JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans. Join now (it's free).
Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.
Viewing: Blog Posts Tagged with: popeye, Most Recent at Top [Help]
Results 1 - 25 of 34
How to use this Page
You are viewing the most recent posts tagged with the words: popeye in the JacketFlap blog reader. What is a tag? Think of a tag as a keyword or category label. Tags can both help you find posts on JacketFlap.com as well as provide an easy way for you to "remember" and classify posts for later recall. Try adding a tag yourself by clicking "Add a tag" below a post's header. Scroll down through the list of Recent Posts in the left column and click on a post title that sounds interesting. You can view all posts from a specific blog by clicking the Blog name in the right column, or you can click a 'More Posts from this Blog' link in any individual post.
Director Robert Altman made more than thirty feature films and dozens of television episodes over the course of his career. The Altman retrospective currently showing at MoMA is a treasure trove for rediscovering Altman’s best known films (M*A*S*H, Nashville, Gosford Park) as well as introducing unreleased shorts and his little-known early work as a writer.
Every Altman fan has her or his own list of favorite films. For me, Altman’s use of music is always so innovative, original, and unprecedented that a few key films stand out from the crowd based on their soundtracks. Here are my top five Altman films based on their soundtracks:
1. Gosford Park (2001): The English heritage film meets an Agatha Christie murder mystery, combining an all-star ensemble cast and gorgeous location shooting with a tribute to Jean Renoir’s La Règle du Jeu (1939). Jeremy Northam plays the real-life British film star and composer Ivor Novello. Watch for the integration of Northam/Novello’s live performances of period songs with the central murder scene, in which the songs’ lyrics explain (in hindsight) who really committed the murder, and why.
2. Nashville (1975): Altman’s brilliant critique of American society in the aftermath of Vietnam and Watergate. Nashville stands as an excellent example of “Altmanesque” filmmaking, in which several separate story strands merge in the climactic final scene. Many, although not all, of the songs were provided by the cast, which includes Henry Gibson as pompous country music star Haven Hamilton, and the Oscar-nominated Lily Tomlin as the mother of two deaf children drawn into a relationship with sleazy rock star Tom Frank (Keith Carradine, whose song “I’m Easy” won the film’s sole Academy Award).
3. M*A*S*H (1970): Ok, I will admit it. It took me a long, long time to appreciate M*A*S*H. Growing up in 1970s Toronto, I couldn’t accept Donald Sutherland and Elliot Gould as Hawkeye Pierce and Trapper John — familiar characters from the weekly CBS TV series (but played by different actors). Looking back, I realize that M*A*S*H really did break all the rules of filmmaking in 1970, not least of which because it appealed to the anti-Vietnam generation. Like so many later Altman films, what appears to be a sloppy, improvised, slap-dash film is in fact sutured together through the brilliant, carefully edited use of Japanese-language jazz standards blared over the disembodied voice of the base’s loudspeaker.
4. McCabe and Mrs. Miller (1971): Filmed outside of Vancouver, Altman’s reinvention of the Western genre stars Warren Beatty and Julie Christie. The film uses several of Leonard Cohen’s songs from his 1967 album The Songs of Leonard Cohen, allowing the songs to speak for often inarticulate characters. Watch for how the opening sequence, showing Beatty/McCabe riding into town, is closely choreographed to “The Stranger Song” as is Christie/Miller’s wordless monologue to “Winter Lady” later in the film — all to the breathtaking cinematography of Vilmos Zsigmond, who worked with Altman on Images (1972) and The Long Goodbye (1973) as well.
5. Aria (segment: “Les Boréades”) (1987): Made during Altman’s “exile” from Hollywood in the 1980s, this film combines short vignettes set to opera excerpts by veteran directors including Derek Jarman, Jean-Luc Godard, and Julien Temple. Altman’s contribution employs the music of 18th-century French composer Jean-Philippe Rameau. The sequence was a revelation to me personally, since it contains the only feature film documentation of Altman’s significant contributions to the world of opera. One of the first film directors to work on the opera stage, Altman directed a revolutionary production of Stravinsky’s The Rake’s Progress at the University of Michigan in the early 1980s: the work was restaged in France and used for the Aria Later, Altman collaborated with Pulitzer-Prize winning composer William Bolcom and librettist Arnold Weinstein to create new operas (McTeague, A Wedding) for the Lyric Opera of Chicago.
Rounding out the top ten would be Short Cuts (1993), Kansas City (1996), The Long Goodbye (1973), California Split (1974), and Popeye (1980) — Robin Williams’ first film, and definitely an off-beat but entertaining musical.
Genndy Tartakovsky's "Popeye" reboot is officially a thing now. While the film doesn't have a production greenlight yet, Sony's licensing division has begun to promote the property with concept art at the Licensing Expo in Las Vegas.
Apropos of absolutely nothing apart from it just made me laugh, cackle and cough, here are some preview pages for issue #4 of IDW’s Popeye miniseries. Released next Wednesday, the creative team for this are Roger Langridge, Tom Neely, Luke McDonnell,and Vince Musacchia.
I spotted this poster on the wall during a visit to Sony Animation last week:
With Hotel Transylvannia number #1 at the US box office, I’m particularly delighted that Genndy Tartakovsky’s next project will be Popeye for Sony Animation and producers Avi and Ari Arad. No one (not even my hero, Gene Deitch) has been able to top the classic Fleischer version of this iconic comic strip hero. I’m betting that Genndy has the vision to be true to the characters comic strip and cartoon roots, yet bring him up to date for modern audiences with all the appeal and action-packed humor the character is famous for.
After that? Samurai Jack? Something new? Who knows? But I trust this guy – and wish him all the luck in the world. Here’s a great little half-hour interview he recently did with Movie City News:
Apparently, someone on ebay is selling brand new cylinder records – I assume for those who still have working Edison Amberola phonograph machines. But the big news is that this particular cylinder features a 1931 recording of Bill Murray with Al Dollar & His Ten Cent Band performing a song called Popeye the Sailor Man. This is not the cartoon theme song, but its a fun little ditty performed by Murray, an occasional voice in classic Max Fleischer cartoons (often as Bimbo). So to heck with CDs and mp3 downloads, enjoy this recording as it was never meant to be heard – on cylinder:
Cartoonist and storyboard artist Sherm Cohen has updated his fantastic How to Draw Cartoons Facebook page with scans of the rare 1939 book Popeye’s How to Draw Cartoons. The book has some solid common sense advice, including this bit which I liked: “Copy other characters you enjoy following in your newspaper. Don’t worry if they don’t look exactly like them. The important thing is—are you remembering to exaggerate your impression of the character you have in mind?” See the entire book HERE.
Sony Pictures Animation announced today that Genndy Tartakovsky will direct Hotel Transylvania 2, scheduled for September 2015. Tartakovsky will co-write the pic with Robert Smigel (TV Funhouse, Saturday Night Live). Sony also says that while Genndy is “busy working an all-new CG take on the comic strip hero, Popeye,” he is developing an original idea, which currently has the working title Genndy Tartakovsky’s Can You Imagine? (Click on artwork above for bigger version.) It is being described as “a fantastic journey through one boy’s imagination.” Says Tartakovsky, “It’s good to be back at the Hotel Transylvania, and I’m very excited to work on Popeye, a character that I’ve loved since I was a kid. I’m also looking forward to developing an entirely new and original animated feature here at Sony Pictures Animation. This is an exciting time for me and for the studio.”
Tonight in New York City, Sotheby's will auction a stainless steel, 2000-pound, six-and-a-half-foot-tall Popeye sculpture by Jeff Koons that is estimated to sell for between $25-35 million. Koons, who is already among the top three richest living American artists not to mention an avowed lover of "Croods," made three of these Popeye sculptures, which probably represents the number of people who he thinks are dumb enough to pay between $25-35 million for a Popeye sculpture.
Last night Jeff Koons sold a sculpture of Popeye for over $28 million. The sculpture may not have been designed by him though. In the comments of our previous post about the Popeye sculpture, Brew reader Alex Kirwan pointed out that Koons's sculpture bears a striking similarity to a Dark Horse-produced Popeye figurine released in 2002.
I’m a sucker for ANY Popeye anything, especially if animated to Jack Mercer’s voice. Here’s one of his later TV spots, his voice so identified with the sailor, the character hardly appears (though its a clever way to save money for animation). Note the comic strip “Brutus” twisting Popeye into a knot at the end:
I love Popeye cartoons as much as the next guy – maybe a little more than the next guy – but even I can’t afford the new clothing line now on sale at Bloomingdale’s. The store is promoting its new King Features Collection
featuring designs using Popeye, Beetle Bailey, The Phantom and Hagar the Horrible at its stores this week. Popeye T-Shirts for $40 bucks, a pair of socks (left) is $45 and a Popeye scarf for $145? Blow that down! The department store even took out full page ads in major newspapers yesterday to hype its annual “New York Nights” event, taking place tonight at 6pm in stores in New York (including the Men’s Store on 59th street and Third Avenue in Manhattan) and Los Angeles (in Sherman Oaks, Santa Monica, and at The Beverly Center). “Attendees are invited from 6 to 8 p.m. to see the merchandise, which includes everything from T-shirts and overcoats to sneakers and toys. All of the merch will be available for purchase through the holiday season.” All of it way overpriced! In this economy, I’ll wait for it to trickle down to Target.
King Features has collaborated with rock band Wilco on a comic strip/music video tie-in with Popeye. The sailorman and his crew crossed over in last Sunday’s comic strip (1/22/12 by Frank Caruso and Ned Sonntag) and joined the group in this animated music video (embed below), directed by urban fashion designer Darren Romanelli and animated in Singapore by Peach Blossom Media.
Much loved indie band Wilco is back with a new video—their first in 12 years—which doubles as a new Popeye cartoon. Directed by Darren Romanelli and art directed by Frank Caruso, the video recalls the classic Fleischer Bros. animation.
The band has a rather elaborate website for the video, with comics (by Caruso and Ned Sontagg), spinach and more. Plus, animated Nels Cline—you cannot lose.
You gotta be careful in here, kid. You may be wearin’ your stripes, but you ain’t earned your stripes. Go it alone and you’ll make mistakes. You’ll hitch yourself to the wrong post, get saddled up and sold to the highest bidder. Stick by me and you might stand half a chance, but you’re gonna hafta listen.
Oh, that’d be on Tuesdays. Not a bad spread. Pickles. Onions. Standard. You’ll learn the menu. More important is this here yard. How you carry yourself. Who you trust. Take that fella at the bench press for example, the one with the dark beard and forearms thick as your chest. Name’s Bluto. Doin’ a dime for kidnappin’ a woman. That’s right, a sailor man’s wife. Threw her over his shoulder and took her down to the docks. Oh, he’ll rough you up right, but keep a can of spinach in your hip pocket and he’ll think twice. I don’t understand the science, but that there is the formula. Spinach.
Agreed, kid. Coupla sizzlin’ patties will beat a can o’ the green any yesterday or tomorrow, but that’s not what we’re talkin’. We’re talkin’ today and today is about the disco and the disco is about stayin’ alive. Have a look here. Skinny character sporting the lime suit? Question mark on his chest? That don’t mean he’s the information booth. No sir. Say a word to that crafty SOB and he’ll come at you like the Sphinx, all riddles ‘n giggles. Next thing you know you’ll be chummin’ around with a psycho circus clown and runnin’ from some pointy-eared, gravelly voiced vigilante. No. Thank. You. Best to steer clear of that riddler entirely.
Beats me! I wouldn’t know if his riddles are about ground beef or ground cinnamon for that matter, because I don’t talk to the man! Aren’t you listenin’? Better be. Your eyes ain’t gonna tell you what my twenty-seven years behind this barbed wire knows to be true. Another example. You probably look over at that strung-out orange beaky guy and think, “well that’s just some ol’ cuckoo junkie.” You’d be right about that. But that ol’ cuckoo junkie goes by the name of Sonny, and Sonny knows where to score the sweet stuff, if you catch my meaning. Sonny is just cuckoo for it, smuggles it past the guards in cereal boxes. You want a taste, that’s your bird.
I guess he could get you some, but why not wait till Tuesday? Like I said, they fire up that flame-broiler on Tuesdays. Sonny’s got no time to bother with no fast-food. Wisen up, boy, or you’ll end up runnin’ with them Hanna Barberas and let me tell you, that gang’s no Laff-a-Lympics. Sure, some of them hustlas may talk a soft game, soundin’ like Casey Casem or Paul Lynde, but they will be quick to shank a new fish if they even suspect you’re conspirin’ with the ascotted and far-sighted and snack-gobblin’ brand o’ meddlin’ teenagers. Dig? Of course you don’t. I’m not spellin’ it out in ketchup. These are the type of gangstas that dress as ghosts and swamp thangs and go hauntin’ just so they can shut down orphanages! That enough to scare you? Oh and don’t get me started on the Orphans! That’s another gang. A more Dickensian band of bandits you have not seen. If it ain’t your porridge they’re after, it’s your inheritance. You work the chimney sweep detail and you’ll be pits-deep in those mangy lads, singing show-tunes while they pick your pocket. You’re better off
It wouldn’t be a book round-up without one or two from Craig Yoe. His latest compilation is this remarkable 256 page hardcover collecting much of Frank Frazetta’s (Fire & Ice) funny animal comic art of the 1940s. These comics, which emulate Hollywood cartoons of the era with characters like “Hucky Duck” and “Bruno Bear”, show that Frazetta was equally skilled at exaggerated cartoon line art as he was with his later realistic fantasy paintings. The book devotes over 70 pages to these rare “animated” stories, over 60 pages to his remarkable text-page header illustrations (for such tales as Percy The Pufferfish and Abbott the Rabbit), and another 70 to humorous stories drawn in Frazetta’s more realistic style. Yoe recounts Frazetta’s earlier years in his lavishly illustrated (with rare art) opening essay, and Ralph Bakshi contributes his memories in a sincere Introduction. All in all, its a lot of fun!
If you’ve ever admired the art or illustrations of cartoonist Otto Soglow, this book is a must-have. Over 400 pages filled with Little King Sunday strips, including a sampling of his associated characters The Ambassador and Sentinel Louie, with a thorough biographical introduction by Ohio State University comics historian Jared Gardner that includes numerous rare Soglow images, including animation art, advertising pieces and commercial illustrations. A beautiful package, a wonderful collection.
If you collect any and all things related to classic E.C.’s original Mad comics – here is the missing link! This 192-page trade paperback is the last word on the bakers dozen of Mad knock-offs produced by Marvel (Atlas), Charlton, St. John, Harvey Comics and others in 1953-54 pre-comics code era. Editor John Benson compiles the best of these humor comics – with art by Jack Kirby, Norman Maurer, Howard Nostrand, Dan DeCarlo and others – and writes an informative and lavishly illustrated essay on the history of these books and their creators. Hilarious fun, The Sincerest Form of Parody is sincerely great.
Apparently, Genndy Tartakovsky (Dexter’s Laboratory, Samurai Jack, Star Wars: Clone Wars, Sym-bionic Titan) impressed Sony Pictures Animation with his directing on Hotel Transylvania. Varietyreported on Monday afternoon that Sony has enlisted him again to direct a 3D CG Popeye feature. Avi and Ari Arad will produce under their Arad Productions banner with Sony.
(Photo of Popeye and Olive Oyl at the Mermaid parade on Coney Island via Lev Radin/Shutterstock)
Blow me down! It looks like Popeye may be on his way back to the big screen, and with animation master Genndy Tartakovsky at the helm:Avi and Ari Arad are producing it for Sony Animation from a script by David Ronn and Jay Scherick.
Tartakovsky’s HOTEL TRANSYLVANIA is soon to open, his first animated feature after his triumphs on DEXTER’S LABORATORY, SAMURAI JACK and CLONE WARS. We’ve been looking forward to getting Tartakovsky’s big screen vision finally on the big screen for a while: he was once attached to an aborted take on Astro Boy. A full length Samurai Jack movie is also in the works.
As for the pugnacious, spinach fueled Popeye, since debuting in E.C. Segar’s triumphant THIMBLE THEATER comic strip (now available in gorgeous hardcovers from Fantagraphics), he went on to become the star of a Fleischer Bros. animation, and a nearly constant cartoon star for nearly 70 years, with recent appearances in South Park and Family Guy. Of course there’s also the extremely goofy but harmless Robert Altman Popeye musical film.