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Viewing: Blog Posts Tagged with: Hiroshima, Most Recent at Top [Help]
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1. Dead Parents in Fiction


A mother and daughter book group reading Nim's Island wrote to say they were thinking of changing their name to the Dead Parents Book club, as they'd done so many books where the children were orphans or missing one parent. 


The stated reason for having dead parents in fiction is usually that you need to get parents out of the way for the kids to have good adventures. A parent's job is to protect their children from harm, and for a good rousing adventure, you need risks and danger.  
 On a deeper, real-life, level, a child whose parent dies often steps up to fill a role, and has no choice but to mature. And, on the psychological level, as my Jungian friend and editor Sue says, the child may become more heroic because without the support of the real parent, they may be more influenced "by the archetypal, larger than life 'mother' or 'father' instead of the personal, so that they might be spurred on to do big and important things.


Illustration by Kerry Millard, from Nim's Island
I think the other reason for orphans in fiction is that kids are fascinated by them, a combination of fear and horror at the thought of losing parents, and the desire to know how they’d cope on their own. At least, that’s how I remember feeling, especially on reading Anne of Green Gables. It was probably due to Anne, that when my 9 year old self wrote the story that morphed into Nim’s Island 30 + years later, the heroine was an orphan.

Yet when I started planning Nim’s Island, Nim had two living parents. I always intended to get rid of them – originally they were going to sail away for a year or so, rather like Pippi Longstocking’s father. Then my sexual biases and cultural conditioning, or just plain maternal instinct, revolted. I realized that I could forgive the child’s father for sailing off, but not the mother. (Yes, I know that’s wrong, unfair, outdated, etc, and in real life I would probably judge the father just as harshly as the mother. I’m just being honest about the subconscious processing). 

The only way I could write the book was to kill the mother. (Which I decided on a walk with my daughter, who was somewhat shocked when I suddenly announced, "I'm going to have to kill her." Apparently that's one of those statements you should premise with an explanation of what you're thinking about, or at least mention that it's fiction.) 

Though I suppose it still all leads back to the beginning, because I wouldn't have had to kill her if I hadn't needed her to leave her child alone on an island, and get out of the way of having those adventures. 

Or maybe I wouldn't have ever pictured her alone on the island if I hadn't read of orphaned Anne of Green Gables, or fatherless Jim Hawkins in Treasure Island when I was nine... but their stories wouldn't have happened if they'd had two parents.  

2 Comments on Dead Parents in Fiction, last added: 9/19/2012
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2. The Tiger’s Choice: Looking at Naming Maya

Naming MayaI gobbled Naming Maya when I first read it, swept up by its story, its characters and its sense of place. I’ve reread it several times since that first rapid perusal, and with each new reading I find another facet of the story.

There are so many things about this book that I long to discuss with other people who have read it too. It makes me wish I had a daughter so I could talk it over with her – and that leads me to believe that it’s a perfect selection for a mother-daughter book group. What do people who have daughters think? Is this a book that you would choose to read with girls in your family?

“Language can make you a stranger in many places, but only if you let it,” Maya observes in a place where Hindi, English, and Tamil all compete for her attention. How does Kamala Mami bring Maya’s family together in spite of their differing languages and customs?

Shared history and memory both are unifying and divisive in this novel. How does Kamala Mami’s chaotic flood of memories help Maya to live with her own?

In an earlier PaperTigers post, Filipino author Lara Saguisag discusses how different values and different dreams lead to varying forms of childhood. How do cultural values and the protection that they can offer contribute to the differences between Maya and her cousin?

And perhaps most of all – did other readers immediately go out in search of Indian food when they finished reading this book? I certainly did!

9 Comments on The Tiger’s Choice: Looking at Naming Maya, last added: 5/2/2008
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3. Very Short Introductions: Documentary Film

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By Kirsty OUP-UK

With Oscar season in full swing it seems fitting that this month’s Very Short Introduction column comes from Patricia Aufderheide, author of Documentary Film: A Very Short Introduction. Patricia is a professor in the School of Communication at American University, Washington DC, and in the past has served as a Sundance Film Festival juror and as a board member of the Independent Television Service. Regular OUPblog readers will also have read Patricia’s previous posts for OUPblog here, here and here.

(more…)

0 Comments on Very Short Introductions: Documentary Film as of 1/1/1990
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4. Books at Bedtime: Peace

Yesterday was Peace Day – thousands of people around the world stopped to stand together for a world without conflict, for a world united:

PEACE is more than the absence of war.
It is about transforming our societies and
uniting our global community
to work together for a more peaceful, just
and sustainable world for ALL. (Peace Day)

There is an ever-increasing number of children’s books being written by people who have experienced conflict first hand and whose stories give rise to discussion that may not be able to answer the question, “Why?” but at least allows history to become known and hopefully learnt from.

For younger children, such books as A Place Where Sunflowers Grow by Amy Lee-Tai and illustrated by Felicia Hoshino; Peacebound Trains by Haemi Balgassi; and The Orphans of Normandy by Nancy Amis all The Orphans of Normandyfocus on children who are the innocent victims of conflict. We came across The Orphans of Normandy last summer. I was looking for something to read with my boys on holiday, when we were visiting some of the Normandy World War II sites. It is an extraordinary book: a diary written by the head of an orphanage in Caen and illustrated by the girls themselves as they made a journey of 150 miles to flee the coast. Some of the images are very sobering, being an accurate depiction of war by such young witnesses. It worked well as an introduction to the effects of conflict, without being unnecessarily traumatic.

The story of Sadako Sasaki, (more…)

4 Comments on Books at Bedtime: Peace, last added: 10/12/2007
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