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Viewing: Blog Posts Tagged with: 8, Most Recent at Top [Help]
Results 1 - 9 of 9
1. Moonlight

Moonlight by Rachel Hawthorne follows Kayla, a nature lover who lost her parents to the forest at a young age, as she discovers werewolves – though I suppose I should say Shifters. As Kayla faces her first summer as a sherpa, she struggles to overcome her nightmares while learning more about her identity and her past. As the summer unfolds, Kayla finds herself torn between feelings for Macon, a member of the hiking group she’s working with, and Lucas, their seemingly fearless leader. Meanwhile, Lucas and his fellow Dark Guardians, those charged with protecting the Shifter population, face a threat worse than exposure. Lucas strains to maintain his calm demeanor and lead as he should while protecting those dearest to him.

Though a bit formulaic, I truly enjoyed this start to Rachel Hawthorne’s Dark Guardians trilogy (though I hear now a fourth installment is due out spring 2010, so I suppose it isn't a trilogy anymore). For one, to read a novel dealing with werewolves as opposed to vampires was refreshing. By developing the history of Shifters, Hawthorne creates a more complex side to these fantastic creatures. Moonlight is a light, quick read that will keep the reader engaged through the final page. Full of an interesting group of characters, each with their own quirks, this novel is never dull. The romantic lines are really at the heart of this book, and the chemistry between characters is sure not to disappoint. For those who like adventure and romance and don’t mind a bit of fluff, this is a great book to pick up. 8 out of 10.

0 Comments on Moonlight as of 1/5/2010 3:46:00 PM
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2. Lady Macbeth's Daughter

From the author of Ophelia comes a new twist on a Shakespearean classic: Lady Macbeth’s Daughter. In Lisa Klein’s take on Macbeth, Lady Macbeth bears a deformed child – a girl, nonetheless. When Macbeth casts away his child, Albia, his wife mourns and a serving woman, Rhuven, along with her sisters (coincidently the witches), takes the baby in, treating her like a daughter. Albia grows up with no knowledge of her rightful birth mother, while Lady Macbeth continues to grieve for the daughter she believes to be dead and for her failure to produce a healthy male heir to inherit the Macbeth name. When King Duncan is murdered, Albia is forced to leave her family to live with Banquo. There, Albia begins to feel an attachment to Banquo as the father she never had, as well as to Fleance – as more than a brother. A curious and brave heroine amidst the war, Albia sets out to learn the truth of her birth and to set things right for new family.

Lisa Klein creates a new and engaging angle on Shakespeare’s story of Macbeth in Lady Macbeth’s Daughter. Albia is a fierce heroine for a novel based off of Shakespeare, courageous and witty, though a bit naïve. Though the Macbeths are not supposed to have any children according to the play, Albia’s story fits perfectly with the drama. This work even unravels the mysteries of the witches and prophecies. I also appreciate how Lisa Klein portrays Lady Macbeth as weak and pained as opposed to power-hungry and manipulative, rendering her sympathetic to the reader. The one disappointing aspect of this book was the timing of the ending. For me, Lady Macbeth’s Daughter ended too early in Albia’s story. Still, 8 out of 10.

P.S. On her website, Lisa Klein summarizes her inspiration for this novel as such: “Lady Macbeth says ‘I have given suck, and know how tender 'tis to love the babe that milks me.’ But the Macbeths have no children! Hmmm. What if Macbeth and his wife DID have a child, and her loss was the catalyst for the crimes and other events of Shakespeare's grimmest tragedy?”

1 Comments on Lady Macbeth's Daughter, last added: 1/3/2010
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3. Flash Burnout

Flash Burnout by L.K. Madigan gets into the mind of fifteen-year-old Blake who is struggling to balance his perfect girlfriend Shannon and his photo partner and friend Marissa who happens to be a girl. After taking a photo of a worn-down, drug addict on the street for his photography class (Blake always sticks to gritty photos), he discovers more about Marissa – that woman was her missing mother. As Blake learns more about Marissa, their relationship changes, and Blake begins to realize that though love and romance are confusing, friendship isn’t necessarily any clearer. While he works to perfect his photography, he realizes it takes just as much work to balance the two most important females in his life that couldn’t be more different.

L.K. Madigan blends comedy with more serious matters perfectly in Flash Burnout. Blake’s dilemmas feel real to the reader, and I must say I laughed at some point during nearly every chapter is this novel. L.K. Madigan does a superb job getting into the mind of a teenage boy – a task many young adult authors have tried without as much success – as Blake’s thoughts feel authentic. This book is fast-paced and, despite its length, easy to read in one sitting because it’s so hard to put down. The references to the craft of photography, especially the tips found at the beginning of each chapter and in the title itself, add to the parallels in Blake’s life and enrich the reader’s experience. The only time I was let down was the very ending of this novel which felt rather abrupt. I wish Flash Burnout had gone further in time and not ended so suddenly, so that the reader could feel more closure with the characters. 8 out of 10.

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4. Once a Witch

Once a Witch tells the story of Tamsin Green, a member of very Talented witch family. At the time of her birth, Tamsin is predicted to be the most Talented of them all. Now that Tamsin is a teenager, it seems unusual that her abilities never developed, leaving her as the black sheep of the family. When a mysterious stranger shows up at her grandmother’s store asking for help retrieving a valuable heirloom, Tamsin agrees, hoping to prove her self-worth despite a lack of Talent. The same day, Aunt Lydia (a family friend, not really her aunt) and her son, Gabriel, return from California. Gabriel winds up joining Tasmin on her search, and along the way Tasmin gets reacquainted with the childhood friend she didn’t write to for years, realizing that he’s done a lot of growing up during their time apart. Together, Tasmin and Gabriel travel through time uncovering secrets of the Green family’s history and growing closer.

Carolyn MacCullough creates an exciting urban fantasy in Once a Witch. A complex story full of intrigue, romance, power, and conflict, this novel will utterly absorb the reader. I was impressed by the way Carolyn MacCullough cleverly plays with time, weaving an intricate web of clues and adventures for Tamsin and Gabriel. Not a single character in this story is there for padding – even the minor ones are important. Rather than being a classic novel of good-versus-evil, the Green’s shady history leads Tamsin, and with her the reader, to question otherwise accepted truths and individuals’ motivations. Above all, this is a story about discovering one’s identity and protected those you care for. Once a Witch is a thrilling race through time with an enchanting love story that leaves the reader desperate for a sequel. 8 out of 10.

P.S. Once a Witch has a really awesome website including quizzes, a family tree, and information about witches.

3 Comments on Once a Witch, last added: 9/7/2009
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5. Crazy Beautiful

In Crazy Beautiful, Lauren Baratz-Logsted revisits Beauty and the Beast, adapting this tale of love and transformation to a present-day setting. First meet the Beast, Lucius, who lost his hands in an explosion of his own doing. As an act of self-punishment and to keep others at a distance, Lucius chooses to live with hooks rather than prosthetic hands. Now meet Aurora, absolutely radiant, not to mention talented, but unhappy after losing her mother. Both new kids at school, they go in different directions: Lucius becomes a brooding loner while Aurora’s beauty and clothing instantly attract the popular crowd. Nevertheless, small waves and smiles exchanged between the two quickly add up as Lucius realizes that not even his hooks will scare Aurora away. Together, they learn how to forgive, accept, and love.

To start, the cover of Crazy Beautiful is to die for. The stark contrast of the black and white, the unique font, and the smoke give the cover an edgy look that will instantly attract young adults. This fairy tale retelling is fast-paced, with short, to-the-point chapters. Unlike the original tale, the weight of the story is told from Lucius’s point of view. Still, the chapters alternate perspectives, providing the reader with insight from both sides of various situations. Crazy Beautiful is full of raw emotion, as both narrators reveal their fears and insecurities, just like those any teenager tries to hide. Lauren Baratz-Logsted adds a nice touch by complicating the story with the high school’s production Grease and Jessup’s role as a parallel to Gaston. Though I couldn’t pull myself away from this book, I found that the climax resolved itself too quickly. As a result, the end conflict was rather anticlimactic and difficult to believe. Overall, Crazy Beautiful is a well-done modern retelling of Beauty and the Beast that will captivate its readers. 8 of 10.

2 Comments on Crazy Beautiful, last added: 9/4/2009
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6. Eyes Like Stars

All Beatrice (Bertie) Shakespeare Smith knows is the Théâtre Illuminata. At the Théâtre, players are born to fill their particular role, bound to the building itself by The Book. Bertie has no idea who her parents are; just that she was left at the Théâtre to be taken care of. Despite not being a player, at the Théâtre she feels like she belongs. Living with the stage as her bedroom and the four fairies from Shakespeare’s A Midsummer Night’s Dream as her closest companions, Bertie grows up to love the written word, action, and chaos (well, maybe she doesn’t love chaos but she can’t seem to help but create it). Unfortunately, it’s this attraction to disaster that constantly gets Bertie in trouble. When it finally goes too far, Bertie needs to find out what makes her indispensible before she loses her home and her family.

Lisa Mantchev’s Eyes Like Stars is a truly unique new fantasy. Though the beginning of the novel was a bit confusing, it didn’t take very long to become engrossed in Bertie’s story. Eyes Like Stars weaves script with narrative, so that Bertie’s story can’t be told without both. Along these lines, I love how Lisa Mantchev emphasizes the power of words and blurs the distinction between what is written and what is real. Plays that are likely familiar to the reader (such as Hamlet) come to life, and even with such liberty, Lisa Mantchev manages to stay true to the nature of each character. Though sometimes irksome, the four fairies from Shakespeare’s A Midsummer Night’s Dream increase the hilarity of the story so that the reader can’t help but laugh. As the scenes unfold, the charismatic yet dangerous Ariel (from Shakespeare’s The Tempest) enters the story, as does the modest and kind pirate Nate (from The Little Mermaid). It is particularly interesting to read how they play off of each other as they vie for Bertie’s attention. Overall, Eyes Like Stars is a really enjoyable read once you get past the very beginning. The characters are wonderful, and the imagination that went into this story is incredible. As the first installment in a trilogy, I was pleased to say that the end of Eyes Like Stars felt resolved enough to leave the reader satisfied while leaving plenty of storylines hanging in order to build anticipation for Act II. 8 out of 10.

P.S. Check back tomorrow for Lisa Mantchev's Eyes Like Stars playlist!

4 Comments on Eyes Like Stars, last added: 8/22/2009
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7. Five Ways to Annoy Someone

Want to get someone’s attention subconciously, want to get on someone’s nerves?  You need to annoy them, and here is how you can do it.

1) Crack your knuckles/toes.  Cracking your knuckles is easier and more common, but if you can crack your toes, that really gets their spine tingling.  Not only is it not common, it sounds louder and more painful.

2) Bite your nails.  Just the sound of that can drive some people insane.

3) Keep staring at a certain part of someone’s body.  For instance, pretend you see a giant zit on someone’s cheek and keep staring at it to the point where they need to move away.

4) Be sloppy.  Untuck your shirt halfway, have a milk mustache, and have long fingernails (if you’re a guy) all at the same time.

5) Last but not least, Talk!  Talk about anything and everything.  See an ant, talk about it.  It must be touch for ants, huh?  Is that a tree?  What a nice tree.  You’re nice; why are you so nice, it’s amazing!  You know what’s amazing?  Magicians.  It’s not real magic though.  It looks like it though, but it’s just tricks.  Like in the song, you know, sing with me. “It’s tricky! It’s tricky!”.  What you don’t like singing?  It’s good for the heart….and so on.

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8. Five Ways to Annoy Someone

Want to get someone’s attention subconciously, want to get on someone’s nerves?  You need to annoy them, and here is how you can do it.

1) Crack your knuckles/toes.  Cracking your knuckles is easier and more common, but if you can crack your toes, that really gets their spine tingling.  Not only is it not common, it sounds louder and more painful.

2) Bite your nails.  Just the sound of that can drive some people insane.

3) Keep staring at a certain part of someone’s body.  For instance, pretend you see a giant zit on someone’s cheek and keep staring at it to the point where they need to move away.

4) Be sloppy.  Untuck your shirt halfway, have a milk mustache, and have long fingernails (if you’re a guy) all at the same time.

5) Last but not least, Talk!  Talk about anything and everything.  See an ant, talk about it.  It must be touch for ants, huh?  Is that a tree?  What a nice tree.  You’re nice; why are you so nice, it’s amazing!  You know what’s amazing?  Magicians.  It’s not real magic though.  It looks like it though, but it’s just tricks.  Like in the song, you know, sing with me. “It’s tricky! It’s tricky!”.  What you don’t like singing?  It’s good for the heart….and so on.

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9. The Prop 8 Decision: What is a Constitution For?

William N. Eskridge, Jr. and Darren R. Spedale are the authors of Gay Marriage: For Better or For Worse? What We’ve Learned from the Evidence. Eskridge is the John A. Garver Professor of Jurisprudence at the Yale Law School. Spedale spent two years on a Fulbright Fellowship in Denmark researching Scandinavian same-sex partnerships. He received his J.D. and M.B.A. degrees from Stanford University, and continues his work on same-sex marriage through his pro bono activities.  Here, they comment on the recent decision by the California Supreme Court to uphold Prop 8.

The California Supreme Court’s decision upholding Proposition 8 will be analyzed as a referendum on gay marriage. That would be a mistake. There are much higher stakes in the case. At bottom, it posed the question, What is a Constitution for? The Justices did not address that issue explicitly, but their action spoke volumes.

Prop 8’s ratification by the voters in the 2008 election overrode the Court’s earlier decision invalidating the state’s marriage exclusion of lesbian and gay couples. Lesbian and gay couples challenged Prop 8 as an “unconstitutional constitutional amendment.” Their argument, rejected by the Court, was that Prop 8’s fundamental change in minority rights should have gone through the more deliberative process for constitutional “revisions.” California Attorney General Jerry Brown made a similar argument, that a Constitution cannot be amended to retract “inalienable” rights.

At war in the Prop 8 case were two competing visions of what a Constitution is for. Representing the supporters of Prop 8, former Judge Kenneth Starr argued that a Constitution (or at least the California one) is an expression of the values held by the citizenry. To use Aristotle’s language, the Constitution is the “soul of the city.” Modernizing Aristotle, California provides its citizens with formal opportunities to express their constitutional commitments, through popular initiatives. Once the voters had spoken, the Court itself would have been engaging in unconstitutional usurpation if it had insisted on same-sex marriage.

Attorney General Brown and Shannon Minter (representing the challengers) argued that a Constitution demands more from the democratic process. Inspired by John Locke, their constitutional assumption is that the constitution is a social contract that guarantees basic rights to everyone. The Declaration of Independence called them “inalienable rights,” which means that even the Constitution cannot take them away without risking dissolution of the social contract. Because the Court itself had in 2008 held that marriage was a fundamental, inalienable right for lesbian and gay couples, Brown and Minter maintained that Proposition 8 was a constitutional betrayal.

A superficial reading of the Court’s opinion suggests that Starr prevailed. The Court upheld Prop 8, consistent with Starr’s democratic updating of Aristotle. But the Court rejected Starr’s argument that Prop 8 nullified the estimated 18,000 same-sex marriages performed between June 15 and November 8, 2008. The effect of the Court’s interpretation is to recognize those marriages, consistent with Brown and Minter’s stance in the litigation.

What is one to make of this Solomonic resolution? It may have been politically motivated, splitting the baby so that neither side would feel disrespected, on an issue that evenly divides the citizenry. It may been motivated purely by rule of law considerations. The Court would have had to stretch its precedents to strike down Prop 8, but the well-established canon against retroactive application of new amendments provided a legally hard-to-question rationale for narrowly interpreting Prop 8.

In our view, the Court was operating, at least in part, under a third understanding of what a Constitution is for. Constitutions establish processes for deliberation about important policies and values we should commit ourselves to. A Deliberative Constitution keeps the channels of political discussion open, insists that representative bodies be accountable to the people, and from time to time nudges the political process.

This is probably what the Court was up to. On the one hand, the Justices were persuaded that citizens were not settled in the gay marriage debate. Even as it allowed Prop 8, the Court reminded voters that a future initiative could overturn its rule. The Court was channeling both supporters and opponents of gay marriage back to the persuasive process; judges would not decide the issue for the people.

On the other hand, the Justices gave a nudge to that deliberation by validating the existing gay marriages. This provided an opportunity for gay marriage supporters to falsify stereotypes of gay people as anti-family. (The biggest anti-gay trope, and one exploited during the Prop 8 campaign, is that rights for gay people will corrupt children.) These lesbian and gay married families might also put to the test traditionalist arguments that gay marriage is bad for the community.

Gay marriage will still come to California, through a future initiative rather than a judicial decision. As we argued in our recent book, the new wave of marriage recognition has been coming in state legislatures (Vermont and Maine, with others to come).

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