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Viewing: Blog Posts Tagged with: Craft and Teasers, Most Recent at Top [Help]
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1. It's All in the Details: Writing with RENNS

“To write something, you have to risk making a fool of yourself.
- Anne Rice

As Anne Rice points out, writing is putting ourselves out there, taking chances, stretching ourselves. To help us all remember that and capitalize on it, we’re going to start a new feature on the blog. Every Tuesday, our new Craft & Teasers Contest post is going to focus on a particular element of the writing craft, provide you with some links for more information on that element, and give you a photograph for writing inspiration. Anyone who wants to write a brief (250 to 1000) word story based on the photo and share it with us will get triple points toward a book giveaway. Comments on the stories or craft tips will receive a single point. We’ll draw winners at random and post the winner the following week along with the new writing prompt.

My fabulous critique buddy, Cambria Dillon, will be joining us for this regular feature. She and I will work on the craft aspects together, and she will coordinate the prompt photo and the giveaway—including the excellent prizes. Please welcome Cam to the blog! You can read her bio in our About Us section, which includes her blog and twitter links.

And now, on to this week’s craft tip and prompt. Last week, Shannon K. O’Donnell did a blog post on using the Lynn Quitman Troyka’s RENNS Model of Sensory Details to add specificity to your fiction writing. RENNS stands for Reasons, Examples, Names, Numbers, Senses, and the system is often taught in schools for helping to enhance student work in essays and papers. Applying it to fiction is a stroke of genius.

Reasons Why:  Goals, Motives, and Conflict
In any given scene, you have to know why every character is acting and reacting the way they are. Every sentence in your story has to move the story forward, add complications, and provide something new for characters to scramble to fix—or fail to fix. And if, in each scene, the motivations of the characters are opposed to each other, or if the main character has several goals that conflict, you have tension. Tension is what keeps a reader turning pages.

Examples:  Voice, Backstory, Symbolism, Metaphor, and Foreshadowing
Telling is when your character or narrator makes a statement about what is going on or how they feel. This can usually be replaced by showing to increase immediacy and make the story stronger. However, even choosing what to show contributes to the voice of your story. It adds perspective and depth. Be specific and deliberate about:

·         what your character sees or thinks.
·         the examples he chooses to illustrate a point.
·         how he feels about a situation.
·         the words he chooses to describe it.
· &n

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