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Viewing: Blog Posts Tagged with: Comix, Most Recent at Top [Help]
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1. MAY UPDATE!

MAY is a busy month of appearances, theater, and a big exhibition.  I look forward to seeing you if you're in the area. EXHIBIT! The big news this month is the opening of SERIOUSLY SILLY: THE ART & WHIMSY OF MO WILLEMS at the HIGH MUSEUM in Atlanta, GA opening on MAY 23 and running through January of 2016.   The exhibit is based on the 2013 solo show at the Eric Carle Museum, with added

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2. Psst. Enjoying The Forever Girls?

Click to embiggen. Happy Weekend! Enjoy The Forever Girls, a little tale by graphic novelist and cartoonist (& Melissa Wiley's beau) Scott Peterson, with artwork by artist and animator Monica Bruenjes. So much to love here: Snow White is seriously... Read the rest of this post

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3. TURNING PAGES: THE LUMBERJANES Vol 1, by Noelle Stevenson, Grace Ellis, Brooke Allen, and Shannon Watters

It's a truth acknowledged universally &tc. that I am not the artsy person in this blog duo. A.F. - she draws, she's Cybil'd, she has the degree, etc. - so she has the relationships with the graphic novel companies the graphics are her schtick. I...... Read the rest of this post

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4. APRIL UPDATE!

APRIL UPDATE! April is a fun month, the beginning of Mud Season here in central MA. I've got a few appearances and lots of theater happening this month, all of which I hope you enjoy if you get the chance to pop by. ANNIVERSARY My first book, DON'T LET THE PIGEON DRIVE THE BUS! was published 12 years ago on April 1st thanks to the efforts of my agent, Marcia Wernick, editor, Alessandra

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5. MARCH UPDATE!

March is looking to be a great fun Month with lots of Theater all over the country, appearances in Amherst, MA and, for the first time, New Zealand! But first a quick look at last month: RECAP! What a fun month February was; starting out with a surprise call from the Geisel Committee informing me that Elephant & Piggie's WAITING IS NOT EASY! had garnered a Geisel Honor!  This was a

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6. FEBRUARY UPDATE!

APPEARANCES/EVENTS! Lots to do this month.  Hope you can make it to one of these events in Los Angeles, San Francisco, or Amherst. Thursday, Feb. 5, Pasadena, CA 11 am- READING & SIGNING AT VROMAN'S BOOKSTORE   695 E. Colorado Blvd Pasadena, CA 91101 I'll spend the morning reading, answering questions, & signing books in my only LA area appearance for a while.  If you're in the area,

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7. Monday Review: MS. MARVEL VOL. 1: NO NORMAL by Wilson and Alphona

Summary: I was excited, intrigued, and a little wary when I heard that the new reboot of Ms. Marvel was going to be a Pakistani-American, Muslim teenage girl. I cheered because young women of South Asian descent would finally be represented in the... Read the rest of this post

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8. JANUARY UPDATE!

HAPPY NEW YEAR! Thanks for making 2014 such a great year at Knuffle Manor.  2015 promises to have lots of exciting events, theater performances, books, and more.  Here's a taste of what's scheduled this year as of now. Productions of ELEPHANT & PIGGIE'S WE ARE IN A PLAY! in Nashville, TN; Syracuse, NY; Orlando, FL; and Washington, DC plus a production of Knuffle Bunny: A Cautionary Musical

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9. DECEMBER UPDATE!

December is here and there's lots to talk about, including an appearance and exciting new stuff! BOOKS! Elephant and Piggie's WAITING IS NOT EASY! came out last month and the response has been nice.  Thanks to you, the story debuted at #2 on The New York Times Bestseller List. (Not to be left out, THE PIGEON NEEDS A BATH! joined Waiting is Not Easy! on the next 2 weeks). The New York Times

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10. NOVEMBER UPDATE!

November is going to be a busy month, with a new book plus appearances in Amherst, MA, Northampton, MA, & Brooklyn, NY. So let's get to it. NEW BOOK! November 4th, 2014 will see the release of Elephant and Piggie's newest adventure, WAITING IS NOT EASY!   Gerald is careful. Piggie is not.Piggie cannot help smiling. Gerald can.Gerald worries so that Piggie does not have

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11. Comics Illustrator of the Week :: Noah Van Sciver

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Cartoonist Noah Van Sciver has been crafting his own special brand of throwback indy comix since the mid-2000’s. His one man anthology, Blammo, is up to issue #9, and it would fit quite comfortably between classic Eightball’s & Yummyfur’s on the funny book racks! It was with Fantagraphics’ critically acclaimed anthology series, Mome, that Noah started to reach a wider audience, and soon after that his first graphic novel would be published; The Hypo: The Melancholic Young Lincoln. Van Sciver was born in New Jersey, but has lived in Denver, CO for most of his adult life, where his oft times publisher Kilgore Books & Comics is located.

AdHouse Books recently published a collection of his comics titled Youth is Wasted, and Fantagraphics has 2 more upcoming projects with Noah in 2015: Saint Cole & Fante Bukowski.

Noah has been nominated multiple times for an Ignatz Award(which is sort of like an Oscar for Small Press comics…), and has had his work featured in the prestigious Best American Comics annual.

You can check out more of Noah Van Sciver’s comics like his day-to-day “Diary Comics”, and other serialized stories on his tumblr site here.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

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12. OCTOBER UPDATE!

UPCOMING! November 4th, 2014 will see the release of Elephant and Piggie's newest adventure, WAITING IS NOT EASY! It sure isn't.  So.... APPEARANCES! Because waiting really, really is not easy, I'll be giving a sneak peek reading and signing of the new Elephant and Piggie adventure 2 days early! DON'T WAIT! Come on by: Sunday, November 2nd at the ERIC CARLE MUSEUM OF PICTURE

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13. Alison Bechdel is a Genius, but We Already Knew That

Just a quick post today--but I wanted to make sure you all knew that cartoonist/graphic novelist Alison Bechdel has won one of those nifty MacArthur Genius Grant thingies. Yes, of COURSE we knew she was a genius way back when we first heard of the... Read the rest of this post

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14. SEPTEMBER UPDATE!

COMIX! One of the real fun things about my last year in Paris was being able to share sketches, gags, and photos from the trip on uclick as a comic strip called PARIS DOODLES. In fact, it was so fun, I've decided to keep sharing drawings and ideas on uclick with a new strip called FROM THE MO WILLEMS SKETCHBOOK.   I'll be sharing drawings from my sketchbook, dining room dinner doodles,

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15. A Little of This, A Little of That...

I haven't done a links roundup in a while. That's mainly because I'm so far behind on my e-newsletters and other online reading that I've got an enormous backlog to go through. I put all that stuff in a separate email folder and instead of making me... Read the rest of this post

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16. JULY + AUGUST UPDATE

July & August are quiet months with no appearances or events scheduled.  But there are still fun things to chat about: COMIX! July is the last month of my sabbatical in Paris, France, drawing and doodling.   You can check out my experiments over at Universal U-Click for a comic-strip-doodle-thingie called PARIS DOODLES . The strip runs drawings, dining room dinner doodles, and photos

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17. JUNE UPDATE!

COMIX! I'm on sabbatical for the year.  While I will be making various appearances in Europe and beyond, mostly I'll be spending time at the home base in Paris, France drawing and doodling.   You can check out my experiments over at Universal U-Click for a comic-strip-doodle-thingie called PARIS DOODLES . The strip runs drawings, dining room dinner doodles, and photos on weekdays.

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18. MAY UPDATE!

COMIX! I'm on sabbatical for the year.  While I will be making various appearances in Europe and beyond, mostly I'll be spending time at the home base in Paris, France drawing and doodling.   You can check out my experiments over at Universal U-Click for a comic-strip-doodle-thingie called PARIS DOODLES . The strip runs drawings, dining room dinner doodles, and photos on weekdays.

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19. NYC COMIX & CARTOONS!

Looks like I'll be making a few last minute appearances in NYC this weekend: This Sunday, April 29th, is the 2nd day of the annual MoCCA festival, an indie comic fest filled with great artists, panels, comix and more.  The fest has moved from the Puck Building to the less claustrophobic Lexington Ave. Armory.  It's a great place to discover new comics and meet your cartooning heroes.

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20. Read It & Weep!

 What happens when you combine the indie-hipster vibe of the Center for Cartoon Studies and the establishment of the National Cartoonist Society to work on a project together? Something to make you cry. The Cartoon Crier is a really amazing 36 page comic featuring morose strips by an astonishing array of inidie and traditional cartoonists.  You got your Blondie,  Cul de Sac, Rhymes with

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21. Graphic Novel Notes

Technically speaking, today I'm not here. That is, I'm on vacation. However, I set up this post for you with some books I'm really excited about reading--specifically, some graphic novels that I hope to get my hands on before too long. Last year I... Read the rest of this post

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22. On the Scene: NIGHT JOB Salon Gets Personal

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On March 21st 2013 at the Union Hall bar, restaurant, and music venue in Park Slope, Brooklyn, comics creator and TRIP CITY co-curator Dean Haspiel and comedian/actress Katharine Heller launched what may be the first of several salon events featuring comics, comedy, prose, and musical performances entitled “NIGHT JOB”. Though it was a new venture, neither Haspiel nor Heller are strangers to the stage. They were joined by stand-up comedian and writer Molly Knefel of the internet radio show RADIO DISPATCH, indie cartoonist Meghan Turbitt, author Reverend Jen of the long-running “Rev Jen’s Anti-Slam” performance event. Also performing were political satirist and stand-up comedian Angry Bob, and the music group Two Beards One Heart, including  Jeffrey Burandt (aka Jef UK of Americans UK), and Peter Boiko, supported by John Mathias and John Thomas Robinette III.

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[Haspiel and Heller host the salon]

Though the salon opened to a full basement venue, audience members probably didn’t know quite what to expect from NIGHT JOB, however they might have known some of the performers by reputation. The term “salon” often implies multiple genres in the mix, and NIGHT JOB presented quite a range. Though each of these types of performance have the potential to be very entertaining on their own, it’s a challenge to combine them and create a sense of a cohesive event that, collectively, develops its own personality. NIGHT JOB found its way by emphasizing the raw power of very personal content from its salon members.

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[Molly Knefel]

Knefel opened with a stand-up routine spoofing the “war on women” in congress last autumn, pointing out that a “war on anuses” would have had even the most conservative public official scrambling to sign up in protest. Her rapid-fire delivery and observational humor had the audience engaged from the outset, but her sense of personal commitment to the subject matter as a thinking person translating impressions of a bizarre world set the tone for the evening.

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[Katharine Heller]

Heller read a selection from her recent project featuring “erotica” geared toward Republican sensibilities, “Tickle the Elephant”, and ingenious attempt to get inside the minds of what appeals to conservative women particularly. Turning the lingo of the senate floor and government catchphrases into turn-ons relentlessly, Heller narrated from the perspective of a conservative seduced by liberalism into a sexual common ground. Heller revealed a rather in-depth knowledge of politics on both sides of the party schism in her artistry, and in her mix of satire and humor, suggested dialogue is possible even in the most heated debates.

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[A Turbitt comic panel]

Turbitt presented and performed a wide range of indie comix that appear online, increasingly irreverent to social taboos, particular in expressing women’s lives. From bathroom scenes of an intimate nature to things that most people find adorable but only annoy her, she pushed the envelope on expression and used the comic-panel reveal for shock-value. Her autobio approach struck many of the same chords as Knefel and Heller’s performances, bringing out the sense that discussing deeply personal subjects is still one of the most direct ways to reach an audience, who may be surprised to find out how much they have in common with the stories they hear and see.

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[Meghan Turbitt]

Haspiel’s comix performance of “Awful George” from his series STREET CODE took the audience deep inside the strangeness, and the horror of urban stories, reflecting his own autobiographical reaction to witnessing a make-shift attempt to save a hoard of cats that had been wilfully neglected in an apartment, only to be topped by the discovery of a mummified corpse, begging the question, “How do you deal with these kind of realities?”

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["Awful George" panel by Haspiel]

The answer from Haspiel is clearly “by expressing them and reaching out to readers”. His debut performance of a newly created Tommy Rocket comic, a spin-off from his BILLY DOGMA web comix, spoke to the twisted aspects of love, and the realities of failure and regret. Haspiel never pulls any punches in his comics, autobio or not, and these hammered home the role of authenticity in performance; getting up in front of a crowd to read your comics demands a kind of soul-baring stance that hits home for the audience.

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[Dean Haspiel]

Reverend Jen took soul baring to a whole new level by reading from her unpublished novel, memoirs of her life as a prostitute attempting to support her artistic endeavors as a painter. She’s known for her extreme honesty during readings, and her narrative plumbed the depths of tragedy and suffering possible in what seems like an everyday world. Her description of images, as well as emotions, made for a stellar performance of prose. Rev Jen’s motivation in performing, to “get stuff out” of oneself actually also served the function of engaging the audience emotionally and reminding them, perhaps, of human resilience along the way.

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[Rev Jen]

Angry Bob, true to his moniker, took on the role of voicing, like Knefel, Heller, and Turbitt, many of the things that people think, but don’t say out loud for fear of being ostracized as freakish. The truth, of course, is that they are not alone and everyone is wonder what’s considered “acceptable” to think or say in social settings. He described himself as someone “rooting through the garbage for shiny objects” like a racoon or other scavenger, and the objects he held up for inspection at NIGHT JOB were the ludicrous aspects of Reality TV, the curse of failed opportunities, and the general rage-inducing capabilities of young children, particularly in public. Angry Bob’s signature delivery, a high-octane rant that frequently addresses audience members directly, had their equally signature outcome: inspiring absolute hilarity at NIGHT JOB.

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[Angry Bob]

The evening’s performances closed with the strikingly independent tones of Two Beards One Heart which also managed to match the ambiance of the previous salon members’ presentations. Not just in musical composition, whose sounds were so original as to suggest that the “personal” can be evoked as equally in sound as in words and images, but also in lyrics, Two Beards managed to create their own singular message.

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[Two Beards One Heart]

Their first song illustrated rising angst through lyrics despite its melodic construction, while the second contrasted the poetic, upbeat aspects of love with bigger realities and banal conflicts. Burandt’s vocals, far from predictable, were particularly engaging, and contributed to a sense of individualistic expression of life’s perplexing highs and lows.

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[Jeffrey Burandt]

One of the most winning aspects of NIGHT JOB, aside from his cohesion as a salon of the personal made public, was the fact that Haspiel asked, repeatedly, if anyone else would like to perform their work, friend or stranger alike. It suggested an open-door to artists of any genre who also had something to share. The tone of the evening, celebrating unique perspectives with communal implications, was as well suited to comics as music and comedy.

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[Haspiel delivers an open invitation]

Setting comics alongside other genres in performance is not a new practice, but it’s becoming increasingly popular, perhaps because of the rise of self-publishing and internet sharing of creative work.  As comics find their footing among other artistic modes, it’s appropriate to start asking what comics have in common with other formats of expression, and what makes them particularly powerful for self-expression. NIGHT JOB did an excellent job of illustrating the point. Performance art forms are about a meeting of minds between the performer and the audience, and many genres already push the boundaries of inter-personal communication, comics included.

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Hannah Means-Shannon writes and blogs about comics for TRIP CITY and Sequart.org and is currently working on books about Neil Gaiman and Alan Moore for Sequart. She is @hannahmenzies on Twitter and hannahmenziesblog on WordPress.

 

 

 

 

 

 

 

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23. NOTHING CAN POSSIBLY GO WRONG in a Q&A, Can It? NO!

It's a busy month for Tanita and I, this merry month of May, so we've decided to feature a couple of guest posts and interviews over the next few days--on the 8th, we're part of Shana Mlawski's blog tour, and today, we're proud to be part of the... Read the rest of this post

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24. MARCH UPDATE!

 COMIX! I'm on sabbatical for the year.  While I will be making various appearances in Europe and beyond, mostly I'll be spending time at the home base in Paris, France drawing and doodling.   You can check out my experiments over at Universal U-Click for a comic-strip-doodle-thingie called PARIS DOODLES . The strip runs drawings, dining room dinner doodles, and photos on weekdays.

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25. APRIL UPDATE!

BIRDth-DAY! April 1st marks the 11th anniversary of the publication of my first book, Don't Let the Pigeon Drive the Bus! Because of the support of Librarians, Teachers, Parents, Grand-Parents, and Fans the last 11 years have been a wonderful ride filled with opportunities for me to write, draw, and meet fantastic kids and grown-ups all over the world. Thank you for this gift.

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