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Viewing: Blog Posts Tagged with: Writing prompts, Most Recent at Top [Help]
Results 51 - 75 of 87
51. The craziest thing

Loudspeaker Yell

Image by KnownColor via Flickr

What’s the craziest thing a stranger ever said to you?


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52. Unplugged

Rocky Mountaineer Whistler-Vancouver

Image by Raul P via Flickr

When was the last time you unplugged?


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53. twelve pretty pictures...

...all of New Orleans last week, posted here chronologically.They tell a story only I know, although you could write a fictional story using these photos, in this order. Or, mix up the order. Or, choose only ONE photo and write a story. Choose three. Which three would you choose? What stories could you tell?


5 Comments on twelve pretty pictures..., last added: 5/23/2011
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54. Most Unusual Bar

Field and Cafe. The cafe is beyond the busy A1...

Image via Wikipedia

What’s the most unusual bar you’ve ever been to?


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55. Best Vegas Story

Las Vegas Strip

Image via Wikipedia

What’s your best Las Vegas story?


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56. DMV stories

SHERIDAN

Image by Julie Rashelle. via Flickr

What’s your best DMV story?


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57. The day it all changed

III Media Maratón A Coruña 21, 2011 P1050094a

Image by dietadeporte via Flickr

What happened the day your life changed?


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58. Reunion

(inofficial and incomplete) group photo of the...

Image via Wikipedia

What was the last reunion you attended and what was the most memorable thing that happened there?


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59. Goggle

Rock the Block

Image by Neighborhood Centers via Flickr

What’s the last thing you Googled?


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60. Fantasy

le port de Toulon

Image by mau.photo de retour via Flickr

What was your last fantasy?


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61. Deadline

Lines

Image by Martin Deutsch via Flickr

What was your last deadline debacle?


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62. Rampage

1983 Dodge Rampage

Image via Wikipedia

When was your last rampage?


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63. Aches and pains

20070803 011 Ofer with a sore knee

Image by Eilam Gil via Flickr

What is the story behind your last bout of aches and pains?


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64. Just when you thought you had it all figured out…

Wrench

Image via Wikipedia

What’s the one wrench that got in the way of your latest plan?


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65. Answer: The skeleton was real

Keble College Chapel as viewed across the quad...

Image via Wikipedia

*Dear readers, you have inspired me to continue with one more year of questions. Thanks for the new subscriptions and the encouragement. The next year of questions starts tomorrow. Here’s this year’s last answer*

The skeleton was real.

One fearless thing. That’s all I wanted. One crazy-ass thing.

But I never thought it would happen the way it did. I never thought I’d jump. And the real kicker is? I know the real reason why and I’ll never tell. I guess you could say I took it with me to the grave. But I’m totally claustrophobic so it was more like taking it to the crematorium which is a way creepier sounding word than grave, but just doesn’t have the same ring to it. Since the world’s running out of places to bury people maybe it’ll catch on.

It all started at a football game. There was this guy. And there was my lying boyfriend. And, there was my sister’s raised eyebrows. For the first time in my college life something started that wouldn’t stop. It would follow me and put a smile on my face. And would have followed me until I was old and gray because when your jumpmaster is a red-headed, Irish, politically-incorrect joke cracker named Angus and his company mascot is a full-scale [whispered to be real] human skeleton named Winston, well, that crap sticks with you. I think of it every time I eat Giordano’s.

“Look. look. check. check. Pull.”


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66. Laura Davis to offer writing prompts and inspiration

Author Laura Davis (co-author of The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse
) is offering free weekly writing prompts & inspiration, coming to your inbox every Tuesday.

Laura Davis is one of my heroes. And Ellen Bass, her co-writer, is another. When I was a teen being abused and remembering sexual abuse, I carried around The Courage To Heal with my everywhere. I read it so much, it got a bit tattered, and so many pages were marked with post-it notes! Both women continue to write, and I think Laura Davis will have a lot of good to offer.

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67. Developing a Unique Voice - Links, Tips, and a Useful Tool

"A writer's voice is not character alone, it is not style alone; it is far more.  A writer's voice line the stroke of an artist's brush- is the thumbprint of her whole person- her idea, wit, humor, passions, rhythms."  
Patricia Lee Gauch

There are a gazillion and one posts out there about Voice and how important it is in order to make your book UNIQUE. And pretty much every one of those articles mentions how ‘you know good voice when you see it.’ And yet, no one can really define what makes a Voice good because, like pretty much everything else in the publishing world, it’s subjective. But all good depictions of Voice have two things in common – it’s seamless and addictive. It’s packed within the pages of every book you’ve stayed up until the wee hours of the morning reading because you Couldn’t. Put. It. Down.

So…why is that? What’s in Voice that makes a book unputdownable?

Let’s break out the two reasons I just listed:

Seamless (adj)
(of a fabric or surface) smooth and without seams or obvious joins : seamless stockings | figurative seamless dialogue between the two pianos.

I’m going to shine a spotlight on the one word in the above definition that I think says it all. Smooth. What do you think when you see that word? I think of melted chocolate. Bailey’s Irish Cream. Expensive perfume. Velvet and silk and glass. I think of things I can touch and taste and smell. Good voice is rich. It’s full of senses that immediately draw you in and make you feel like you’re the one experiencing what’s in the book. Good voice is like putting on 3D glasses—like living in a virtual world…but through WORDS. That’s pretty darn powerful stuff.

Here are some examples of how Voice can suck you into a landscape—even with no context of the story—just by using seamless language to engage your senses.

I knew it was coming, but it’s still hard to understand that after I read this, there will be nothing left of her for me to discover. I turn my flashlight off and all the light that’s left comes from the moon and the living room of my house. A gust of wind comes. All the leaves above and below and around me rustle. It’s the sound of losing, or of starting over. I can’t decide which.
I turn my flashlight on. I read. (Hold Still, Nina LaCour)


The last mourner was always a boy, whatever boy I had a crush on at the time. He’d be a wreck, totally destroyed by my death. When he saw me in my coffin, he’d suddenly realize that he’d loved me all along. The other kids in school, the fools who had ignored me all year, were wrong, so very wrong. The injustice of it would overwhelm Crush Boy, who’d run into the street and throw himself in front o

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68. A Writer's Tip: Turn Social Networking into Character Development


"Plot springs from character...  I've always sort of believed that these people inside me- these characters- know who they are and what they're about and what happens, and they need me to help get it down on paper because they don't type."  

- Anne Lamott
 
Over the past couple of weeks, we’ve shown you a few tools to get your story in shape to make good on all those new writing resolutions. Important stuff, sure. But all that pre-writing work is just a warm-up for the real thing. The story doesn’t really feel like a story until your characters come alive. Until they seem so real our nose wrinkles with the smell of acne medicine in the morning.

There are tons of awesome character cheat sheets out there. Like here. And here. And here. Also here.
Shameless plug, I know I know. But if you’ve got a shred of OCD in you, these worksheets are like chocolate-covered espresso beans in an empty cupboard. Are they necessary? Maybe not. Are they the equivalent to Match.com between you and your character? Totally.

Great! But… are they fun to do?

Well, depends on who you ask. It’s no Scrabble night, that’s for sure. But much can be learned during the discovery process of fine-tuning all the details you see and don't see on the page. There are writers galore who hug on their character sheets like they're…well, like they're chocolate-covered espresso beans.

For me, I always start out wanting to create a sparkly encyclopedia for each character, complete with charcoal renderings lovingly sketched by hand…or something. And the ‘character bible’ method is practically a must if you plan on writing a series with lots of characters or species, each with their own set of rules to track. I get it. I do. But it’s not really FUN-fun, you know what I mean? (Although I know there will be plenty of you who will still argue with me on this. I bet you also enjoy cleaning, huh? :))

So if, like me, you want the value of discovering more about your characters without the mundane task of notating where each birthmark, scar, or stray hair rests, then maybe this craft tip is for you.

My friend and 2011 debut YA author, Gwen Hayes, mentored me last year and as her first order of mentorly business, she told me I didn't know diddly-squat about my characters (she may have put it more tactfully than that). Obviously she had something up her sleeve, so I wholly expected her to send me one of those standard character worksheets to fill out. I’d be lying if I didn’t say I wasn’t already sharpening my pencil to drive through my hand in an attempt to get out of it, but luckily she didn’t have me do that. Instead, her homework was this:

Create a blog (or Myspace, Facebook, or other social networking page) as if you’re your character.

• What is the blog called?
• What song plays when the page opens?
• Are there pictures posted of friends or family?
• Is it used as a public diary or more for updating friends with a quick recap of the day?
• What kind of wallpaper is in the background —does it ooze school spirit or flou

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69. It's All in the Details: Writing with RENNS

“To write something, you have to risk making a fool of yourself.
- Anne Rice

As Anne Rice points out, writing is putting ourselves out there, taking chances, stretching ourselves. To help us all remember that and capitalize on it, we’re going to start a new feature on the blog. Every Tuesday, our new Craft & Teasers Contest post is going to focus on a particular element of the writing craft, provide you with some links for more information on that element, and give you a photograph for writing inspiration. Anyone who wants to write a brief (250 to 1000) word story based on the photo and share it with us will get triple points toward a book giveaway. Comments on the stories or craft tips will receive a single point. We’ll draw winners at random and post the winner the following week along with the new writing prompt.

My fabulous critique buddy, Cambria Dillon, will be joining us for this regular feature. She and I will work on the craft aspects together, and she will coordinate the prompt photo and the giveaway—including the excellent prizes. Please welcome Cam to the blog! You can read her bio in our About Us section, which includes her blog and twitter links.

And now, on to this week’s craft tip and prompt. Last week, Shannon K. O’Donnell did a blog post on using the Lynn Quitman Troyka’s RENNS Model of Sensory Details to add specificity to your fiction writing. RENNS stands for Reasons, Examples, Names, Numbers, Senses, and the system is often taught in schools for helping to enhance student work in essays and papers. Applying it to fiction is a stroke of genius.

Reasons Why:  Goals, Motives, and Conflict
In any given scene, you have to know why every character is acting and reacting the way they are. Every sentence in your story has to move the story forward, add complications, and provide something new for characters to scramble to fix—or fail to fix. And if, in each scene, the motivations of the characters are opposed to each other, or if the main character has several goals that conflict, you have tension. Tension is what keeps a reader turning pages.

Examples:  Voice, Backstory, Symbolism, Metaphor, and Foreshadowing
Telling is when your character or narrator makes a statement about what is going on or how they feel. This can usually be replaced by showing to increase immediacy and make the story stronger. However, even choosing what to show contributes to the voice of your story. It adds perspective and depth. Be specific and deliberate about:

·         what your character sees or thinks.
·         the examples he chooses to illustrate a point.
·         how he feels about a situation.
·         the words he chooses to describe it.
· &n

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70. Interview with Spring 2010 Flash Fiction Runner-Up, Mary Elizabeth Summer

Mary Elizabeth Summer is a Portland, Oregon-based writer who spends her days writing training materials for various companies and her nights racing pell-mell across the keyboard after her rampaging imagination. She writes novel-length stories with occasional forays into shorter fiction, and she writes for young adults, except for when she doesn't. She has a BA in creative writing (she BSes everything else), and she haunts bookstores for fun. Her current writing project is a young adult novel about a girl on the grift. Non-writing interests include volunteering at a horse-therapy program for autistic children and learning the fine art of parenting from her newborn daughter.

interview by Marcia Peterson

WOW: Congratulations on placing as one of the Runners Up in our Spring 2010 competition! What inspired you to enter the contest?

Mary Elizabeth: Thank you! I was very honored to be chosen from among such talented writers. Actually, I was inspired to enter the contest when I read that I could receive a critique of my entry. I didn't expect to actually place in the contest. I was happily surprised when I did, but also happy to get a professional opinion about the story.

WOW: Glad your expectations were exceeded! Can you tell us what encouraged the idea behind your story, "Of Crepes and Constancy?"

Mary Elizabeth: It's kind of a funny story. My writing group decided to try a variation of the exquisite corpse exercise in which each of us put two sentences into a hat and then draw two sentences out. One sentence was to be used as the first sentence of a story, and the second sentence was meant to be the last sentence of the story. The first sentence I drew was "How many times can you burn a crepe before it really does mean something?" In my original version of the story, I managed to end it with the second sentence, but in the revision process, I had to cut it, because it didn't quite work. As for the substance of the piece, at the time I wrote it, I was noticing a pattern in the relationships of people around me--a certain sort of insincerity that led to mind games and dissatisfaction. I had actually meant it to be a comical story, but it didn't turn out that way. Funny how characters sometimes take a story and run in completely the opposite direction with it.

WOW: For writers who may be interested in what you do for a living, could you describe what it’s like writing training materials for various companies?

Mary Elizabeth: It can be challenging at times. I have to take a bunch of information about something I know absolutely nothing about and shape it in a way that makes sense to someone else who knows nothing about it so that they learn. It involves a lot of adult learning theory and subject matter experts and ridiculous budget constraints and unrealistic turn-around times and blah blah blah corporate blah. It is a pretty sweet job, though. I essentially get to write for a living, which is the golden apple, right?

WOW: It sounds like a demanding but interesting job. How do you switch gears to write fiction at

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71. what the...

I'm in Scottsboro, Alabama. I drove up today from Birmingham. As I wound into the north Alabama mountains and rounded the soft corners of a low mountain range, late-afternoon sunlight dappled the windshield. I spotted a gorgeous body of water spreading out on my left, serene and full of greenery -- even lilypads --  and thought, Yes. A little bit of beauty everyday, that's all we need....
Then I topped a rise and saw this.

You can read more about it here. And here you can read the latest (the TVA plans to revive construction/completion as of August 2010) here. You can even read about the current controversy, here.

Wowee. That's enough to shut me up for the day. More on why I'm here and what I'm doing, after some sleep.


Photo credit: Matt Fields-Johnson for the Chattanooga Times Free Press.

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72. signs

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73. the life all around me

Mostly photos today, with a little narration, to catch up the summer, and swing into fall.  We are about to make our annual trek to the beach. Remember last year's photos with one-word headings?

 There was the writing prompt idea at the end, with the daily headings of work, hope, fishing, honoring, weather, and morning. Photos for each day with a one-word caption.  I'm going to attempt that again this year. Want to do it with me? Take your camera with you, and at the end of each day, decide what one word you'll use to describe the day. You can turn it into a piece of personal narrative writing later, if you want, but for now, let the photos do the talking -- a visual storytelling. If you blog this, please send the link in comments, so we can all appreciate your handiwork... and storytelling.

 In the meantime... or until then....  this past weekend, I worked at the Decatur Book Festival, on a panel with Shelia Moses, presenting Countdown (that's our fabulous moderator, Vicky Alvear Shechter, in the foreground, and yeah, I'm just snappin' photos while Shelia talks):
We had such a nice crowd. If you look hard, you can pick out my Jim, Nancy Werlin, Elizabeth Dulemba, Nancy's husband, Jim, and in the row in front of them, good friends Frank and Mary Hamilton.

It's old home week at the DBF, since I live in Atlanta, and it's such a pleasure to work at a festival that doesn't require an airplane ride!
 I got to finally meet Alora Rose Plemmons! Her dad, Andy, is the media specialist at Barrow Elementary School in Athens, Georgia, and we have stayed in touch ever since I visited Barrow a couple of years ago, and now -- Alora is in the world! Talk about life all around me... here it is, beginning again.


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74. Summertime, and the Writin' Can Be Easy

By Jill Earl

Don't know about you, but with temps soaring into well over 100 degrees here in the East, the only thing on my mind has been the cooling blast of AC. So when I recently trolled the 'Net for some ideas to get my heat-baked brain moving, I found the CreativityPortal.com site, with dozens of ways to awaken or boost your creativity.

Clicking on the ‘Writing & Prompts’ link located near the top of the homepage directs you to the site’s writing guide, with more links to choose from. Then click on the ‘Writing Prompts’ link within this listing and scroll down for the 'Seasonal and Holiday Prompts’, where writer Chris Dunmire offers up a selection of summer prompts, like the one below:

Writing Prompt 3:
What is your favorite summer memory? How old were you when it happened? For 10 minutes relive that memory through writing about it as if you were right there recording it in real time.

While I’m not crazy about summer, I do remember my days at sleepaway camp, by far my favorite summer memory. During those 10 minutes, I recalled horseback riding and archery lessons, the camp carnival, canoe trips, nature walks, even an encounter with a skunk and thankfully, I wasn’t the unfortunate victim! With the exercise over, I now have some experiences ready to be used in a story, or perhaps inspiration for a future article or blog post. Besides that, it was fun to revisit those carefree days.

For the rest of Chris’ list, head over to CreativityPortal.com. Stay motivated during these sizzling summer days! Grab a prompt or two and get to writing!


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75. everyday history, momentous moments

They change us, these everyday moments, like airing the linens or making limeade. They enhance and make possible our momentous occasions as well. Along the way, we use all our senses to make connections with one another and our stories -- what do we see, hear, taste, touch, smell, in each moment? Yesterday, for instance.... 

Breakfast dishes drying:

Linens sunning themselves. Feel the breeze, taste the spring air. And listen to the stories:
The bedspread my daughter brought me from Greece, and the joy in her face at being so smart to know how I would love it. And there is her childhood kitty blanket she slept with for years. I would find her wrapped in it in odd hours, her hair smelling of fresh perspiration, her snores even and calm.
The quilt my mother's mother made by hand every stitch, from old shirts and dresses. I never knew this grandmother, but I remember the longing in my mother's voice when she said, "I never had a mother to help me raise my children..." and I would entreat my mother to tell me more about this grandmother I never knew.
The blanket I wrapped my first babe in. Oh how my heart pounded! Could I keep her alive? How tiny she was! How young I was! The first time she cried, I did, too.
The Freedom Summer quilt my friend Cindy made for me. What a celebration! My first book! Everyone came for a party. I saw that babe of mine walk into the room with her first babe, and felt we'd come full circle. Now I was a grandmother, like my mother's mother was never able to be.
The signatures of all those I met in my travels, that Freedom Summer year. (Did you sign this quilt?) So carefully did young readers sign their names. Some drew me pictures. Some gave me advice. Some congratulated me. How many airplanes did I carry that quilt on? It became a security blanket, as I made m

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