In honor of the raptors I recently had the opportunity to draw - I challenge you to draw birds! They can be round little balls of squishy feathers and cute little beaks, OR they can be raptors, with enormous beaks and claws!Add a Comment
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Blog: Elizabeth O. Dulemba (Login to Add to MyJacketFlap)
JacketFlap tags: Challenge, Add a tag
The most recent addition to the complete review is my review of (prix Goncourt-winning author) Marie NDiaye's Ladivine, just out in English.
This is an exceptionally good piece of writing -- that is also exceptionally difficult to like/enjoy. NDiaye's presentation of family-/personal relationships makes Thomas Bernhard look like a softy ..... (And where Bernhard goes all bitter his depictions at least have a comic edge; NDiaye is rarely bitter but heartlessly earnest -- which is, far, far worse.)
This title/translation was longlisted for this year's Man Booker International Prize, but fell short of the shortlist; I'm very curious how it will do at next year's Best Translated Book Award: on the face of it it is (in its very good translation) an obvious finalist -- and yet ..... Read the rest of this post
Michèle Audin's One Hundred Twenty-One Days is just about out from Deep Vellum, and now the author explains her relationship with the Oulipo-group at Publishers Weekly, in What is the Oulipo ?
(Meanwhile, see also all the other Oulipo titles under review at the complete review.)
(And I remain eager to see Audin's Remembering Sofya Kovalevskaya; see the Springer publicity page, or get your copy at Amazon.com or Amazon.co.uk.)
Blog: Poetry for Children (Login to Add to MyJacketFlap)
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Check out the ALA/ALSC website for free downloadable materials, tips for starting a book club, booklists, toolkits, and more. You can find even more info, help, and celebration videos at Pat’s website. Plus lesson plans here and even more resources here.
Today is the last day of National Poetry Month, and while folk like us act as though every month is Poetry Month, there is something special about an official National Poetry Month. We don't like to see it end. I'm finishing up with a last-minute response to the Ditty-of-the-Month Club challenge set by Marilyn Singer over at Michelle Heidenrich Barnes's blog, Today's Little Ditty. Marilyn's new collection of reversos based on Greek myths is Echo Echo, and we were all challenged to write a poem (not necessarily a reverso) inspired by the word echo. Here's mine, in under the wire.
our own song
echoes strong but
Linda Baie of TeacherDance closes out our month of Poetry-Music Match-Ups with a poem and a song decidedly for young children--which has proved trickier than I expected. She writes, "Growing up, my children loved listening to "The Marvelous Toy" and other songs sung by Peter, Paul & Mary. We even got to see them once with front row seats! ... another poet I shared quite a bit with them was Eugene Field. I thought "The Duel" might make a good connection, both toy adventures!"
I know this poem very well indeed, from a deeply familiar red-and-gold-bound collection of children's poems my mother read to us often...but "The Marvelous Toy" (much more modern!) wasn't part of my childhood experience. Hope you enjoy...here they are, and thank you, Linda!
The Duel || Eugene Field
The gingham dog and the calico cat
Side by side on the table sat;
‘T was half-past twelve, and (what do you think!)
Nor one nor t’ other had slept a wink!
The old Dutch clock and the Chinese plate
Appeared to know as sure as fate
There was going to be a terrible spat.
(I was n’t there; I simply state
What was told to me by the Chinese plate!)
The gingham dog went “Bow-wow-wow!”
And the calico cat replied “Mee-ow!”
The air was littered, an hour or so,
With bits of gingham and calico,
While the old Dutch clock in the chimney-place
Up with its hands before its face,
For it always dreaded a family row!
(Now mind: I’m only telling you
What the old Dutch clock declares is true!)
The Chinese plate looked very blue,
And wailed, “Oh, dear! what shall we do!”
But the gingham dog and the calico cat
Wallowed this way and tumbled that,
Employing every tooth and claw
In the awfullest way you ever saw—
And, oh! how the gingham and calico flew!
(Don’t fancy I exaggerate—
I got my news from the Chinese plate!)
Next morning, where the two had sat
They found no trace of dog or cat;
And some folks think unto this day
That burglars stole that pair away!
But the truth about the cat and pup
Is this: they ate each other up!
Now what do you really think of that!
(The old Dutch clock it told me so,
And that is how I came to know.)
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Blog: ALSC Blog (Login to Add to MyJacketFlap)
JacketFlap tags: Contests, lists, Blogger Dan Bostrom, Top Ten Contest, Add a tag
ALSC members love lists! The ALSC Blog is holding a contest to find out which members have the best lists. And they don’t just have to be book lists. Keep in mind your audience: ALSC Blog readers are world travelers, children’s literature enthusiasts, pillars of knowledge, youth librarians, and community engagement specialists. Send us your top 10 and we’ll hold a vote for the top ten list of top ten lists!
Winners will be able to choose from two categories of prizes including individual 2016 Newbery-Caldecott-Wilder Banquet tickets. Participants must be personal members of ALSC. Lists must be submitted by Friday, May 13, 2016 at 5pm Eastern/4pm Central. Help us spread the contest by tweeting about is using the hashtag #toptencontest. For more information and rules, please see the Top Ten Contest tab.Add a Comment
Anyway,I'm looking around at the prices and barely listening to whatever radio they had playing over the speakers.
Some man was droning on about "British entrepreneurial spirit" -or, rather, the lack of it today. "Take entertainment" he says and I start losing interest. "Look at all the movies that are making huge amounts of money -based on comic strips" Me: "WHAT??" The man continued: "You are not going to rake in the money that the big US companies like Disney do but it shows there is a market -for however long it lasts. But the last time the UK had comics published in the UK as part of an industry was forty years ago"
I thought "Not 40 years you.....oh.It is 40 years!"
Cue woman with kids and loud mouthed hubby who seemed to think "Do we have tomato ketchup or not?" was the major topic of the week. Man on radio: "Why? Because there is no one around now who knows how to publish comics"
Ahem. I'm still here.
Radio cuts out and music comes on. Silence. More radio but a local station. Silence....
So I asked the manager (who was busy doing nothing) what the radio station was? "What radio station?" I say "The radio station you just had playing over your speakers...." Him: "Didn't hear it".
I'm there thinking I must have imagined it when his colleague chips in: "They're testing the system today so its random radio and sound checks" Manager grunts. They move on.
Local? Regional? National? No idea. If anyone heard it let me know so I can see if its online. But seriously, whoever it was...well,it was like he was reading a CBO posting! Accurate but I am still here -I know how to put comics together and I'm not going anywhere!
Blog: Ryan Loghry (Login to Add to MyJacketFlap)
JacketFlap tags: 2D animation, animals walking, animation, cartoon, character animation, children's illustration, illustration, pencil animation, pencil drawing, walk cycle, wip, Add a tag
Howdy friends. Today I give you three more characters strutting their stuff. We have Mort Felinestien, Hank Tembo, and Mrs. Topeka. I trimmed the sections that you have already seen, so that it doesn't get monotonous. As I have stated in previous posts the first section contains the rough pencil animation I have used as the basis for all the other walk cycles. When I drop these characters into scenes in the final animation I'll stagger their walk cycles. In English that means they won't all walk in unison in the final. ; )
As you can see to the left here, Mrs. Topeka doesn't have much up and down in her walk cycle. I tried to match the suggestion of girth/weight (no offense Mrs. Topeka!) that I had in Mr. Topeka's walk a few weeks back. I have a feeling that as they approach you on the sidewalk you can feel these two characters before you see them. The concrete would tremble.
Speaking of trembling concrete, Hank Tembo (Swahili for elephant, according to Google) is sporting a stylish plaid Irish cap (which can be purchased in the gift shop on your way out). His toy/gift bag originally had the name Finnegan's on it, but it was too hard to read so I took that out.
And then of course there is Mort Felinestien looking oh so sharp in a grey suit which matches his bowler, the band of which matches his tie and socks! Mort is carrying a rolled up newspaper, which he plans to attack and shred once he gets back to the office.
One again that's the Marine Corps belting out "Up In The Morning". It seems very fitting with all the exercising going on around here. It's also one of my favorite cadences, and one I loved to run and ride to back in the day.
Next time I will try and drop a city sidewalk scene scrolling by in the background for next time. Something that loops, like the old Flintstone's backgrounds did. Something simple though. I want it to be interesting, but I don't want it to detract from the main purpose which is just showing off the walk cycles.
As I have stated before my work flow is pretty basic. I draw the characters in my sketchbook. I scan the drawings and "cut them out" in PhotoShop so I can move the pieces. Then I pose them on each frame of the walk cycle (still in PhotoShop). Then I render it out as a Quicktime movie. I use After Effects and Premiere to composite everything together. As always I hope you have enjoyed my drawings and this animation. Thank you for stopping by, God bless, and have a great day.Add a Comment
Blog: Elizabeth O. Dulemba (Login to Add to MyJacketFlap)
JacketFlap tags: Edinburgh, Add a tag
Sunday we headed to Origano Pizza again - couldn't resist another visit - and stumbled across the most colorful parade heading down Leith Walk. I ran to catch up and take pictures. A reporter shared the event in her native tongue, so unfortunately, I couldn't understand her, but I did ask a man in a blue turban what was going on. Turns out it was a celebration of Guru Nanak's birthday, the founder of the Sikh religion. (Read more about that here.)
Blog: The Bookshelf Muse (Login to Add to MyJacketFlap)
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When you’re writing a character, it’s important to know why she is the way she is. Knowing her backstory is important to achieving this end, and one of the most impactful pieces of a character’s backstory is her emotional wound. This negative experience from the past is so intense that a character will go to great lengths to avoid experiencing that kind of pain and negative emotion again. As a result, certain behaviors, beliefs, and character traits will emerge.
Characters, like real people, are unique, and will respond to wounding events differently. The vast array of possible emotional wounds combined with each character’s personality gives you many options in terms of how your character will turn out. With the right amount of exploration, you should be able to come up with a character whose past appropriately affects her present, resulting in a realistic character that will ring true with readers. Understanding what wounds a protagonist bears will also help you plot out her arc, creating a compelling journey of change that will satisfy readers.
NOTE: We realize that sometimes a wound we profile may have personal meaning, stirring up the past for some of our readers. It is not our intent to create emotional turmoil. Please know that we research each wounding topic carefully to treat it with the utmost respect.
GROWING UP IN FOSTER CARE
- Parents who passed away (and having no relatives in the picture)
- Parents who were incapable of care because they were drug addicts
- Parents who were incarcerated for a crime and their child became a ward of the state
- Being surrendered to the state by one’s parents because they wanted their freedom
- Parents who left the character at a young age and never returned
- Losing one’s parents and having relatives but them being unwilling to take one in
- Being found abandoned at a young age with no ID
- Being taken away from one’s parents because of abuse or neglect
- Being given up for adoption but never being adopted
- Parents who give up their rights because their child is difficult or requires round-the-clock care
Basic Needs Often Compromised By This Wound: physiological needs, safety and security, love and belonging, esteem and recognition, self-actualization
False Beliefs That May Be Embraced As a Result of This Wound:
- I am defective
- People are inherently cruel
- I am unworthy of love
- This world only cares about people who are whole (if one has a disability, condition, or physical defect/challenge)
- Blood is always thicker than water
- I don’t know who I am
- I don’t belong anywhere in this world
- I will never have a family or home
Positive Attributes That May Result: adaptable, alert, analytical, cautious, courageous, disciplined, idealistic, imaginative, independent, introverted, just, loyal, mature, nurturing, observant, perceptive, persuasive, private, proactive, protective, resourceful, sentimental, thrifty, wise
Negative Traits That May Result: abrasive, addictive, antisocial, apathetic, confrontational, cruel, cynical, devious, dishonest, evasive, hostile, inhibited, insecure, jealous, judgemental, manipulative, needy, paranoid, pessimistic, rebellious, reckless, resentful, self-destructive, stubborn, temperamental, uncommunicative, violent, withdrawn
- fear of loving and losing
- fear of rejection
- fear of poverty
- fear of pain
- fear of the dark or enclosed spaces
- fear of a specific trigger (if abused, tortured, punished, etc.)
- fear of trusting and being betrayed
- fear of hope
- fear of getting attached to a person or place
Possible Habits That May Emerge:
- keeping secrets
- lying or making up untruths even when it isn’t important
- telling people what they want to hear
- being highly private
- being highly protective of one’s possessions or close relationships
- avoiding locations, activities and groups that have a strong family-focus
- keeping a bug-out bag or secret stash of items in case one has to pick up and leave
- steering conversations so they never get too personal
- pushing people away as a defense mechanism
- difficulty sharing certain things (which may act as triggers)
- becoming fiercely loyal to the few one allows to get close
- strong empathy; wanting to save others who are at risk (people or animals) and going to great lengths to do so
- craving routine yet being unable to adapt to it easily
- looking for exits, being watchful for danger or threats in a way others aren’t
- a tendency to hoard certain things (money, food or items that act as symbols for what one was denied growing up, etc.)
For other Descriptive Thesaurus Collections, go here.Add a Comment
Blog: ALSC Blog (Login to Add to MyJacketFlap)
JacketFlap tags: Blogger Dan Bostrom, Elections, 2016 ALSC Elections, Add a tag
Many thanks to all of the candidates who ran for division office this year. We appreciate their willingness to put their names forward for the division. Here are the results from the 2016 ALSC elections:
Nina Lindsay, Oakland Public Library, Oakland, CA
Board of Directors
Karen MacPherson, Takoma Park Maryland Library, Takoma Park, MD
New to ALSC Board of Directors
Amy Koester, Skokie Public Library, Skokie, IL
Paula Holmes, Upper St. Clair Library Board, Upper St Clair, PA
Newbery 2018 Committee
Angie Manfredi, Los Alamos County Library System, Los Alamos, NM
Sujei Lugo, Boston Public Library, Jamaica Plain, MA
Thaddeus Andracki, University of Chicago Laboratory Schools, Chicago, IL
Janice Del Negro, Dominican University GSLIS, River Forest, IL
Catharine Potter, Falmouth Elementary School, Falmouth, ME
Carol Goldman, Queens Library, Forest Hills, NY
Mara Alpert, Los Angeles Public Library, Los Angeles, CA
Susan Giffard, Ethical Culture School, New York, NY
Caldecott 2018 Committee
Sylvia Vardell, Texas Woman’s University, Denton, TX
Dean Schneider, Ensworth School, Nashville, TN
Katie Salo, Melrose Park, IL Jeanne McDermott, Amagansett Free Library, Amagansett, NY
Naphtali Faris, Mid-Continent Public Library, Independence, MO
Michelle Young, Lihue Public Library, Lihue, HI
Sarah Hinkle, West Linn Public Library, West Linn, OR
Heather McNeil, Deschutes Public Library, Bend, OR
Sibert 2018 Committee
Madeline Bryant, Los Angeles Public Library, Los Angeles, CA
Mary Michell, Skokie Public Library, Skokie, IL
Debra Marshall, Wilson Elementary School, Coppell, TX
Adrienne Gillespie, Stoller Middle School, Portland, OR
Danielle Forest, University of Southern Mississippi, Hattiesburg, MS
Wilder 2018 Committee
Viki Ash, San Antonio Public Library, San Antonio, TX
Susan Faust, Katherine Burke School, San Francisco, CA
Merri Lindgren, Cooperative Children’s Book Center / Univ of Wisconsin-Madison, Madison, WI
It’s a deceptive title, really, because I’m not a film critic nor a fan of any director. But Martin Scorsese was the one who had the smarts, the interest and the resources to make two concert films 30 years apart, THE LAST WALTZ (1978) and SHINE A LIGHT (2008). In 1976, the post Vietnam era in the States, Martin Scorsese and Robbie Robertson managed to record on film (the first concert movie shot in 35mm) the farewell concert of the Band in the venue where they first appeared as The Band, the Winterland Ballroom in San Francisco. Robbie Robertson, Levon Helm, Rick Danko, Garth Hudson and Richard Manuel were leaving the road after sixteen years. In an interview Robbie says he couldn’t imagine doing it for twenty years. The Last Waltz was called “the end of an era”. At the time Scorsese was directing New York, New York, a big expensive production, but he had cut his edting teeth in the Woodstock film and learned what not to do there. He took some time off from the New York, New York project and filmed The Last Waltz in a weekend, put it almost all together in a week and a few months later, filmed three songs on a Hollywood sound stage. It grew from Robbie Robertson’s idea, a not for profit enterprise with no budget to an important cultural event, done by the seat of its pants, almost an afterthought, and ultimately, the concert movie by which all others are judged. Thirty years later, after Taxi Driver and Raging Bull and Goodfellas and all the awards for No DIRECTION HOME (2005), a documentary on Dylan’s early career, Scorsese filmed a Rolling Stones concert. Shine A Light presents the best of the Stones’ Beacon Theatre concerts on their A Bigger Bang Tour on Oct 29 and Nov 1, 2006 in New York city mixed with interviews of the band from long ago (mostly in black and white) and in present time The backstage segments were the first time Scorsese used digital cinematography. Ronnie Wood appears in both films; in out takes of a jam in The Last Waltz, more prominently in Shine a Light. THIS MOVIE SHOULD BE PLAYED LOUD! appears on the screen before The Last Waltz starts. A sign of the times in 1978. The movie begins with Rick Danko telling Scorsese that the game is “Cutthroat” and a loud cracking of the pool balls as he breaks. Shine a Light nods to that opening as it starts with Ronnie Wood taking a pool shot in a game with Keith Richards. The Band returns to the stage for an encore. They play “Don’t Do It” and Robbie Robertson’s lead guitar places the viewer in a beat up neighborhood of San Francisco on the way to the Winterland Ballroom where crowds are lining up and the huge vertical sign above the entrance has half of its lights burnt out. ‘The Rolling Stones’ appears on a marquee between two rows of lights above the entrance of The Beacon Theatre. Scorsese appreciates the balconies and huge space he has to work with and organizes the tracked moving cameras. Shine a Light will be filmed in a beautifully appointed theatre. A young couple waltzes gracefully across the screen against the backdrop of the The Last Waltz logo to the music of The Last Waltz theme song, written by Robbie Robertson, as the names of the guest performers appear: Dr John, Ronnie Hawkins, Bob Dylan, Eric Clapton, Neil Young, Joni Mitchell, Emmy Lou Harris, Muddy Waters, The Staples, Van Morrison, Neil Diamond, Paul Butterfield, Ringo Starr, Ronnie Wood. The huge variety of styles to which The Band adapted and the energy they injected into the songs made for a memorable performance. They were a perfect backup band as well as the stars of the show. The concert itself is a mixture of Band originals beginning with Cripple Creek interwoven with guests who play one song each and interviews of all the members of the Band and some friends. Ronnie Hawkins tells the story of each band member as he was brought into The Hawks, Ronnie’s backup band which became Dylan’s backup band and then The Band. The commentaries of the director, musicians and others who were involved in the project which is played over the concert performances in the Special Features section is fascinating. As each person appears, someone talks about them. There is a hilarious description of Van Morrison’s sequined outfit as he steals the show with a striking performance of Caravan and an equally funny description of Dylan’s preparations for the show. The actual filming was done for free by world renowned cinematographers who did it as a favour to Scorsese using seven cameras. Ideas like Boris Leven’s of filling the Winterland Ballroom with chandeliers had to be cut back because they could only afford three. Boris Leven, a personal friend of Scorsese and his set designer on New York, New York as well as The Sound of Music and West Side Story, thought of renting the set of La Traviata from the San Francisco opera company to spruce up the old Winterland. He designed the sets upon which Scorsese shot The Weight, Evangeline and The Last Waltz theme song on a Hollywood sound stage. The songs featured the Band, the Staples and Emmy Lou Harris. One of the great contrasts of the films is the reference to lighting. An assistant tells Scorsese in Shine a Light that one of the lighting effects will literally cause Mick to burst into flames if he stands near it for more than 18 seconds. Scorsese says firmly “We can’t burn Mick Jagger. Very simply. We want the effect but we can’t burn Mick” When Paul Butterfield does his solo in The Last Waltz, there is a general panic among the crew when they lose all power to the lights except the one spot on Butterfield and Levon. The problem is fixed in time for the next song and Robbie comments that it turned out to be a perfect shot for the harp player and the drummer. Camera shots preoccupy directors obviously but Scorsese didn’t seem any more relaxed while discussing them with Mick thirty years after his assistant in The Last Waltz had to negotiate every camera movement with Bill Graham who held the rights to the Winterland stage and insisted that nothing impair the sight lines of the live audience. When Mick mentions the audience inconvenience to Scorsese, the director opts for the swooping in motion cameras anyway. He knows the value of a historical document. He did it thirty years ago. The Special Features section of The Last Waltz dvd contains a Last Waltz Revisited segment in which Scorsese and others talk about the experience 25 years later, Perhaps the biggest contrast between the two films is that a connection to the Beats plays prominently in the Last Waltz when Michael McClure, the poet, appears on stage in a spotlight, recites a short piece of The Canterbury Tales in Olde English, smiles and walks off. Lawrence Ferlinghetti appears at the end of the show, just before Dylan, recites a quick, cool poem and exits. Thirty years later the subjects of Scorsese’s concert film are meeting the President of the USA and the ex president of Poland backstage. In fact, as Clinton announces in his brief introduction, he’s opening for them. The Stones concerts benefitted the Clinton Foundation and the band received a visit from The President himself as well as his wife and their entourage. One of the funny parts of Shine a Light is Charlie’s response to an assistant reminding him that the meet’n greet is at 6:00. He says “I thought we just done it.” To which the assistant replies, “No, you just met the president, he’s got thirty guests coming”. The Stones play Jumpin Jack Flash, Shattered, She Was Hot, All Down the Line, Loving Cup with Jack White111, As Tears Go By, Some Girls, Just My Imagination, Far Away Eyes, Champagne and Reefer with Buddy Guy, Tumbling Dice, You Got the Silver, Connection, Sympathy for the Devil, Live With Me with Christina Aguilera, Start Me Up, Brown Sugar. I Can’t Get No Satisfaction and Shine a Light. Undercover of the Night, Paint It Black, Little T&A and I’m Free are included as a bonus special. At first I liked The Last Waltz more because of the in depth interviews and the commentaries and its good natured, humourous attitude. But with a budget of one million dollars and the high pressure atmosphere of recording a Stones concert, it makes you wonder what else could Scorsese do? There was really no room for long interviews with the musicians so he threw in clips of past press conferences and interviews where the early days of scandal and infamy were covered and the question which seemed to obsess everyone was “How long are you going to do this?” A young Mick Jagger says he thinks the Stones will last at least another year when they are two years old and then without hesitation says “Yeah” when Dick Cavett asks him if he could see himself doing it in his sixties. An old Keith Richard attributes his longevity to coming from good stock and a younger one tells an interviewer his luck hasn’t run out when he’s questioned about surviving for so long. In The Last Waltz Robbie Robertson contemplates recent deaths of musicians like Janis and Jimi and the high risk lifestyle. He says simply, “You can push your luck”. As Robertson talks over Muddy Water’s performance in the commentaries expressing how honoured The Band was to have him in the show, he names some of the musicians influenced by Muddy and mentions The Rolling Stones being named after a Muddy Song. Scorsese looks like the older, respectable director he is in Shine a Light compared to the hungry young man in The Last Waltz. In Shine a Light when a lighting effect test stops the group he is in from talking, shocked at the flash, Scorsese remarks “Hmm. That cleared my sinuses” and smiles with the same mischievous sense of fun the viewer sees in The Last Waltz as he follows Rick Danko on a tour of Shangrila, the ex bordello which has been turned into a clubhouse and studio. It’s just the difference in times, part of the 60's and 70's vs the first decade of the new century. But there can only be a difference, a comparison, a contrast, because Martin Scorsese had the vision to see rock music in a historical context. At the risk of sounding too Canadian, I think that both concert movies are well worth watching.Add a Comment
Gazzotti & Vehlmann
Eye of the Maelstrom
It's a sad day for the Campton kids: they've just discovered Dodzi's lifeless body at the foot of a building, shot once in the chest. Convinced that whoever killed him must have come from the red zone - the no man's land marked out by the monkeys' cairns - Leila and Ivan decide to send an expedition there... Read more
Lucky Luke 58
The Daltons' Stash
Transferred to a new penitentiary, the Daltons are put in a cell with Fennimore Buttercup, a counterfeiter who soon begins to regret having such noisy cellmates. To get rid of the annoying brothers, he sends them on the trail of his - made-up - stash... Read more
Spirou & Fantasio 10
Janry & Tome
Fantasio, chasing a scoop, slips through a cordon sanitaire surrounding a cargo ship fresh from Antarctica. He's hoping to investigate some disturbing rumours about the base where the ship comes from. But a seriously ill man has escaped the quarantine and begs for assistance... Read more
The Last Templar 1
Lucky Luke 59
Bride of Lucky Luke
The Wrath of Hypsis
|North-American readers, to locate a comic book shop near you that stocks or can order these titles and many more, us this handy Read more|| |
Or, if you're a retailer yourself, please go to: Read more
The Last Templar 1
The Last Templar 2
The Knight in the Crypt
The Marquis of Anaon 5
The Chamber of Cheops
Blog: Little Willow - Bildungsroman (Login to Add to MyJacketFlap)
JacketFlap tags: booklists, books, best of, Add a tag
Blog: Beth Kephart Books (Login to Add to MyJacketFlap)
JacketFlap tags: Chronicle Books, Independent Bookstore Day, Jersey Shore, Main Point Books, This Is the Story of You, Add a tag
THIS IS THE STORY OF YOU, my Jersey Shore novel (Chronicle Books), tomorrow, Saturday, April 30, 2 PM, in celebration of Independent Bookstore Day. Hope to see you at Main Point Books in Bryn Mawr, PA.
I love the sea, I love the shore, I wonder about storms and now, the mysteries of family and friendship.
I wrote of these things.
I hope to see you there. Not a reading, just a signing. Come any time between 2 and 3 PM.
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Blog: Storywraps-Wrap your mind and heart around a good story (Login to Add to MyJacketFlap)
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About the book...
I realize that nearly every one of the previous Prince songs I’ve written about were all huge iconic songs, so here’s a (relatively) deep cut for all y’all.
Coming out of nowhere to open side four of Sign o’ the Times, “The Cross” is probably my favorite Prince song, despite (or because!) The fact that it’s one of his most overtly religious from the get-go, as over a whisper-quiet acoustic guitar, Prince sings:
Black day, stormy night
No love, no hope in sight
Don’t cry, he is coming
Don’t die without knowing the cross
As a bare, near-psychedelic guitar starts weaving its way through the song, he continues:
Ghettos to the left of us
Flowers to the right
There’ll be bread for all of us
If we can just bear the cross
Near the end of the second verse, a kick drum — a live one! — comes in on the 1’s & 3’s, every-so-slightly adding intensity.
We all have our problems
Some big, some are small
Soon all of our problems
Will be taken by the cross
And wham! A big crunchy electric guitar comes in, playing a rolling primitive riff over a suddenly full but still incredibly simple drumbeat and it’s like nothing else on any Prince album ever before. Somehow Prince has reconfigured The Velvet Underground’s “Jesus” as a, um, Velvet Underground song.
Worlds! Colliding! Meanwhile, as the rhythm guitar gets ever more full and noisy, the psychedelic guitar lead transmogrifies into what sounds like a sitar, but it couldn’t be a sitar? Though as tablas come in to play over the beat as well, it could actually be a sitar.
“The Cross” totally blew my mind in 1987. Not because Prince was doing a rock song, per se, but because he was doing a gospel song as indie rock. Or an indie rock song as gospel, as near the end, a huge choir of multi-tracked Princes gorgeously sang “The crosssssss” over (and after) all of the cacophony.
Obviously, I have no idea if Prince ever went down this musical path again — I certainly haven’t heard any other songs as rock raw as “The Cross”, but I would have loved a whole album of Prince doing garage rock with gospel harmonies.
For the longest time, I was conflicted about the fact “The Cross” was my favorite Prince song. That was because it was the Prince song that most sounded like a lot of my other favorite songs, and felt like a bit of an anomaly in his catalog.
But now I don’t think that matters: I’ve come to realize that Prince tried so many things that he’s probably written at least one song that crosses paths with pretty much everyone’s taste in music. Hell, I’m guessing that he’s even got a full-out country album somewhere in the vault. A good one!
“The Cross” performed live in 1987
Fan-made video for “The Cross”
Every Certain Song Ever
A filterable, searchable & sortable database with links to every “Certain Song” post I’ve ever written.
Certain Songs Spotify playlist
(It’s recommended that you listen to this on Spotify as their embed only has 200 songs.)
Support “Certain Songs” with a donation on Patreon
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Blog: Carrie Jones (Login to Add to MyJacketFlap)
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- Fri, 13:25: Time Stoppers is coming out so soon... It is so cool that Bloomsbury bought it and made it real. ⭐️💚⭐️ https://t.co/EwqeaOXs2G
- Fri, 13:25: Time Stoppers is coming out so soon... It is so cool that Bloomsbury bought it and made it real. ⭐️⭐️... https://t.co/sMKoBPR33M
Blog: Cartoon Brew (Login to Add to MyJacketFlap)
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Will audiences turn out to see an animated feature based on a popular video game series?Add a Comment
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Author and illustrator Roxie Munro returns to Ready Set Draw!, with a new project inspired by several of her books, including Market Maze. In this episode Roxie teaches you how to draw your very own busy random Roxie reversing maze! Go above, go under; make turns and twists. There are no mistakes, only opportunities to create new paths.
SUPPLIES YOU CAN USE TO DRAW WITH US
Did you, a child, or student draw their own maze using this video? Please share your images with us via Facebook, Instagram, or Twitter! Use the hashtag #KidLitTV on Instagram and Twitter too. We can’t wait to see what you’ve drawn!
LIKE IT? PIN IT!
By Roxie Munro
Published by Holiday House
Eight trucks hit the highway in a colorful and mesmerizing maze book that helps kids understand how food gets to their tables. In eleven intricately drawn mazes, eight vehicles, each carrying a different product, are on their way to the city. Fish, apples, dairy products, corn, vegetables, flowers, eggs, and baked goods all travel through colorful and minutely detailed landscape mazes to reach the city farmer’s market. Information on all of the products and their journeys is included along with answers to all of the mazes. For additional fun kids are challenged to look for objects hidden on each spread.
ABOUT ‘MAZEWAYS A TO Z’
Mazeways A to Z
By Roxie Munro
Published by Sterling Publishing Company
Prepare to be astounded, because these are no ordinary mazes! Welcome to Mazeways, where A is for Airport, B is for Boatyard, C is for Circus, and everything is exciting. In this eye-opening world, each letter in the alphabet transforms into a fantastic maze and fingers have to trace a path through fantastically detailed environments. Navigate these puzzles as you would if you were traveling in real life: drive your car on the right side of the road, cross the street only at the crosswalks, and feel free to walk around furniture or landmarks as long as nothing blocks your path. Each maze comes with directions on how to launch into the adventure, and features really cool things to find and guide you along the waylike crocodiles and seals, clown cars and motorcycles, baseball diamonds and sunken treasure, and more!
Find more of Roxie’s books, including more mazes, here.
ABOUT ROXIE MUNRO
Roxie is the author/illustrator of more than 40 nonfiction and concept books for children, many using “gamification” to encourage reading, learning, and engagement. Her books have been translated into French, Italian, Dutch, Chinese, and Japanese.
Roxie was born in Texas, and grew up in southern Maryland, by the Chesapeake Bay. At the age of six, she won first prize in a county-wide contest for a painting of a bowl of fruit. She has been a working artist all her life, for a while freelancing in Washington DC as a television courtroom artist. It was great training for life drawing, concentration under pressure, and making deadlines. Clients included CBS, the Washington Post, and the Associated Press. Fourteen of her paintings have been published as covers of The New Yorker magazine.
She also creates oils, watercolors, prints, and drawings, primarily cityscapes, which are exhibited widely in the US in galleries and museums. Roxie’s work is in numerous private, public, and corporate collections.
Roxie Munro studied at the University of Maryland, the Maryland Institute College of Art (Baltimore), earned a BFA in Painting from the University of Hawaii, attended graduate school at Ohio University (Athens), and received a Yaddo Fellowship in Painting. She lectures in museums, schools, libraries, conferences, and teaches in workshops.
Many oils and watercolors are views from the roof of her sky-lighted loft studio in Long Island City, New York, just across the East River from her home in mid-Manhattan. Roxie is married to the Swedish writer/photographer, Bo Zaunders.
Ready Set Draw!
Executive Producer: Julie Gribble
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The post Ready Set Draw! | Roxie Munro Draws an Amazing Maze appeared first on KidLit.TV.Add a Comment
Blog: The Miss Rumphius Effect (Login to Add to MyJacketFlap)
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National Adopt a Shelter Pet Day. This day was created to raise awareness of the thousands of pets living in shelters that are waiting for adoption and permanent homes.
As I write this post my buddy Cooper, our latest rescue dog, is on the couch beside me snoring away. His predecessor was also rescued from a shelter. We were fortunate to call Sydney ours for nearly 16 years. When she was put to sleep, I swore it would be a long time before another one graced our doorstep. I lasted all of one month before needing to fill the space she left in our lives. All of you pet lovers out there know what I'm talking about.
Today I'm sharing poems about some pets lucky enough to find their forever homes.
I swim in the ocean,
no matter how rough.
In rivers and lakes—
I can't get enough!
When I see a pool,
I dive like a sub.
I LOVE the water—
but not in the tub.
Poems ©Linda Ashman, 2008. All rights reserved.
No rush. I've got plans.
Gnaw this paw. Nip that flea. And
wish: Please, Boy, pick me.
Dogs have hair. Cats, fur.
Dogs whine, yip, howl, bark. Cats purr.
I say: No contest.
heard of it. Besides, the couch
is so much closer.
Poems ©Lee Wardlaw, 2011. All rights reserved.
Won Ton and Chopstick: A Cat and Dog Tale Told in Haiku (2015), written by Lee Wardlaw and illustrated by Eugene Yelchin, is the sequel to Won Ton: A Cat Tale Told in Haiku. In it, Won Ton again narrated and shares with readers what life is like with a new and annoying puppy in the house.
Ears perk. Fur prickles.
Belly low, I creep . . . peek . . . FREEZE!
My eyes full of Doom.
Don't bother barking
your real name. I've already
guessed. It must be . . . Pest!
Breaking news: YOU SNORE.
Twitch and whimper too. Yet you
make a soft pillow.
Poems ©Lee Wardlaw, 2015. All rights reserved.
Dreams of rabbits and running.
Could life be sweeter?
There are words and words and words.
Did someone say "pound"?
At the Columbia University Press blog series editor Christine Dunbar offers An Overview of the Inaugural Russian Library Titles (three of them to get things going).
I've mentioned this project before -- in particular as the first instance, a collaboration with Overlook Press, apparently died a(n exceptionally) quiet death. But it looks like they're actually going through with this -- with publicity pages for the first titles (e.g. Sokolov's Between Dog and Wolf) already up (though note that the 'Series: Russian Library' link doesn't lead anywhere yet ...).
Looks good and promising; can't wait to see these (and future) titles.
Blog: A Year of Reading (Login to Add to MyJacketFlap)
JacketFlap tags: bygones, original, Poetry Month 2016, story in verse, Add a tag
Why are you crying?
Did I do something wrong?
No, Jackie. No, Punkin'.
It's not you.
We're crying for the bygones.
We're remembering Uncle Jack.
was one of the things from home that he took along
with him into the war.
The trumpet didn't come back, and neither did he.
But you're here, so Uncle Jack will live on.
©Mary Lee Hahn, 2016
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Blog: Monica Gupta (Login to Add to MyJacketFlap)
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Audio – Short Story in hindi – Monica Gupta ऑडियो- लघु कथा – वापसी – मोनिका गुप्ता Story Telling ये एक पारिवारिक कहानी है जिसमें विदेश में बसे अशोक और नेहा दो साल बाद भारत लौट रहे हैं और सभी मित्र और रिश्तेदार बेहद उत्साहित है और विदेश में अपने अपने काम के लिए उनसे […]Add a Comment
Blog: Cartoon Brew (Login to Add to MyJacketFlap)
JacketFlap tags: Disney, Events, Academy of Motion Picture Arts and Sciences, Alan Menken, Andreas Deja, Angela Lansbury, Beauty and the Beast, Brenda Chapman, Don Hahn, Gary Trousdale, Glen Keane, Mark Henn, Paige O'Hara, Richard White, Robby Benson, Add a tag
This 25th anniversary screening is sold out, but we've got a tip on how you can attend this special event.
The post May 9 in LA: ‘Beauty and the Beast’ in 70mm With Cast and Crew Discussion appeared first on Cartoon Brew.Add a Comment
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