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The outside world doesn’t always get kidlit and YA lit. Children’s books are cute and easy and anyone with a vague sense that children are charming can write them, right? And anyone can write silly fluff for young adults. Especially anyone with a famous name.
That’s a common attitude, anyway. But there are celebrities who don’t think that way. Like Stephen Colbert.
Back in 2012, Colbert interviewed the late, great Maurice Sendak on his old show Comedy Central show, The Colbert Report. Going in, I figured that interview would be amusing, but I also figured some of the amusement would stem from a celeb’s typical ignorance of everything that goes into creating a children’s book. Boy, was I wrong. The whole point of the two-part “Grim Colberty Tales” segment was to parody the very attitude I’d expected to see. It’s also a great interview, and it resulted in Colbert’s spoofy picture book, I Am a Pole (And So Can You!) (Grand Central Publishing, May 2012), which was coincidentally released with Sendak’s blurb (“The sad thing is, I like it!”) the same day that Sendak passed away. Highly recommended if you need a good laugh. Warning: Colbert Report-style silliness; Sendak-style crotchetiness; NSFW.
“Grim Colberty Tales” made another appearance or two with other authors before Colbert left the Report for CBS’s Late Show with Stephen Colbert. But the change in venue doesn’t mean Colbert’s become too cool for books for young people (or books in general, for that matter). On the contrary, his new show has a recurring segment firmly rooted in YA: the Hungry for Power Games. As candidates have dropped out of the presidential election, Colbert has bid each “tribute” farewell with his best Caesar Flickerman impression. (Warning: contains politics.)
And of course, the man is a certified Tolkien nerd. This, right here, is what it looks like when someone cares about a story. Not a bad thing to show on TV.
I still think Ellen would be a perfect interviewer for the Newbery and Caldecott winners. But if Stephen beats her to it (ALAYMA 2017, anyone?), that’d be pretty cool, too.
The post Stephen Colbert: kidlit after dark appeared first on The Horn Book.
Last year I pulled together a few bookish gifts we were drooling over — here are some literary presents we’re giving (and maybe, hopefully getting) this holiday season.
Shoshana
I’m only actually giving this to one person, but I find myself recommending It’s Only Stanley to everyone who asks for a picture book recommendation. It has dogs! Laughs! Escalating oddities! Crazy contraptions! Flawless trochaic heptameter!
Katie
I am giving lots of bookish gifts this year: multiple copies of the Harry Potter coloring book and one of the Game of Thrones coloring book (because coloring is cool), two custom-ordered JanDaJewelry tiiiiiny book pendants, and a Felix Felicis necklace.
As for what I’d like to get, well, I may have dropped some hints about a certain book starring a killer ballerina. And maybe this qualifies as naughty, but I ordered myself a present: signed and personalized 20th anniversary editions of Philip Pullman’s His Dark Materials trilogy.
Siân
I’m giving some of the things I bought at the Hunger Games exhibit as gifts: a “Peeta’s Bakery” tote bag and then a Hunger Games mug. And what’s even cooler than those gifts is the wrapping paper: the Hunger Games exhibit store wrapped my items in Hunger Games tissue paper which I then reused for as many gifts as possible.
Of course, the most bookish gift of all is…an actual book. Need recommendations? See our 2015 Fanfare list for our fave books of the year. If you’re feeling really festive, choose something from one of our annual Holiday High Notes lists. Shoshana gives you five reasons why an indie bookstore is the perfect place to finish up your holiday shopping (if you haven’t already!).
The post We wish you a merry Bookmas! appeared first on The Horn Book.
As many of you know, the Horn Book at Simmons Colloquium: “Transformations” was this past Saturday. It was interesting, engaging, educational, and fun (it was also exhausting for those of us working it, and even more so for the amazing Katrina Hedeen, who planned the whole durn thing).
But what you don’t know is the most important thing that happened over our BGHB/HBAS weekend.
Was it the Shuster-men speaking eloquently about Challenger Deep and mental illness?
Was it the informative and funny editor panel?
How about getting to see Marla Frazee’s pre-book sketches (including the illustrated thank-you note that became A Couple of Boys Have the Best Week Ever!)?
No!
What was it?
Susan Cooper took a picture of my Dark Is Rising tattoo.
(SQUEE)
For more on the 2015 Boston Globe–Horn Book Awards and the following day’s HBAS Colloquium: “Transformations,” click on the tag
BGHB15.
The post Siân Has the Best Weekend Ever! appeared first on The Horn Book.
Doing some reading for my upcoming interview with Bryan Collier tomorrow at the Simmons Institute, I got to spend a beautiful afternoon at the even more beautiful new children’s room at BPL. You should go see it. But if they ever legalize pot in this state there’s going to be a line out the door for the Pathway to Reading Sensory Wall.
The post Remember what the dormouse said appeared first on The Horn Book.
Halloween is here — and so are Halloween books! Here are some recent recommended titles for you to share (perhaps through All Hallow’s Read?) with your little goblins.
Horn BOO! 2014
Baby Horn BOO! 2014: Halloween-y board books
Halloween-themed Notes from the Horn Book: 5Q for Julie Berry, eerie places, off-the-wall picture books, atmospheric audiobooks, and YA supernatural baddies
Millie’s Book of Tricks and Treats Vol. 2 app
Click on the tag Halloween books for previous years’ recommendations.
The post Halloween boooOOOoooks roundup appeared first on The Horn Book.
We’re off tomorrow to spend a few days with the Sendak Fellows, Nora Krug and Harry Bliss, at a farm Maurice owned in upstate New York. (Why did he need a farm? Did he need a place to get away from it all from his place to get away from it all in the wilds of rural Connecticut?). The management tells me my job there is to “be Maurice,” but someone and his pal Wolfie are up in heaven laughing themselves sick at that suggestion. Instead, I imagine myself poking my head around easels, saying “perhaps a little more green there, Nora” or “Harry, you know, Brownie here would make an excellent companion to Bailey, yes?”
I guess the one thing I can tell them about is what Maurice loved and hated–and it was generally one or the other, whether it came to his taste in pictures, movies, TV, books, music or food. “I love it!” “I hate it!” The tricky thing with him, though, is that even though you coulda sworn he’d said he loved something, catch him ten minutes later and his passion had reversed. What I wish I had was Maurice’s talent for contagious enthusiasm: he could make you love what he loved, even if, years later, you finally–secretly and hoping he doesn’t overhear–admit you really don’t find Christa Wolf all that enjoyable.
I’m sure I’ll think of something to say. And we’re going to Tanglewood to meet Lizzie Borden; we’ll show Brownie the land of his birth (he was found wandering in the Berkshire woods); and I’m to be given the opportunity to milk goats. I hope I can see them run!
The post Chicks ‘n ducks ‘n geese appeared first on The Horn Book.
Lately I’ve been drooling over the craft tutorials at EPBOT: Geekery, Girliness, and Goofing Off, another blog written by Jen Yates, mastermind behind the genius and hilarious Cake Wrecks. (If you’re not familiar with Cake Wrecks, start with “Grammar geeks, UNITE!” and gorgeous children’s lit cakes.) EPBOT is pretty much what it sounds like from the subtitle: tutorials for geeky, non-geeky, and home decor DIY projects; links to other geeky content (check out this Hobbit-themed birthday party); ooh, shiny! jewelry pictures; and cat pictures. In other words, awesome.
I’m geeky and crafty, but not frequently at the same time, so it’s nice to have some guidance in how to combine the two. I love how nerdy Jen’s tutorials are — both in aesthetic (with their geek culture content) and in approach (detail-oriented, thorough, efficient, authentic to the source material). They seem pretty idiot-proof, too, although I haven’t tried any myself yet… I can’t decide where to start! Here a few kidlit-related projects; click on the pictures for links to the tutorials:
White Rabbit steampunk mask and pocketwatch
LED light-up wizard wands…
…and, of course, an Olivander wand display
Deatheater masks (don’t you kinda want to be a Deatheater now?)
book purse dos and don’ts
Now that I’m done fangirling over a fellow fangirl, I want to know: have you made any crafts inspired by favorite books?
The post Kidlit crafts appeared first on The Horn Book.
I was entering some new book titles into our database this morning and ran across the late, great Walter Dean Myers’s novel On a Clear Day (Crown, September 2014). Now for the last hour I’ve had Barbra Streisand in my head singing “On a Clear Day You Can See Forever” from the musical and film (starring Babs, of course) of the same name.
This got me thinking about other book titles I’ve run across over the years that also automatically make me think of a song title or lyric I know well — and then inevitably get stuck in my head all day:
Out of My Mind (Atheneum) by Sharon M. Draper / “Out of My Head” by Fastball
Across the Universe (Razorbill/Penguin) by Beth Revis / “Across the Universe” by The Beatles
I’ll Be There (Little, Brown) by Holly Goldberg Sloan / “I’ll Be There” by The Jackson 5 and by Mariah Carey (With this one, I end up with a mash-up of the two versions in my head!)
Stars (Beach Lane/Simon) by Mary Lyn Ray; illus. by Marla Frazee / “Stars” from Les Miserables
Stay with Me (Dial) by Paul Griffin / “Stay with Me” from Into the Woods
The Space Between (Razorbill/Penguin) by Brenna Yovanoff / “The Space Between” by Dave Matthews Band
How to Save a Life (Little, Brown) by Sara Zarr / “How to Save a Life” by The Fray
Just Call My Name (Little, Brown) by Holly Goldberg Sloan / “I’ll Be There” by The Jackson 5 and by Mariah Carey and “Ain’t No Mountain High Enough” by Marvin Gaye and Tammi Terrell
I inherited this habit from my musically-inclined mother who, any time she hears a line from a song she knows, will break out into song. But I’m sure we’re not the only ones who do this. What children’s book titles remind you of a song title or lyric?
The post Catchy titles appeared first on The Horn Book.
Who knew Rainbow Rowell had a new book (for adults)? Not me! Until I snapped it up at the Cambridge Public Library yesterday. A TV-writer mom bags out on her husband and kids during Christmas vacation in order to stay home and prepare for a big pitch at work. Her marriage has been cooling for a while, and this might just be the nail in the coffin. (I haven’t gotten to the time-travel part, but the flap copy tells me it’s coming.) Like the narrative voice(s) in Rowell’s Attachments, this one is smart, witty, and slightly bemused. Watch out, Jennifer Weiner; Rainbow’s coming for you!
And speaking of curly girls… who else is annoyed by this new Progressive Insurance ad, starring the otherwise inoffensive, even endearing, Flo? What the hell, Flo? My people don’t talk smack about your Carol Brady throwback hair.
The post Reading Rainbow (Rowell) appeared first on The Horn Book.
My dance troupe just had a photoshoot with the super-talented Sarah Ann Loreth, a photographer and digital artist I consider a rising star. I mean, check out this gorgeousness:
Vadalna Tribal Dance Co., photographed by Sarah Ann Loreth. 2014
Imagine my excitement when I came across Susan Vaught’s book Insanity (Bloomsbury, February 2014), with Sarah’s disquieting photography on the cover, on our shelves.
Sarah’s photos (several of them self portraits) have been featured on many adult book covers like this one
internationally, but to my knowledge Insanity is the first American YA novel to use her work. I’m certain there will be many more to come, though — keep your eye on this up-and-coming artist.
The post One to watch: Sarah Ann Loreth appeared first on The Horn Book.
Crossing the Simmons quad this morning, I spotted a familiar figure: long white hair and beard, flowing robes, and twinkling, bespectacled eyes… Professor Dumbledore?
No, it was Professor Bob White, a beloved Communications department faculty member. Still, his big smile and cheery “Good morning!” added a little bit of magic to my morning.
The post Headmaster? appeared first on The Horn Book.
Off to New York tomorrow for a little 70s nostalgia (Richard is such a good sport), some modern dance (I am such a good sport), love and murder, and, oh yes, the announcement of the 2014 winners of the Boston Globe-Horn Book Awards. I’ll be revealing the fated few at 1:00PM on Saturday at a press conference in the Librarians’ Lounge at BEA in the Javits Center, booth #663. You are all cordially invited but for those who can’t make it, Katrina will be tweeting @HornBook as we go, and the whole shebang will be up on the website Saturday afternoon.
The post Not so far away appeared first on The Horn Book.
…but is this cover
reminiscent of this cover?
In his March/April 2014 article “What Makes a Good Book Cover?” Thom Barthelmess praises the Grasshopper Jungle cover’s “iconic simplicity,” which “piques our curiosity” with its compelling minimalism. The same can certainly be said of Woman‘s cover art…but for a different reason!
The post Maybe it’s just me… appeared first on The Horn Book.
I hope you jumped on those Sutherland Lecture tickets yesterday because they are gone baby gone–I understand that even the waiting list is full. A big fan of John Green’s books, I am nevertheless nervous about being in an auditorium filled with John Green Girls, beautiful, complicated and ka-razy creatures that they are. Or do I infer too much? Come say hello–I’ll be the flustered chaperone in the corner.
In the meantime I am off to White Plains today to visit Brian Kenney’s library and speak to the Youth Services Section of NYLA tomorrow morning. Then a weekend with our lovely Dutch friends in Rye, taking the adorable Julia, Mads, and Lizze to see Matilda on Broadway, for what else are fee peetvaders for?
The post A true Dutch treat appeared first on The Horn Book.
If you were like me, you applauded Press Here, the ingenious book by Hervé Tullet, for its anti-app bravado. If the news that there is now an app version (Chronicle, April) of the book disgusts you, please don’t be too quick to judge.
The first thing to realize is that Press Here was translated from the French, in which it was called Un Livre—”A Book”—and in most of the many languages it’s been translated into, the original title stuck. The French version of the “Press Here” app came out about a year ago and was titled “Un Jeu,” or “A Game.” In other words, it was not necessarily an app of the book but was rather Tullet’s exploration of his yellow, red, and blue dots in a completely different format.
In its English translation of Un Livre, Chronicle Books chose a title that emphasized the book’s interactive nature. For obvious reasons, when Chronicle made the English-language version of the “Un Jeu” app, they chose to stick with the book’s title. A bit confusing, n’est pas?
Unlike the book, pressing dots in this app actually does make something happen, but what that is may not be what you were expecting. Tullet makes up his own rules and the player’s goal is not to win but to figure out what those rules are. There are fifteen separate games, each using the hand-drawn dot motif of the book. But to call them games is a bit deceptive. They start out seeming like little puzzles to solve, but in fact most have no fixed conclusion.
They are more like little scientific explorations perfectly suited to 2- to 5-year-olds. And adults. Remember those non-competitive games that became popular in the 1970s, intended to encourage youth groups and corporate retreaters to enjoy the journey rather than aim for a destination? That’s what Tullet does here.
The home screen shows five rows of three dots, lined up like app icons and jiggling around a bit. Pressing a dot reveals a game title. Press again and you enter that game (or diversion, experience, puzzle — whatever you want to call it). In each, the player must explore by tapping and dragging dots and blank screens. In some games, tapping a dot changes its color. In others, it makes the dot larger. One game gives the dots magnetic properties. You can make fireworks, play foosball (without numeric score), play with “rain,” test your memory with a lotto game, and more.
My personal favorites are the ones that create music. I still haven’t completely figured out what they are doing, but I find that playing around with them is both engrossing and relaxing. The game called “Music Box” has something to do with gears and old records. You tap to add dots that will connect to some extra-fancy dots (little round doodles) and when you have connected a certain number of them, music begins to play. As you connect more disks, more layers are added to the music — repeated bass riffs, treble, etc.
The other two music games are called “Many Roads” and “Free Play.” In the first, three open dots or circles (blue, yellow, red) are seen. Pressing on each plays a bit of music: blue is clarinet, yellow is oboe, and red is flute. As you press longer on the initial circles, additional dots fill in a grid and the music becomes more complex. When the music dots reach an impasse, a boing sound signals the star
A box from Dina Sherman at Disney-Hyperion arrived just in time for after-lunch dessert.
With a label like this,
clearly the contents were going to be awesome. But they were awesome even beyond our expectations:
Thanks so much, Dina and Disney-Hyperion! The cookies are almost too cute to eat, but we’re all looking forward to a Pigeon-themed afternoon sugar high.
For more Pigeon madness, see our reviews of The Duckling Gets a Cookie?! and Don’t Let the Pigeon Run This App!
Back on the discussion of long book reviews, Maluose commented that "those of you who think kids are naturally great reviewers have never had to endure any of their blow-by-blow plot summaries. They make most bloggers sound positively terse." Too true. The "book reviews" kids would deliver when I ran a summer reading club a hundred years ago were painful. And those "a kid's review" posts on Amazon might be shorter but they are not very illuminating. (Does anyone know how that tag gets there? I can't imagine a child using it of his or her own volition.)
I was thinking about children's taste on Saturday when I met a friend and his little kids at a local tot lot. The place is incredibly popular because there are lots of toys--scooters, trikes, a play stove, a little house--all made out of that child-safe but phenomenally ugly molded plastic that, my friend tells me, is very expensive. The colors on this stuff manage to be both flat and garish, and the plastic picks up dirt like a magnet. Whoever thought kids had a natural instinct for beauty probably didn't get out much.
Of course, kids with style are a nightmare all their own.
Going to Vermont for a few days; hoping to see Katherine Paterson and HB reviewer Joanna Rudge Long (who lives not near but ON the Appalachian Trail) but otherwise just r&r, Roger and Richard, and Buster, who at twenty is too old for any trailwalking but we hope will enjoy the fireplace. Lots of reading planned--Richard gave me the latest Arthur Phillips for my birthday and I've got the second book about the tattooed lady (as well as the new Vanity Fair which promises a hatchet job on same by Christopher Hitchens) and the new Isabel Dalhousie "mystery" on audio. All that and a hot tub!
And look for the new Notes from the Horn Book later today, where I interview Jim Murphy about his new book about the Christmas Truce--appropriate for Veterans' Day, yes?
The Horn Book offices will be closed this afternoon as the staff is making a field trip to see Where the Wild Things Are.
(I take it as a mark of long-delayed maturity that I now find holding a baby more rewarding than playing with a puppy.)
"Once you have found him, never let him go. Once you have found him . . . "
Mads seemed content and Julia politely waiting until we got to something with princesses in it.
Aren't they bee-yoo-ti-ful?
The fathers-of-the-groom walking up the aisle at Ethan and Becca's wedding in Sedona last Saturday. The monsoon took down the chuppah but we all soldiered on, and there was nary a drop during the ceremony. The officiant said that there was an ancient Sedona tradition (uh-huh) that rain on a wedding day was good luck, but come on--what else are they going to say?
Fuse 8 has a good game going.
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Left on their own I agree that kids can write horrible reviews, but I do think with a little support (say helping to learn what makes a good review) they can write ones that of interest to adults. This year I've a small group of 6th graders (some of whom were in my 4th grade) reading and writing blog reviews. I took them to Where the Wild Things Are because I couldn't figure out if kids would like it and I thought their reviews were really helpful.
He looks like a tiny Chuck Bass from the Gossip Girl TV show. (Don't pretend you don't know what I'm talking about.)
I spent years working with the writing of children: stories, poems, plays and book reviews.
Child authors and reviewers--if their work is to be published or otherwise presented--benefit from editorial intervention and opportunity for revision, just as adults writers do. Peer-group review or collaboraion is viable, for instance. (Sometimes a piece written by "Mrs. Smith's 3rd Grade Class" is delightful.)
If there is to be publication or public presentation of unrevised, unedited children's stories or book reviews, however, it's wise for the publisher/presenter to obtain a very large number of these raw pieces, and then select a small fraction for actual publication: the most delightful.
It's been a long time, but I seem to remember a long while back, before I had an Amazon account and was always logged in as me, that I went to post a review and it asked me for my age. I don't know if that's still how it works or not, but it was once, and since no one else has answered your question, I'll chip in!
I think the reason why children write such painful reviews is that one of the most important tasks of early childhood is to master details: the difference between a rectangle and a square, or a shark and a whale. Children are masters of the specific, but they find generalizations difficult. There are few things more tedious than listening to children recount the plot of a movie they enjoyed--because they simply don't know what to omit. But their powers of observation are formidable--so yes, I would say to "see as a child" is enviable. What would be best would be to have the child's capacity for keen observation and the adult's faculty of seeing relationship and proportion.
As for children's aesthetics..There seems to be some evidence that children see colors differently than adults do, and want more of it. But the garish toys you speak of have been created by adults, and advertised by adults: by the time a child is two years old, s/he has probably come to associate bright plastic with the whole concept of "toy". I do think, however, that children have an instinctive appreciation for the beauty of animals, trees, water, and fine weather.
I agree that children's written book reports tend to be tedious without some help and a lot of practice. I was thinking of what children say when you ask them, not as a teacher but as a fellow reader, what they really think of a book. If you have a child's trust she will sometimes tell you something pithy.
For example, the first HP recommendation I got from a child ten years ago, long before the hype. "It's just like the Chronicles of Narnia, but longer and with troll boogers."
Or "So awesome I forgot it had girls in it!" a 12 year old boy's thoughts on Shadow Spinner by Susan Fletcher.
Or my current favorite: "Edward Cullen--the Fancy Nancy of vampires."
Fun, to the point, and agenda-free. Book reports and assigned reviews are an entirely different thing.
A 7 tear old saw a poster I illustrated, shrugged his shoulders and said he liked Renoir better. Love it!
Melanie, to paraphrase Zinka Milanov listening to Aprille Millo, "he sounds like a young me!" And yes, will likely be as insufferable. ;-)
That was a funny ribbing of Arlo - the kid with style (or more appropriately, of his parents)!