Title: I Am J Written by: Cris Beam Published by: Little Brown, 2011 Themes/Topics: Diversity, LGBTQIA, transgender teens, coming of age, New York, cutting, friendship, emotional problems Suitable for ages: 14+ Opening: J could smell the hostility, the pretense, the utter fake-ness of it all before they even climbed the … Continue readingAdd a Comment
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Blog: Miss Marple's Musings (Login to Add to MyJacketFlap)
JacketFlap tags: Book recommendation, diversity, Diversity Day 2016, LGBTQ, Chris Beam, F2M, I am J, LGBTQIA, NYC, teen, trans female, YA literature, Add a tag
Blog: Bartography (Login to Add to MyJacketFlap)
JacketFlap tags: children's books, children's literature, college, Conference, Festival, institute, library, literacy, reading, Symposium, university, YA books, YA literature, young adult books, young adult literature, Add a tag
Or, more formally, “A Comprehensive List of U.S. College- and University-Sponsored or -Hosted Children’s and Young Adult Literature Conferences, Festivals, and Symposia.” (All of them that I could find, anyway). A few years ago, I was looking for such a list, wondered why I couldn’t find one, and decided to just go ahead and make […]Add a Comment
Blog: Geoffrey Philp's Blog (Login to Add to MyJacketFlap)
JacketFlap tags: Burt Award for Caribbean Literature, Caribbean literature, Diana McCaulay, Jamaican women writers, Jamaican writers, YA literature, YA novel, Add a tag
Blog: Sharon Ledwith: I came. I saw. I wrote. (Login to Add to MyJacketFlap)
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Blog: Tonia Allen Gould's Blog (Login to Add to MyJacketFlap)
JacketFlap tags: Author Posts, #YALit, author, books about spousal abuse, drama, first chapters, kids dealing with abuse, spousal abuse, suspense, Tonia Allen Gould, YA Literature, Add a tag
This is Chapter 3 of the new novel I’m working on. This book is a piece of Young Adult Fiction. Young readers should be particularly advised that this chapter is harsh, and if this were a movie, it would be given a PG-13 rating. Chapters 1 and 2 are published here also at www.toniaalengould.com. I’m uncertain how many chapters I will publish here on this blog. Your feedback is welcomed and appreciated, and please kindly note that this is only fairly edited to this point.
Meet My Daddy
Last night, when the house was quiet and nothing was keeping the room lit but for the dime store digital alarm clock Mama got me and Bartlett for Christmas last year; my sister broke the night’s calm by shifting her weight and turning over in her bed to face me in mine. “Barley, you awake?” she whispered. Not waiting for me to answer she continued, “It’s real late and daddy ain’t home yet. When he gets in, I don’t want you to make one single, solitary sound in here, no matter what happens. You hear me?” Bartlett pleaded. I shivered and pulled the covers tighter over my body and used the top of them to wipe the tears that already began to roll as big as dimes down my cheek and said, “Uh huh, I hear you,” I said, knowing she was right and that the shit was about to hit the fan. I tried to muster a voice inside me big and loud, but what came out of my mouth squeaked like one of those kangaroo mice that we occasionally caught meekly poking their heads out of our paneled wood walls, disappearing as quickly as they came, here and gone again, just like my tears now. My whole body began to tremble and shake and my feet were so cold, it felt like I had popsicles for toes.
Bartlett rose up out of her bed looking like a ghost or something, looming over me like that in her cotton white nightgown; her face was nothing but a shadow in the darkness, and for a second, I thought I was dreaming or having a nightmare or something. I pinched myself sharply and only when I felt the pain was I certain she was real and not a figment of my imagination. Finally, she sat down on the edge of my bed. “Sit up for a second,” she said, as she pulled back the covers and tugged at my arms, effortlessly bringing me up next to her. I couldn’t make out her face in the darkness, although her white cotton nightgown seemed to illuminate the whole bedroom. She stroked my long, dark hair and whispered in my ear. I know she could feel me trembling beside her, and even though sometimes I hated her, I was so grateful for my sister’s warmth tonight. “Shhh,” she said. “Maybe it won’t be so bad this time. Give me a hug and try to go on back to sleep now and remember that no matter what happens, you stay in this here bed and don’t get outta it for anything, until Kingdom come if you have to, or at least until I say so” she said, as she pulled me tighter in next to her body. I hugged her limply, like something had sucked the bones out of me and I was nothing but a gob of dangling, cold skin, but it weren’t for but a second, before she got up and paced across the room to check on Graham, who was sleeping soundly in his own bed. I knew Bartlett would be by his side stifling him, muzzling his mouth if she had to, if things got really ugly. So I just laid there—cold and limp, a lifeless, waiting, trembling, hoping and praying mass-of-a-child. If you’ve never had the experience, waiting for something bad to happen feels like all the oxygen has been snatched-up outta the air, your throat and lips feel awfully dry, you can’t hardly swallow your own spit for the lump in your throat won’t let it go down, and it’s as if the Earth collapsed and shattered to giants chunks of rubble around you, pinning you in and leaving you breathless. Yes. Waiting feels like something big and looming and enormous like that.
Another hour or so must’ve passed as we laid there in silence before the headlights from daddy’s ’59 Impala finally ricocheted off the walls and reflected from the mirror that sat on top of our dresser. The light was so bright, it was blinding, and it felt like Lord Jesus had come to take us home. I could hear the tires spitting-up gravel from the driveway and the pistons rumble and fade away into the darkness once Daddy turned off the ignition. Moments pass and he finally gets out of the car, slamming the door forcibly as he exits. Then the thud, thud, thud of his feet comin’ up the porch steps, tromping the whole way. Suddenly, I became consumed by each and every sound my father was making, each noise was a siren, a warning call that rang loud and true and into the stillness of the night. It was almost more than I could bear, waitin’ for my Daddy to find his keys and enter the trailer. I wasn’t breathing, but I wasn’t holding my breath neither, it’s like I had my foot stomped on and was punched in the belly all at the same time. Rattle, Rattle, rattle; he fumbled with the doorknob, turned it, and then finally fell into the kitchen which was right outside our bedroom. He was struggling to find the light switch; I could hear him grasping at the walls, groping the wood paneling, and scraping the dinette chairs across the floor as he clumsily made his way to the light switch across the small kitchen.
From where I was laying, I could see the dark outline of his body through the crack in our bedroom door. I screeched a bit when he finally turned on the light, it surprised me so much, since I had become particularly fixated on all the sounds he was making and due to the suspense of it all. Bartlett shushed me again, but fortunately Daddy hadn’t heard me. Bartlett was right, it was best to pretend I was asleep, but I couldn’t help but watch through that small opening in our bedroom door.
I wanted to roll over in my bed and face Bartlett, but it was too darn late, I had to lay still, or I might’ve caught Daddy’s attention, so I watched as he tried to navigate around the kitchen. Daddy has knocked over a chair, and I watch as he stumbled and fell forward, trying to pick it up. When he finally brought the chair upright, he heaved his body into and lit himself up a Marlboro, and thankfully the whole trailer fell quiet again. We can hear Mama as she slowly eased herself up out of her bed through the paper thin walls leading to the bedroom next to ours. The rickety old box springs from the cast iron bed Mama and Daddy got from a flea market, is the only thing to break the silence. “No Mama,” I prayed. “Please don’t get up. Let him be. Don’t go in there,” I prayed. But I knew God wasn’t listening to Barley Sullivan tonight, because I watched as Mama drowsily entered the kitchen, wiping the sleep out of her reddened eyes. I could see that mom had been crying, and guessed probably she had cried the whole night long. The stench of the alcohol on Daddy’s breath, and what smells like a somewhat familiar perfume now permeates the air throughout the entire trailer. Mama is ten shades of mad because Daddy has been out so late. She glances around the kitchen in disbelief. “Earl, it looks like a God-damned circus ran through here,” she says as she stoops to pick up an errant chair up off the floor. Mama’s right. It was a circus in there and unbeknownst to her; she just stepped into the lion’s lair. Like I’ve said before, Mama didn’t have too much common sense.
“You think ya can just saunter on in here, any old time ya God-damned want, drunker than a skunk and smellin’ like June’s cheap-ass perfume all the time? I’m getting pretty fuckin’ sick and tired of it, Earl!” she yells. “If my brother John gets a hold of you, he’s gonna kill you for runnin’ around with her like that. What? You think I don’t know? I’m not fuckin’ stupid,” my Mama laughs. The argument ensues, both of them screaming back and forth at one another, but some of what they are talking about makes absolutely no sense to me—like what does Aunt June have to do with any of this, anyway? It’s all over my head, and Daddy is so belligerent, I can’t make sense of what he is saying at all. Their voices rise another octave, and the neighbor’s dog, George, begins to bark and that beckons other dogs in the trailer park to wake and come alive with their unrelenting barking. Daddy’s voice suddenly shifts to a dangerous tone, and I can feel it in my gut. It’s too late, there’s no undoing what’s Mama’s done. She has incensed my father.
Despite Bartlett’s admonishment, I sit up on the side of my bed, my legs dangling, holding on tightly to the stuffed monkey I got from that time I got put in the hospital when my appendix almost burst. Doctor Cooper gave him to me. I loved that stuffed monkey because he reminded me of a special time. For two weeks, while I was in the hospital, I got to eat all the ice cream I ever wanted, there weren’t any televisions on blaring loudly twenty-four-hours a day, and Daddy and Mama weren’t there fighting about things I just didn’t understand, like they were doing tonight. Hell, Mama and Daddy barely even came to see me when I was in the hospital back when I was only just nine-years-old, and oddly enough, I was okay with that. Those two weeks were the first time in my life I had ever experienced what silence was. I could think there in the hospital. I wasn’t all wound-up and scared all the time. In fact, it felt like I had boarded a plane, and landed in some faraway perfect place. For a kid like me, growing up in a trailer park, staying in a hospital feels something like staying at one of those fine resorts I read about in one of those magazines Jeannie Bell had down in her parlor shop in town. Bartlett breaks me away from my reverie and whispered loudly again, “Lie back down and pretend that you’re asleep! If Daddy sees you, he’ll up and come on in here and whoop us both. Do it now!”
But I don’t listen to Bartlett. My body feels possessed by someone bigger and braver than me. Instead, I continue to rock myself gently back and forth, trying to will away the feuding coming from the other room. Daddy is cursing something fierce, and then I hear him push a chair out of his way as he crosses over to Mama where I can’t see them anymore. I knew better, and despite all of Bartlett’s warnings, I got up and tip-toed myself across the floor to the door and stepped quietly over to the other side of it to peer through the crack to see where my Mama and Daddy are standing on the other side of the kitchen. Daddy’s already got her pressed right up against the wall, his arm pinned across her throat and he is yelling directly into her face. He’s so mad, I can see little droplets of spittle flying into the air as he screams at her. And then, before I can digest what I am seeing, I watch in outright horror as Daddy leans over and picks up one of those fallen chairs and busts it right across my Mama’s head. She falters and falls hard to the ground, moaning in anguish, her body is now a lifeless heap strewn clear across the floor in a pink, cotton-candy-colored, terry-cloth robe. With a grumble underneath his breath, my Daddy steps over her body, like she’s nothing more than the day’s trash, and stumbles into their bedroom. I watch him hoist his fully-clothed body onto that old bed, the sheer weight of him causes those box springs to creak and whine again, and almost immediately, the sound of his snoring breaks the dead quiet silence of daybreak. The morning light is already filtering in through the windows, casting morning sun on my poor mother, splayed out on the floor in her pink robe.
Mama was lying perfectly still on the floor, and I was almost certain she was dead. A thin, red trickle of blood oozed from a wide, deep gash on her forehead. I was crying, but my sobs were coming from some subterranean part of myself. Even if I wanted to, I could not project any noise; I had learned so early on in life to stifle my emotions and to filter my own pain. My stomach was heaving in and out while a steady train of new tears rolled down my face. It took every ounce of my courage to walk over to Mama to see if she was breathing or dead. Just as I crossed over the kitchen and came to her side, my mother looked up at me, surprised to see me and immediately placed her right index finger next to her lips and mouthed the word “Shhhhh!” I leaned over her and gave her my hand, which she gratefully took, and I helped her up off the cold, hard linoleum tiles. Without saying a word, she led me back to my room where Bartlett stood crying at the door, holding Graham in her arms; he was almost too big for her carry. He was buried deep in her bosom and I knew Bartlett hadn’t let him see anything that went on in the kitchen. “Go on back in there now, you three. Ain’t nothin’ more to see out here tonight,” Mama said as she motioned us back into our bedroom. “I’m ok,” she said, “It’s just nothin’ but a little bump on the head. Y’all go back to sleep, and stay good and quiet in here, you hear me?” she whispered. Mama led me back into our room, where she tucked me into bed, checked on Graham who rolled over immediately and went back to sleep, and then looked thankfully towards Bartlett. Then with some degree of dignity, she straightened her back and walked out of our room and back into the kitchen.
The door to our room was left cracked open again and I watched as she lit herself a cigarette, inhaling the smoke deeply into her lungs where she savored it a moment until she finally exhaled, and then she sat down at the dinette table, drew her feet up onto the chair and rested her head on her knees, her body trembling from head-to-toe as she silently watered her lap with her tears. I wanted to go to her again, but I knew if I did, she would retaliate on me just to prove she was still strong and in charge, like she had done so many times before after a beating from Daddy, so I just laid there and saw her arms heave up and down as she cried, watching as the early morning light cleansed and clarified the kitchen, hoping for a new and brighter day.
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Blog: The Winged Elephant (Login to Add to MyJacketFlap)
JacketFlap tags: true grit, mattie ross, ya literature, charles portis, literature, heroines, Add a tag
<!--[if gte mso 9]> 0 0 1 450 2570 Overlook Press 21 6 3014 14.0 <![endif]--> <!--[if gte mso 9]> Normal 0 false false false EN-US JA X-NONE <![endif]--><!--[if gte mso 9]>Add a Comment
Blog: Beth Kephart Books (Login to Add to MyJacketFlap)
JacketFlap tags: John Corey Whaley, David Levithan, Publishing Perspectives, A.S. King, Lois Lowry, Patricia McCormick, Small Damages, YA literature, future of Young Adult literature, Eliot Schrefer, John Green, Add a tag
Today the fine folks at Publishing Perspectives share the text in full, along with the illustrations by William R. Sulit. These illustrations were modeled with 3D software, all with the exception of the beautiful face and hands, which belong to my niece (daughter of my famous I Triple E brother), Miranda.
In her keynote address from the YA: What’s Next? publishing conference, author Beth Kephart makes an impassioned case for YA books that are heartfelt, authentic and empowering.......
(Just added: gratitude for a week of kindness toward Small Damages.) Add a Comment
Blog: Bowllan's Blog (Login to Add to MyJacketFlap)
JacketFlap tags: Writers Against Racism, Alice Miranda, Boarding Schools, Jacquie Harvey, YA Literature, Add a tag
I had the pleasure to spend time with Australian author, Jacqueline Harvey. She’s an amazing literary talent (and storyteller!) who wrote the ALICE MIRANDA series [Random House]. New York City is just one Jacquie’s stops on her speaking engagements at schools across the country. And based on what I saw at my school, everyone LOVES Alice Miranda, as she appeals to both boys and girls of all cultures.
Oh…on Saturday, Jacquie has agreed to an interview to tell me ALL about her travels.
Blog: WOW! Women on Writing Blog (The Muffin) (Login to Add to MyJacketFlap)
JacketFlap tags: Margo L. Dill, Heather Brewer, reading children's books, YA literature, Add a tag
It's hard to top yesterday's blog post. I mean, we were talking about a great cause--Breast Cancer Awareness Month--and giving away chocolate! If you missed it, check out the post and enter to win here.
So, I decided to post about a new author I just discovered--she's quite a talent and popular in the YA scene and how it made me feel to discover her when everyone else seemed to already know her. And what does that mean about me as a writer and reader?
First, I'll tell you a little about the author. Her name is Heather Brewer, and I saw her speak at a great reading festival St. Louis holds each year, THE BIG READ. Brewer is from the St. Louis area, and she drew my attention at this event because she was 1. a YA author (that's my aspiration) 2. Dressed so cool with a pink streak in her hair 3. Writes about vampires. I drug my husband over to her tent, and we sat down. Then she started talking about her series, The Chronicles of Vladimir Tod, and these teenage fans in the audience were noticeably excited. She was a great speaker--enthusiastic and real and genuine. You could tell how much she cared about her characters, and how much those teenagers did, too. She went on to talk about the five books she had already completed in the first series (from Eighth Grade Bites to Twelfth Grade Kills) and how she is currently writing a spin-off series. I kept thinking: I am an aspiring YA novelist. I have a children's/teen's book blog, and I have never heard of this author and Vlad Tod. Where have I been? How am I so out of touch? I immediately bought book one of the series, she signed it for me, and I gushed on and on about how much I enjoyed her talk and couldn't wait to read the series.
The first book is great--it will appeal to boys and girls (tween to teen) as well as their parents. I am almost finished with it and have already checked out Ninth Grade Slays from the library. I still am having trouble getting over the fact that this author wrote five books--which they sell in major bookstores and YA bloggers write about, and I had no idea. Where's my market research? Where's my reader instinct?
So, I posed this question to our Facebook Fans: how do you feel when you discover a new author? I mean, I feel excited to have discovered Heather Brewer, but I also feel so out of touch. If she just had one book, like debut novelist Jay Asher, whom I had already read, I wouldn't feel so well. . .slow. Here's what some of our Facebook fans had to say about new authors they've found:
- Holli Moncrieff: "I was so happy to discover Elizabeth Berg. A co-worker lent me her book "Talk Before Sleep", about Berg's experiences helping her friend die with dignity, and it was such a beautiful, heart-wrenching book. I've worked my way through all of ...her novels, and it always seems like a new one has just been released. . .Both my moth Display Comments Add a Comment
Blog: YALSA - Young Adult Library Services Association (Login to Add to MyJacketFlap)
JacketFlap tags: Teen Reading, Alexandra Diaz, Authors, Kirstin Cronn-Mills, Lauren Bjorkman, LGBT Literature, LGBTQ, Malinda Lo, Megan Frazer, Stereotypes, YA Literature, Add a tag
As I was unable to make it to the YA Lit Symposium’s Pre-Conference Session: On Beyond Stonewall, I decided to head to a local bookstore Friday night for an intimate and informal discussion about LGBT issues in teen literature. Present were authors Malinda Lo (Ash), Lauren Bjorkman (My Invented Life), Megan Frazer (Secrets of Truth and Beauty), Alexandra Diaz (Of all the Stupid Things) and Kirstin Cronn-Mills (The Sky always hears me and the hills don’t mind), all of whose books feature characters dealing with LGBT issues.
After a generous offering of chocolate-covered cherries from Diaz, the authors began by introducing themselves and their books, then dove into answering audience questions. First up: for what age are your books appropriate?
The authors all agreed that their books are for teen audiences, though Cronn-Mills described her novel as “edgy” (for sexual frankness and language), and therefore felt it was more for older teens, 14/16 and up. Amusingly, Lo mentioned that she’d originally written Ash as a young woman out of her teens, but that her editor suggested she lower her age to hit the YA audience, and while Ash is recommended in the U.S .for ages 12 and up, it was published in the U.K. for ages 8-12. Several authors pointed out that sexual encounters tend to up the recommended age level – for instance, Diaz’s book is often labeled as 14 and up, and contains two sexual encounters, one between a heterosexual couple and another between a same-sex couple.
Also regarding age-appropriateness: Why write for a teen audience? Also, as YA authors, do you face any legal issues/constraints from your publishers or editors for writing of the sexual experiences of teens under eighteen?
The answers to “why write for this age-level” varied: it’s simply a fun age to write (Diaz); the characters are based on people from the author’s teen experience and so had to be teenagers (Cronn-Mills); and technical reasons, such as a character needing to drive, and so had to be at least sixteen (Frazer). On the subject of legal issues, all the authors agreed that while none of them had been told to tone down scenes or to take anything out, if publishers or editors were squeamish, it was probably less about the actual content and more about heading off parent complaints and challenges. Lo pointed out that while it may seem that book challenges are good in that they get a book publicity and make it attractively ‘taboo,’ it’s actually a bad thing, as the controversy might lead to librarians/teachers choosing not to purchase a title in order to avoid the possibility of a challenge.
When asked for their personal favorite LGBTQ books or authors, we in the audience found ourselves nodding along and/or scribbling furiously to keepAdd a Comment
Blog: Ypulse (Login to Add to MyJacketFlap)
JacketFlap tags: Ypulse Essentials, American Apparel, bevis and butthead, gay teens, hulu, makeup, MTV, myspace, skins, status update, teen wolf, Viacom, videogames, YA literature, Add a tag
MTV unveils (a slate of new scripted and unscripted shows at its upfront today, announcing a new "Teen Wolf" series and confirming rumors that "Beavis and Butthead" will return to the channel. Viacom and Hulu announced a partnership that will bring... Read the rest of this postAdd a Comment
Blog: Starting Fresh (Login to Add to MyJacketFlap)
JacketFlap tags: Junonia by Kevin Henkes, YA literature, Add a tag
Junonia by Kevin Henkes
Blog: Some Novel Ideas (Login to Add to MyJacketFlap)
JacketFlap tags: Book Reviews, book review, Divergent, dystopia, dystopian fiction, Lois Lowry, Suzanne Collins, The Giver, The Hunger Games, The Hunger Games trilogy, Veronica Roth, YA literature, Add a tag
As I write this, I am watching "The Matrix" on AMC. This is my absolute favorite movie of all time. They just "woke" Neo from the dreamworld of the Matrix, and he's about to find out what the real world actually is. This movie is visually stunning in so many ways. I've used it to teach about viewing movies with a critical eye. It's just a delight for a film junkie like me to watch, even if this is the fiftieth time I've seen it (at least). In addition to its visual appeal, "The Matrix" is a wonderful story about being the master of your own destiny, fate versus free will, and the dangerous reach of technology. It is wholly original.
Which brings me to Veronica Roth's Divergent, a dystopian novel set in a futuristic Chicago. What does Divergent have to do with "The Matrix?" Nothing, and that's my point. Where "The Matrix" is a highly inventive, groundbreaking movie, Divergent is a remix of The Hunger Games trilogy with a bit of The Giver thrown in for good measure.
As much as her name resembles that of a character out of The Crucible, Beatrice Prior lives not in pre-Revolutionary Massachusetts, but in post-apocalyptic Chicago. The city (The country? The world? Roth never reveals what lies beyond Lake Shore Drive) has been divided into five factions, each inhabited by people who embody that faction's virtue: Amity, Dauntless, Erudite, Candor, and Abnegation (SAT word alert! Couldn't Roth have just used Selfless?). At age 16, kids choose the faction in which they will spend the rest of their lives. Generally, that means staying in the faction you're born into. But not for Beatrice. Never feeling like she wholly belongs in the selfless realm of Abnegation, Beatrice chooses Dauntless. She doesn't know if she's right for Dauntless either, but at least she won't be bored.
As she goes through the miserable, tortuous, often gratuitous initiation process in Dauntless, "Tris" makes a few friends and a few enemies, falls for her initiation trainer (whose name is Four, by the way, which tripped me up occassionally because it wasn't always immediately obvious whether "Four" was referring to the number or the person), leaps from the roof of a skyscraper more than once, and saves her city (world?) from the evil Erudites. Along the way, Tris's narrative treats us to buckets of blood-soaked violence and the usual teenage sexual longing.
So? You're thinking that Divergent doesn't sound too much like The Hunger Games, except for the choosing ceremony, the training, the smarter-and-braver-than-she-thinks-she-is heroine, and the civil war. What's my beef with this book exactly? I don't think Veronica Roth gives us a new and interesting heroine here, at least not yet. Tris is Katniss with tattoos. The cadence of her speech, her temperament, her gritty vulnerability- they all mimic Katniss, leaving Tris without an original voice. My hope is that as the trilogy develops, Tris will find her own authentic voice. I also hope that Roth develops some of the other characters into rounder, fullerAdd a Comment
Blog: Book Dads (Login to Add to MyJacketFlap)
JacketFlap tags: book blog tour, Book Review, Teens: Young Adult, Third Through Sixth Grade (Age 9-12), book dads, rich wallace, war and watermelon, ya literature, Add a tag
Review by: Chris Singer
About the author:
Rich Wallace is the author of many award-winning books for children and teenagers, including Wrestling Sturbridge, Sports Camp, Perpetual Check, and the “Kickers” and “Winning Season” series. He lives with his wife, novelist Sandra Neil Wallace, in Keene, NH. A note from Rich: ”Bloggers might like to know that, like Brody in War & Watermelon, I was 12 years old in 1969 and living in suburban New Jersey, just becoming aware of the war and the music and the other world-changing events of that summer. I also had an older brother who was eligible for the draft, which caused considerable concern in our household and informed the events of this novel.” Learn more about Rich and his books on his website, www.richwallacebooks.com.
About the book:
It’s the summer of 1969. We’ve just landed on the moon, the Vietnam War is heating up, the Mets are beginning their famous World Series run, and Woodstock is rocking upstate New York. Down in New Jersey, twelve-year-old Brody is mostly concerned with the top ten hits on the radio and how much playing time he’ll get on the football team. But when he goes along for the ride to Woodstock with his older brother and sees the mass of humanity there, he starts to wake up to the world around him-a world that could take away the brother he loves.
My take on the book:
I was really intrigued by the description of this book when I was offered an opportunity to read and review it.
I wasn’t disappointed either. War and Watermelon is a quick read and I read it over the course of a day and found it hard to put down.
Although War and Watermelon is recommended for ages 9-12 years, I thought it was definitely more of a young adult novel. There are some pretty heavy duty issues addressed in this novel, mainly focused around whether Brody’s older brother Ryan will enroll in college before he gets drafted to go to war in Vietnam. I didn’t have an issue personally with any of the subject matter in the book (the “activities” at Woodstock i.e. drinking beer, smoking pot and language). I just think it’s a book more suited for young adult readers ages 12 and above.
All in all, this book makes an excellent summer read. I think librarians and teachers would be interested in adding this to their classrooms as well. Wallace does an excellent job of bringing the political turmoil of the late 60s to life for readers, even if it is through the eyes of a 12-year-old boy. Don’t worry though, the book isn’t just centered around the topic of the Vietnam War. There’s a few laughs in here, as well as some football (Brody has made the local team as a running back/linebacker). I’d have no problem recommending this book to a male teen reader in your life.Display Comments Add a Comment
Blog: Becky's Blog (Login to Add to MyJacketFlap)
JacketFlap tags: Girl Meets Boy, Chasing AllieCat, Kelly Milner Halls YA, Rebecca Fjelland Davis, YA literature, Add a tag
We got the cover! This week, Kelly Milner Halls sent the cover to all of us whose stories are in this anthology. Pretty cute, huh? It contains some pretty heavy subject matter, I'll tell you that much. The cover may somewhat imply the weight of the stories within...
Blog: Some Novel Ideas (Login to Add to MyJacketFlap)
JacketFlap tags: Book Reviews, dystopian novels, Legend, Marie Lu, Powell's Books, Shipbreaker, The GIver, The Hunger Games, The Maze Runner, violence, YA book review, YA literature, Add a tag
Absolutely everyone has noticed the rash of dystopian YA novels kicking around the bookstore these days. I was recently in the wonderland that is Powell's Books in Portland, Oregon, and their YA room had a great "I'm Dystopian!" display. Author Philip Reeve wrote about the phenomenon in this month's School Library Journal. And you can't escape the promotions for the upcoming movie version of The Hunger Games. I'm guilty of being quietly obsessed with the genre ever since I started teaching Lois Lowry's classic The Giver twenty or so years ago.
Well, in the past few years, I've read: The Hunger Games series, The Maze Runner series, the Chaos Walking series, the Gone series, the Uglies series, Incarceron, Divergent, Matched, Delerium, Enclave, Shipbreaker, The Roar, etc., etc., etc. Lots and lots of 'em. Some of them are great (Shipbreaker, Delerium, Chaos Walking series); some are very good (Maze Runner, Uglies, Gone, Incarceron). All of them are addictively readable. For some reason I cannot fathom, we are fascinated with our own inevitable, horrific future. What we know for sure: Earth will suffer many cataclysmic disasters which will (probably) be our fault; the new government of what is left of the U.S. will be oppressive and totalitarian; the poor will be really poor and the rich will be really rich. And one last thing: Some plucky teenager with mad fighting and survival skills will soon see it all for what it is and will fight back.
So what is different about Marie Lu's Legend, which will be published later this year and has already been optioned for the screen? Truthfully, not much. When I received the galley of Legend and read the back cover, I actually groaned. Aloud, not inwardly. My obsession was in danger of spilling over into compulsion: Yet another dystopian novel I must read. No, really, I just can't do it again. Please make it stop!
Still, I cracked Legend open and began. Original it ain't, but, I gotta tell you, I liked it. I liked it a lot. Despite being able to predict almost everything that was going to happen, I couldn't put Legend down. And if it's done right, it could make an awesome film. At the very least, it would be a great video game.
June is a war-ready prodigy in the future Republic of America, a perfect soldier-to-be, who grew up in the golden light of Los Angeles's richest district. Day is a prodigy of another kind. He is from one of the city's poorest districts, and he's also the country's most wanted terrorist/criminal. June and Day could not have come from more contrasting origins, but their worlds are about to collide in a big way.
When Day's family is quarantined because of a breakout of the newest strain of plague to run through the L.A. slum areas, he needs to steal some plague cure quick. June's brother Matias, who seems to be the ultimate Republic soldier, is murdered at the hospital on the night that Day tries to swipe a few vials of the cure. Now, Day is the number-one suspect in the crime, and June is out to exact her revenge.
Soon, however, June and Day cross paths in a most unlikely way. An uneasy alliance, even a touch of romance develops, and June and Day start to uncover some horrifying trutAdd a Comment
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