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Viewing: Blog Posts Tagged with: Italy, Most Recent at Top [Help]
Results 1 - 25 of 82
1. A Letter for Leo – Perfect Picture Book Friday

Title: A Letter for Leo Written and illustrated by: Sergio Ruzzier Published By: Clarion Books, New York, 2014 Themes/Topics: postmen, friendship, letters, birds, weasels Suitable for ages: 3-5 Fiction, 32 pages Opening: Leo is the mailman of a little old town Synopsis: Postman Leo … Continue reading

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2. One Thing Stolen: teacher's guide (a first glimpse)

Once again, the Chronicle team has done an exquisite job of creating a teacher's guide.

This time the guide was created in support of One Thing Stolen, a story about dangerous obsessions, an Italian city, an historic flood, and hope, due out in April 2015 (more on the book here). We'll be posting a live link soon. This, above, is just a fragment. It moves me deeply to think of someone giving a book such close attention, pondering its heart and lessons, and crafting (and designing) a guide this lovely.

The teacher's guide to Going Over, another Chronicle masterpiece, can be found here.

Thank you, Jaime Wong and Chronicle Books.

0 Comments on One Thing Stolen: teacher's guide (a first glimpse) as of 11/19/2014 3:55:00 AM
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3. What Florence is to you (and the winner of One Thing Stolen)

I asked readers of this blog to tell me something about the way they think of or remember Florence. What is that building, that bit of landscape, that dish, that way of walking, that weather that is Florence to you?

On my blog and over Facebook they answered—so many lovely responses that I find myself simply wanting to list them here. To you, to those who stopped by, Florence is (in part):

The trip Florinda and her art major husband will take to Italy before this decade is through.

That moment when Sandra Bullock says, in "While You Were Sleeping," "And there would be a stamp in my passport and it would say Italy on it."

A statue of Bacchus.

The stories Hilary's backpacking sister would tell.

The cement slab that sloped down toward the river.

The smell of leathergoods shops on the Ponte Vecchio.

Florence and the Machine.

A woman named Florence who helped Lisa feel hopeful about staying intellectually engaged at any age (and being kind while you are at it).

Outdoor cafes and hot waiters who are working to pay for their art.

The Palazzo Vecchio, the Uffizi Gallery, the Duomo, a city close to the city where George Clooney got married.

Two small gold rings.

An art history class.

Renaissance art.

The nearby beaches.

The similarities between the Arno and the Schuylkill (woman after my own heart, that Victoria Marie Lees)

A mother, now gone, who lived the dream of traveling Italy.

(And so much more.)
This morning I've asked my sleepy husband to give me a number (each entry had a number). His number correlates with Amy, who said that Florence is, to her, the cement slab that sloped down toward the river (and where she wrote in her journal).

Amy, I can't tell you how cool it is that you have been randomly selected, for a very major scene in One Thing Stolen takes place on that very cement slab. Please send along your mailing address so that I can send you a copy of the book.

Looking forward to seeing my Chronicle friends and the teachers of NCTE (and wonderful, intelligent, blessing-of-a-friend Debbie Levy!!!!!!) next Friday/Saturday in Washington, DC, where more copies of One Thing Stolen will be shared. I'll be at the Chronicle Booth at 3 PM on Friday.



0 Comments on What Florence is to you (and the winner of One Thing Stolen) as of 11/15/2014 8:01:00 AM
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4. One Thing Stolen, the Florence novel, has a PW moment

So grateful to have ONE THING STOLEN included in this Spring 2015 Children's Sneak Previews from Publishers Weekly:

CHRONICLE
Chronicle channels the Force for Star Wars Short and Sweet: A New Hope by Jack and Holman Wang, a 12-word retelling; I Wish You More by Amy Krouse Rosenthal, illus. by Tom Lichtenheld, celebrating everyday moments of abundance; The Water and the Wild by Kathryn Elise Ormsbee, a fantasy debut featuring a portal in a bejeweled tree; One Thing Stolen by Beth Kephart, about a girl who develops strange behaviors when she moves with her professor father to Italy for six months; and Vanishing Girl by Elena Dunkle and Clare B. Dunkle, a mother-daughter memoir featuring daughter Elena’s struggle with anorexia.

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5. Venice Film Festival Selects ‘Boxtrolls’ And Two Animated Shorts

The Venice Film Festival, which is the world's oldest film festival, announced the line-up today for their 71st edition. The festival is known for not giving much consideration to animated cinema, but they always throw in a few animated films.

0 Comments on Venice Film Festival Selects ‘Boxtrolls’ And Two Animated Shorts as of 7/25/2014 12:46:00 AM
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6. Murano Glass by Margot Justes












A vacation always inspires me to write, whether it is in my current WIP, or a travel article, it doesn’t really matter, the inspiration is there. This time I visited some of my favorite places in Europe, chief among them was a stay in Venice...and what a visit it was.

The concierge at the hotel was able to arrange a private visit to a Murano furnace, the Schiavon Art Team. I have seen a working furnace before that was geared toward the tourists straight off the boat or the ferry, as it were, and I have stopped in many Murano and Venetian  glass stores.  For the most part the pieces are pretty similar in the shops, but this furnace had some spectacular pieces of art. I also happen to love glass, and Murano is famous worldwide for their glass.

I was totally unprepared for the sheer beauty and originality of the work, contemporary glass art work that came to life when properly lit.  I loved every piece I saw, they were not the common pieces sold everywhere you turned, but unique pieces with astounding colors and textures.  Terrific variation of African baskets with dark reds, black and tan deep opaque colors that if not touched would pass for a woven basket. The work is sublime.

Not only was I able to watch a master glass blower at work, I was also allowed to take all the pictures I wanted. Starting with the furnaces, the annealing area, polishing room and the galleries. Truly a memorable experience.

Most were custom pieces ordered by individual clients and businesses, but there were many pieces for sale in the gallery upstairs, as well as a gallery down the street from the furnace that is open to the public.

It was a unique experience for me, because A Hotel in Venice is partially set in Murano and deals with the intrigues of blowing glass, age old secret formulas and lack of new talent. It takes many years to become a master blower, and it is incredibly hard work. Try blowing through a tube and shape a piece of molten glass. If it’s your first try, your face will turn beet red-the effort is tremendous-but the master blower makes it look effortless. 

The visit was a most memorable and inspirational experience, one I will always cherish. 

As a side note, Blood Art will be free this weekend on Amazon. I want to introduce my favorite vampire Nikolai Volkov.  http://www.amazon.com/Blood-Art-Margot-Justes-ebook/dp/B00FWA8YMO

Cheers,
Margot  Justes
Blood Art
A Hotel in Paris
A Hotel in Bath
Hot Crimes Cool Chicks
www.mjustes.com

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7. Stefano Marra

Stefano Marra on grainedit.com

Stefano Marra is a versatile designer hailing from the southern part of Italy. His portfolio is filled with examples of work that highlight his ability to use texture and shading to successfully achieve a variety of effects. These skills have not gone unnoticed and have landed him editorial commissions from a variety of publications including Il Sore 24 Ore, Wired UK, and Datum.

 

 

Stefano Marra on grainedit.com

Stefano Marra on grainedit.com

 

 

Stefano Marra on grainedit.com

Stefano Marra on grainedit.com

Stefano Marra on grainedit.com

 

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8. ONE THING STOLEN: a single copy available to a U.S. reader

I have a single copy of ONE THING STOLEN, my novel about an impossible obsession set against the backdrop of Florence, Italy, available to a U.S. reader.

I invite those who are interested to leave a comment indicating one thing you most associate with Florence—a building, a landscape feature, an icon, a dish, a way of walking, a kind of weather, anything. I will then attempt to write a blog post referencing every single comment.

(I anticipate a mean mind twister.)

The winner will be randomly chosen on November 15th.

Perhaps you wonder why I have just one copy to give away? The answer is that I've been busy creating packages for the many people who helped make this book a reality.

Dr. Bruce Miller, for example, of the University of California-San Francisco Memory and Aging Center, who shed light on the disease that my young Nadia faces.

Emily Rosner and Maurizio Panichi, whom I met in the Florence bookstore, Paperback Exchange, and who helped me understand the 1966 flooding of the Arno and the Mud Angels who came to the rescue; Maurizio's own experiences are woven through this story.

Laura Gori, who directs the Scuola del Cuoio, and where I learned the art of leather working from a master.

Mike Cola, a dear friend and Renaissance man, who talked to me about birds.

Kathy Coffey, who sent, through the mail, the book that I needed, following her own trip to Florence.

My brother-in-law, Mario, who helped me with translations.

Wendy Robards, who read early on and kept me grounded.

My students Katie Goldrath and Maggie Ercolani, who deeply inspired me.

And a few others.

Leaving me with one galley for posterity's sake and one for one of you.

I hope you'll let me know of your interest.

0 Comments on ONE THING STOLEN: a single copy available to a U.S. reader as of 10/19/2014 7:42:00 PM
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9. Once upon a time, part 1

I’m writing from Palermo where I’ve been teaching a course on the legacy of Troy. Myths and fairy tales lie on all sides in this old island. It’s a landscape of stories and the past here runs a live wire into the present day. Within the same hour, I saw an amulet from Egypt from nearly 3000 years ago, and passed a young, passionate balladeer giving full voice in the street to a ballad about a young woman – la baronessa Laura di Carini – who was killed by her father in 1538. He and her husband had come upon her alone with a man whom they suspected to be her lover. As she fell under her father’s stabbing, she clung to the wall, and her hand made a bloody print that can still be seen in the castle at Carini – or so I was told. The cantastorie – the ballad singer – was giving the song his all. He was sincere and funny at the same time as he knelt and frowned, mimed and lamented.

The eye of Horus, or Wadjet, was found in a Carthaginian’s grave in the city and it is still painted on the prows of fishing boats, and worn as a charm all over the Mediterranean and the Middle East, in order to ward off dangers. This function is, I believe, one of the deepest reasons for telling stories in general, and fairy tales in particular: the fantasy of hope conjures an antidote to the pain the plots remember. The street singer was young, curly haired, and had spent some time in Liverpool, he told me later, but he was back home now, and his song was raising money for a street theatre called Ditirammu (dialect for Dithryamb), that performs on a tiny stage in the stables of an ]old palazzo in the district called the Kalsa. Using a mixture of puppetry, song, dance, and mime, the troupe give local saints’ legends, traditional tales of crusader paladins versus dastardly Moors, and pastiches of Pinocchio, Snow White, and Alice in Wonderland.

marina2
A balladeer in Palermo. Photograph taken by Marina Warner. Do not use without permission.

Their work captures the way fairy tales spread through different media and can be played, danced or painted and still remain recognisable: there are individual stories which keep shape-shifting across time, and there is also a fairytale quality which suffuses different forms of expression (even recent fashion designs have drawn on fairytale imagery and motifs). The Palermo theatre’s repertoire also reveals the kinship between some history and fairy tale: the hard facts enclosed and memorialised in the stories. Although the happy ending is a distinguishing feature of fairy tales, many of them remember the way things were – Bluebeard testifies to the kinds of marriages that killed Laura di Carini.

A few days after coming across the cantastorie in the street, I was taken to see the country villa on the crest of Capo d’Orlando overlooking the sea, where Casimiro Piccolo lived with his brother and sister. The Piccolo siblings were rich Sicilian landowners, peculiar survivals of a mixture of luxurious feudalism and austere monasticism. A dilettante and dabbler in the occult, Casimiro believed in fairies. He went out to see them at twilight, the hour recommended by experts such as William Blake, who reported he had seen a fairy funeral, and the Revd. Robert Kirk, who had the information on good authority from his parishioners in the Highlands, where fairy abductions, second sight, and changelings were a regular occurrence in the seventeenth century.

The Eye of Horus, By Marie-Lan Nguyen, Public Domain via Wikimedia Commons.

Casimiro’s elder brother, Lucio, a poet who had a brief flash of fame in the Fifties, was as solitary, odd-looking, and idiosyncratic as himself, and the siblings lived alone with their twenty servants, in the midst of a park with rare shrubs and cacti from all over the world, their beautiful summer villa filled with a vast library of science, art, and literature, and marvellous things. They slept in beds as narrow as a discalced Carmelite’s, and never married. They loved their dogs, and gave them names that are mostly monosyllables, often sort of orientalised in a troubling way. They range from ‘Aladdin’ to ‘Mameluk’ to ‘Book’ and the brothers built them a cemetery of their own in the garden.

Casimiro was a follower of Paracelsus, who had distinguished the elemental beings as animating matter: gnomes, undines, sylphs and salamanders. Salamanders, in the form of darting, wriggling lizards, are plentiful on the baked stones of the south, but the others are the cousins of imps and elves, sprites and sirens, and they’re not so common. The journal Psychic News, to which Casimiro subscribed, inspired him to try to take photographs of the apparitions he saw in the park of exotic plants around the house. He also ordered various publications of the Society of Psychical Research and other bodies who tried to tap immaterial presences and energies. He was hoping for images like the famous Cottingley images of fairies sunbathing or dancing which Conan Doyle so admired. But he had no success. Instead, he painted: a fairy punt poled by a hobgoblin through the lily pads, a fairy doctor with a bag full of shining golden instruments taking the pulse of a turkey, four old gnomes consulting a huge grimoire held up by imps, etiolated genies, turbaned potentates, and eastern sages. He rarely left Sicily, or indeed, his family home, and he went on painting his sightings in soft, rich watercolour from 1943 to 1970 when he died.

marina3
Photograph by Marina Warner. Do not use without permission.

His work looks like Victorian or Edwardian fairy paintings. Had this reclusive Sicilian seen the crazed visions of Richard Dadd, or illustrations by Arthur Rackham or John Anster Fitzgerald? Or even Disney? Disney was looking very carefully at picture books when he formed the famous characters and stamped them with his own jokiness. Casimiro doesn’t seem to be in earnest, and the long-nosed dwarfs look a little bit like self-mockery. It is impossible to know what he meant, if he meant what he said, or what he believed. But the fact remains, for a grown man to believe in fairies strikes us now as pretty silly.

The Piccolo family’s cousin, close friend and regular visitor was Giuseppe Tomasi di Lampedusa, the author of The Leopard, and he wrote a mysterious and memorable short story about a classics professor who once spent a passionate summer with a mermaid. But tales of fairies, goblins, and gnomes seem to belong to an altogether different degree of absurdity from a classics professor meeting a siren.

And yet, the Piccolo brothers communicated with Yeats, who held all kinds of beliefs. He smelted his wonderful poems from a chaotic rubble of fairy lore, psychic theories, dream interpretation, divinatory methods, and Christian symbolism: “Out of the quarrel with others we make rhetoric; out of the quarrel with ourselves we make poetry.”

Featured image credit: Capo d’Orlando, by Chtamina. CC-BY-SA-2.5 via Wikimedia Commons

The post Once upon a time, part 1 appeared first on OUPblog.

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10. Longa025

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Specializing in vector-based illustration, Longa025 has created a stunning portfolio of infographics, icons, and maps for well-known clients including Monocle, GQ and Rolling Stone Magazine.


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11. Maggie Welcomes Thousands of Visitors Worldwide

Maggie Steele, the storybook heroine who vaults over the moon, has been attracting thousands of visitors from around the world. So many visitors, in fact, that she’s using a time zone map to keep track of them all.* People are … Continue reading

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12. Burano, Italy

Burano Italy is one of my favorite places... full of color and patterns.

1 Comments on Burano, Italy, last added: 10/13/2013
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13. The Children’s Italian Book Fairs in the San Francisco Bay Area | October 2013

Every year Elisabetta Ponti organizes The Children's Italian Book Fairs in the Bay Area. Hundreds of Italian books for children (0 to 13 years old) selected from some of the most distinguished Italian publishers.

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14. The Miz Maze : or, the Winkworth puzzle ; a story in letters

So, I think The Miz Maze might be the best collaborative novel I’ve read. The authors are:

Frances Awdry
Mary Bramston
Christabel Rose Coleridge
Mary Susanna Lee
A.E. Mary Anderson Morshead
Frances Mary Peard
Eleanor C. Price
Florence Wilford
Charlotte Mary Yonge

Nine authors is a lot, and I want to know more about them and about the dynamic between them. But all I’ve got is the obvious textual evidence that they weren’t as acrimonious as The Whole Family‘s lot. Beyond that, I’ve got nothing but a page of signatures, a few Wikipedia pages, and a random selection of facts about Charlotte Yonge. And that’s okay. It’s a pretty self-sufficient book, I think, and the authors seem to agree.

The information they do and don’t choose to give is so interesting. First, the authors’ names appear only as facsimile signatures, and they don’t specify who wrote what. Second, they provide a list of characters, and it’s crazy. See, for example, “Sir Walter Winkworth, Baronet of the Miz Maze, Stokeworthy, Wilts, age about 64, residing, when the book opens, at High Scale, a small property in Westmoreland, which was his in right of his second wife, Sophia Ratclyffe, recently deceased.”

I mean, all else aside, that’s a hell of a lot of commas.

On the scale of literary parlor game pretension, these women fall somewhere between the authors of The Affair at the Inn and William Dean “Control Freak” Howells, progenitor of The Whole Family. Instead of, “hey, let’s write a story,” or “hey, let’s be super deep together,” they’re saying, “hey, let’s write something realistic.” And, I mean, it’s still a sentimental novel, so a Venn diagram with circles labeled “People who don’t think Italians are entirely respectable” and “People whose relations married Italians” would encompass most of the characters, with significant overlap. But the governing principle seems to be the idea that everyone has a different point of view, and that people rarely understand each other. And…well, a) that is obviously my favorite thing, even more than secret insane wives and people falling in love with their spouses, and b) they are so amazingly committed to this principle that I can’t help but kind of love them, even when the story doesn’t do a whole lot for me.

Let me tell you, for example, about Algernon Bootle. Algernon Bootle is the son of the vicar and his busybody wife. Sir Walter Winkworth (of High Scale and Miz Maze) hires him to tutor his eldest son, Miles. Aunt Dora, Sir Walter’s sister, says she wouldn’t have thought any real person could sound so much like Mr. Collins. All the Winkworth kids kind of hate him. And yet Miles, writing to his twin, says “He isn’t such a bad fellow at bottom. I told him the other day that you would have been a more creditable pupil, and he became natural on the spot and said: ‘I wouldn’t have undertaken him for a thousand pounds.’”

I thought Algy was the one character who was only ever going to be the butt of jokes. But no, the authors of The Miz Maze are committed to everyone’s humanity, and it’s awesome. Which is not to say that Algy’s not still continually the butt of jokes. But he’s not just that.

I want to talk about Miles, too, but I don’t quite know what to say. He’s shy in that way that comes off as dullness, and Aunt Dora says, “Miles will be better looking by and by, when he has overcome the heaviness that clings about fine young men in the undeveloped stage.” He’s desperately in love with his sister Zoe’s best friend Emily, but she’s not interested. His more outgoing twin is in the Army, and also Canada, and it makes sense for Miles to be the steady, stay-at-home one. But when Aunt Dora tells him that he and his brother had their initials written on their feet as babies so their folks wouldn’t get them mixed up, he says, “I think it’s rather a pity they didn’t.” He’s sort of inarticulately, endearingly young.

And then, Aunt Dora. You may have already noticed that I can’t describe other characters without help from Aunt Dora. That’s because she’s the best. She’s one of Sir Walter’s two spinster sisters, and while the other one, Bessie, has a tragically dead fiancé in her past, Aunt Dora is happily single. She’s also kind and intelligent, funny, and a little bit intimidating to the younger women before they know her well. And she’s awesome at gently taking Sir Walter down a peg when he deserves it, in a very realistically sibling-like way.

The family relationships in this book are fantastic all around. Or, the Winkworth family ones are. Other families don’t get the same amount of attention. But there are plenty of Winkworths, and I can’t decide which I like best. There’s Sir Walter’s fraught relationships with his eldest children, and the way his obvious love for them doesn’t lessen the weight of his expectations. There’s Miles and Clyffe — short for Ratclyffe, which ouch — who have been the most symbiotic of twins, and now have to learn to be apart from each other. There’s Miles and Zoe, who are so much alike and so different, and confide in each other and bully each other in equal measure. And there’s Sir Walter and Aunt Dora, whose teasing, open affection was my first sign that the characters in this book were going to closely resemble real people. I think this is what William Dean Howells wanted for The Whole Family, and that The Miz Maze happened 15 years earlier makes me feel even better about Howells’ book being a hilarious train wreck instead.

It gets a little worse toward the end, as books often do. There was a point at which I felt like everything had been wrapped up to my satisfaction, but the romances had yet to be resolved, so the book had to keep going, and I just didn’t care as much anymore. Also there was a while there where I thought Algy was going to be converted to Catholicism, and it would have been so funny, and I wish he hadn’t been rescued. Still, I kind of love The Miz Maze, and its authors, who clearly made an effort to agree instead of undermining each other. I think it’s because they were all women.


Tagged: 1880s, aemaryandersonmorshead, charlottemaryyonge, christabelrosecoleridge, eleanorcprice, england, epistolary, florencewilford, francesawdry, francesmarypeard, italy, marybramston, marysusannalee

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15. Jonathan Calugi Update

Jonathan Calugi via #grainedit

Italian designer and illustrator Jonathan Calugi recently updated his portfolio with a series of new projects. It’s well worth a visit if you’re a fan of his signature black and white line work.

Jonathan Calugi via #grainedit

 

Jonathan Calugi via #grainedit

 

Jonathan Calugi via #grainedit

 

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16. Kissing in Italian: Lauren Henderson

Book: Kissing in Italian
Author: Lauren Henderson
Pages: 272
Age Range: 12 and up

Kissing in Italian is the sequel and conclusion to Lauren Henderson's Flirting in Italian. Both books feature a British girl named Violet Routledge who is doing a summer study program at a villa in Italy. Violet was actually drawn to the program after seeing a painting of a girl who looked remarkably like herself, and was from a castle located close to the villa. In the first book, Violet learned that she did indeed bear a strong family resemblance to the family from the castle, leading her to suspect that she might be the illegitimate daughter of the principe. This is a problem, because Violet is strongly attracted to the principe's son Luca.

Kissing in Italian follows Violet's continuing efforts to uncover the secrets of her heritage, while also attempting to resist the dashingly attractive Luca. There is also relationship drama in the lives of the other three girls in the program, one of whom becomes involved with an older, married man. (I found this icky, but so did Violet - the relationship never comes across as acceptable). 

In truth, the mystery is pretty tame in this installment. Violet's parents are alive (though divorced and not physically with her in Italy). It's just a matter of her getting them to explain to her why she looks nothing like them, but does freakishly resemble some family in Italy. The real suspense lies in whether things will resolve in such a way that Violet and Luca can ever be together. There are other potential love interests for both Violet and Luca, too (since they are trying hard to stay away from one another, just in case). Here's Violet trying to become interested in another boy:

"Why does it feel so special when someone uses your name? Didn't some ancient society have a custom that you had a secret name that only the people you really trusted knew, because using it gave people power over you?

If that's true, and not just something I read i a novel, I really understand it now. There's something so nice about a boy saying your name. As if he likes you for yourself, what's inside as well as outside. Not just your boobs and face, but your brain, too.

Deliberately, I make myself smile back at him." (Page 36)

Despite being a bit less suspenseful than Henderson's other books (she also wrote the Kiss Me, Kill Me series), Kissing in Italian is still an enjoyable young adult romance. Settings include Siena, Florence, and Venice. There are villas, dance clubs, and late night swims with hot Italian boys. There's a hint of class-consciousness, and there are universal questions about whether one owes loyalty or protection to one's friends.

I like the multi-cultural mix of the book. Violet and Kelly's English background comes through, in contrast to Paige and Kendra's US-inspired tendencies. These are all set against the Italian backdrop, full of just enough Italian words to lend a multi-cultural feel, without making the book inaccessible. Like this:

"That's Italy for you. If you kissed passionately in public in London, people would judge you as attention-seekers and deliberately ignore you: In Italy, they practically applaud." (Page 223)

I also quite liked the way that Violet started to discover herself as an artist throughout the novel. Like this:

"I've discovered over the past few weeks that drawing or painting is the only thing in the world that can completely absorb me. It distracts me from any outside worries. When the art studio door closes, when I'm inside with paint or pastels or charcoal and a subject to focus on, I'm vacuum-sealed. The world beyond disappears. 

I feel beyond lucky to have discovered this." (Page 67)

Violet goes on to muse about whether her friends have something like this. I think that this section will make readers thing about what makes the rest of the world disappear for them, too. And that's something that teens probably should be thinking about. 

Kissing in Italian is clearly not intended to stand alone. If you haven't read Flirting in Italian, you should certainly read that first. If you have read Flirting in Italian, I'm sure that, like me, you'll want to find out how things turn out for Violet and Luca. And on that front, Kissing in Italian does not disappoint. I recommend this quick, two-book series for anyone who enjoys YA romance with an international flair. 

Publisher: Delacorte Press (@RandomHouseKids)  
Publication Date: March 11, 2014
Source of Book: Review copy from the publisher

FTC Required Disclosure:

This site is an Amazon affiliate, and purchases made through Amazon links (including linked book covers) may result in my receiving a small commission (at no additional cost to you).

© 2014 by Jennifer Robinson of Jen Robinson's Book Page. All rights reserved. You can also follow me @JensBookPage or at my Growing Bookworms page on Facebook

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17. That Florence, Italy, novel: the title, the synopsis

Next spring, Tamra Tuller and Chronicle Books will be releasing a novel set in Florence, Italy, and (to a lesser extent) West Philadelphia. It took me a long time, and many drafts, to get it right, and it is only recently that we have settled on a final title.

I share that here, with an early book description:
Something is just not right with Nadia Cara. She’s become a thief, for one thing. She has secrets she can’t tell. She knows what she thinks, but when she tries to speak, the words seem far away. Now in Florence, Italy, with a Master Chef wanna-be brother, a professor father, and a mother who specializes in at-risk teens, Nadia finds herself trapped by her own obsessions and following the trail of an elusive Italian boy—a flower thief—whom no one else has ever seen.  While her father tries to write the definitive history of the 1966 flood that threatened to destroy Florence, Nadia wonders if she herself will disappear—or if she can be rescued, too.

Set against the backdrop of a glimmering city, ONE THING STOLEN is an exploration of obsession, art, and a rare neurological disorder. It is a story about the ferocious, gorgeous madness of rivers and birds. It is about surviving in a place that, fifty years ago, was rescued by uncommon heroes known as Mud Angels. It is about art and language, imagining and knowing, and the deep salvation of love written by an author who is herself obsessed with the beguiling and slippery seduction of both wings and words.  

My students Katie Goldrath, Maggie Ercolani, and Stephanie Cara inspired me as I wrote. Emily Sue Rosner and Mario Sulit helped me get the Italian right. Alyson Hagy, Amy Sarig King, and Kelly Simmons kept me going. Patty McCormick and Ruta Sepetys listened. Lori Waselchuk gave me her West Philadelphia. Wendy Robards gave so much of her time and heart during desperate days. And Tamra Tuller stood by.

Always grateful.

0 Comments on That Florence, Italy, novel: the title, the synopsis as of 3/29/2014 12:31:00 PM
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18. Book Review: Hero on a Bicycle, by Shirley Hughes (Candlewick, 2013)

Recommended for ages 8-12.

Beloved British author Shirley Hughes is best known for her delightful picture books about preschooler Alfie and his toddler sister Annie Rose.  In 2012, at the ripe age of 84, she published in Great Britain her first children's novel, Hero on a Bicycle, which was published in 2013 by Candlewick here in the U.S.

Set in Florence in 1944, this novel centers around thirteen-year old Paolo.  He hates the Nazis but feels powerless--he's stuck between being a child and being old enough to be useful.  Paolo lives with his mother, Rosemary, an English woman who married an Italian, and his teenaged sister Constanza, a pretty girl who catches the attention of the Nazi officers stationed in town. Seeking a few thrills, Paolo rides his bicycle around town in the dark--past curfew.  But when he runs into a group of partisans--Italian resistance fighters--he becomes their messenger.  Soon his family is intimately involved, taking in downed Allied pilots, whom the resistance is trying to get to safety at the Allied lines.  Soon Paolo and his family are literally on the front lines of the conflict, and Paolo will get his chance to play the hero--sooner than he may have expected.

This is a slim novel (at 213 pages) that is a good choice for younger readers who are interested in World War II.  While providing plenty of suspense and a sense of danger, Hughes does not include any graphic violence in the novel that would be unsuitable for younger middle-grade readers.  Most of the novels for young people about World War II seem to involve the Holocaust or Jewish issues in some way; this novel provides a different perspective, as it focuses on the partisans and the Allied soldiers to fought to free Italy from the Nazi occupiers.

 

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19. Cruise from Rome by Margot Justes











Rome has one of the biggest cruise ports in Europe, and that suits me quite well. It is one of those ancient cities that will take more than one visit to see, and many of the cruises start in Rome. I try to stay for two or three days before boarding the ship. You don’t want to arrive on the same day, especially if it’s an overseas destination, that is much too risky, and Rome is always well worth the extra time. There are many hotels that fit all budgets.

Even if you spend a whole day in the Vatican alone, it is not enough, and would also prove quite exhausting, if nothing else the huge crowds would do you in. They say about twenty five to thirty thousand people visit the Vatican daily. The best I can do is five or six hours at a time.

The treasures housed within that community are unbelievable, it is a Mecca for art lovers. Michelangelo and the Pieta and the Sistine Chapel are sites that once seen will never be forgotten, and must be seen again if at all possible.  The Chapel, a rectangular room in the basement is all Michelangelo, it is bare of furnishings. It is a place to pay homage to a magnificent artist and his immeasurable artistry. It will leave you breathless.

I have done independent tours to the big sites, but now I book a tour to the Vatican and the other special sites because of all the tourists, it is easier and faster to get in. You don’t wait in the long lines, and at my age it is well worth it.

For this upcoming trip I booked two tours through Viator; Vatican Walking Tour- this tour includes the Sistene Chapel, Raphael’s Rooms and of course St. Peter’s; after the tour I can wonder around on my own. The other tour I booked through them is the Ancient Rome and Colosseum Walking Tour.

I’m going with my grandchildren, and it’s their first visit to Europe-I wanted to make sure they would get a decent historical introduction to this magnificent city.

If the stop is part of the cruise, I book through the cruise line, for one excellent reason, if there is a delay, they will wait for you. It has happened where the bus was delayed for about an hour. There was a general announcement about the delay, and we departed once the bus returned to port. That is not the case if you book through an outside agency. For me, it is not worth the extra stress to make sure I’ll be back on time, especially true if the visiting site is a bit of a distance from the port....but I digress.

Ancient Rome offers the Forum, the Colosseum, the Pantheon, these are all places that must be seen, the age and history will astound. There is also the lively Rome, the Spanish Steps, the Trevi Fountain, so tourist packed that you have to wait, and weave your way to get up close and personal. The outdoor restaurants, the entertainment at said places, where you’ll get a troubadour serenading you, and it’s best to have some change ready for a tip. Rome is a walking city, and, comfortable shoes area must, although I have seen a few Italian women wear heel; how they managed is beyond me. Just walking the old streets is a delight.

Then of course there are the espresso stops, I prefer to linger, the Italians prefer to stand and gulp theirs. It is less expensive to stand and drink your coffee, if you sit down there is a charge for that privilege. However by the time I need a coffee break, I also need a sit-down break to recharge.

I try and avoid the height of the tourist season, it is far more expensive, and overcrowded and prefer to go early Spring or late Fall. Sometimes that is not always possible, as in this trip the timing depended upon the kiddies and their activities. 

Cheers,
Margot  Justes
A Hotel in Paris
A Hotel in Bath
A Fire Within
Blood Art
Hot Crimes Cool Chicks
www.mjustes.com


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20. Lauren Henderson Talks About Kissing in Italian

Author Lauren Henderson is just as fun to talk to as we imagine Violet, the heroine of her book Kissing in Italian, would be. Half American and British, Henderson seems both posh and down to Earth.

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21. Kissing in Italian, by Lauren Henderson | Book Review

This enchanting romp through the Italian countryside will have any girl, or girl at heart, melting with jealousy. Cute Italian boys and breathtakingly described scenery will make readers want to grab their passports.

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22. the most stubborn writer alive

"You should just skip that part," my husband says.

"I can't. You know I can't. I'm not like that."

"You should try," he says, "because you're driving yourself crazy."

"I know," I say. "But I can't."

Why is it that I work this way, I wonder—incapable of writing forward when the scene I've been working on fails? Incapable of believing that I'll get it right some time. Now is the time, and now I am failing. The failure of the scene is the failure of the book until—unless—I get it right.

I'll be crazy between now and then.

4 Comments on the most stubborn writer alive, last added: 3/19/2013
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23. La Tigre

la tigre

La Tigre is an independent design studio based in Milan and a recent recipient of an ADC Young Guns Award. While their focus is mostly on editorial design, with illustration and infographics being the stars of the show, they also dabble in motion graphics and interactive mediums.

la tigre

la tigre

la tigre

la tigre

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Also worth viewing:
Laura Cattaneo aka Half Past Twelve
Francesco Franchi / Intelligence in Lifestyle
Colorcubic

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24. Marco Goran Romano

marco goran romano

Marco Romano is a designer and illustrator out of Milan whose designs are both fun and unpretentious. With a portfolio thats steadily growing, Romano has already created illustrations for notable clients such as ESPN and Wired Magazine.


marco goran romano

marco goran romano

marco goran romano

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Also worth viewing:
Laura Cattaneo aka Half Past Twelve
Francesco Franchi / Intelligence in Lifestyle
Colorcubic

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Featured Book: Irving Harper: Works in Paper.

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25. Sarah Mazzetti

sarah mazzetti

Sarah Mazzetti is a talented illustrator, comic artist, and screen printing teacher based in Bologna, Italy. Her unique style is funky and colorful, with each piece inviting the viewer deeper into her twisted and exchanting world. Dive in here.


sarah mazzetti

sarah mazzetti

sarah mazzetti

sarah mazzetti

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Ken Leung Interview
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Kyle Poff

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