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I've frequented some library sales and second hand bookstores recently and have added some lovely titles to my poetry collection. Today I'm sharing two poems from the book Sweet Corn: Poems
by James Stevenson.Screen Door
When fog blurs the morning,
Porches glisten, shingles drip.
Droplets gather on the green screen door.
"Look," they say to one another.
"Look how dry it is inside."Ladder
The ladder leaning against the barn
Is like the man who used to use it:
Strong at the beginning,
Okay in the middle,
A few rungs missing at the end.Poem ©James Stevenson. All rights reserved.
I do hope you'll take some time to check out all the wonderful poetic things being shared and collected today by Amy Ludwig VanDerwater at The Poem Farm
. Happy poetry Friday friends!
For those who have enquired, I have had another delivery of books from my publisher and so they are back in stock HERE
September 19th marks the birthday of Hermione Granger, the brightest witch of her age. Please join us in wishing Hermione a very happy birthday and in hoping she gets many new books as gifts!
This is a formal apology for not having anything special to post.
But here, check out some of Sabatini’s early short stories. It’s fun to guess beforehand a) whether or not it will be terrible, b) whether or not he recycled the story into a novel later, and c) whether the hero will have a lean sardonic countenance.
By: Sue Bursztynski,
For me, in the Southern Hemisphere, it's September 20, though Blogger, a Northern Hemisphere program, will stick September 19 above this post. Ignore it. I'm going to write about September 20, okay?
There is no real literary-related stuff happening on September 20 in history, so here is the closest I can get: on this day, the Greeks defeated the Persians in the Battle of Salamis, in 480 BCE. A lot of stuff has been written about that, starting with Herodotus, the "Father of History" and one of the veterans of that battle was Aeschylus, one of the big three playwrights of ancient Athens.
There's plenty more if you like wars, plagues, suicide bombings and such, plus a mention of the creation of the first petrol-fuelled car, leading to the great age of pollution and fights over oil that we all know and love, but I might skip it. I only mentioned Salamis because there was a famous writer fighting in it.
Let's get on to the birthdays.
There was Arthur, Prince of Wales, born in 1486, to Elizabeth of York and that nasty man Henry VII. Imagine how much would never have been written if the poor boy had survived to become king instead of his brother Henry VIII! I mean, really. The history of Europe would have been so very different, whether for good or ill. A lot of people writing about the reign of Henry would never have had the chance. For starters, no Wolf Hall
and Bringing Up The Bodies
. ;-). No Six Wives Of Henry VIII
. No Anne Boleyn websites. No opera Anna Bolena
. Though, knowing Henry, he would have found his own ways to power, even if he was just the kid brother of King Arthur. And maybe Alison Weir and Hilary Mantel would have found plenty of material about the reign of Arthur to inspire them. Still, we'd have missed a lot of literary enjoyment.
Then there's Steve Gerber, a big man in the world of comic book writing, specifically Marvel comics. He's dead, alas, but did a lot during his lifetime, quite apart from his creation Howard the Duck. He has an entry in Wikipedia if you want to look him up for his long list of works.
Today, September 20, is also the birthday of George R R Martin, author of the great mediaeval epic fantasy soap opera The Game Of Thrones! If you don't know about him, you have been hiding under a rock. Who would have thought when I read the first novel of the series back when it first came out, that t would go on to be so huge? To be honest, while I do like it - it has such a wonderful feel of grubby "real" Middle Ages - there are other books of his I like better.
One of them, Fevre Dream is unlikely ever to be made into a TV series, unless they want something to follow up GOT once it's finished. There are some hints on the Internet that they might be able to get some interest in a film rather than a series. I'll believe that when I see it. It's standalone, not too thick, and it has vampires in it, but Martin's vampires are a race, not undead. One of them who is tired of killing, has come up with a formula that will enable vampires to avoid drinking human blood. He orders a magnificent paddle-steamer built so he can travel up the Mississippi river finding other vamps with his attitude to join him. It's set in the pre Civil War era because, as Martin said at a Melbourne con I attended, it was a time when slaves could be killed easily without anyone asking questions. Another Martin book I like better than GOT is the delicious Tuf Voyaging, a series of connected short stories set in a seed ship travelling through space, with the title character and his many cats. A good book for SF reading cat lovers!
It's also the birthday of Keith Roberts, author of the wonderful alternative universe novel Pavane, a classic of AU fiction, which starts with the assassination of Queen Elizabeth I and goes on to speculate on a world in which the Church rules.
Today is the birthday of the totally un-writing-related Sophia Loren, but what the heck! Such a beautiful woman and fine actress!
There are a number of Christian feast days, but it's also the seventh day of the Eleusinian Mysteries, which play a big part in literature. Mary Renault's The King Must Die is in there, among others. That's a wonderful book I first read when I was about twelve. My copy is falling apart. I'm holding out for the ebook which isn't yet on iBooks, though some of her other books are.
So, what do you think of this day in history?
Everyone should “Listen to JImmy” Palmiotti that is. The veteran writer, artist editor and publisher is one of the most knowledgeable comics people out there. With his collaborators from Paperfilms, Justin Gray and Amanda Conner, he’s made a small publishing enterprise out of kickstarting a series of graphic novels based on the European album format. The seventh, Sex and Violence Vol. II is ending in a few days and we advise you to get in on the Amanda Conner/Dave Johnson action as soon as possible — the books will not be sold in any other way. We talked to Palmiotti a few months ago when he was Kickstarting the SF tale Denver and got his overall thoughts on using Kickstarter as a platform. This time out we talk about the storytelling process,finding artists and also find out how Harley Quinn, which he co-writes with Amanda Conner, has become one of DC’s bestselling titles, with a huge female fan base.
The Beat: Sex and Violence is billed as stories of “crime, lust, and redemption.” Are these stories that you carried around for a while or did you sit down to think of them just for this volume?
Photo by Seth Kushner
Palmiotti: I can’t speak for Justin, but I have had the FILTER story idea for a while and was at one point going to pitch it as a series, but never got around to it. I reworked it so it can be enjoyed as a single story with a beginning and an end. The other short story was something I came up with and thought it might fit perfectly into the book. A lot of the time story ideas hit me and I keep files on them, waiting for the right time or opportunity to place them. I have another story that I want to do and hope we can get to a volume 3 of this series.
The Beat: I know Justin Gray wrote one of the stories, but can you tell us a little about each of the three stories, and what interested you enough in your two to tell the tale?
Palmiotti: Justin’s is called RED DOG ARMY and its based on actual history. Hitler launched a full-scale invasion on Russia called Operation Barabossa, and Stalin, reacting to this, authorized a special unit to train dogs as anti-tank weapons, sort of a suicide dog squad. It’s a real interesting setting to tell a story and beautifully illustrated by Rafa Garres whom we worked a number of time with on Jonah Hex. The next story is called DADDY ISSUES and is about a mother and daughter living in a trailer park dealing with the men in their lives. Its got a very tales from the crypt feel but works perfectly here. Romina Moranelli illustrated it and it’s just beautiful. The last story is called FILTER and it’s a look back on a killer’s life and the things he has done to get to where he is today. It’s dark and cruel and will stay with you for a while, I think. Vanesa R. Del Ray illustrates that story, an art student I met a couple of years ago that is making a name for herself all over now. All three stories work together pretty nicely.
The Beat: Your two stories sounds like they have fairly unsympathetic protagonists, which I know can be a challenge. How do you make dark characters like this compelling enough for the reader to want to follow along?
Palmiotti: Well, with Daddy Issues, you sort of understand what they are going through, but in the end, these are killers and you should be scared to be around them. With Filter, I set out to give the reader an understanding of how someone goes from bad to worse. The interesting aspect of the story is there is a level or redemption to the character that makes him a bit more sympathetic. I think the trick is to humanize the situation into something we can relate to so we understand the extreme reaction the character takes. Honestly, all of these characters are scary on their own level.
The Beat: How do you find artists for these? You’ve said it’s like casting, and as a sometimes editor, I know exactly what you mean. Sometimes you think of an element of a comics story and an artist just pops into your head with just the qualities that will make it work. Do you keep a physical or mental folder of artists you want to work with?
Palmiotti: I actually meet most of them at conventions. They come by and show me their work and I can feel the enthusiasm. I keep a file and also give them my contact and hope they follow through and we chat again. The people that I end up working with are the ones that stay after me and keep sending their latest samples. I try to stay up as well on who is new and exciting in the field best I can. I buy just about every new book that comes out, which my local retailer, Emerald City loves. The casting thing is a perfect way of explaining what I do for each story, It’s one of the most important parts of the job. I always say the Marvel Knights gig was all about casting the right people with the right characters. The magic happens after that.
The Beat: Do you ever write a story for a specific artist?
Palmiotti: All of the time. All three of the stories in Sex and Violence are catered to the artist. I may have an idea, but once I know who the artist is going to be, I change it to fit their style. In the case of All Star Western and Jonah Hex, we always wrote for the artist. I think that’s how we got their best work. Issue 34 of All Star was made for Darwyn Cooke and once we knew G.I.Zombie was going to be Scott Hampton, the book took a creepier, grounded tone. I didn’t want to fight against his style. I also think the work is better for it.
The Beat: I talked with you a few months ago for your Denver Kickstarter and it sounds like you really have crowdfunding down to a science. Were there any tweaks to the model this time?
Palmiotti: Yes, I did a few after the Denver Campaign. The first thing I did is stop offering the expensive packages overseas because we felt the price was too high to ask for the shipping and to be honest, a lot of the packages got lost or damaged pretty bad. The next thing was limit the prints because we felt there wasn’t as big a need for them this time, and last, since this is a follow up of a series of books, we went back to press and reprinted the first book with two brand new covers by Amanda Conner and Dave Johnson, knowing a lot of people did not get the first one that might be backing the new one.
The Beat: Your Kickstarter books seem to have a very European feel to them and not just because you often use foreign artists. Is that part of the inspiration for these books?
Palmiotti: It’s based on my love of European comics and artists. I grew up on Heavy Metal and with that steady diet; it was bound to have its influence. I also like to make the books mature audience books, again, a very European thing. I feel I do a ton of all ages work for the mainstream, so we get to unleash ourselves here and do whatever works for the story.
The Beat: On another note, Harley Quinn has been a huge hit for DC and for the Paperfilms crew. I saw you talking recently about the fact that it has a lot of women readers. I know it’s all still anecdotal for DC but this audience seems to be one that is really growing quickly. Can you talk about your own experiences with that?
Palmiotti: Amanda and I have had a very busy year of conventions and signings and the thing we noticed from working on the Harley book is that the majority of the people coming up to us are females of all ages. We have only had this happen once before and it was for the Painkiller Jane series. The cool thing about this group is that we’ve had a large percentage telling us it’s the first comic book they ever bought and thanking us for not weighing down the title with continuity. They say they love that they can just pick up an issue and enjoy it without going broke or feeling left out and confused because they haven’t bought 15 other books. It’s something I am always aware of on all my books because I’m one of those people that, if I feel lost picking up a book, I never go back to it again.
What we are learning is that the traditional idea of done–in-one stories not selling in comics just doesn’t apply to the new audience buying the books, and believe me, most of that new audience are female. I think the problem right now is we have some people running the companies that just aren’t going out and trying new comics or interacting with the next wave of readers and keep pushing things the traditional way they did years ago. The retailers themselves are seeing this happening daily now and I feel it’s the reason Image comics will continue to grow and eventually outsell the big two, unless they start thinking outside the box and just make superheroes a PART of their publishing plan and not the entire thing and start looking at the different ways a superhero type of book can be done. Harley is one example , Hawkeye is another . The traditional graphics people associate comics with have been changing for years now and the market is embracing different looks and styles that are outside the house style and its pretty cool to see.
The thing that keeps me interested in comics is the prospect of new ideas, new voices and especially new methods of applied technology and connecting with the audience. It’s what keeps the Paperfilms crew and I trying new things all the time. As an example, we had a soundtrack scored on our last book DENVER and people loved it. That and the fact that people can go to Paperfilms.com and get digital downloads of our books, prints of Amanda’s work and copies directly from us is the next big for creators these days. That thing is the connection between the creator and the fan; something bigger companies have no real interest in promoting. This is also happening in all media. Things are changing fast, and for me, all for the better.
The Beat: You’ve made your Kickstarters a real cottage industry, What are your plans going forward? How many a year do you foresee doing and how long are you going to keep at it?
Palmiotti: I will keep making Kickstarters for as long as we have an audience for them. The people that back our Kickstarters are a lot of repeat customers and we are growing that fan base with every project. Our plans going forward are to do more of them and take on less work that we just do to pay the bills. Kickstarter has been a huge learning experience for us in so many ways. Each project teaches us what the audience wants from us. We look at the hard numbers, the comments and all the interaction and fine tune each and every new project to be able to connect better with the fans. We have only a few days left on SEX AND VIOLENCE VOL. 2 and after this, we have another book ready to roll that is a western graphic novel, something you would think we had enough of…but this one is different in a number of ways and we are super excited to announce it in a few weeks.
By: Kathy Temean,
Blog: Writing and Illustrating
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authors and illustrators
, Illustrator's Saturday
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, 1st Prize (Category Children's Book) at the 'Marosvásárhely Book Fair Award
, 30th edition of the exhibition 'Le immagini della fantasia'
, Applied Art in Budapest
, Sarolta Szulyovszky
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Sarolta Szulyovszky was born and grew up in Budapest (Hungary), she studied Applied Art, after which she moved to Italy. Since 2004 she start activity in the field of graphics and illustration working in a graphic design studio in Udine (Italy). Now she lives and works as a freelance illustrator and graphic designer in a little city in northern Italy: San Daniele del Friuli.
She works for children’ s books, magazines, cover books, Brochure Design and Packaging Design.
Sarolta works both traditionally in acrylics, pencil and digitally.
In 2012 her work has been selected for the ‘Annual Illustratori Italiani 2012′ (Society of Italian Illustrators) and for the 30th edition of the exhibition ‘Le immagini della fantasia’ (Sàrmede, Italy) – 60 illustrators from all over the world.
2011 – selected for the 23rd Biennial of Illustrations Bratislava.
In 2010 she won the 1st Prize (Category Children’s Book) at the ‘Marosvásárhely Book Fair Award (Romania).
Draft drawn in Photoshop, and the final illustration for a magazine. The commission was to illustrate the month of July. (Image: Progress_1)
I needed a model to draw the woman so I photographed my son for the face and my hand for the hand!
I found the fruit and vegetables on the internet.
After sketching out the draft, I prepare an acrylic base for the background colour and, with carbon paper, I transfer the draft I have printed onto the base I have prepared. (Image: Progress_4)
Here is the final illustration entirely painted with acrylics.
How long have you been illustrating?
I began to illustrate children’s books 11 years ago. My first publication (2003) was a drawing for an anthology of world fables published in Italy, but I have only thought of myself as an illustrator since I began to devote myself entirely to this work in 2009.
Did you go to college to study graphic design?
I began to study drawing at the age of 14, attending evening classes while I was studying at a science academy school in Budapest (Hungary). My dream was always to become a designer, so once I graduated from high school, I attended a textile design college and another college to study interior decoration, then went to the university “Nyugat-magyarországi Egyetem” on a Packaging Design course, but I never imagined that one day I would be illustrating books! I became involved in the world of children’s books illustration in Italy where I attended courses on advertising graphics and editorial illustration.
What were you favorite classes?
At university, I really liked design and drawing from life, especially portraits.
How did you decide to move from Hungary to Italy?
I moved to Italy not for work but for love. I met my husband in Budapest and, after we got married in 1997, I came with him to Italy.
Do you feel the illustrating opportunities are better in Italy?
I don’t think Italy offers more opportunities for work in the field of illustration compared to Hungary or other European countries. Italy is currently undergoing a severe social, cultural and economic crisis and illustrators (and anyone who works in the cultural sphere in general) is often considered an amateur, and not a professional, and so they are paid little or nothing. However, I do think that Italy is an excellent place to study illustration: it is a country that boasts 50% of the world’s cultural and artistic heritage, a very stimulating environment for an artist, and there are excellent schools specializing in illustration.
It is very true that “no-one is a prophet in his own land” and so the first publications I had in Italy were due to the fact I was a foreigner: they were looking for foreign artists for multicultural editorial projects. After that, I was published in my home country and in other states.
What was the first art related work that you were paid?
The first paid work was for the illustration of a children’s book translated into Italian from Hungarian, “Ha én felnőtt volnék” (If I were big) by Eva Janikovszky, published by L’Omino Rosso Editore, a small publisher in the region where I live. The book is a major classic in Hungary, a very entertaining story that I illustrated using digital techniques (Adobe Illustrator), which did not turn out to be my style.
What do you think influenced you style?
I think my style has been influenced by many things: the popular Hungarian art passed on to me by my grandmother, who taught me embroidery, the late Renaissance painters in the Fine Arts Museum in Budapest, where I acted as tourist guide when I was a student and, of course, many contemporary illustrators that I discovered in books, exhibitions and on the web (Gianni De Conno, Gabriel Pacheco, Alice Wellinger, Pierre Mornet……. the list would be very long!).
What type of work did you do right after you graduated?
After university, I gave birth to my two children and for 6 years I concentrated on being a mother….. although it was during that period that I discovered illustrated children’s books!
How did you connect with the Wilkinson Studios? When did you join them?
I came across Wilkinson Studios in 2011 thanks to an illustrator friend of mine who was already working for them. I sent them my portfolio and they immediately gave me a job. The client was very pleased with the illustration and so we continued to collaborate and they included me among the artists they represent. It was a great honour for me.
Do you do any exhibits to show off your work?
Yes, I am often invited to take part in joint exhibitions and I have had various personal exhibitions in Italy and abroad. In 2011 and 2013, my work was exhibited at the Biennale of Illustration of Bratislava, Slovakia and, 2007- 2012 every year at the “Le immagini della fantasia” of Sàrmede, the most important exhibition of children’s illustrations in Italy.
The last exhibition has just ended and it was “Il posto delle favole” (The place of fables), a joint exhibition by international artists in Rocca Sinibalda, a picturesque little town in central Italy. The next exhibition will be a personal exhibition of my work in Hungary in October 2014.
When and what was the first children’s book that you illustrated?
The first book that I illustrated was, luckily, the one I mentioned as my first paid work.
How did that contract come about?
The contact with the publisher came about through a friend we had in common, who was a book translator.
Do you consider that book to be your first big success?
My first book was an important experience for me, I learned a lot, but I don’t consider it a great success.
Have you published about children’s picture books for a US publisher?
So far, in the United States, they have published my illustrations in academic books and magazines, but I haven’t yet illustrated a whole book in the United States and I can’t wait to do so!
Have you tried to write and illustrate a children’s book, yet?
My first successful book was actually one that I wrote and illustrated: “A hálás virág “(The grateful flower) is an autobiographical book that deals with the subject of diversity and the Great Mystery of death, life and rebirth. The story came from an episode that actually happened in my grandparent’s garden in Budapest. In 2008, the album won first prize for the best unpublished illustrated album for children aged between 6 and 9 years at the 11th International Competition “Syria Poletti: On the wings of butterflies”. It was subsequently published in 3 languages: Italian, Hungarian and Polish.
Does the area where you live have a large artist community?
I live in the countryside near a little town in northeast Italy that lies between the Alps and the Adriatic Sea, a land of excellent white wines and ham. There isn’t a large community of artists here, but you live and eat well!
What type of illustration work do you do?
I work both on children’s books and books for adults, and on Packaging. I work both digitally and with traditional techniques. I like to adapt my style to the text and always try out new things so that I continue to grow and renew myself.
Have you won any awards for our art?
I have won various prizes but the most important was the one I received at the Frankfurt Book Fair in 2013: the cover I illustrated of “Folyékony tekintet” / Liquid gaze (published by Libri, Budapest) was selected from the 12 most beautiful covers at the Fair by the Wall Street Journal.
How many picture books have you illustrated?
So far, I have entirely illustrated 11 books, without counting the anthologies that include the drawings of several artists.
What do you consider your biggest success?
The greatest success has been the last book I illustrated, “Folyékony tekintet” (Liquid gaze), a collection of poetry for which I drew the digital illustrations using only the colours black and red.
Do you feel living in Italy has broaden your career as an illustrator?
For an illustrator, I don’t think it matters much these days where you live, an internet presence is more important because that’s where work meetings take place. 23. Yes, I have worked for Italian and Hungarian magazines and in the United States, for the Christian Reformed Church of North America’s Dwell Dive Magazine. 24. I use acrylic colours and sometimes I add some details in Photoshop.
Have you done illustrations for any children’s magazines?
Yes, I have worked for Italian and Hungarian magazines and in the United States, for the Christian Reformed Church of North America’s Dwell Dive Magazine.
What materials do you use to paint your color illustrations?
I use acrylic colours and sometimes I add some details in Photoshop.
What type of things do you do to find illustration work?
To find illustration work, it is important to have a website or a blog, send your portfolio to the illustration agencies and publishers, and go to specialist fairs, like the Children’s Book Fair of Bologna.
What is the one thing in your studio that you could not live without?
The thing I miss the most is the view from my window: the hill with the historic centre and the mountains. When I’m at home staring at a sheet of paper or a monitor all day, it is important sometimes to turn and look into the distance!
Do you try to spend a specific amount of time working on your craft?
It is very difficult to work set hours when you’re a freelance. I often work at night to meet deadlines…
Do you take pictures or do any types of research before you start a project?
Research is the first phase of working on an illustrated project and that often takes whole days. I have a folder on my computer where I collect photos and texts that inspire me and that might be useful one day. If I don’t find the photos I need on the internet, people in certain poses, for example, then I’ll use relatives or myself, taking the photos I need.
Do you think the Internet has opened doors for you?
Yes, I think the internet has opened many doors, but it has also increased the competition.
Do you use Photoshop or Corel Painter with your illustrations?
Yes, I use Photoshop and Adobe Illustrator.
Do you own or have you used a Graphic Drawing Tablet in your illustrating?
Yes, I use a Graphic Drawing Tablet to sketch out drafts and add details to my illustrations.
Do you have any career dreams that you want to fulfill?
My dream is to illustrate the Bible, especially St Paul’s Hymn to Love.
What are you working on now?
At the moment, I’m working on two books: an illustrated album: The Garden of Tears, written by the French author, Laurie Cohen, and a Hungarian novel by Zoltán Hajdú Farkas.
Any words of wisdom on how to become a successful writer or illustrator?
Above all, it is important to inquire within and understand ourselves. What would I really like to do? Devote time to personal works that haven’t been commissioned, be humble (we always need to learn), have a little entrepreneurial ability (we have to promote our work ourselves) and great steadfastness.
Thank you Sarolta for taking the time to share your process and journey with us. We look forward to hearing about all your future successes.
To see more of Sarolta’s illustrations visit her at:
Please take a minute to leave a comment for Sarolta, I know she would love to heard from you and I always appreciate it. Thanks!
Filed under: authors and illustrators
, Illustrator's Saturday
, picture books
, Publishing Industry
Tagged: 1st Prize (Category Children's Book) at the 'Marosvásárhely Book Fair Award
, 30th edition of the exhibition 'Le immagini della fantasia'
, Applied Art in Budapest
, Sarolta Szulyovszky
By: Terry Hooper-Scharf,
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For those who seem to think I'm after event freebies (thank you for the emails but have the balls to comment on CBO and give your REAL names) let me point something out.
Look to the right (that's THIS way---->) 1, 616, 997 views. Events publicised and reviews posted get a LOT of views which is why companies send me review books. Now, for some reason Google+ views are not shown on this blog. I can tell you that as of this moment CBO postings have been viewed by 783, 666 -and I've only been posting there since May.
From CBO and Google+ most of the postings are picked up by other sites, bloggers and they in turn add extra views.
You want better free publicity? You can look and good luck.
I have no objections to paying for tables at events. Free entry? Yes, that is the norm in EVERY industry for people who promote or are considered "Press".
Just grow up and try to be professionals or at least pretend as best you can. Irritating 'anonymous' emailers...well, you just are not. You really need to catch up on internet technology.
Now go away.
Review my Books Review by Meghann @ Becoming Books
Title: Girl Defective
Author: Simmone Howell
Publisher: Atheneum Books for Young Readers, imprint of Simon and Schuster
Genre: Young Adult Fiction - Contemporary
Release Date: September 2, 2014
Source: Review copy provided by the publisher, opinions are honest and my own.
In the tradition of High Fidelity and Empire Records
You know I love lists. I’m a listophile. This blog features t a list of 500+ Things that Kids Like, Things They DON’T Like, and a list of over 200 fun, cool and interesting words. List-o-mania! List-o-rama! The lister! (Pretend I’m talking in Rob Schneider’s SNL “annoying office guy” voice.)
Today I invited debut author Darlene Beck Jacobson to the blog to share the Top 10 Toys and Candies of the early 1900’s, the time when times, well, they were a-changin’. It was also the time during her new middle grade novel, WHEELS OF CHANGE! (Don’t you just LOVE that cover?)
TOP TEN TOYS OF 1900-1920
- Teddy Bear (1902)—in honor of President Theodore Roosevelt who, on a hunting trip, had an opportunity to kill a bear and didn’t.
- Erector Set—invented by AC Gilbert, a gold medal Olympian in the 1908 Pole Vault.
- Lionel Trains (1901)
- Lincoln Logs (1916)
- Raggedy Ann Doll
- Radio Flyer Wagon (1917)
- Tinker Toys (1914)
- Crayola Crayons 8 pack (1903)
- Tin Toys
Other popular toys of the time included: Baseball Cards (1900), Ping Pong (1901), Jigsaw Puzzle (1909), Snap Card Game, playing cards, marbles, checkers, chess, yo-yos, wooden tops and (of course) dolls.
Let’s see, what would the top 10 toys of today be? I think Teddy Bears might still have a shot at it. Maybe Crayola crayons, too. But I bet no one back then could envision an app being the most popular toy. (An app? they might say. You mean a tiny apple?)
Now let’s devour the top tasty treats of the era!
POPULAR CANDY FROM 1900-1920
- Candy Corn (1880-s)
- Juicy Fruit Gum, Wrigley’s Spearmint Gum (1893)
- Tootsie Rolls (1896)
- Hershey’s Milk Chocolate Bar (1900) with Almonds (1908)
- Necco Wafers (1901)
- Conversation Hearts (1902)
- Brach Wrapped Caramels (1904)
- Hershey Milk Chocolate Kisses (1906)
- Peppermint Lifesavers (1912)
Hmm, I think Hershey would still rank pretty high today. But my kids love Sour Patch and Fun Dip and AirHeads and all kinds of gross things now. Give me a Hershey’s any day (although make it a Cookies-n-Cream bar).
Last night was back-to-school night at my daughter’s elementary, and I’m astounded every year when the principal says, “Our children will be working in fields that haven’t even been invented yet.” That’s how fast things are moving. I’m sure in another hundred years the top toys will be time machines and molecular transporters that will bring the catchphrase “Beam me up, Scotty” back in style.
Today’s world is moving fast, and that tempo is paralleled in WHEELS OF CHANGE with racial intolerance, social change and sweeping progress. It is a turbulent time growing up in 1908. For twelve year old EMILY SOPER, life in Papa’s carriage barn is magic. Emily is more at homehearing the symphony of the blacksmith’s hammer, than trying to conform to the proper expectations of females. Many prominent people own Papa’s carriages. He receives an order to make one for President Theodore Roosevelt. Papa’s livelihood becomes threatened by racist neighbors, and horsepower of a different sort. Emily is determined to save Papa’s business even if she has to go all the way to the President.
Sounds exciting, right? IT IS!
And guess what, you have yet another chance to win another book! Leave a comment stating what YOU think the #1 toy and #1 candy is right now, in 2014. You have until the last seconds of September 29th to enter. The winner receives WHEELS OF CHANGE.
To learn more about Darlene Beck Jacobsen and WHEELS OF CHANGE, visit DarleneBeckJacobson.com.
Tara and Darlene at NJ-SCBWI 2013!
The most recent addition to the complete review is my review of Solomonica de Winter's Over the Rainbow.
De Winter was born in 1997, which makes her the currently youngest author with a title under review at the complete review (and, I suspect, the youngest ever).
But what's most noteworthy about this book is that, although written in English, it has not yet been published in English (and doesn't have a US/UK publisher yet, to the best of my knowledge); instead the review relies on the German translation, Die Geschichte von Blue.
(A Dutch translation is also forthcoming, as Achter de regenboog.)
This makes for a peculiar addition to the index of foreign-language books under review that are not yet available in English .....
(This isn't entirely unheard of -- for various reason books sometimes aren't/can't (immediately) be published in the language they were written in -- including some written in English.
So, for example, Gabriel Josipovici's Only Joking infamously found a German publisher in 2005, but only appeared in English in 2010; Moses Isegawa's first novels were published in Dutch before they came out in English (Snakepit, for example, appearing in Dutch in 1999 and then only in the English it was written in in 2004).)
Die Geschichte von Blue was published by (Swiss) German publisher Diogenes -- who happen to be the publishers of Solomonica's dad, Leon's, books (11 titles) and Solomonica's mom, Jessica Durlacher's, books (5 titles) -- possibly making them more ... receptive to publishing Moonie's (as she's apparently nicknamed ...) debut.
As longtime readers know, I have repeatedly expressed surprise that Leon de Winter never caught on in the US -- a couple of his titles have been translated into English (notably the very good Hoffman's Hunger), but, despite spending a great deal of time in the US (where his daughter also went to school -- hence, presumably, her choice of writing in English), he just never figured the place/market out (a stint as a fellow at the Hudson Institute probably didn't help in that regard, either).
Jessica Durlacher also seems to have made no inroads whatsoever in the US/UK; it'll be interesting to see if the daughter can (eventually) break the family curse.
Seven of Leon's books are under review at the complete review, the Leon-Solominca combo is hardly the first time I've read books both by parent and child -- though it may be the first where I've reviewed books by both.
But now I'm really eager to read some of Durlacher's work: I don't think I've ever read books by three so closely related family members (siblings, yes, but not relatives of two different generations).
From an expert psychologist comes an insightful, fresh take on self-control based on studies given to children on delaying gratification. In this wonderfully accessible read, we come to not only understand our impulses but learn how to effectively tackle and reappraise them. Books mentioned in this post The Marshmallow Test: Mastering... Walter Mischel New Hardcover [...]
sketch from my latest penned endeavor. i am such a duck...
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It was fun while it lasted: the underperforming Hub Network, an equal partnership between Discovery Communications and toymaker Hasbro is shutting down.
They've announced the longlists for the prix Médicis -- interesting because they also have a foreign-fiction category.
Among the titles to make the best foreign book longlist were the ubiquitous Evie Wyld's, Vladimir Lorchenkov's The Good Life Elsewhere, and Mohsin Hamid's How to Get Filthy Rich in Rising Asia.
Among the authors placing books on the French longlist are Antoine Volodine and Christine Montalbetti.
(I will also take this opportunity to note yet again how horrific the French-prize sites (or closest approximations thereto) are.
For years one could at least rely on the invaluable Prix-littéraires.net for all necessary French literary prize information, so it didn't matter what the official and quasi-official sites looked like, but since that site is no longer being updated the situation has gotten near-hopeless.
Get your acts together, folks !)
If ghosts are real, they are probably like these: cantankerous, prone to snits, and deeply curious about the warm bodies living in "their" rooms. Oliver's dysfunctional family reunites in a lost-and-found whirlwind of mystery and secrets, with the housebound spirits as unexpected guests. Books mentioned in this post Rooms Lauren Oliver Used Hardcover $17.95
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Ok, maybe not EVERYTHING, but some things must go. Like, for instance, seven copies of The Young World by Chris Weit!
Hachette Audio is moving offices, and needs to get some audiobooks out & into your hands! Lucky you! :D
Thanks so much to Mitch, if you don't know Mitch, you should introduce yourself immediately, we have a bunch of audiobooks to give away. We're starting
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This week on hbook.com…
Marla Frazee Talks with Roger about The Farmer and the Clown (outtake — “Marla Frazee, wipe that smile off your face!”)
If I Stay movie review
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Read Roger: “Does one size fit all?” How well do board books and picture books really adapt to digital?
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By: Molly Andrew,
Jika saat ini Anda sedang mencari cara trading forex yang baik dan benar, maka artikel ini akan bisa membantu Anda.
|Ilustrasi : google images|
Tapi perlu Anda ingat juga, meski Anda sudah mengikuti cara ini, Anda kemungkinan masih akan mengalami kerugian. Tapi tentunya kerugian itu sudah diperhitungkan sebelumnya.
Ok..langsung saja kita lihat 4 cara tersebut :1. Cari strategi yang paling cocok buat Anda
Strategi Forex sangat banyak dan beraneka ragam , inilah biasanya yang jadi sebab banyak orang gagal di forex. Mereka berganti-ganti strategi, menggunakan satu strategi kemudian berganti ke strategi yang lainnya.
Terus begitu sampai uang di akun mereka habis. Saya juga dulu seperti itu menggunakan banyak strategi yang nyatanya membuat saya rugi banyak.
Hingga akhirnya sekarang saya hanya menggunakan 2 strategi trading yang saya rasa paling cocok untuk saya. Jadi tips 1 :
Carilah strategi trading yg paling cocok untuk Anda, kemudian terapkan strategi tersebut secara terus menerus sambil lakukan review secara mendalam. 2. Tetapkan rencana keluar Anda
Rencana keluar akan menyelamatkan akun Anda, ini berkaitan dengan rencana trading forex
Anda, ingat sebelum masuk pasar Anda harus mempunyai rencana trading terlebih dahulu.
Anda harus menetapkan , apa kondisi ideal untuk masuk pasar, berapa besar Anda siap rugi, berapa keuntungan yang akan Anda ambil dll.3. Kontrol Emosi Anda
Saya rasa ini hal yang paling sulit dilakukan, karena emosi takut dan serakah akan menguasai ketika kita sudah berada dipasar, untuk itulah rencana keluar Anda diperlukan agar hal ini tidak terjadi.
Saya sendiri sering rugi karena hal ini, dan masih berlatih agar lebih disiplin untuk menerapkan rencana trading saya.4. Disiplinlah Melakukan 3 Hal Diatas
Ingat pepatah " pisau akan semakin tajam jika diasah " begitu juga kemampuan trading kita, jika kita secara konsisten melakukan rencana yang sudah ditetapkan, maka niscaya lambat laun tujuan kita akan tercapai.
Tujuan untuk menjadi trader forex profesional pun akan bisa kita capai, teruslah berlatih, konsisten dan nikmati prosesnya.
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Millennials tend to get a bum rap. Remember that Time magazine cover that painted them as “lazy, entitled narcissists who still live with their parents?”
They’re the ME ME ME generation, the cover reads, but then boldly proclaims “why they’ll save us all.”
Yes the cover girl may have been pictured with an iPhone in her hand, but chances are she had a library card in her back pocket.
Could libraries be among the first of the Millennials heroic conquests?
According to a new report from the Pew Research Center Internet Project the answer is a hopeful perhaps. (more…)
New Career Opportunities Daily: The best jobs in media.