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While at SDCC I could not help but notice the grumbling across Social Media of how little seemed to be coming out of SDCC in real time, and how deeply missed G4 was as a result. For those of us trying to bridge the gap, their seemed to be insufficient band width in Downtown San Diego for bulk loading from personal devices. This is a question worthy of its own article, but right now, it’s my pretext to finally upload more images from the Exhibit floor and Outside the Convention.
For the 75th Anniversary of
By Alexander Jones
Twin Peaks fans have been eagerly awaiting the Twin Peaks: The Complete Mystery DVD since it was announced. During the panel for the show on Saturday night, some mysteries about the show were revealed, such as both the Fire Walk With Me and the deleted scenes from the original show. Meaning, that this is as close as we are going to get to everything about the show ever shot on one single DVD collection. With the added bonus of a visual HD restoration to the package–speaking of the packaging, this includes a wonderful package featuring the ominous face of Laura Palmer in the flesh or more like wrapped in plastic. Take a look at the following interview conducted with CBS General Manager Kenneth B. Ross, along with actress Kimmy Robertson chiming in towards the end in order to get the primer on what to expect for the new DVD box set.
During that call at the panel you mentioned that you acquired a full 88 minutes worth of footage, and that you also scored it and restored it. So how long did it take between the team getting the new footage, and then getting it ready for the showing on Tuesday?
Ross: David and his team are the ones that did it. I really don’t recall exactly how long the work took because I was so immersed with all the details of working it out, and France was involved and it was CBS, and it was David Lynch, and it was MK2, and this had been going on for years literally. The physical post-production work took about 8-9 months to deliver the elements.
After all this time, this television show has really become iconic, and it has influenced so many other pieces of media from comic books–to other television series. Do you have any idea on what has sparked the new interest on the show? At the panel beforehand there was a good amount of people in attendance.
Ross: I think that you know in the entertainment business, and I think I said I touched on this on the panel so I apologize if I was repeating this, but I there’s a word called ‘classic’ some people say ‘cult’ some people say ‘classic’ some say ‘evergreen’ you know the Sound of Music is still loved today. I was involved in putting the I Love Lucy Christmas special on CBS last Christmas, and it got the highest rating in the time setting. You know a show that was fifty plus years old because people still love Lucy. Kimmy: I watched it. Ross: People love I Love Lucy. This is one of those properties, and there are not a lot of them, but a bunch of them where the love, never the flame, never the fire, never and so what it’s about is it’s showing it in a way that it has never been experienced before which is what we are trying to do–in terms of technology to make the experience as satisfying as possible picture, audio, etc. By showing more than you’ve ever seen before–new high definition scenes, deleted scenes from the series, lastly what the fans have been clamoring for for nearly 20 years–the Fire Walk With Me deleted scenes. Then you have the entire fan base to them. I read a tweet that Brian showed me that made me as happy as I can be when we walked into this room, because I had said all along you come to Comic-Con. I have been a comic collector since I have been a kid. Comic-Con for me was I live in New York, I used to go to to the McAlpin Hotel, I am talking about 40 years ago and buy comic books that were in baggies you know with my friends and that’s what Comic-Con was you know. There was no show business, no Hollywood, no actors, none of that, and now I don’t have to tell you guys what it is; but I knew that this property Twin Peaks was like a pillar of Comic-Con and the Comic-Con community. Just like Star Trek for example. People here would go wild and love it, and the tweet was; I heard Marvel announced something blah blah blah, Twin Peaks is coming out at Comic-Con and this is amazing. That is sort of my answer to your question, it is sort of as relevant as it has ever been. I actually think it’s more relevant than it has ever been because there is so much media drawing from it.
Ross: As you say, think about the shows where the creators you know, I mean David Chase has said that inspires him and on and on and on think about the shows that wouldn’t exist today if not for Twin Peaks having come out and changed the landscape of television.
Kimmy Robertson: I heard Mark Burnett on the radio yesterday or the day before saying Survivor– that he got the guts to do that because of Twin Peaks. Survivor! Mark Burnett!
Ross: Another CBS show!
by “Harry Lime Jr.”
[Several of this fall's comic book TV show pilots are floating around out there, and one of our informants got a copy and sent us their impressions. Here's a look at CONSTANTINE which debuts on NBC this Fall.]
Out of DC Comics three new shows, Constantine might have the most uphill battle but not because of the quality of the show. The pilot episode is phenomenal, horror and the occult spiked with dark humor. In essence, it’s pure Hellblazer.
Since this is not an official review I’m strictly going to speak on my impressions from watching the pilot episode. The first thing you’ll notice is that the previous film is long gone here, whether that is good or bad is a matter of opinion. Here, NBC is getting John Constantine as the comic book fans know him. Matt Ryan IS the dirty blond Brit, whose self deprecating humor endears him to us within minutes.
The supporting group is set up to revolve around Constantine which is what you want when you name the show after your title character. Jeremy Davies (LOST), Lucy Griffiths (TRUE BLOOD), Harold Perrineau (The Matrix) all fit together so well as a cast they round out John Constantine’s character without stealing the focus.
Constantine’s look is a Vertigo comic brought to life combined with the necessary television aesthetic to be on a network like NBC. It’s a testament to how far the comics medium has come that a major network is willing to bet on a show that looks “comic booky” and that is far from a bad thing. For anyone concerned about getting a toned down version of the comic book series, rest easy now, while there will always be somethings you can’t get away with on over-the-air television, Constantine gives you the horror moments a show in this genre commands in suspense more than gore.
The pilot itself does a fine job of not being heavy on exposition, instead betting on developing a chemistry with the audience. Hellblazer was never a series I regularly followed, and have only read John Constantie’s JL Dark adventures, but I’m on board for this series. I’m excited for the potential setups we see in the first episode. It doesn’t spoil the story of the pilot but I will say at one point the Liv Aberdine character was holding the freakin Helmet of Fate in her hands. Constantine has a tremendous amount of potential. Hopefully, Goyer and his team will understand that a successful show based on a comic needs to bring in as much from the books as it can. With that being said, I want to see Swamp Thing and Deadman in this series at some point because they’d fit like a square peg in the square hole—perfectly.
Out of the three new DC shows, Constantine has the biggest challenge ahead because NBC has a different standard of what a successful show should do in ratings. While the show wouldn’t be out of place on the network, the broadcaster itself has had trouble with its identity in recent years and prematurely canceling good shows before they’ve had a chance to land an audience. Constantine could definitely bring together two audiences, those in and out of comics, if pushed right. With shows like Grimm already in their line up it would definitely be in good company. The big question is if Constantine can balance a show for the general television viewers while still keeping familiarity for the core audience.
Now that we’ve seen all three of the new pilots, it’s easy to see what DC is doing on TV that Marvel isn’t. DC isn’t putting their characters in second tier shows, they’re selling their characters into the genres different networks want on television. A dangerous risk but, judging by how great and unique Flash, Gotham, and Constantine have been, one they appear to be pulling off well.
Fantastic news for one of my favorite people, Christopher Golden -- his spine-tingling book Snowblind has been optioned for a series! As reported in Deadline:
Universal TV, David S. Goyer Eye 'Snowblind' Limited Series
EXCLUSIVE: Universal Television and David S. Goyer have optioned TV rights to horror novel Snowblind, from #1 New York Times bestselling author Christopher Golden (Ghosts Of Albion, Joe Golem And The Drowning City). The New England-set book, published earlier this year by St. Martin's Press, tracks the denizens of a town still reeling from the disappearance of over a dozen people who were snatched during a sinister snowstorm 12 years prior.
Goyer is coming off of Da Vinci's Demons and Man of Steel and will supervise development and executive produce alongside Golden and Pete Donaldson. Project is being developed as a limited series. Snowblind also comes with a choice celebrity endorsement from horror maven Stephen King: "Snowblind is instantly involving and deeply scary. It will bring a blizzard to your bones (and your heart) even in the middle of July. Throw away all those old 'it was a dark and stormy night'; novels; this one is the real deal. And watch out for that last page. It's a killer."
Read the entire article by Jen Yamato at Deadline.
Read my review of SNOWBLIND by Christopher Golden.
Benedict Timothy Carlton Cumberbatch is a thirty-seven-year-old British actor who closely resembles either an otter or space alien. I’m really not sure if he was even considered mildly good-looking until 2010, when he premiered as title character Sherlock in the BBC’s modern adaptation.
Co-creators of the show Mark Gatiss and Steven Moffat have famously been interviewed as saying the BBC didn’t think Cumberbatch was sexy enough to play Sherlock. Now, oddly enough, he’s considered one of the sexiest men on Earth, with a trove of maniac fans known as “Cumberbitches.”
Empire Magazine listed him number one in their list of 100 sexiest movie stars. He made Glamour Magazine’s list, too. Oh, and number one in the British Sun (two years in a row). In response to this, Cumberbatch says, “I enjoy being considered handsome, even though I think it’s hysterical.”
Do I think he’s good-looking? Yes. God, yes. (See obsessive Pinterest board.) That’s right, folks. Embarrassing as it is, I’m a member of Benedict’s maniac fanbase. And it is kind of embarrassing. When I was a kid, I had this thing for Brad Pitt (posters on the wall, signing my name “Sara Pitt”). I haven’t had that kind of obsession again until now, and I’m thirty-two and married.
What does this have to do with my career? Since getting to know Mr. Cumberbatch via BBC’s Sherlock, he has inspired countless fictional characters in my work, most notably in “Don’t Ball the Boss,” soon to be published by Stoneslide Corrective.
When he got his Emmy nomination.
The TV show inspired me to write fan fiction, as well. I’ve written five pieces
fan fiction and have been shocked by the overwhelming response.
I’ve had women and men send me emails requesting more, more! They shout to the rafters that I should be published immediately. My Twitter following has possibly doubled. In fact, I once found my name mentioned in a Twitter conversation involving no less than six Cumberbitches. When I chimed in, one of them tweeted, “It’s her! It’s HER!” as if I were a celebrity.
My stories get upwards of two hundred hits per day. As writers, we very rarely get such immediate praise and develop such a fast following. Benedict Cumberbatch has unknowingly made me famous.
But the actor is more than creative inspiration. This is going to sound sappy, but he’s a life inspiration, as well. He was almost killed after being kidnapped in South Africa, but due to this terrifying experience, he just says he learned “not to sweat the small stuff. And just enjoy the ride of being alive.”
Apparently, he’s impossible to interview, because he’s like a fish with a shiny object. He’s easily distracted, due to his overwhelming enthusiasm. According to GQ writer Stuart McGurk, “I feel, compared with Cumberbatch, like someone going through existence with the contrast dial turned down. To him, it seems, everything is neon bright. The barbs may sting more sharply, but his sun must shine that much brighter.”
Taking pictures with fans.
co-star Martin Freeman said, “He’s sweet and generous in an almost childlike way. I could take advantage of him playing cards.” Other male co-stars seem to have developed complete bromances with Benedict (Michael Fassbender and Zach Quinto, for example).
Cumberbatch admitted recently that he’s seeing a therapist to deal with his new fame, and he admitted this with no shame, saying mental health should be more openly discussed.
In everything he does, he seems exuberant, fun loving (see U2 photo bomb), and incredibly polite. He worships his fans, and he says “thank you” every five minutes, even in the middle of the Oscar’s red carpet. When I said earlier he looks like an alien, he might really be an alien, because no human being can possibly be so damn sweet!
This is what I mean when I say life inspiration.
The man’s behavior, even as he has become a superstar, is jaw dropping. He has yet to go the way of Bieber or Lohan—stars who got famous and lost their shit. Instead, Cumberbatch has become more gracious, and according to Steven Moffat, “better looking the more famous he gets.”
Today, I say thank you to someone I’ve never met and will probably never meet, because unknowingly (and over and over), he has inspired me, made me laugh, and made me want to be a better person. He has improved my career (something even I never saw coming). And it all started while watching PBS, when I thought, “Wow, that man has great hair.”
Bromance dancing with Fassbender.
Jaime: When we make camp tonight, you'll be raped. More than once. None of these fellows have ever been with a noblewoman. You'd be wise not to resist.
Brienne: Would I?
Jaime: They'll knock your teeth out.
Brienne: You think I care about my teeth?
Jaime: No, I don't think you care about your teeth. If you fight them, they will kill you. Do you understand? I'm the prisoner of value, not
The Stark Law: No two living Starks can ever occupy the same place at the same time.
Corollary: If any Stark is approaching a location where another Stark currently resides, the resident Stark will either leave or be killed.
Coulson: You're going to lose
Coulson: It's in your nature.
Loki: Your heroes are scattered. Your floating fortress falls from the sky. Where is my disadvantage?
Coulson: You lack conviction
The Avengers, 2012
Sam Wilson: How do we know the good guys from the bad guys?
Captain America: If they're shooting at you, they're bad.
Captain America: The Winter Soldier, 2014
He was tall with gangly limbs and a graceful walk. Too-bright eyes darted with too much energy. Maniacal black hair and pale skin. Obscenely full mouth. But too skinny. Tired. Exhausted. Starving for information and wanted for different reasons by every woman at the London Library.
There were the older women in their sixties, who wanted to take the young man home and feed him, give him a bed for sleeping. There were the women closer to his own age who wanted to take him to bed and do no sleeping at all. And there was Luella, who at age thirty-five, fell somewhere in between.
She only knew how old he was because she’d seen his license when he applied for his library card. Twenty. He was only twenty, and his name was Sherlock Holmes.
Walking toward her desk, he could be awkward. His feet were too big, but he was already handsome. Luella suspected he would one day be decadent. He would one day be very bad for someone.
“Mating cycle of African locusts.”
He often spouted sentence fragments at her. Whenever he spoke, addressed her that way, she ignored him for thirty seconds on purpose.
Luella’s co-worker Amanda—a lovely redhead right out of university—once said she wanted to “bang his voice,” if that was possible, and his voice was a very nice part of the overall package.
But it was his eyes—his freakish, cold, ice-like eyes—that made Luella’s stomach quake. Sometimes, Luella woke up at night, and her mind flowed over with images of avalanches and icebergs.
“Luella.” Hers was the only name he knew, because she was the one he used—had apparently chosen from all the other librarians as his slave.
“Mating cycle of African locusts, yes.” She adjusted a stack of leather bound books on her desk. “Amanda is not busy at the moment.” She gestured to the nearby redhead who leaned on a desk and looked to be imagining how to most efficiently remove Sherlock’s jeans.
“No,” he huffed.
“Mating cycle of African locusts. Please.” He tapped long fingers on the top of her desk until she stood up.
Her high, black, patent leather heels made no sound on the red carpet. Then, she clunked up the well-lit stairs of the library with him right behind her. He was always close. He sometimes felt like a shadow. There was nothing sexual about it. Factually, there was nothing sexual about Sherlock at all. He did not strut or wink or flirt. He barely smiled, and he was terse, rude.
Despite this, or perhaps because of it, he was the epitome of sensuality. The sound of his voice, the way he caressed book covers, how he looked not like a man but like a painting … he was unlike anyone Luella had ever seen.
She walked past stacks of biology books. “Why on Earth must you know about African locusts?” She paused and poked at book bindings.
“I just need to know.” He batted her hand away and found the book she was looking for. He pulled the book free from the shelf and turned away. He disappeared behind another row of books, but she heard the low rumble of his voice as he whispered to himself.
The lingering scent of stale cigarette was his “thank you.”
She overheard other women talking. Luella knew they resented her for being Sherlock’s worker bee, so they never talked to her about him; they talked about him when they thought she wasn’t listening.
“I’m going to ask him out. Do you suppose he knows what he looks like?” Amanda whispered, but whispers tended to carry in libraries.
“Absolutely. Not,” Terry said—a woman with a Master’s degree who always brought much younger men to holiday parties.
“How? How can he not know he’s beautiful?”
Luella wanted to speak up and tell them, “Because he’s too smart to care.” She didn’t. She went online and ordered a new book about Chinese death rituals instead—for Sherlock.
“Wouldn’t you love to peel off all those layers and bang him against a bookshelf?”
“Pull on that glorious hair …”
Amanda giggled. “Suck that bottom lip for days.”
She cussed, loudly, when she realized he was standing above her desk, wearing all those layers her co-workers talked about. He always over-dressed, even in the summer—coats, scarves, like he was hiding something. She wondered if he was just a skeleton below the neck.
“You scared me,” she said.
He blinked at her. “In-som-nia.”
She stood up slowly and rounded the desk. She paused next to him, thinking.
“Are you all right?” he asked.
Luella looked up and noticed his eyes were bloodshot. Dark circles sat like tiny, purple pillows under his eyes, and his hair was wrapped in knots on his head. “Are you all right?” she replied.
(Read the rest of Luella’s experience with the young and very dangerous Mr. Sherlock Holmes HERE at FanFiction.net.)
By: Mark Myers,
When did they make the last truly funny show? Has there been anything funny created in two decades or are they simply repeating the same thirty minute plotlines with different characters? The real question is, are they still using the same crazy laugh track from I Love Lucy and The Andy Griffith show? We are […]
Everyone has milestone events which they remember (or wish to forget). Some are small memories, like a first kiss, while others can be momentous anniversaries marked each year.
May 25th is one such day for me.This Star Wars Day/International Towel Day marks thirty years of my actively reading, collecting, studying, proselytizing comics. May 25, 1984, I walked into a grocery store, and was instantly seduced by a black-suited Spider-Man.It’s the day I became a nerd/geek. Sure, there were things before which I geeked about, like most kids. But comics…that set me on a crazy journey around the world, meeting some amazing people, sharing my passion with everyone who would listen!
But comics aren’t my only geek passion!
I’m a polymath, soaking up all sorts of crazy stuff!
Here are some of my crazy interestest, and some crazy links you might not have realized existed! (Or blotted out in your youth to save on psychiatry bills!)
Geez… so much is out there already… what can I find…?
Comics retailing! The architects! How to get there!
The Lego Millennium Falcon graphic novel!
(Take THAT, Ikea!)
Adam Reed Tucker, the genius behind the Lego Architecture series!
Why MAD doesn’t release these digitally…?
And here’s the unaired 1974 pilot…
If you want to really delve into the history of videogames, read:
Supercade: A Visual History of the Videogame Age 1971-1984 By Van Burnham
Here’s a site for laserdisc arcade games, including one of early anime!
Go study and read everything by Ellen Raskin. Had she not died at 56, she might have been the first author to win a Newbery and a Caldecott Medal. She wrote, drew, and designed books, and all are worth a few hours escape.
Remember Saturday morning cartoons? Remember when the networks would air a special the Friday night before, to introduce the new series? Yeah, they were usually pretty cheesy… here are three samples…
Superman meeting Bugs Bunny and Yogi Bear, at a party thrown by Avery Schreiber and Jack Burns?
ALF playing detective?
Boss Hogg trying to swindle Scott Baio out of his discoteque?
Ah… to return to those innocent naive days when I hadn’t yet developed a critical eye. (Yes, I thought the Star Wars Holiday Special was spectacular when it first aired. Now, I think I can last five minutes before revealing the location of the rebel base, Gilligan’s full name, and the lyrics to “Louie Louie”.)
If you’re really into pain, check out “Shirt Tails”, “Get Along Gang”, and/or “Care Bears”.
Weekend nights, USA would show “Night Flight”, an interesting mix of music videos, short films, and cult classics. MTV might have been cool, but Night Flight was hep. Here’s a memorial site.
And a playlist from YouTube:
The comedy record to seek out: “Retail Comedy @ Wholesale Prices“! Here’s a sample: “Mr. Wizard and Timmy”. The entire album is comedy gold!
I’ve got a predilection for TV themes, especially the full versions which cut out stanzas so there would be more time for story and commercials.
I’ve made a series of posts over on Google Plus, with the tag #forgottentvlyrics. Star Trek, Andy Griffith, Bewitched, I Dream of Jeannie…
Here’s one of my favorites, first heard during the end credits to the Buck Rogers movie! If it was remixed, it would make a great graduation song!
That’s all for this year! Hope you had a great time! Thanks for stopping by!
By: Elizabeth Gorney,
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By Perry N. Halkitis
On 25 May 2014 and nearly 30 years after first appearing on the stage, Larry Kramer’s The Normal Heart will be aired as a film on HBO. This project, which has evolved over the course of the last three decades, documents those first few harrowing years of the AIDS epidemic in New York City. The Normal Heart debuts at a time when much attention is being cast upon the early days of AIDS and the lives of gay men, who survived the physical and emotional onslaught of this disease in a society that often shunned us because we were gay and because we were afflicted with this disease.
Now a generation of gay men, my generation—the AIDS Generation—stands proudly as testament to our individual and collective resilience which has brought us all into middle age. Certainly there have been huge hurdles along the way—too many deaths to enumerate, the havoc that the complications of this disease wreaked on our bodies, the lack of support. Even today, darkness and disrespect lurks in every corner, and no one is immune. For some in our society, identifying what is wrong with us as gay men comes to easily. We are reminded of it daily as right wing zealots fight against marriage equality, as young boys take their lives. Despite these conditions, despite the inaction of our national and local politicians, and despite a large yet ever-shrinking segment of our society that continues to view us as weak and sick, we stand together as a testament to the fortitude of our bodies, minds, and spirits.
The theme of resistance or resilience permeates the words, the thoughts, and the actions of the protagonists in The Normal Heart and many depictions of the AIDS epidemic.
Behavioral and psychological literature has attempted to delineate sources of resilience. Dr. Gail Wagnild posits that social supports in the form of families and communities foster resilience in individuals. I also adhere to this idea. Although the sources of resilience are still debated in the literature, there is general agreement that resilience is a means of maintaining or regaining mental health in response to adversity the ability to respond to and/or cope with stressful situations such as trauma, conditions that characterize the life of the men of the AIDS Generation.
For many of the men of the AIDs Generation, grappling with their sexuality was closely tied to the development of their resilience. In other words, resilience developed in their childhoods as young men grappling with their sexuality as stated by Christopher: “I also think that wrestling with my own sexuality and trying to navigate through that in my teenage years taught me how to just ‘keep pushing’ and to do what needed to be done.” Some, including myself, found support among our families. Even if parents were loving and supportive, this did not ameliorate the burdens experienced being raised in a heteronormative and often-discriminatory world in which men were portrayed as weak, effeminate, and sickly.
As we watch The Normal Heart, we will be reminded of those dark, confusing early days of the epidemic. And while we must celebrate the resilience of a generation of gay men to fight this disease, we must also be reminded of our obligation to create a better world for a new generation of gay men, who despite our social and medical advances, need the love and support of their community of elders as the navigate the course of their lives.
Perry N. Halkitis, PhD, MS, MPH is Professor of Applied Psychology and Public Health (Steinhardt School), and Population Health (Langone School of Medicine), Director of the Center for Health, Identity, Behavior & Prevention Studies, and Associate Dean (Global Institute of Public Health) at New York University. Dr. Halkitis’ program of research examines the intersection between the HIV epidemic, drug abuse, and mental health burden in LGBT populations, and he is well known as one of the nation’s leading experts on substance use and HIV behavioral research. He is the author of The AIDS Generation: Stories of Survival and Resilience. Follow him on Twitter @DrPNHalkitis.
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The post The Normal Heart and the resilience of the AIDS generation appeared first on OUPblog.
AMC’s Comic Book Men is a ratings success in its post Walking and Talking Dead time slot, but it still gets flak. One of the oft-cited issues with the show is that by the very title, it represents an obviously outmoded way of looking at the comic book industry. To wit, women are flooding into the comic book field as readers and creators and already make up about 40% of the potential audience.
Perhaps to reflect the wider audience—and to add a different look from the generally middle-aged white guy cast members—the show is putting out a casting call for women to come in and sell their geeky items for the upcoming fourth season. CBM has become a geekier Pawn Stars/Antiques Roadshow (as so many shows do) so this is a great chance to sell those Yogi Bear jelly jars* you’ve been hoarding all those years.
Info is in the attached flyer, but you can go to http://comicbookmencasting.com/ to apply.
Produced by Kevin Smith, the show features the employees of Jay and Silent Bob’s Secret Stash in Redbank, NJ, which Smith also owns. The show generally features folks coming in with some item of perceived nerd value, and being quizzed “What did you want to get for it?” by manager Walt Flanagan. And then the cast sits down and argues about comic books. Pretty simple stuff, so those interested should go for it.
*This example is in no way based on personal experience.
Photo Credit: Ben Leuner/AMC
My log saw something—and it’s wrapped in plastic. Could it be….TWIN PEAKS: THE ENTIRE MYSTERY, a new Blue Ray set that includes the long lost 90 minutes of missing and alternate footage from Fire Walk With Me?
Between Hill Street Blues, justout on Blu-Ray, and Twin Peaks, you have the momma and poppa of everything you like on TV now. Hill Street Blues introduced the ongoing storyline format, recurring characters and jarring, gritty drama. Twin Peaks introduced great direction, lingering mysteries and eccentric humor.
Unearthing the dark secrets of a seemingly normal town somewhere in the primordial rain forests of Washington State, Twin Peaks followed the lantern jawed G-men and angora-sweatered high school girls as they confronted dreams, darkness and dwarves. Following up on the themes from Blue Velvet, director David Lynch made a show so addictive that Agent Cooper’s coffee fixation is said to have helped fuel the Starbucks boom.
Twin Peaks proved that you didn’t have to explain EVERYTHING for a show to make sense. Unfortunately, network executives of the time (1990-1991) did not get this and forced creators Lynch and Mark Frost to solve the central mystery of Laura Palmer’s death. The result was a silly show that had its guts ripped out and ended smack dab in the middle of a cliffhanger never to be resolved. The show was followed by a film called TWIN PEAKS: FIRE WALK WITH ME that was, um, confusing, borderline awful. BUT NOW FINALLY the truth can be revealed as CBS is releasing a 7 disc Blue Ray set that includes 90 minutes of out takes and an alternate ending supervised by Lynch himself:
David Lynch and Mark Frost’s groundbreaking cult phenomenon, TWIN PEAKS — THE ENTIRE MYSTERY, arrives on Blu-ray July 29th with the debut of nearly 90 minutes of deleted/alternate scenes from Twin Peaks: Fire Walk With Me. The long-awaited missing pieces from the original version of the film is often referred to as the “holy grail” of Twin Peaks fandom, and can only be found as part of this collection.
Presented as a feature-length experience, “The Missing Pieces” has been directed and edited by Lynch exclusively for this release. Capping off more than 30 deleted/alternate scenes is an epilogue providing a fascinating glimpse beyond the cliffhanger finale of the TV series.
With the July 29th timing, I’d expect to see ALL the stops run out for this at San Diego. Just a guess. And I need to be at that party!!!
Twin Peaks and Buffy are the cornerstones of 90s nostalgia. I rewatched the entire Twin Peaks opus five or six years ago and it held up amazingly. I can’t help but wonder why networks are so much smarter now? I guess HBO showed that you could do smart television without second guessing the people making it, and everyone followed suit.
Twin Peaks may have been equalled but never surpassed, and just in time for flannel shirts and doc martins, the original is back.
CBS Video has set up a tumblr called andthemissingpieces.tumblr.com/ where you can follow along at home.
This future CW show will be appearing as a mid-season replacement so ther’es a ways to go. But in the menatime, here’s Rose McIver in the title roll of iZombie, based on the Chris Roberson Mike Allred comic. Hopefully there will be mroe Allred-ian touches to come.
While walking around TCAF a ton of conversations I overheard involved boarding, backgrounds and other animation type gigs. One publisher even wondered aloud what would happen if Adventure Time went off the air. And this Deadline story tells the story: LA-Area Animation Jobs At All-Time High. While there’s lots of film work, it’s also in TV:
Jobs in TV animation are also on the rise. “The work has really increased on the television side,” Hulett said. “There’s more storyboard work and design work, and it’s all driven by animation’s profitability. Animated television shows have been a great cash cow and profit stream for the conglomerates. They can make them for at a competitive price, and they have a long shelf life.” New media is also creating jobs for animation workers, he said, noting that DreamWorks is producing Internet content for Netflix. Hulett noted that the good times in animation are creating many good-paying jobs for other workers in the industry as well, including voice-over actors, editors, and sound technicians. “The growth here,” Hulett said, “is coming from all the preproduction work – the storyboards, layout, animation scripts, character design and key backgrounds.”
I can’t even keep count of how many indie cartoonists make a living doing animation work, but the number of them moving to LA is an indication, as is this Tumblr post
which asks: WHY IS STEVEN UNIVERSE SUCH AN AMAZING SHOW?!
BECAUSE REBECCA SUGAR, IAN JONES-QUARTEY, KAT MORRIS, BEN LEVIN, JOE JOHNSTON, JEFF LIU, PAUL VILLECO, RAVEN MOLISEE, LAMAR ABRAMS, ALETH ROMANILLOS, HELLEN JO, HILARY FLORIDO, KATIE MITROFF, ELLE MICHALKA, DANNY HYNES, COLIN HOWARD, ANGIE WANG, STEVEN SUGAR, EMILY WALUS, JASMIN LAI, AMANDA WINTERSTEIN, TIFFANY FORD, EFRAIN FARIAS, KEVIN DART, STU LIVINGSTON, LAUREN ZUKE, LAUREN HECHT, MATTANIAH ADAMS, NICK DEMAYO, JACKIE BUSCARINO, CAROLYNA ROBEZZOLI, ALAN PASMAN, CHRISTY COHEN, LISA ZUNICH, CHUCK AUSTEN, CARDER SCHOLIN, AIVI & SURASSHU AND A BUNCH OF AMAZING FREELANCERS, OVERSEAS ANIMATORS AND POST-PRODUCTION PEOPLE AND ALSO THE WHOLE CAST HAVE WORKED REALLY HARD TO MAKE IT AMAZING!!!!!!!!
How many familiar names can YOU spot there? Chuck Austen!
Looks like he’ll be running…and FAST.
Seriously, this is a fine trailer. And I don’t even like the Flash. And the Arrow crossover possibilities are endless.
Grant Gustin will be playing the title character, Barry Allen, and he’s evidently a jolly sort who likes his powers.
The Flash previously appeared in a one season TV show that ran in 1990 starring John Wesley Shipp. No one really talks about this show any more, but it ran in the “Dark Ages” too soon for the internet, too late for nostalgia.
The first three minute look at Constantine, the upcoming NBC series based on the Hellblazer comics, has been released and there is good and there is bad.
I liked the callouts to actual comics, like the insect covered call of the very first issue, and the angel winged Mannym as played by Harold Perrineau. OBviously there were a lot of Glenn Fabry covers floating around on the set. THe story is set in NYC which I guess I can live with — filming in London would have been too expensive. The actual filming looks like Vancouver, but that’s typical.
I was only half convinced by Matt Ryan as Constantine. He looks the part but his line reading were as stiff as frozen maple syrup. And I know a Scouse accent would be unacceptable on American TV, but Ryan’s native Welsh accent came through most of the time. I guess most people expect him to sound like the Geiko Gecko (Cockney) but I’m sure this will grow on me.
The action looked Vancouver TV level, but faithful to the feel of the book. So rest assured when it debuts on Friday nights this fall I’ll be there to set my DVR!
One of the reasons that I'm not so down on spoilers is that, for someone who consumes pop culture the way I do, they're essentially impossible to avoid. Online fandom talks a big game about its spoiler-phobia, but if you've ever spent a day on twitter in the wake of a major pop culture event, you know that there's no way not to pick up exactly what happened, even if people haven't said it
Screen-Free Week is May 5 – 11, 2014!
Kids, families, schools, and communities pledge to spend 7 days unplugged.
BOSTON -- April 28 -- Children are spending way too much time with screens -- and it’s not good for them.
- School-age children spend more time with screen media -- television, video games, computers, and hand-held devices -- than in any other activity but sleeping.
- Screen media use is at an all-time high among preschoolers -- according to Nielsen, young children spend, on average, more than 32 hours a week watching just television.
- A recent survey found that the amount of time children ages 0-8 spend using mobile devices tripled in two years.
- Screen time is habit forming and linked to poor school performance, childhood obesity, poor sleep habits, and attention problems.
- 64% of children ages 12 to 24 months watch TV and videos for an average of just over two hours a day -- even though the American Academy of Pediatrics recommends discouraging screen time for children under two.
For these reasons and more, so many leading health, education, and childcare organizations actively support this year’s Screen-Free Week (May 5 – 11, 2014), the annual celebration where children, families, schools, and communities turn on life by turning off screens for entertainment. Endorsers include the National Head Start Association, the National WIC Association, KaBOOM!, the US Play Coalition, the Association of Children’s Museums, the National Black Child Development Institute, and the American Public Health Association.
“Such wide-ranging support for Screen-Free Week reflects the growing national consensus that kids spend too much time with television, video games, apps, and computers,” said Dr. Susan Linn, director of Campaign for a Commercial-Free Childhood, the official home of Screen-Free Week. “More screen time means less time for hands-on play, reading, exploring nature, and dreaming -- activities crucial to a healthy, happy childhood."
Since 1996, millions of children and their families have participated in Screen-Free Week (formerly TV Turnoff). Each year, thousands of parents, teachers, PTA members, librarians, scoutmasters, and clergy organize Screen-Free Weeks in their communities. Here are just a few of the upcoming festivities:
- The Irving (TX) Public Library is hosting events all week long including sidewalk chalk art, a bubble bonanza, a science experiment, and opportunities to create books and build with construction materials.
- In NYC, The Uni Project will take up residency all week on a wide stretch of sidewalk in the Lower East Side with their pop-up, open-air reading rooms.
- The Wooden Horse toy store in Los Gatos, CA has a week of activities planned, starting with a pajama party and story time and ending with a play day that will be filled with arts & crafts, games, and races. A game night and nature-themed activities will also be offered during the week.
- Spring Garden Recreation in York, PA will be joining with local businesses and Recreation departments to offer an activity for each day of the week free of charge. They’re starting the week off with a kids’ biathlon.
- In Cambridge, MA families will celebrate Screen-Free (Screen-Wise) Week with cooking from the garden, building and playing with cardboard tubes, a kids’ walk and picnic at Fresh Pond, exploring materials with magical properties, and sketching plants and trees. They’ll end the week with a Mother’s Day bike ride.
Campaign for a Commercial-Free Childhood (www.commercialfreechildhood.org) is a national coalition that counters the harmful effects of marketing to children. CCFC is a project of Third Sector New England (www.tsne.org).
See also my post about my family's experience with Screen Free Week last year. I'm going to try for "Less Screen Week" this year (see a post by Marge Loch-Wouters on this topic), but I think that's all I'll be able to manage right now.
Well, to no one’s surprise, Almost Human, the SF show about two guys driving around talking about their nads, has been cancelled by Fox. Although it launched with strong ratings—and was the fourth most popular new drama of the last season—Fox declined to pick up the JJ Abrams-production, even though the follow-up program, The Following, which had similar ratings, will go to a third season.
While I haven’t seen any behind the scenes reports, watching the show made it clear that Fox didn’t know what to do with it. They aired all the episodes out of order, switching from a heavily-storyline oriented show to a more routine police procedural with futuristic trappings (including liberal use of images and even sound stings from Blade Runner). The cost of the SFX also varied wildly as the season progressed. One thing that didn’t change was the great chemistry of the cast, though, and that’s what made it a favorite at Stately Beat Manor, as at other nerdly households. Not enough, alas. Plus of course, Karl Urban, who is a born leading man for TV or PS3 or Amazon or whatever you’re watching. Apparently he didn’t like the weekly grind of making a TV show, though, so I think it will be a little while before we see him back on a weekly basis. Sigh.
There is a petition to bring the show back at Change.org, so if it makes you feel better go sign it.
The Syfy Channel has generally been left out of the comic book mania gripping Hollywood, although they’ve had various stuff in development over the years. But now they’re going all in with FOUR projects in development including Frank Miller and Lynn Varley’s Ronin, an often assayed but never conquered peak.
This time out Warners Horizon is developing it as a mini-series. The original was a complicated story about a reincarnated ronin who comes to a futuristic city to fight a demon. Darren Aronofsky once took a crack at making a Ronin movie, and a later movie version has been languishing for a long time. Frank Miller has been out of favor in Tinsel Town for a while but I guess 300: Rise of Empire did okay so he’s “in” again.
Also in development:
Clone, based on the Skybound comic by David Schulner and Juan Jose Ryp. Robert Kirkman is aboard as executive producer. The story involves a retired soldier who has to fight a clone of himself. Schulner, who was involved in the recent Dracula and Ironside tv shows, will write and produce himself.
Letter 44, based on the Charles Soule/Alberto Albuquerque book about a new US president dealing with aliens and such. Jonathan Mostow (Terminator 3) will write and direct.
Pax Romana by Jonathan Hickman, about a Vatican-led plan to travel back in time and improve things via warfare. Federman & Stephen Scaia (Jericho, Warehouse 13, Human Target) are writing the script.
Note to self: time to reread Ronin.
If you’re not a devoted Game of Thrones watcher, please move away.
Sean T. Collins has a post about the recent rape problems on the show that kind of echoes what I’d been thinking. Basically, that the Jamie/Cersei rape scene wasn’t necessarily a fatal misstep, given that we don’t know where these characters are going…but the problem is that it probably wasn’t meant to be a rape scene by the producers, a view supported by the confused interviews they’ve given about the scene in question.
Collins also brings up the real problem in the matter: HBO’s titty mandate. This was on display in True Detective, where the completely gratuitous and jarring T&A sex scenes gave the impression that this was a story complicit in the demeaning attitudes about women it was actually exploring. Creator Nic Pizzolatto said as much when he was quizzed on the lack of female characters. There is no problem with a wonderful piece of storytelling that follows two great characters who happen to be men; but when unnecessary bare breasts are thrown in, the entire enterprise gets an unseemly tacky element. (Also, the all male police department of the 90s amused me — it’s the 90s not the 30s fer gawd’s sake, even if it is Louisiana.)
I haven’t read the Game of Thrones books (yes yes, I know…….) but it’s often mentioned that one of George R. R. Martin’s themes is is the suffering caused by brutality against women and brutality in general. The TV version retains that, but, once again, the endless sexposition undermines the message. As someone I was watching it exclaimed the other night, “Oh, a glass of wine! We’ll be seeing titties soon!” And indeed, whenever someone is relaxing with a glass of wine, a good shag is about to follow 80% of the time.
Martin’s books are actually coming from a more evolved place than HBO, which operates under the assumption that to be adult you’ve got to show naked ladies. Serves them right that so many times, it turns out to be Lena Dunham.
By: Heidi MacDonald
Blog: PW -The Beat
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Straight from the offices of Publishers Weekly, it’s More to Come! Your podcast source of comics news and discussion starring The Beat’s own Heidi MacDonald.
In this week’s very special podcast the More to Come Crew – Heidi “The Beat” MacDonald, Calvin Reid and Kate Fitzsimons – discuss the film Captain America: The Winter Soldier, its positive impact on the TV show Agents of S.H.I.E.L.D., and compare Warner Bros.’s DC Comics movie slate to Disney’s Marvel Cinematic Universe, all on PW Comics World’s More To Come.
Now tune in Fridays for our regularly scheduled podcast!
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Fox and WB just released the very first trailer for this falls GOTHAM tv show!
With great hesitation and uncertainty, I would tag this as “Nolan-esque.”
And why not? The Christopher Nolan Batman movies are the benchmark now. Gotham has been ordered for a full season this fall on Fox, and it’s billed as “an origin story of the great DC Comics Super-Villains and vigilantes, revealing an entirely new chapter that has never been told.” Ben McKenzie stars as James Gordon, Donal Logue as Harvey Bullock, Jada Pinkett Smith as mob boss Fish Mooney, Sean Pertwee as Alfred Pennyworth, David Mazouz as young Bruce Wayne and Camren Bicondova as young Selina Kyle. The PR also mentions “one cop’s rise through a dangerously corrupt city teetering on the edge of evil and chronicles the birth of one of the most popular super heroes of our time.” Gotham begins.
As you can see, this is a dark, gritty serious take on Batman, with all the villains as youngsters just discovering how evil they can be, and Gordon taking a grieving Bruce under his wing. This is really a nobrainer for a TV show provided it lives up to its promise.