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Throughout April (National Poetry Month), I'll be posting poetry-themed Wednesday Writing Workouts.

On my own blog, I'll add more poetry writing tips and assorted poetry treats, including giveaways of Write a Poem Step by Step.

Be sure to check out what the other Teaching Authors are working on this month! April is posting daily metaphors, and Laura is writing a riddle haiku every day. For more Poetry Month delights, check out the list of 2014 Kidlitosphere Events on Jama Kim Rattigan's Alphabet Soup Blog. You could start reading the links above and continue for days. Just be sure to come back here on Friday for a special announcement!

For today's workout, give yourself a writing assignment. If you keep writing in the same old forms all the time, try a new one.

How about a limerick? They are silly, lighthearted, and fun. As a challenge, I decided to write one using the name of the place where I live. I first tried to rhyme with "Shorewood," but the stress is on the wrong syllable. Does anything rhyme with "Wisconsin"? I don't think so, but I didn't let that stop me!


(Note that this poem is not autobiographical. I would never do such a thing!)

A traditional limerick typically starts out by naming a person from a place:

• There was an old man from Seville.

• There once was a girl from Cancún.

To write a limerick, read a few first to get the anapest rhythm in your head: da da DUM da da DUM da da DUM. Lines 1, 2, and 5 each have three anapests (with some variation allowed), and lines 3 and 4 each have two.

Edward Lear made limericks famous. You can read many of his poems and see his accompanying illustrations on the Project Gutenberg site. Or look for a poetry collection in the library--most of the limericks online are vulgar!

One thing that helps is to choose a two-syllable place name with the stress on the second syllable, such as Madrid or Green Bay. Remember that you have to find two words that rhyme with the place name. Brazil might be easier to work with than Detroit. Have fun!

I'll be highlighting a whole slew of forms on this blog and my own web site throughout the month. So after you stop here on Friday (You are stopping here on Friday, right?), visit me there for more poetry fun!

Oh, and feel free to post your limericks here--we'd love to see them!

JoAnn Early Macken

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In writing it's all about words,
Tales of princesses, heroes and nerds.
Then get published you must,
Though it's mostly a bust,
When they tell you your writing's absurd.

I'd add the history of the limerick, but I'll leave that to Alexander...

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A good limerick’s no trouble to fashion:
Avoid lines that are metrically clashin’,
Bring together some rhymes,
Build in humor at times,
And enjoy it. For some, it’s a passion!

That’s by Jesse Frankovich and from a website called The Omnificent English Dictionary In Limerick Form.

Of course the poetry form called limerick takes its name from the Irish city called Limerick. The style of rhyme was around before it was named that though.

Edward Lear who invented such imaginary things as runcible spoons is also credited with popularizing, if not inventing limericks.

That said, Lear was dead before limericks are documented as having been called limericks. He passed away in 1888 and The Oxford English Dictionary traces the first time such poetry being called a limerick to 1896.

The reason limericks began being called limericks was that these often nonsensical poems became a kind of party game. The party goers would take turns—and the dictionaries tell me that each participant not only had to make up a limerick on the spot, but they had to sing it too—following which the chorus ran “Will you come up to Limerick?”Presumably directed at the next person who had to perform.

This makes me think that “coming up to Limerick” sort of parallels “coming up with a limerick” although I’m sure it isn’t quite that literal.

The place Limerick itself is said to have had this or a similar name for more than 1400 years and according to both Patrick Joyce in The Origin and History of Irish Names of Places and Adrian Room in Placenames of the World the meaning of the name is “a bare piece of land.” This could have meant somewhere that wasn’t forested but it could also have meant a place that was hard to defend militarily.

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Five days a week Charles Hodgson produces Podictionary – the podcast for word lovers, Thursday episodes here at OUPblog. He’s also the author of several books including his latest History of Wine Words – An Intoxicating Dictionary of Etymology from the Vineyard, Glass, and Bottle.

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Last week, a reader commented that poetry prompts can be gimmicky. True, but sometimes they’re also great creative un-stickers—not to mention fun! Here’s a Poetry Friday post of prompted poems.

At The Miss Rumphius Effect this week, the Poetry Stretch was to write a poem in “diminishing” or “nested” rhyme. Each rhyming word is contained within the previous one. Here’s mine:
 

Lunatic’s Lullaby

Hush, little child, do not be afraid;
the fabric of sanity ever was frayed.
Surrender your sense when the hobgoblins raid,
for no one but madmen will come to your aid.
 

Following last week’s lipogram, Jennifer Knoblock threw down the gauntlet, challenging me (and anyone else foolish/brave enough to try) to write a poem using letters that get high points in Scrabble. We decided success would be measured by taking the ratio of Scrabble points to the number of letters. (Yes, it's admittedly silly.) Here’s my dubious contribution:
 

Limerickqxz

A foxy young doxy blew sax.
With hip-hop, she hardly was lax.
But when she played jazz,
her lip work lacked pizzazz;
then nightclubs would give her the ax.
 

And here’s how I figured the score (Scrabble points/letters):

A (1/1) foxy (17/4) young (9/5) doxy (15/4) blew (9/4) sax (10/3).
With (10/4) hip-hop (16/6), she (6/3) hardly (13/6) was (6/3) lax (10/3).
But (5/3) when (10/4) she (6/3) played (12/6) jazz (29/4),
her (6/3) lip (5/3) work (11/4) lacked (13/6) pizzazz (45/7);
then (7/4) nightclubs (18/10) would (9/5) give (8/4) her (6/3) the (6/3) ax (9/2).

327 points divided by 120 letters = 2.725

I'll be getting a MacArthur genius grant any day now... And yes, saxophones are VERY POPULAR instruments in hip-hop culture! How dare you suggest otherwise?

I am, of course, reminded of this wonderful Threadless shirt, "Well, This Just Really Sucks..."
 

This week’s Poetry Friday round-up is hosted by Wild Rose Reader!

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Today, May 12, is Limerick Day, in honor of the birth of Edward Lear, the man who popularized the limerick poem with his own self-illustrated collection, the Book of Nonsense (1846). Limericks for adults are often bawdy verses or songs, but limericks for children are usually just humorous or even outrageous story-poems. There are several teaching resources available on the topic of writing limericks with kids including Poetry-online and Giggle Poetry.

Here are a few, fun original limericks by master punster, J. Patrick Lewis in honor of the day. Enjoy!

Limb-ericks: Hip Verses
All by J. Patrick Lewis (used with permission)

The Skin
Now a snake who’s about to begin
Climbing out of his ugly old skin
Has the grin of a winner—
It’s “in” to be inner
And out of the outer he’s in.

The Hump
In the desert a camel was minus
A passenger, His Royal Highness.
The King loved the humps
But the bumpety-bumps
Left him down in the dumps and the dryness.

The Nose
The bat clings to the ceiling above,
Wrapped in wings like a hand in a glove,
Too afraid to expose
To his neighbors a nose
That only a mother could love.

The Neck
According to Good Gnus Reporter,
The Giraffe used to be a lot shorter
Till a bird in the trees
Said, “Get up off your knees!”
Said Giraffe, “That’s a very tall order.”

The Arm
To an Octopus luncheon for nine,
The comrades-in-arms come to dine.
But when hugging each other—
What suckers, oh brother!—
They look like a great ball of twine.

The Antler
The Moose suffers pain and distress
If a hat is hung on his headdress.
His horns were intended
For something more splendid—
But what it is no one can guess!

Note: The limericks are forthcoming in J. Patrick Lewis's Countdown to Summer: A Poem for Every Day of the School Year, Little, Brown, (Spring 2009). I can’t wait to see this book! I’ve been working on my own project matching poems to events for each day of the year, so this should be a terrific resource. A similar approach is the fantastic, Days to Celebrate: A Full Year of Poetry, People, Holidays, History, Fascinating Facts, and More by Lee Bennett Hopkins (New York: Greenwillow, 2005).

For more limericks, there’s always Edward Lear’s Book of Nonsense, of course, plus these gems:
Ciardi, John. 1992. The Hopeful Trout and Other Limericks. Boston: Houghton Mifflin.
Kennedy, X.J. 1997. Uncle Switch: Loony Limericks. New York: Margaret K. McElderry.

For a wonderful poem tribute to Lear himself, check out:
Lewis, J. Patrick. 1998. Boshblobberbosh; Runcible Poems for Edward Lear. Mankato: Creative Editions; San Diego: Harcourt.

Picture credit: www.dkimages.com

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