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Viewing: Blog Posts Tagged with: The Writing Life, Most Recent at Top [Help]
Results 1 - 25 of 402
1. Ode to a Research Notebook

I’m in the thick of the manuscript connected to this notebook. Thought it might be fun to share again!

I wrote this a few days ago in an attempt to express a piece of my writing process — the behind-the-scenes work that goes into writing historical fiction. You guys. In four years of blogging I can honestly say this is the most fun I’ve ever had in writing a blog post. Writing this poem has reminded me I need to give myself more permission to play. There is something incredibly satisfying in starting and finishing a project in one day and in experimenting with a format I’ve never used before.

Here’s to your own creative processes and the opportunity to find joy there!

I
Oh, notebook mine,
the place I gather records, thoughts
before I know the way a story winds,
unsure whether or not
I’ll need what I’ve written down,
or if the scribbling of a word will be mere passing fact,
a jot to teach, inform me of the world I’m learning,
a collection of phrases to ground
me in the things I sorely lack,
to multiply my yearning.

II
You are a place of lists,
dates, maps, quotes, sometimes a sketch,
this novelist’s definition of bliss,
my source when I long to catch
a whiff of history, a summer berry’s hue,
a sense of place, the voice of one long dead,
the temperature when kerosene solidifies –
truths I can bend and shift, make new,
and like a ball of dough transform to bread
with heat and time. You stoke the fire in my mind’s eye.

III
You are a testament to months of labor,
a tribute to half-formed thoughts and starts,
a vestibule which leads to something greater,
the fresh firsts of a future art,
a net that gathers every object nearer,
sifts and filters, groups and sorts,
until like seeds that push to germination,
truth and story blend, grow clearer:
dear notebook, you help me bring forth
a story to its liberation.

The post Ode to a Research Notebook appeared first on Caroline Starr Rose.

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2. Should You Take the Job?

freelance2Today’s post isn’t about writing per-say, but it is about the business of writing.

If you want to make a living as a writer at some point you’re probably going to do a little freelance work. That work may be writing an article, accepting a work-for-hire gig, or even ghostwriting. And as these opportunities present themselves you’re going to have to decide if you want the job or not. Because trust me, you aren’t going to want (or have time for) every one.

So how do you decide which jobs to accept?

I’ve been a freelance illustrator and writer for over eight years. I’ve slugged through pitfalls, failures, and soul-sucking jobs, wondering if it’s all really worth it. But one simple tool has made all the difference. Before accepting any job, I now ask myself these three questions:

1) Is the job good money? Will the client pay me what I’ve asked them to pay me?

2) Will I be working with good people?

3) Will I be creatively challenged and inspired? 

If the answer to all three of these questions is YES, then it’s a great job. I should take it!

If the answer to two of these questions is YES, then it’s a good job. It’s definitely worth considering. But, I need to decide how important the question that came up as a NO is to my current situation.

If I came up with one (or fewer) YES responses, then this isn’t a job I should take. Move on to better things!

I know it may seem odd to pass up a work opportunity. But if you take too many jobs that only fulfill one of the criteria I’ve mentioned, you’re going to burn out really quickly. The last thing you want to do is give up on something that was once your passion. Be sure to ask yourself these three questions. It will help to ensure that you always love writing.


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3. Should You Take the Job?

freelance2Today’s post isn’t about writing per-say, but it is about the business of writing.

If you want to make a living as a writer at some point you’re probably going to do a little freelance work. That work may be writing an article, accepting a work-for-hire gig, or even ghostwriting. And as these opportunities present themselves you’re going to have to decide if you want the job or not. Because trust me, you aren’t going to want (or have time for) every one.

So how do you decide which jobs to accept?

I’ve been a freelance illustrator and writer for over eight years. I’ve slugged through pitfalls, failures, and soul-sucking jobs, wondering if it’s all really worth it. But one simple tool has made all the difference. Before accepting any job, I now ask myself these three questions:

1) Is the job good money? Will the client pay me what I’ve asked them to pay me?

2) Will I be working with good people?

3) Will I be creatively challenged and inspired? 

If the answer to all three of these questions is YES, then it’s a great job. I should take it!

If the answer to two of these questions is YES, then it’s a good job. It’s definitely worth considering. But, I need to decide how important the question that came up as a NO is to my current situation.

If I came up with one (or fewer) YES responses, then this isn’t a job I should take. Move on to better things!

I know it may seem odd to pass up a work opportunity. But if you take too many jobs that only fulfill one of the criteria I’ve mentioned, you’re going to burn out really quickly. The last thing you want to do is give up on something that was once your passion. Be sure to ask yourself these three questions. It will help to ensure that you always love writing.


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4. Background Reading

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There’s plenty of plain ol’ research that goes into my writing, but sometimes I also study fiction with a specific aim in mind. Here are the novels I’ve read recently  to help me get a sense of things in my newest manuscript. (It shares nothing in common with these books — and everything.)

Okay for Now – Gary Schmidt
Adventures of Huckleberry Finn – Mark Twain
The Absolutely True Diary of a Part-Time Indian – Sherman Alexie
The Ballad of Lucy Whipple – Karen Cushman
Bo at Ballard Creek – Kirkpatrick Hill
The Westing Game – Ellen Raskin

I love how iron sharpens iron in the writing life.

 

The post Background Reading appeared first on Caroline Starr Rose.

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5. On Writing

DSC_0626

The act of putting pen to paper encourages pause for thought, this in turn makes us think more deeply about life, which helps us regain our equilibrium.
- Norbet Platt

The post On Writing appeared first on Caroline Starr Rose.

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6. Why Word Count Doesn’t Always Tell the Whole Story

word count

I’ve written here before about word count goals and how tricky they can be for a verse novelist like me. While my friends are cranking out 2,000 words on a bad day, I’m often lucky if I can hit 300 on a good one. Usually I don’t keep record of these sorts of things.

Unless I am, like when I tried my own version of National Novel Writing Month last year. The draft was absolutely awful, but the experience was a good one. It helped me realize fast and furious can sometimes be as beneficial in my writing life as slow and steady.

I’m working on that messy NaNo manuscript now. It’s due to my editor at the end of the month. The book is prose, and while it’s my third novel written this way, it’s the first non-verse novel I’ve ever sold. That’s made me fret a bit. I’m not sure if I know how to do what I’m doing. But isn’t that a hallmark of the writing life?

When I started back with the story, I thought it might be wise to keep a record of my progress. I set up a chart, all ready to watch my word-count numbers grow. But they didn’t, not really. Even as I moved forward, sometimes those numbers stood still or even found a way to travel on a backward path. So it was interesting to read at Project Mayhem a few weeks ago that many writers aren’t fans of using word count as a way of marking progress, either.

What do you writers out there think of word count goals?

PS – Those aren’t tears on my chart — just water that dripped off my cup. Promise!

The post Why Word Count Doesn’t Always Tell the Whole Story appeared first on Caroline Starr Rose.

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7. Querying 101

mailboxIn recent months I’ve received a lot of emails from many of you! I love mail, and thank you for contacting me to say hello. There’s been a great influx of new traffic lately and I’m really excited to chat, share, and discuss writing with you all!

However, I must admit, I’ve been confused by the growing number of novel query letters I receive. I say this because I’m not an agent, editor, or book publisher.

I’m an author.

Yes, I also do manuscript critiques to help writers hone their craft and prepare for querying. But, I’m not an editor at a publishing house. So, I’m always a little stumped when I receive a query letter, because I’m not in any position to actually publish my blog-reader’s books.

The more I thought about this, the more I’ve come to realize the problem lies in a lack of information on who you should actually send your query to. And since this blog is all about sharing information, I can help in this regard!

Who Should You Query?

The objective of a query letter is to get an agent or editor to request your book and consider you for representation and/or publication. However, that doesn’t mean you do a Google search for agents and editors, and blanket the market with your query. You need to target your letter to the proper individuals. Otherwise, you’re going to get an inbox full of rejection letters that have nothing to do with the quality of your book.

So how do you find the perfect agents and editors to query?

1) Decide if You Want an Agent

Do you want an agent? Or do you want to submit, negotiate, and work directly with a publisher yourself? I personally went the agent route, because frankly, I want to write and not worry about the business side. But there are plenty of authors who do it on their own without representation.

If you’re undecided, check out these great articles:

** If you decide you don’t want an agent, insert the word editor into the below steps.

2) Find Agents That Represent What You Write

Lit Agents bookThe number one reason your query letter is getting rejected, is because you’re sending it to someone who doesn’t represent what you write. You shouldn’t send a query for your gritty adult Noir to an agent who primarily represents picture book authors. Before you query, research and create a list of agents that represent books like yours!

How to Create Your Agent List:

  • Go to Literary Agency Websites and read the agent bio pages. These list agent book preferences, authors they currently represent, and genres they’re interested in.
  • Query Tracker.net – This is a fantastic resource. Start by searching their giant list of agents by genre. Then learn about query turnaround times, preferences, and more.
  • Writers Digest: Guide to Literary Agents – Pick up the current edition of this book (or check out their blog), to see what agents are currently looking for.
  • Book Acknowledgements – Look in the acknowledgement section of books similar to yours. See if the author has thanked his or her agent. This is a great way to find agents that represent work in your genre and age level.
  • Publisher’s Marketplace – Get a paid subscription to Publisher’s Marketplace and you can search agents to see who they represent and current deals they’ve made.

3) Research Agent Book Preferences

indexSo much of this business is about taste. An editor or agent can pass on your book based on taste alone. Give your book the best chance by researching what kind of books your list of agents like to read. Narrow your list by finding the agents interested in your specific genre and story-type. For example, you’ll find a lot of agents who represent young adult books, but do they like contemporary romantic YA or gritty sci-fi YA? You may have written the best young adult war epic of all time, but if you query an agent who isn’t interested in historical fiction… you’re going to get a rejection letter.

How to Narrow Down Your Agent List:

  • Read interviews, articles, and blog posts – Agents do a ton of interviews online. Others have their own blogs outlining their query wish lists. Using the list you made from step 2, start to read articles and blogs about these agents to get a better sense of their book tastes.
  • Literary RamblesIf you’re looking for a children’s book agent, Literary Rambles has an outstanding resource for you. Casey McCormick and Natalie Aguirre have rounded up hundreds of interviews, articles, and blog posts, and organized them by agent. Click through their agent list to read highlights from articles all over the internet.
  • Go to Conferences – Agents and editors love to speak at writing conferences. This is a great way for you to see their personalities, hear them talk about books they love, and to get a feel for if they’d be a good fit for you.

4) Craft Your Query Letter

Now that you have a list of 5 to 20 agents, create a query letter targeted toward them. I’ve written many posts on how to craft a query letter. So be sure to check out the links below.

How to Write a Query Letter:

emb5) Send Out Your Query Letter

Now that you have a small, targeted list for querying, start sending out your queries. I suggest keeping a spread sheet on which agents you’ve submitted to and the date of submission. Some agents have No Response Means No policies.  Using a spreadsheet will help you to keep track of those responses.

Every time you get a rejection, send out three more query letters! Querying can be a numbers game. Remember that so much of this is about taste. You don’t need everyone to love you. You just need that one agent or editor to love you!

Querying can be a difficult and grueling process. Keep researching, adding more agents to your list, and sending out queries. Keep the faith!

There’s a ton of great information on the internet on how to find an agent and create a successful query letter. This can be a rabbit hole and a big time-suck, but you put in the time to write your book, be sure to put in the time to research agents as well!

Hungry for more? Try these great links:


0 Comments on Querying 101 as of 9/1/2014 4:21:00 AM
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8. Querying 101

mailboxIn recent months I’ve received a lot of emails from many of you! I love mail, and thank you for contacting me to say hello. There’s been a great influx of new traffic lately and I’m really excited to chat, share, and discuss writing with you all!

However, I must admit, I’ve been confused by the growing number of novel query letters I receive. I say this because I’m not an agent, editor, or book publisher.

I’m an author.

Yes, I also do manuscript critiques to help writers hone their craft and prepare for querying. But, I’m not an editor at a publishing house. So, I’m always a little stumped when I receive a query letter, because I’m not in any position to actually publish my blog-reader’s books.

The more I thought about this, the more I’ve come to realize the problem lies in a lack of information on who you should actually send your query to. And since this blog is all about sharing information, I can help in this regard!

Who Should You Query?

The objective of a query letter is to get an agent or editor to request your book and consider you for representation and/or publication. However, that doesn’t mean you do a Google search for agents and editors, and blanket the market with your query. You need to target your letter to the proper individuals. Otherwise, you’re going to get an inbox full of rejection letters that have nothing to do with the quality of your book.

So how do you find the perfect agents and editors to query?

1) Decide if You Want an Agent

Do you want an agent? Or do you want to submit, negotiate, and work directly with a publisher yourself? I personally went the agent route, because frankly, I want to write and not worry about the business side. But there are plenty of authors who do it on their own without representation.

If you’re undecided, check out these great articles:

** If you decide you don’t want an agent, insert the word editor into the below steps.

2) Find Agents That Represent What You Write

Lit Agents bookThe number one reason your query letter is getting rejected, is because you’re sending it to someone who doesn’t represent what you write. You shouldn’t send a query for your gritty adult Noir to an agent who primarily represents picture book authors. Before you query, research and create a list of agents that represent books like yours!

How to Create Your Agent List:

  • Go to Literary Agency Websites and read the agent bio pages. These list agent book preferences, authors they currently represent, and genres they’re interested in.
  • Query Tracker.net – This is a fantastic resource. Start by searching their giant list of agents by genre. Then learn about query turnaround times, preferences, and more.
  • Writers Digest: Guide to Literary Agents – Pick up the current edition of this book (or check out their blog), to see what agents are currently looking for.
  • Book Acknowledgements – Look in the acknowledgement section of books similar to yours. See if the author has thanked his or her agent. This is a great way to find agents that represent work in your genre and age level.
  • Publisher’s Marketplace – Get a paid subscription to Publisher’s Marketplace and you can search agents to see who they represent and current deals they’ve made.

3) Research Agent Book Preferences

indexSo much of this business is about taste. An editor or agent can pass on your book based on taste alone. Give your book the best chance by researching what kind of books your list of agents like to read. Narrow your list by finding the agents interested in your specific genre and story-type. For example, you’ll find a lot of agents who represent young adult books, but do they like contemporary romantic YA or gritty sci-fi YA? You may have written the best young adult war epic of all time, but if you query an agent who isn’t interested in historical fiction… you’re going to get a rejection letter.

How to Narrow Down Your Agent List:

  • Read interviews, articles, and blog posts – Agents do a ton of interviews online. Others have their own blogs outlining their query wish lists. Using the list you made from step 2, start to read articles and blogs about these agents to get a better sense of their book tastes.
  • Literary RamblesIf you’re looking for a children’s book agent, Literary Rambles has an outstanding resource for you. Casey McCormick and Natalie Aguirre have rounded up hundreds of interviews, articles, and blog posts, and organized them by agent. Click through their agent list to read highlights from articles all over the internet.
  • Go to Conferences – Agents and editors love to speak at writing conferences. This is a great way for you to see their personalities, hear them talk about books they love, and to get a feel for if they’d be a good fit for you.

4) Craft Your Query Letter

Now that you have a list of 5 to 20 agents, create a query letter targeted toward them. I’ve written many posts on how to craft a query letter. So be sure to check out the links below.

How to Write a Query Letter:

emb5) Send Out Your Query Letter

Now that you have a small, targeted list for querying, start sending out your queries. I suggest keeping a spread sheet on which agents you’ve submitted to and the date of submission. Some agents have No Response Means No policies.  Using a spreadsheet will help you to keep track of those responses.

Every time you get a rejection, send out three more query letters! Querying can be a numbers game. Remember that so much of this is about taste. You don’t need everyone to love you. You just need that one agent or editor to love you!

Querying can be a difficult and grueling process. Keep researching, adding more agents to your list, and sending out queries. Keep the faith!

There’s a ton of great information on the internet on how to find an agent and create a successful query letter. This can be a rabbit hole and a big time-suck, but you put in the time to write your book, be sure to put in the time to research agents as well!

Hungry for more? Try these great links:


0 Comments on Querying 101 as of 9/1/2014 10:05:00 AM
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9. Reading About Writing, A Mid-Year Update

DSC_0728

I declared 2014 the year to learn about writing and committed to quite the list of non-fiction (which I only can read in small doses). How have I done so far? I’ve read a grand total of two.

Walking on Water: Reflections on Faith and Art – Madeleine L’Engle

Writing Irresistible Kidlit: The Ultimate Guide to Crafting Fiction for Young Adult and Middle Grade Readers– Mary Kole

Of course, I re-read large portions of Second Sight and Novel Metamorphosis  for the Novel Revision class I taught in the spring. I also raced through The War of Art , which didn’t make the list back in January. Same with Advanced Plotting, which I also forgot to add. And I’ve read lots and lots of fiction, which I can’t help but learn from, (two recent titles I picked up to study character — The Absolutely True Diary of a Part-Time Indian and Okay for Now – completely knocked my socks off).  As for my list, I’m a little behind. It’s time to jump back in!

Any books on writing you’re planning to read this year?

 

The post Reading About Writing, A Mid-Year Update appeared first on Caroline Starr Rose.

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10. There is No Schedule

DSC_0660

If you’ve been around here for any length of time, you know my friend  J. Anderson Coats says a lot of things that resonate with me. She’s the one who gave me my favorite piece of writing advice and came up with that great cow-through-a-colander writing metaphor.

During a recent email exchange with my Class of 2k12 friends, Jillian shared this:

A writing career is not a sprint. It’s a marathon. You’re not on a schedule. There is no schedule.

That first part, I’ve probably heard it a thousand times. But the second part? It felt like a revelation. It’s true that when you’re on deadline you most certainly have a schedule, but otherwise, the writing life is wide open.

So you know what?

  • If there’s no schedule, someone else isn’t going to beat you to the punch. What you’re working on now will not somehow be replaced by someone else’s (faster) efforts.
  • The market isn’t in charge of your story. You are.
  • For you published folks, you will not be forgotten if you somehow don’t get to keep some “regular” publishing schedule. Yes, your readers might age out, as they say, but there are always new readers to take their place and earlier books to introduce readers to the new ones, whenever they happen to be published.
  • Unless you’re contractually committed, you can write whatever you want whenever you want.
  • And there’s what author/illustrator Ruth McNally Barshaw (my niece’s former Girl Scout leader!) posted on Facebook a few days ago:

Repeated themes I heard at the writer-illustrator conference in LA: Slow down. Take time to do your best work. When you think it’s done, set it aside to assess again later. Build on what you borrow. Be courageous — do work you find important, no matter what others say. LIVE so you’ll have a rich portfolio of experiences to draw and write from. What gets your next book published isn’t luck, desperation, a magic shortcut, or networking with stars; it’s your hard work, your being ready to jump at sudden opportunities, and your connections with friends. #SCBWI14

Here’s to approaching your writing with freedom in the days ahead!

 

 

 

The post There is No Schedule appeared first on Caroline Starr Rose.

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11. How to UP Your Word Count and Write Like a Boss! (Part 2)

Keep calm and write onGuest Post by Sheryl Scarborough

We shouldn’t be surprised or amazed when our writing suddenly starts to click. After all, this is what we’ve been practicing, perfecting, mastering and perhaps even MFA’ing, right? So it makes sense that as we grow as writers we will become more proficient. We will find our centers and words will flow.

But as all writers also know, the magic word faucet can suddenly and inexplicably develop a clog. So for those times – and regular times, too – I asked some of my successful writer friends to share their methods.

My friends publish a LOT of books and I’m predicting this blog will be relevant for some years to come, so I’m not listing their recent sales next to their names. Instead, I’m including a link to their websites where you will find the most up-to-date info on their publishing successes. Please do yourself a favor and check them out.

Kelly Barson, and Melanie Fishbane, don’t worry about word count per se but both of them try to get through a complete scene in one sitting. Then if they feel like they can go further, they do. I call this PACING YOURSELF.

The prolific Kekla Magoon, admits to not being very scheduled or orderly, but she writes up against DEADLINES so she sets daily goals for herself depending on chapters, pages and scenes. She also swears by Scrivener, saying it has enhanced her productivity. Kekla’s method seems to be GUN-TO-THE-HEAD + PROPER TOOLS = WORDS ON THE PAGE.

Carrie Jones, sets ridiculously low word count goals for drafting, then celebrates when she goes beyond that goal. She also points out that failure to meet her goals would result in starvation, so there is that. I’m calling Carrie’s method SURVIVAL as MOTIVATION.

Kristen Kittscher is another author/friend who advocates SCRIVENER. “Scrivener helped me speed up immensely because I feel freer to jump around and write where the energy is,” she says. I call this creativity freed through proper tools.  FORGET WILLIE… FREE YOUR CREATIVITY!

nanowrimo_logov101Heather Demetriios-Fehst just offered up two words – “Use SCRIVENER.”  I’ll forgive her the brevity since she has already released TWO books this year. This is the third vote for Scrivener… It’s starting to have an impact on me.

Tammy Subia did something she never thought she would do. She wrote a complete first draft of a novel in four months and she was anxious to share her secrets.

Tammy has identified three things that really worked for her and they might work for you, too.

  • One: she set weekly word goals instead of daily ones, but she kept a daily chart of what she accomplished. She said just seeing the progress each day spurred her on the next day.
  • Two: She read her first chapter to a non-writer friend who really loved it and kept asking to hear more. Consequently, she wrote more to satisfy her friend.
  • Three: this might be her most important technique of all. Tammy described feeling like this book needed to be written. She wanted the story to be told so badly she couldn’t stop writing it! I’m going to call this DRIVE (and for the record I’m picturing Nick Cage behind the wheel of a muscle car when I say this.)

PICK YOUR TECHNIQUE:

Everyone seems to employ a different technique. Below is the full list. Feel free to be creative. Try on different ones. Pick and choose. Combine two or three. Experiment and see if you can’t UP your output. And if you do… write to us and let us know.

GET A RUNNING START Hold something back for the next day
DEVELOP A ROUTINE Write everyday.
KNOWLEDGE + TIME + ENTHUSIASM Know what you’re going to write, put in the time and be excited about your story.
PACE YOURSELF One word after the other until you get to the end.
RESPECT DEADLINES You can’t blow ‘em, so you get it done.
WRITE FOR FOOD You can’t eat promises and I should’ves.
DRIVE Find a story that demands to be written.
KEEP A WORD COUNT Set word count goals, daily or weekly. It piles up.
USE SCRIVENER Yay for sophisticated writer tools.

As for Scrivener – I’m going to buy it and use Scrivener for my revision process. I will report back in my next blog.

Here are some Scrivener tutorials that came up in a search on Youtube.com. I haven’t looked at any of them yet… but I plan to.

Sheryl_Quote

Be sure to read the first half of this amazing two-part series: How to UP Your Word Count and Write Like a Boss! (Part 1)

More guest posts by Sheryl:

Sheryl Scarborough - Photo by Russell Gearhart PhotographyOver the years, Sheryl Scarborough has written: TV series, cartoons, comic books, graphic novels, magazine articles, Business Plans, Direct Music Marketing letters (as Mariah Carey, MC Hammer and others), Corporate Newsletters and Restaurant and Theater Reviews (for free food and great seats!) Now she writes what she really loves which are YA mysteries and thrillers.

Follow Sheryl on Twitter: @scarbo_author

Read more by Sheryl on her blog: Sheryl Scarborough Blog

 


1 Comments on How to UP Your Word Count and Write Like a Boss! (Part 2), last added: 8/21/2014
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12. How to UP Your Word Count and Write Like a Boss! (Part 2)

Keep calm and write onGuest Post by Sheryl Scarborough

We shouldn’t be surprised or amazed when our writing suddenly starts to click. After all, this is what we’ve been practicing, perfecting, mastering and perhaps even MFA’ing, right? So it makes sense that as we grow as writers we will become more proficient. We will find our centers and words will flow.

But as all writers also know, the magic word faucet can suddenly and inexplicably develop a clog. So for those times – and regular times, too – I asked some of my successful writer friends to share their methods.

My friends publish a LOT of books and I’m predicting this blog will be relevant for some years to come, so I’m not listing their recent sales next to their names. Instead, I’m including a link to their websites where you will find the most up-to-date info on their publishing successes. Please do yourself a favor and check them out.

Kelly Barson, and Melanie Fishbane, don’t worry about word count per se but both of them try to get through a complete scene in one sitting. Then if they feel like they can go further, they do. I call this PACING YOURSELF.

The prolific Kekla Magoon, admits to not being very scheduled or orderly, but she writes up against DEADLINES so she sets daily goals for herself depending on chapters, pages and scenes. She also swears by Scrivener, saying it has enhanced her productivity. Kekla’s method seems to be GUN-TO-THE-HEAD + PROPER TOOLS = WORDS ON THE PAGE.

Carrie Jones, sets ridiculously low word count goals for drafting, then celebrates when she goes beyond that goal. She also points out that failure to meet her goals would result in starvation, so there is that. I’m calling Carrie’s method SURVIVAL as MOTIVATION.

Kristen Kittscher is another author/friend who advocates SCRIVENER. “Scrivener helped me speed up immensely because I feel freer to jump around and write where the energy is,” she says. I call this creativity freed through proper tools.  FORGET WILLIE… FREE YOUR CREATIVITY!

nanowrimo_logov101Heather Demetriios-Fehst just offered up two words – “Use SCRIVENER.”  I’ll forgive her the brevity since she has already released TWO books this year. This is the third vote for Scrivener… It’s starting to have an impact on me.

Tammy Subia did something she never thought she would do. She wrote a complete first draft of a novel in four months and she was anxious to share her secrets.

Tammy has identified three things that really worked for her and they might work for you, too.

  • One: she set weekly word goals instead of daily ones, but she kept a daily chart of what she accomplished. She said just seeing the progress each day spurred her on the next day.
  • Two: She read her first chapter to a non-writer friend who really loved it and kept asking to hear more. Consequently, she wrote more to satisfy her friend.
  • Three: this might be her most important technique of all. Tammy described feeling like this book needed to be written. She wanted the story to be told so badly she couldn’t stop writing it! I’m going to call this DRIVE (and for the record I’m picturing Nick Cage behind the wheel of a muscle car when I say this.)

PICK YOUR TECHNIQUE:

Everyone seems to employ a different technique. Below is the full list. Feel free to be creative. Try on different ones. Pick and choose. Combine two or three. Experiment and see if you can’t UP your output. And if you do… write to us and let us know.

GET A RUNNING START Hold something back for the next day
DEVELOP A ROUTINE Write everyday.
KNOWLEDGE + TIME + ENTHUSIASM Know what you’re going to write, put in the time and be excited about your story.
PACE YOURSELF One word after the other until you get to the end.
RESPECT DEADLINES You can’t blow ‘em, so you get it done.
WRITE FOR FOOD You can’t eat promises and I should’ves.
DRIVE Find a story that demands to be written.
KEEP A WORD COUNT Set word count goals, daily or weekly. It piles up.
USE SCRIVENER Yay for sophisticated writer tools.

As for Scrivener – I’m going to buy it and use Scrivener for my revision process. I will report back in my next blog.

Here are some Scrivener tutorials that came up in a search on Youtube.com. I haven’t looked at any of them yet… but I plan to.

Sheryl_Quote

Be sure to read the first half of this amazing two-part series: How to UP Your Word Count and Write Like a Boss! (Part 1)

More guest posts by Sheryl:

Sheryl Scarborough - Photo by Russell Gearhart PhotographyOver the years, Sheryl Scarborough has written: TV series, cartoons, comic books, graphic novels, magazine articles, Business Plans, Direct Music Marketing letters (as Mariah Carey, MC Hammer and others), Corporate Newsletters and Restaurant and Theater Reviews (for free food and great seats!) Now she writes what she really loves which are YA mysteries and thrillers.

Follow Sheryl on Twitter: @scarbo_author

Read more by Sheryl on her blog: Sheryl Scarborough Blog

 


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13. Writing Links

DSC_0640

Rejecting Rejection by Sarah Aronson :: The Writing Barn

The Real Job of a Writer :: Chatting at the Sky

Introverted: The Writer’s Power and Downfall :: Darcy Pattison

Dear Soon-To-Be-Published Author :: Writer Unboxed

Self Publishing vs. Traditional: Some Straight Talk :: Nathan Bransford

Picture Books Are for All Ages :: Publishers Weekly

 

The post Writing Links appeared first on Caroline Starr Rose.

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14. How to UP Your Word Count and Write Like a Boss! (Part 1)

Guest post by Sheryl Scarborough

Sheryl_KingandRice

I just finished the first draft of a new novel… my third.

I wrote it fast, with a vengeance.

280 pages, 63k words, 10 weeks. BAM!

That’s Wham, bam, thank you ma’am speed. Finishing this novel so quickly has restored my writer power. I’m excited and enthused, ready to roll up my sleeves and settle in for the revision stage. But looking back I’m a little amazed at my accomplishment. So, before my process becomes a hazy memory I want to document it and understand it, so I can do again. (And again… and… well, you get the idea.)

But before I get into my process, let’s take a look at how the Big Dog (and even some little dog) authors muscle through their drafts. You’ll find this interesting.

Sheryl_HemingwayErnest Hemingway… averaged 500 words per day.

… would begin his writing day in the early morning and stop around noon. But here was his trick: he would be sure to stop at a place where he knew what would happen next. He did this so he would have a place to start writing the next morning. I call this a RUNNING START.

Jennifer Weiner…

Sheryl_Jennifer W“When you have an editor with deadlines if you wait for a muse to get you there, you’re going to be out of a job.”

Jennifer Weiner starts her day with breakfast, getting kids off to school and hot yoga. She strives for 3,000 words per day.  She has a ROUTINE.

Jodi Pincolt…

Doesn’t believe in writer’s block. “Writer’s block is having too much time on your hands. You might not write well every day but you can always edit a bad page. You can’t edit a blank page.”  JUST WRITE… edit later.  

So, the research started sounding like same thing, different day or, what we’ve always heard about writing. Butt in chair… just write… nothing really new and different. And then I discovered…

Rachel Aron…

Sheryl_Rachel Aron bookAron, a sci fi author, figured out how to go from 2,000 words per day to 10,000. That’s right. I said it. 10,000 words per day.

Aron had a new baby and a book on deadline. She arranged for childcare four days per week. And during those four days she needed to produce 4,000 words per day to meet her deadline. When it turned out she was only putting out 2,000 words per day, she got busy and figured out how to pump it up.

The minute I read Aron’s explanation I realized two things: 1.) she really has something here. And 2.) I had stumbled onto the very same method.

Read the basics of Aron’s method here. Or, an expanded e-book version. Aron’s thinking is amazingly smart and sound – and it’s a definite improvement from the evergreen butt in chair, blah blah blah. She gives some real, solid advice.

Even if you’re not a really fast writer, I believe you could use Aron’s method to increase your output. Here is the nutshell version:

TIME + KNOWLEDGE + ENTHUSIASM =

BOSS LEVEL WORD COUNT

Time – There’s no substitute for that, you still have to put it in.

Knowledge – Knowing what you’re going to write each day before you sit down to write is essential. Otherwise, you’re wasting valuable writing time figuring things out. When you come prepared to your writing time the words fly.

Enthusiasm – LOVE what you’re working on and the words will flow faster. Then when you get to what Aron calls “a candy bar” scene your word count for that day will go through the roof.

This is exactly how I wrote a 280 page first draft in 10 weeks.

My story is told in alternating chapters between a boy and a girl. Each morning when I woke up I would contemplate the scenes I would write next. I would figure out which character should instigate a scene and which should react to it… which might start something… which might finish it off. By the time I figured it out I couldn’t wait to get to the computer and get started.

So, for me it was exactly as Aron predicted. Knowing what I was going to write and being excited about it, plus putting in the time resulted in a very quick and energetic first draft.

As Jodi Pincolt says, “You can’t edit a blank page.”

Check in later this week for part two of my theory on How to Up Your Word Count, where I query my successful author friends to see what tricks they employ to get their fabulous words onto the page. I’ll be sharing what they have to say.

In the meantime here are a few links and tips to maybe inspire and power your word count progress:

ONLINE RESOURCES TO BOOST DAILY WORD COUNT:

  • A variety of word count meters can be found here.
  • The Secret to Writing 4000 Words Per day (A variation on Aron’s process, but he calls it daydreaming instead of knowledge. And I like that.)
  • The Pomodoro Technique, an interesting focus booster, read about it here.
  • The Daily Routines of Successful Writers – my source for the facts in the above post. Reading about the authors I didn’t include in my blog is interesting, too, as long as it doesn’t interfere with your daily word count. Read it here.
  • Inky Girl has a word count challenge complete with stickers and banners here.
  • And finally, Chuck Wendig weighs in on Word Count Uppage. He’s foul and funny. Don’t miss him.

Stay tuned for more great tips from Sheryl on how to up your word count. The second half of this article comes out later this week!

In the meantime, read another post by Sheryl:

Sheryl Scarborough - Photo by Russell Gearhart PhotographyOver the years, Sheryl Scarborough has written: TV series, cartoons, comic books, graphic novels, magazine articles, Business Plans, Direct Music Marketing letters (as Mariah Carey, MC Hammer and others), Corporate Newsletters and Restaurant and Theater Reviews (for free food and great seats!) Now she writes what she really loves which are YA mysteries and thrillers.

Follow Sheryl on Twitter: @scarbo_author

Read more by Sheryl on her blog: Sheryl Scarborough Blog

 


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15. How to UP Your Word Count and Write Like a Boss! (Part 1)

Guest post by Sheryl Scarborough

Sheryl_KingandRice

I just finished the first draft of a new novel… my third.

I wrote it fast, with a vengeance.

280 pages, 63k words, 10 weeks. BAM!

That’s Wham, bam, thank you ma’am speed. Finishing this novel so quickly has restored my writer power. I’m excited and enthused, ready to roll up my sleeves and settle in for the revision stage. But looking back I’m a little amazed at my accomplishment. So, before my process becomes a hazy memory I want to document it and understand it, so I can do again. (And again… and… well, you get the idea.)

But before I get into my process, let’s take a look at how the Big Dog (and even some little dog) authors muscle through their drafts. You’ll find this interesting.

Sheryl_HemingwayErnest Hemingway… averaged 500 words per day.

… would begin his writing day in the early morning and stop around noon. But here was his trick: he would be sure to stop at a place where he knew what would happen next. He did this so he would have a place to start writing the next morning. I call this a RUNNING START.

Jennifer Weiner…

Sheryl_Jennifer W“When you have an editor with deadlines if you wait for a muse to get you there, you’re going to be out of a job.”

Jennifer Weiner starts her day with breakfast, getting kids off to school and hot yoga. She strives for 3,000 words per day.  She has a ROUTINE.

Jodi Pincolt…

Doesn’t believe in writer’s block. “Writer’s block is having too much time on your hands. You might not write well every day but you can always edit a bad page. You can’t edit a blank page.”  JUST WRITE… edit later.  

So, the research started sounding like same thing, different day or, what we’ve always heard about writing. Butt in chair… just write… nothing really new and different. And then I discovered…

Rachel Aron…

Sheryl_Rachel Aron bookAron, a sci fi author, figured out how to go from 2,000 words per day to 10,000. That’s right. I said it. 10,000 words per day.

Aron had a new baby and a book on deadline. She arranged for childcare four days per week. And during those four days she needed to produce 4,000 words per day to meet her deadline. When it turned out she was only putting out 2,000 words per day, she got busy and figured out how to pump it up.

The minute I read Aron’s explanation I realized two things: 1.) she really has something here. And 2.) I had stumbled onto the very same method.

Read the basics of Aron’s method here. Or, an expanded e-book version. Aron’s thinking is amazingly smart and sound – and it’s a definite improvement from the evergreen butt in chair, blah blah blah. She gives some real, solid advice.

Even if you’re not a really fast writer, I believe you could use Aron’s method to increase your output. Here is the nutshell version:

TIME + KNOWLEDGE + ENTHUSIASM =

BOSS LEVEL WORD COUNT

Time – There’s no substitute for that, you still have to put it in.

Knowledge – Knowing what you’re going to write each day before you sit down to write is essential. Otherwise, you’re wasting valuable writing time figuring things out. When you come prepared to your writing time the words fly.

Enthusiasm – LOVE what you’re working on and the words will flow faster. Then when you get to what Aron calls “a candy bar” scene your word count for that day will go through the roof.

This is exactly how I wrote a 280 page first draft in 10 weeks.

My story is told in alternating chapters between a boy and a girl. Each morning when I woke up I would contemplate the scenes I would write next. I would figure out which character should instigate a scene and which should react to it… which might start something… which might finish it off. By the time I figured it out I couldn’t wait to get to the computer and get started.

So, for me it was exactly as Aron predicted. Knowing what I was going to write and being excited about it, plus putting in the time resulted in a very quick and energetic first draft.

As Jodi Pincolt says, “You can’t edit a blank page.”

Check in later this week for part two of my theory on How to Up Your Word Count, where I query my successful author friends to see what tricks they employ to get their fabulous words onto the page. I’ll be sharing what they have to say.

In the meantime here are a few links and tips to maybe inspire and power your word count progress:

ONLINE RESOURCES TO BOOST DAILY WORD COUNT:

  • A variety of word count meters can be found here.
  • The Secret to Writing 4000 Words Per day (A variation on Aron’s process, but he calls it daydreaming instead of knowledge. And I like that.)
  • The Pomodoro Technique, an interesting focus booster, read about it here.
  • The Daily Routines of Successful Writers – my source for the facts in the above post. Reading about the authors I didn’t include in my blog is interesting, too, as long as it doesn’t interfere with your daily word count. Read it here.
  • Inky Girl has a word count challenge complete with stickers and banners here.
  • And finally, Chuck Wendig weighs in on Word Count Uppage. He’s foul and funny. Don’t miss him.

Stay tuned for more great tips from Sheryl on how to up your word count. The second half of this article comes out later this week!

In the meantime, read another post by Sheryl:

Sheryl Scarborough - Photo by Russell Gearhart PhotographyOver the years, Sheryl Scarborough has written: TV series, cartoons, comic books, graphic novels, magazine articles, Business Plans, Direct Music Marketing letters (as Mariah Carey, MC Hammer and others), Corporate Newsletters and Restaurant and Theater Reviews (for free food and great seats!) Now she writes what she really loves which are YA mysteries and thrillers.

Follow Sheryl on Twitter: @scarabs

Read more by Sheryl on her blog: Sheryl Scarborough Blog

 


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16. Who Gets to Write It?

As regular readers here know, I’ve been thinking a lot about what it means to write outside my culture. Thank you to Valerie Geary for pointing me to this article at The New York Times.

DMA Genesis mosaic

These two quotes especially spoke to me:

We’re doing what fiction writers have always done: trying to investigate the world, explore human experience, render precisely what it means to be alive. We’re trying to give voice to everyone on the planet. And who has the right to do that? Do I have the right to write my version of your story?

A writer is like a tuning fork: We respond when we’re struck by something. The thing is to pay attention, to be ready for radical empathy. If we empty ourselves of ourselves we’ll be able to vibrate in synchrony with something deep and powerful.

– “The Right to Write,” Roxana Robinson

Read the full article here.

The post Who Gets to Write It? appeared first on Caroline Starr Rose.

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17. Upcoming Writing Conferences and Workshops

WorkshopHere’s a little round-up of some upcoming writing conference and workshop opportunities. Keep developing your craft!

Advanced Writer Workshops at The Writing Barn: Writing Outside the Box 

  • Multiple Viewpoints, Unreliable Narrators, Unusual Structures—Oh, My! with top-selling agent/author Ammi-Joan Paquette of Erin Murphy Literary, and author K. A. Holt
  • WHEN: October 9 to October 12.
  • Event Details: In this interactive, hands-on workshop we’ll take a close-up look at a wide variety of structurally exciting books, dissecting and discussing and teasing out tips and tricks that will help you, no matter how you choose to tell your story. Come ready to brainstorm your work or just to get your thoughts flowing in a new direction—you’re sure to leave this workshop with an entirely new outlook.
  • Cost: Workshop with Onsite Lodging: $850, Workshop Only: $650
  • To Apply: http://www.thewritingbarn.com/barn-presents-registration/

Group or Solo Writing Retreats at The Writing Barn

  • On our 7.5 wooded acres located in Austin, TX, we can host from 1 to 17 writers.
  • Contact: info@thewritingbarn.com
  • Website: www.thewritingbarn.com

The Art of the Sale: with best-selling authors Jenny Han and Siobohan Vivian

  • WHEN: December 4 to December
  • Event Details: Siobhan Vivian and Jenny Han have collectively published sixteen books, from picture books through young adult, and have over ten years of experience in the book business, from book buyer to librarian to educator to editor. Together, they will get you and your manuscript ready for the real world and give you the very best shot at getting published. For those who are already published, they will guide you in building your career.
  • This intensive will be a mix of formats. For those in the querying trenches,  there will be SIMPLY IRRESISTIBLE: How to Craft a Perfect Cover Letter, Formulate an Engaging One-sentence Sales Pitch, and Land the Agent of Your Dreams. And for those with agents, there will be NOW WHAT? How to Build your Writing Career, Book by Book, Goal by Goal. These small groups will involve discussion and input from either Jenny or Siobhan.
  • Cost: Workshop with Onsite Lodging: $850, Workshop Only: $650
  • To Apply: http://www.thewritingbarn.com/barn-presents-registration/

Teaching Opportunities at The Writing Barn 

  • Opportunities: We hold half day workshops, full day, extended weekend events (Thursday eve through Sunday afternoon), and week long events. We are always adding programming and are NOW looking to build our 2015 schedule. Whether we fly you in or you teach with us while you are on a book tour coming through Texas (We work with Big Austin Indie Book People as well as Round Rock Indie The Book Spot–The Book Spot is good for school visits) we would love to hear from you with your ideas on classes, events, etc.
  • Contact: Bethany Hegedus, Author & Founder, The Writing Barn at bahegedus@gmail.com
  • Dates: Ongoing

YA Novel Writing Intensive in NEW YORK CITY with Nova Ren Suma

  • This is an intensive workshop for writers working on YA novels of any style or genre. During weekly critique sessions, we will focus on constructive feedback with the goal of helping the writer execute his or her intended vision. Participants will critique one another’s work in group discussions, and each writer will have a private conference, with feedback from the instructor on additional pages from their novels. Writers are expected to have a basic knowledge and appreciation of current YA novels, and are welcome to come to this class at any stage in the writing of their own novel: just beginning a first draft, with a novel-in-progress, or with a completed draft in need of focused revision.
  • This workshop is designed for experienced writers. Previous publication is not necessary, but writers should be serious about working on a YA novel, open to critiques and advice, and ready to help their peers succeed.
  • When: 6 Wednesdays, 6:30-9pm, September 24th, 2014-October 29th, 2014. Private conferences will be held in November
  • Where: The Writers Room, 740 Broadway, 12th Floor, New York, NY 10003
  • Price: EARLY BIRD PRICING: $600 by September 1st, 2014;  $650 after September 1st
  • Contact for any questions: Nova Ren Suma at nova@novaren.com
  • APPLY HERE: http://ideasmyth.com/ya-novel-writing-intensive-with-nova-ren-suma/
  • NOTE: As of AUGUST 11, the workshop is full. Any accepted writers will be added to the waitlist—spaces may still open!

Sanibel Writers Conference with Emily Franklin, Richard Russo, Steve Almond, others

  • Ninth Annual Sanibel Island Writers Conference
  • When: November 6-9, 2014
  • Where: BIG ARTS & the Sanibel Island Public Library, Sanibel Island, Fla.

Emily Franklin—Pitch Perfect: Finding Your Voice in Young Adult Fiction

  • Can any story be written for a young adult audience? What makes a YA voice believable?  We will explore dialogue, setting, structure and the key elements of trust in young adult fiction.  Is your story for middle grade readers, teens, or adults (or all of the above)?  Is your novel set in this world or an imagined one? Present day, past, or future?  Does it matter?  With a few writing prompts we examine the best way to tell your story, openings that appeal to teen and adult readers alike, and rules (are there rules?) for keeping your adolescent audience captivated. Emily is also doing individual conferences/meetings for query letters and works-in-progress. 
  • Registration and info: http://www.fgcu.edu/siwc/

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18. Upcoming Writing Conferences and Workshops

WorkshopHere’s a little round-up of some upcoming writing conference and workshop opportunities. Keep developing your craft!

Advanced Writer Workshops at The Writing Barn: Writing Outside the Box 

  • Multiple Viewpoints, Unreliable Narrators, Unusual Structures—Oh, My! with top-selling agent/author Ammi-Joan Paquette of Erin Murphy Literary, and author K. A. Holt
  • WHEN: October 9 to October 12.
  • Event Details: In this interactive, hands-on workshop we’ll take a close-up look at a wide variety of structurally exciting books, dissecting and discussing and teasing out tips and tricks that will help you, no matter how you choose to tell your story. Come ready to brainstorm your work or just to get your thoughts flowing in a new direction—you’re sure to leave this workshop with an entirely new outlook.
  • Cost: Workshop with Onsite Lodging: $850, Workshop Only: $650
  • To Apply: http://www.thewritingbarn.com/barn-presents-registration/

Group or Solo Writing Retreats at The Writing Barn

  • On our 7.5 wooded acres located in Austin, TX, we can host from 1 to 17 writers.
  • Contact: info@thewritingbarn.com
  • Website: www.thewritingbarn.com

The Art of the Sale: with best-selling authors Jenny Han and Siobohan Vivian

  • WHEN: December 4 to December
  • Event Details: Siobhan Vivian and Jenny Han have collectively published sixteen books, from picture books through young adult, and have over ten years of experience in the book business, from book buyer to librarian to educator to editor. Together, they will get you and your manuscript ready for the real world and give you the very best shot at getting published. For those who are already published, they will guide you in building your career.
  • This intensive will be a mix of formats. For those in the querying trenches,  there will be SIMPLY IRRESISTIBLE: How to Craft a Perfect Cover Letter, Formulate an Engaging One-sentence Sales Pitch, and Land the Agent of Your Dreams. And for those with agents, there will be NOW WHAT? How to Build your Writing Career, Book by Book, Goal by Goal. These small groups will involve discussion and input from either Jenny or Siobhan.
  • Cost: Workshop with Onsite Lodging: $850, Workshop Only: $650
  • To Apply: http://www.thewritingbarn.com/barn-presents-registration/

Teaching Opportunities at The Writing Barn 

  • Opportunities: We hold half day workshops, full day, extended weekend events (Thursday eve through Sunday afternoon), and week long events. We are always adding programming and are NOW looking to build our 2015 schedule. Whether we fly you in or you teach with us while you are on a book tour coming through Texas (We work with Big Austin Indie Book People as well as Round Rock Indie The Book Spot–The Book Spot is good for school visits) we would love to hear from you with your ideas on classes, events, etc.
  • Contact: Bethany Hegedus, Author & Founder, The Writing Barn at bahegedus@gmail.com
  • Dates: Ongoing

YA Novel Writing Intensive in NEW YORK CITY with Nova Ren Suma

  • This is an intensive workshop for writers working on YA novels of any style or genre. During weekly critique sessions, we will focus on constructive feedback with the goal of helping the writer execute his or her intended vision. Participants will critique one another’s work in group discussions, and each writer will have a private conference, with feedback from the instructor on additional pages from their novels. Writers are expected to have a basic knowledge and appreciation of current YA novels, and are welcome to come to this class at any stage in the writing of their own novel: just beginning a first draft, with a novel-in-progress, or with a completed draft in need of focused revision.
  • This workshop is designed for experienced writers. Previous publication is not necessary, but writers should be serious about working on a YA novel, open to critiques and advice, and ready to help their peers succeed.
  • When: 6 Wednesdays, 6:30-9pm, September 24th, 2014-October 29th, 2014. Private conferences will be held in November
  • Where: The Writers Room, 740 Broadway, 12th Floor, New York, NY 10003
  • Price: EARLY BIRD PRICING: $600 by September 1st, 2014;  $650 after September 1st
  • Contact for any questions: Nova Ren Suma at nova@novaren.com
  • APPLY HERE: http://ideasmyth.com/ya-novel-writing-intensive-with-nova-ren-suma/
  • NOTE: As of AUGUST 11, the workshop is full. Any accepted writers will be added to the waitlist—spaces may still open!

Sanibel Writers Conference with Emily Franklin, Richard Russo, Steve Almond, others

  • Ninth Annual Sanibel Island Writers Conference
  • When: November 6-9, 2014
  • Where: BIG ARTS & the Sanibel Island Public Library, Sanibel Island, Fla.

Emily Franklin—Pitch Perfect: Finding Your Voice in Young Adult Fiction

  • Can any story be written for a young adult audience? What makes a YA voice believable?  We will explore dialogue, setting, structure and the key elements of trust in young adult fiction.  Is your story for middle grade readers, teens, or adults (or all of the above)?  Is your novel set in this world or an imagined one? Present day, past, or future?  Does it matter?  With a few writing prompts we examine the best way to tell your story, openings that appeal to teen and adult readers alike, and rules (are there rules?) for keeping your adolescent audience captivated. Emily is also doing individual conferences/meetings for query letters and works-in-progress. 
  • Registration and info: http://www.fgcu.edu/siwc/

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19. 2013 Writing Goals: Hit, Miss, or Somewhere In Between?

July’s the month I take a blogging sabbath. Throughout the course of the month, I’ll re-run some oldies but goodies. Enjoy!

I thought it would be fun to look over the goals I set for my writing this year, to see what worked and what didn’t. And in light of this recent discussion on author output, comparison, and finding peace with my own creative processes, the timing felt right.

At the end of last year, our SCBWI-NM monthly schmooze focused on personal writing goals. During that session, I took a one-page calendar and marked out school holidays, family vacations, and other important dates I knew in advance. And then I aimed high.

Here’s what I wanted to tackle in 2013:

  1. research for a new picture book
  2. twelve new picture book manuscripts (!!!)
  3. six months of research for a new novel
  4. three months of drafting this new novel
  5. blog/reading goal: re-read The Complete Journals of Lucy Maud Montgomery, Volumes I-V and write about it here

 Author Chris Eboch led a second schmooze discussion in July about reassessing our goals. I noticed a few things:

  1. I was already waaay off on the picture book goal.
  2. Due to some wonderful news, I needed to change my novel goals.
  3. This was all A-okay.

One of the best things I got from Chris’s talk was information on author Kristi Holl’s Rx for Writers: Managing Your Writing Space and Your Writing Time (a free mini e-book).

Kristi talks about four terms that are key to a writer’s success:

  • DREAMS: not under your control
  • GOALS: under your control
  • SUB-GOALS: specific to-do steps under each goal
  • HABITS: daily practices that support your sub-goals

The distinction between what an author can control and what she can’t is key.* For example, while aiming to nab an agent is wonderful, it’s a dream, not a goal. But there are steps (sub-goals) a writer can take to do all that is in her control in this regard, from completing a manuscript, working with critique partners to revise it, taking advantage of contests or grants that might give feedback on her work, researching agents for the best fit, writing and evaluating a query letter, and finally sending it out.

A dream that wasn’t in my control changed the course of some of my writing goals this year. Some goals, such as the twelve picture books, were way off track.

Here’s what I actually did in 2013:

  1. research for a new picture book
  2. two new picture book manuscripts
  3. four months of research on a new novel
  4. one month drafting this new novel
  5. work on first and second-round edits for Blue Birds
  6. blog/reading goal: met! Plus I read the new(ish) LMM biography, THE GIFT OF WINGS by journal co-editor, Mary Rubio

 Over all, I’m pleased with this year’s work. As for next year, I’ll consider re-visiting some of those picture book ideas, work on my novels within my editor’s time table, flex when surprises come, and keep re-assessing what’s best for my work and me.

Do you set writing goals? How have you fared this year?

 

 

*Unless you’re a local superstar author who recently shared with me she likes to set goals like “I’ll sell two novels and one picture book this year”…and does just that!

 

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20. Five Things I Learned From NaNoWriMo

July’s the month I take a blogging sabbath. Throughout the course of the month, I’ll re-run some oldies but goodies. Enjoy!

It was with a bit of reluctance I decided to join in this year’s National Novel Writing Month. For those of you unfamiliar with NaNoWriMo, it’s a month-long challenge to produce 50,000 words on a new piece of writing. I’d tried NaNo in 2009 and failed miserably. I never, ever was going to do it again. But things came together for me this year in a way that joining in made sense:

  • BLUE BIRDS was off with my editor
  • I was at the point with my research for a new novel that I was itching to get started
  • I read this blog post by Darcy Pattison
  • My critique partner, Valerie Geary, promised me peanut butter cookies if I made it through

I didn’t sign up officially. Instead I created a contest of one I called Fake-o NaNo, where I aimed to write 1500 words a day six days a week. I missed one day, had a good number of sessions I didn’t hit 1500 (and a couple I wrote more), and felt finished with the draft a few days before Thanksgiving — the exact day BLUE BIRDS “flew” back to me in a big padded envelope.

Here are five things I learned from the experience:

  1. Slow and steady has been my writing mantra this year. But sometimes fast and furious is just as important. Typically, I write verse novels and picture books. It’s a sloooow process, especially when I’m initially drafting. But with this new novel, I’m trying my hand at prose, something I haven’t poked at for seven or eight years. Throwing words on a page was a very liberating, non-committal way to reintroduce myself to this form. With my first NaNo attempt, I got stuck during the first week and decided to stop. This time around was no different. I faced the same impossible rut one week in. But I kept moving, mainly by sticking to the next lesson I learned.
  2. Sometimes you just have to write about the writing. While I’ve kept a journal for this book since April, I still have a lot of exploring to do. Many days I found myself writing about what was working in the story and what wasn’t. Things I’d have to look further into, characters I needed to add, relationships I needed to develop. Really, the draft became a running commentary, an in-the-moment chance to reflect on my ideas (or lack of them). I know this will be invaluable when I return to the book in a few months.
  3. Practice holds the fear at bay. I’ve written here a lot about how much angst is bound up in my first drafts. The creative process is a scary thing for me, and beginning (and finishing) a first draft is my biggest challenge. By holding myself to a daily goal, I was able to break through some of that fear by simply showing up and doing the work.
  4. Embrace the mess. The “draft” I finished with is quite possibly the messiest, worst thing I’ve ever written. But it’s been such a great experiment in getting words down, feeling out characters, and sometimes learning exactly what I don’t want to write about (by first doing just that). Knowing I could toss it all took me in some directions I might never have discovered if my approach had been more careful.
  5. Did I mention the cookies? Committing out loud to a friend kept me honest. And the cookies were a great pay off!
Did any of you participate in NaNoWriMo this year? What was your experience like?

This post is a part of Chatting at the Sky’s Tuesdays Unwrapped series.

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21. The Fear of Writing Outside Your Experience — And Doing It Anyway

July’s the month I take a blogging sabbath. Throughout the course of the month, I’ll re-run some oldies but goodies. Enjoy!

Yesterday I turned in my first-round edits on BLUE BIRDS – a verse novel about the Lost Colony of Roanoke told from the perspective of Alis, an English girl, and Kimi, a Roanoke girl. The story didn’t start this way. I initially intended to write solely from Alis’s perspective. But when I realized the forbidden friendship between Alis and Kimi is what the entire story hinges upon, I couldn’t keep things as I first planned.

And that kind of terrified me.

There are a lot of opinions and strong, strong feelings as to who has permission to write certain books. I’m a non-Native author. What gives me the right to try and speak for a thirteen-year-old Roanoke girl?

I’m still not sure. But I’ve been a girl. And I know how profoundly friendship can shape a person. I’ve been in new cultural settings and have learned to see the foreign as familiar and the familiar as foreign. This answer won’t be enough for some readers. I understand that. But I’ve gone ahead and written the book anyway.

In the mean time, I’m drawing courage from the It’s Complicated series at the Children’s Book Council Diversity blog.

What are your feelings about writers working outside their cultural experience?

 

 

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22. The Fuzzy Muse and a BLUE BIRDS Giveaway

When we got Boudreaux three years ago, I hoped she’d keep me company while writing, be a warm, faithful soul who’d stay by me as I worked.  She’s been that and more.

Boo’s been around since the beginning of BLUE BIRDS, back when I started reading everything I could find on the Lost Colony of Roanoke. She took a special shine to the manuscript, too. Here she is with first-round edits,

second-round edits,

Boo and FPP

and now, with an advance reader copy.

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It seemed fitting that Boo get her own copy of BLUE BIRDS, but seeing as she hasn’t yet learned to read and it’s not as tasty as she first hoped, Boo’s offering to give her copy away.

If you’d like to read the book a full seven months before it’s published, enter below!

a Rafflecopter giveaway

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23. Why Books Are Important

Your work is important. What you have to say will change people’s lives.

The following video about how the Harry Potter Series affected one reader has been circling the internet. If you’re a writer and you haven’t seen it yet … you must.

Just watch it.

Books change lives.


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24. Why Books Are Important

Your work is important. What you have to say will change people’s lives.

The following video about how the Harry Potter Series affected one reader has been circling the internet. If you’re a writer and you haven’t seen it yet … you must.

Just watch it.

Books change lives.


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25. Straight From the Source: Michele L. Hathaway on Writing Historical Fiction

Michele L. Hathaway has an M.A. in Social Anthropology and is a freelance editor and writer. Her stories are in various stages of emergence.

What typically comes first for you: a character? An era? A story idea? How do you proceed from there?

My stories vary tremendously, but at their core is a love of culture, past, present, and even mythical. The era and story idea come first, the characters emerge later to make the culture come alive. Sometimes the landscape is the starting point. This is the case for the Navajo stories I am writing. I spent quite a bit of time in the North American Southwest as a child and an adult, so it occupies a large swath of my inner landscape. I feel more alive here than anywhere else on the planet. Sometimes I am captivated by an entire era, such as the first 400 years A.D. of Mediterranean history, along with key historical figures from this period. Then again, I have a story idea that takes my characters around the modern day world, but the research involved with getting these cultures right is almost identical to historical research.

How do you conduct your research?

At the beginning of a project, especially one where I don’t have a large body of knowledge already in place, I’m like a child at a carnival. I careen from one amusement to another until I find myself breathless at the top of the Ferris wheel. From here I look down on the whole journey. When I get back to earth I filling in the blank spaces on a need-to-know basis.

If you are wondering what I’m talking about, here’s the general plan: I go to the library and load up on as many books as I can get my hands on. I scan these, usually finding I am attracted to some more than others. Resources that are most helpful I might buy so I can mark them up and keep them near for reference. I copy the bibliographies of the most helpful to see what inspired the author, where their research originated. I’ve found gems this way. From there I follow trails that branch further and further. If a source is mentioned by several authors, I look at that. I never stop researching, I always have a book or two going as I write. This keeps me in the story, inspires, guides, and corrects. One thing to be aware of is new research coming out. Since I began my Navajo stories, I’ve found a few new books that are gems. So check back with your library from time to time.

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Do you have a specific system for collecting data?

No unless you count the carnival method mentioned above, and the aftermath.

What kinds of sources do you use? 

I use any and all resources that apply. I use books, the Internet, travel, experts and interviews. Books may include academic, historical fiction, and picture books. Picture books should not be underestimated. They are great for researching folk tales and imprinting visual details. When I was researching for a forest fire scene, I needed the photos to help me with concrete details.

The Internet is also helpful for visual images as well as hunting down an obscure fact, like the name of the owner of the Thunderbird Trading Post in 1945—Leon Hugh “Cozy” McSparron, by the way. I couldn’t have thought up a better name. Sometimes you need to hear coyote song or the crackle of a forest fire, or see Mexicans harvesting vanilla beans, or Navajos playing string games.

If I find a book that does more than inform, but inspires, I contact the author. This has led to great help and a friendship or two. You’ll find that people who are passionate about their topic are happy to talk about it.

Finally, if I can, I travel and observe the setting of my novel first hand, be it Navajoland or Egypt—what a great excuse to travel, eh?

At what point do you feel comfortable beginning to draft? How does your research continue
once you begin writing?

An author, whose name escapes me, once said, “Write sooner than you think you can.” When I feel, not quite saturated, but too impatient to wait any longer, I begin. Usually my characters are coming alive within the history, the culture, the landscape, or the myth. I write until I find a hole in my knowledge. Then I stop and research until that hole is filled. I continue on as quickly as I can. When I find new information, I add that or rewrite if I need a course correction.
What is your favorite thing about research?

I love to learn new things, and I love to put these things into the framework of a story. Writing historical fiction allows me to be a perpetual graduate student without the exams—the book is my thesis. I haven’t graduated yet, but I can see the day, shimmering in the distance.

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What’s your least favorite thing about research?

I wonder if I have done enough, if I am missing something important. I don’t have time to read every book cover to cover, so I worry that I have missed something. Or missed the “right” book.

What’s your favorite thing about writing historical fiction?

Studying history is time travel. I am transported to places and times I can’t go to any other way. It is one of the most thrilling rides of my life.

What are some obstacles writing historical fiction brings?

I believe the most difficult thing about writing historical fiction is getting the psychology of the period right. It is easy to fall into the trap of dressing a modern American in a toga and calling him a typical Roman. Critics will jump all over that. As they should. A 1940’s Navajo girl in boarding school will not talk back to her teacher, no matter how spunky she is. A Greek-Egyptian Boy from 345 AD is probably not going to see slavery as extreme injustice. Making your story true yet accessible to modern readers is tricky. Check out Connie Willis’ Doomsday Book for a good example of grasping the psychology of medieval England. (warning—this is a devastating book, a Hugo-Nebula Award Winning, wonderful, devastating book. I love it.)

Sometimes it is helpful to read a stratified selection for research. Read writers from as many decades or centuries as you can find to help off-set bias. This is complex and yet fascinating. The reality is there is no way to see history through a pure lens. We bring ourselves, our culture, our social bias to any historical interpretation. We have to do our best here. We have to work hard, work honestly, write the truest story we can.

What’s one of the most interesting things you’ve learned while researching?

Wow! It is hard to pick one and hard to think of one, because at some point the research goes internal and becomes a part of me, transforms me. I can think of one or two things that stand out though. One is the complexity and beauty of Navajo myth and legend. We hear so much about Greek and Roman myth, but have no idea how deep and interwoven Native American literature is with history, culture, creativity, beauty. I could go on and on. Part of why I write these stories is to share this body of wonderful literature.

Has your research ever affected the overall trust of your book? How so?

My research has shown me where I have gone off track, but most often where I need more depth. I find the feedback from “experts” most helpful. Research has not caused me to have to abandon the work, rather it provides course corrections and transforms it, always transforms it, so that I am following a truer path. Not a perfect path. Not a path everyone will agree with, but a truer path. And that is the best all of us can do.

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Because life isn’t always clear cut, the motives behind our actions don’t always make sense. But stories need to follow a logical path. What sorts of decisions have you had to make about “muddy” historical figures or events in order for your book to work?

When retelling myth, there are almost always different versions of the story because it is from oral tradition. At some point, the writer of fiction has to choose one version (or even blend versions, which does not change the truth of the story, but that is another topic). For example, in Navajo legend, the Hero Twins are sometimes born of one woman, or sometimes they were born of two women but are still twins. This does not present a problem for the Navajo, but the rest of the world can’t reconcile the dissonance. To avoid confusion, I have chosen to have them both born of one woman.

If a historical figure is famous enough, there will be problems. No question. One of mine is a saint. He is revered by millions. I cannot presume to write a biography; few are qualified to attempt it. Therefore, I am writing about him through the eyes of a young protagonist. This way the story is about the boy, but I can open a window on this amazing historical figure, allow for his flaws, but not presume to offer a complete biography.

Why is historical fiction important?

Historical fiction is not only important, it is fantastically important. It is obviously important for its historical content, but there is so much more. I believe, historical fiction is a safe environment to explore modern issues. For children this is critical. Because the story is set in another time, it is not so close that it generates anxiety, but it brings up situations and issues children may have to deal with now or in the future—a sick sibling, an absent father, or even the trauma of war. All of this can provide them with tools to help them cope with their situation, help them discover who they are and who they want to become.

One day I was on a bus driving along the waterfront in Alexandria, Egypt. Two women in head scarves were sitting on the sea wall talking while their toddlers played nearby. It struck me in that moment, in that one scene as the bus sped by, that I was more like them than I was different. They were two friends, with children, having a chat. I’ve been there. They are me and I am them. I’d like others to see the world that way. That we are more alike than we are different.

 

 

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