................
Rescuing Wonderful Shivery Tales
This is the title of Marina Warner's excellent and inclusive article in theNY Review of Books . Warner writes about contributions to the world of wonder tales and children's literature by Jack Zipes, Philip Pullman, Peter Wortman, and Maria Tatar. In the case of Tatar, she concentrates on her work in introducing, translating, and annotating the Turnip Princess, the tales collected by Franz Xaver von Schonwerth.
Here are excerpts from this informed and insightful article:
"Jack Zipes has long been a staunch advocate of fairy tales and their proper study since his book Breaking the Magic Spell (1979) issued a devastating blast against the wishful thinking of mass entertainment and shook the staid and soporific scene of folklore studies. To interpret the tales he has combined Marxism, feminism, cultural materialism, and even—for a short period—evolutionary biology. He has stirred readers with a similar passion for his material, while attacking the use of literary fantasy in movies and television to camouflage moral manipulation. Writers whom he admires—Jane Yolen, Terri Windling, and above all Angela Carter—and the films informed by their work have supplied countermodels to the sins of the dream factory.
In the epilogue of the new critical collection, Grimm Legacies, Zipes, drawing on the work of the philosopher Ernst Bloch, once again argues that fairy tales are best understood as utopian thought experiments. When the peasant crushes the ogre, the poor lad finds justice; persecuted by malicious relatives, the kind sister gets her due, the courageous girl saves her beloved siblings or lover...
Zipes is on a lifelong mission, as ardent as the Grimms’, to bring fairy tales into circulation for the general increase of pleasure, mutual and ethical understanding..."
The illustrations for the Grimm's Hansel and Gretel and King Thrushbeard are by Arthur Rackham.
FOR YOUNG FANTASY AND ANIMAL LOVERS EVERYWHERE
By Don Blankenship, educator and reviewer forGood Books for Kids . This is an excerpt from his review of Castle In The Mist...
"This is the second book in the Planet of the Dogs series and I must say I enjoyed it, cover to cover. This work can be read as a sequel to Planet of the Dogs, an ideal situation, but can also be read as a stand-alone with no loss to the flow of the story. This read is suitable for children of approximately eight years and up as a reader, or can well be read to children much younger. Adults will love this one also; I know I did, but then I have my fare share of kid still in me...
The art work by Stella Mustanoja McCarty is of the same high quality that we found in the first book in this series (and we find in the sequel to this book also), and is a delight to theeye. These are a series of black and white drawing, probably enhanced by the use of charcoal, which fit the text perfectly. When you bring a skilled artist and writer together that know children and know their dogs, then you know you are in for a treat."
Read sample chapters of Castle In The Mist at our website: Planet Of The Dogs. The photo, above, of the boy, Chase, and Rose, the therapy dog, are by Susan Purser. Susan and Rose bring hope and caring to many people, of all ages, from young readers to the ill and the aged.
We have free reader copies of the Planet of The Dogs book series for therapy dog organizations, individual therapy dog owners, librarians and teachers...simply send us an email at firstname.lastname@example.org and we will send you the books.
Our books are available through your favorite independent bookstore, Barnes & Noble, Amazon, Powell's and many more...Librarians, teachers, bookstores...You can also order Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes, A Christmas Tale, throughIngram with a full professional discount.
The illustration and book cover are by Stella Mustanoja-McCarty.
Pan In The Garden
"In many ways , modern children's literature remains an Edwardian phenomenon.This period defined the ways in which we still think of children's books and of the child's imagination. During it's few years, this age produced a canon of authors and works that are still powerfully influential in the field...Our default mode of childhood, if you like, remains that decade or so before the first World War; the time between the death of Queen Victoria in 1901, and the assassination at Sarajevo in 1914, the time when writers looked back over loss and could only barely anticipate the end of the old order"
In the chapter "Pan In the Garden",Seth Lerer, in his book, Children's Literature, A Reader's History from Aesop to Harry Potter, writes of the impact of the Edwardian era on children's literature..."the years before the First World War in Britain and America were also years that socially and politically redefined childhood."
Children's books written in the Edwardian era are known, even today, by many children: The Secret Garden (Frances Hodgson Burnett), Peter Pan (JM Barrie), The Wind In the Willows (Kenneth Grahame) and more.
The cover illustration is by Inga Moore.
"Logic will get you from A to B. Imagination will take you everywhere." Albert Einstein
The illustration is from Miyazaki's Castle In The Sky.
Disney Got It Right in 2011-- After Previous Stumbles
According to Rotten Tomatoes, 90% of the critics (out of 127) liked the 2011 Disney production of Winnie the Pooh. Here is excerpt from the review by Michael DeQuina inMovie Report.
..."the writing team and directors Stephen J. Anderson and Don Hall make it work by never losing sight of the spirit of the characters, world, and Milne: imagination, innocence, and heaps of heart--best encapsulated by the bear's simple, moving gesture of friendship that so eloquently ties up the story, characters, themes and the enduring legacy that is Pooh."
Maine has an organization - EmBrace A Vet - that provides healing support with therapy service dogs. They also provide retreats for groups of vets and their families. This is from their site:
"Embrace A Vet is a nonprofit organization dedicated to providing direct and supportive services to these Maine Veterans and their families living with PTSD and/or TBI. Besides helping to save the lives of our veterans by providing love and hope through a new canine 'best friend', we also save the lives of many of the dogs who we adopt from shelters."
Embrace A Vet is the recipient of a $5,000 grant for their Paws for Peace Program. This funding, from thePlanet Dog Foundation (PDF) will aid in the placement of 12 dogs with veterans in need,
Jessica Lahey,in the Motherlode section of the New York Times, wrote an excellent article on reading,literacy, and RIF. Here is an excerpt...
"Fortunately, Reading Is Fundemental (RIF), has been enriching children’s childhoods through thedistribution of free books since 1966, when the founder Margaret McNamara resolved to give books to the children of Washington, D.C., children who may not otherwise have the chance to own books. RIF delivered books into the hands of these children by way of their iconic Bookmobiles; magic vehicles of wonder that pulled right up to the schoolhouse door and invited children to select, and take home, books of their very own. In its first year, RIF gave 200,000 books to 41,000 Washington children, and by the time I stepped into my first Bookmobile in 1977, I was just one of 1.1 million children RIF served that year.
Literacy is a prime predictor of student success, as well as a range of economic and physical well-being. According to the National Center for Education Statistics, nearly half of the adult population, or 93 million Americans, read at or below the basic level needed to contribute successfully to society. Adults below this basic level of literacy are far more likely to be unemployed and live in poverty, while individuals who achieve higher levels of literacy are more likely to be employed, earn higher wages, and vote in state and national elections"...
Here's a link to read it all: Motherlode
Go Ask Alice
AnthonyLane,in an effervescent New Yorkerarticle, wrote about Lewis Carrol, the Alice books, the world of nineteenth century Oxford,and several biographies in what Lane calls the Carrolllian maze. Here is an excerpt from this fascinating article... "Conversations about what is real, what is possible, and how rubbery the rules that govern such distinctions turn out to abound in the tales of Alice. Yet they are sold as children's books, and rightly so. A philosopher will ask how the identity of the self can be preserved amid the ceaseless flow of experience, but a child -- especially a child who is growing so fast that she suddenly fills the room -- will ask more urgently, as Alice does, "Was I the same as when I got up this morning? I almost think I can remember feeling a little a little different" Children, viewed from one angle, are philosophy in motion."
After I had prepared this post, I found that it was already posted by Maria Tatar on Breezes From Wonderland. Tatar has since added more about Alice including information about a new Annotated Alice by Mark Burstein and other news about 175 translations worldwide.
Here is a link to Grace Slick singing White Rabbit at Woodstock (August 1969)
The illustration of Alice is one of ninetytwo by John Tenniel for Lewis Carrol's books.
A Rose Is Not a Rose...
This excerpt is from a fascinating article by Marina Warner in the Guardian
"A fairytale doesn’t exist in a fixed form; it’s something like a tune that can migrate from a symphony to a penny whistle.
Or you can compare it to a plant genus, to roses or fungi or grasses, that can seed and root and flower here and there, changing species and colour and size and shape where they spring. But if the prevailing idea of an archetype gives too strong an impression of fixity, the picture-language of fairytale is fluid and shapeshifting: a rose is not a rose, an apple not an apple; a princess or a villain signify far more than what they seem. A dictionary of fairytale would look more like a rebus made up of icons: snow, crystal, apples, dark forests, pinnacled castles, mermaids, toads, giants, dragons, sprites, fair princesses, likely lads and crones.
The symbolism comes alive through strong contrasts and sensations, evoking simple, sensuous phenomena that glint and sparkle, pierce and flow, by these means striking recognition in the reader or listener’s body at a visceral depth (gold and silver; diamonds and rubies, thorns and knives; wells and tunnels). It’s an Esperanto of the imagination, and it’s available for any of us to use – in almost any medium..."
The painting of Sleeping Beauty is by Edward Burne Jones. The illustration is by Jennie Harbour.
The Society of Bloggers in Children’s and Young Adult Literature
I highly recommend Kidlitosphere as a source for anyone interested in children's literature.
The following is excerpted from their site...
Some of the best books being published today are children’s and young adult titles, well-written and engaging books that capture the imagination. Many of us can enjoy them as adults, but more importantly, can pass along our appreciation for books to the next generation by helping parents, teachers, librarians and others to find wonderful books, promote lifelong reading, and present literacy ideas.
The “KidLitosphere” is a community of reviewers, librarians, teachers, authors, illustrators, publishers, parents, and other book enthusiasts who blog about children’s and young adult literature. In writing about books for children and teens, we’ve connected with others who share our love of books. With this website, we hope to spread the wealth of our reading and writing experience more broadly...
KidLitosphere Central strives to provide an avenue to good books and useful literary resources; to support authors and publishers by connecting them with readers and book reviewers; and to continue the growth of the society of bloggers in children’s and young adult literature...here is a link to read more.
Welcome to our world.
The top illustration is of of Tom Thumb. The bottom illustration is of the Frog King.
There's magic, wonder, and exceptional animation here...I learned of this film, when I received this message from Joy Ward (author of exceptional dog books)..."There is an absolutely gorgeous animated movie out right now. It's Song of the Sea by an Irish team. Lovely story about o little boy and his selkie sister. Wonderful for everyone!"
The film reviewers have been uniformly enthusiastic. Here is an excerpt from Leslie Felperinin the Guardian:"Song of the Seablends Celtic legends, bravura design and animation, and intelligent storytelling that understands but never patronises young viewers, to create an exquisite and rewarding work ..." Here is a link to the trailer: Song Of The Sea
No Dark Deeds Here
This excerpt of the review by Jo Williams in the St Louis Post-Dispatch, sums up the Minions, a movie for the very young.
"If you’re old enough to read a movie review in a newspaper, you’re too old to fully appreciate “Minions.” Ditto if you’re old enough to read the menu at a fast-food joint, the height requirements at an amusement park or the price tag on a shiny yellow toy. This spinoff of the “Despicable Me” cartoons is like a pre-verbal version of “Inside Out,” all coos and colors and cute facial expressions. Tiny tots will eat it up like jelly beans. But what about their bigger siblings and baby-sitters? Will they be trapped on a sugar-rush cycle with no hope of escape?
Yes, but … The mad scientists at Dreamworks have scrubbed this ’toon of anything that might scare or challenge the target audience"...
Several years ago, I read Deb Eades book, Every Rescued Dog Has a Tale, and first learned about the nationwide network of volunteers who are "rescuing dogs from certain deaths in kill shelters and then being driven by dedicated animal lovers to a new life in another state."
Deb Eades was one of these volunteers, and her book is filled with touching first-hand stories of rescuing dogs and driving them to a place where another volunteer takes over and drives the next leg of the rescue journey. Or, sometimes, actually driving the rescued dog(s) to their new home.
Sunbear Squad is a mainstay in dog rescue. Here is an excerpt from their site:
"Each weekend in America, an army of volunteer rescue transport drivers deliver dogs and cats to safety in an organized relay of vehicles. Hard-working volunteer transport coordinators plan the logistics, organize the four-legged passengers, and provide support by phone continuously during the entire one- or two-day operation. Drivers sign up for relay "legs" via e-mail. They meet the previous leg drivers at an appointed time, transfer the lucky dogs and cats to their vehicles, and drive to the next relay meeting spot where the process is repeated until the destination is reached..."
To read the entire article follow this link: Rescue
"All knowledge, the totality of all questions and answers, is contained in the dog." -- Franz Kafka, Investigations of a Dog