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Viewing: Blog Posts Tagged with: Delivery, Most Recent at Top [Help]
Results 1 - 3 of 3
1. ‘Rethink What We Think is Normal:’ An Interview With ‘Dissonance’ Director Till Nowak

Artist and filmaker Till Nowak is a rare talent who can work across art forms and scientific disciplines, until his viewers are left disoriented and dazzled.

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2. The truth about anaesthesia

What do anaesthetists do? How does anaesthesia work? What are the risks? Anaesthesia is a mysterious and sometimes threatening process. We spoke to anaesthetist and author Aidan O’Donnell, who addresses some of the common myths and thoughts surrounding anaesthesia.

On the science of anaesthesia:

Click here to view the embedded video.

The pros and cons of pain relief in childbirth:

Click here to view the embedded video.

Are anaesthetists heroes?

Click here to view the embedded video.

Aidan O’Donnell is a consultant anaesthetist and medical writer with a special interest in anaesthesia for childbirth. He graduated from Edinburgh in 1996 and trained in Scotland and New Zealand. He now lives and works in New Zealand. He was admitted as a Fellow of the Royal College of Anaesthetists in 2002 and a Fellow of the Australian and New Zealand College of Anaesthetists in 2011. Anaesthesia: A Very Short Introduction is his first book. You can also read his blog post Propofol and the Death of Michael Jackson.

The Very Short Introductions (VSI) series combines a small format with authoritative analysis and big ideas for hundreds of topic areas. Written by our expert authors, these books can change the way you think about the things that interest you and are the perfect introduction to subjects you previously knew nothing about. Grow your knowledge with OUPblog and the VSI series every Friday!

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0 Comments on The truth about anaesthesia as of 11/30/2012 6:45:00 PM
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3. Reasons to Make Your Delivery Date (Or, Please Don't Be Late, Even Though We Always Are)

Ok, I'm having the worst trouble with one of my authors, who went through a minor family problem earlier this summer and who says she's simply not in the right "frame of mind" to finish the last two chapters of her manuscript right now, and she'll get back to me when she's feeling more up to it. (Can I just mention? Her contractual delivery date was May 1, 2009.)

All right, I want to be sympathetic and understanding--I really do!! I'm a compassionate person!! But I'm also compassionately interested in the author's career. (Not to mention my own, which is obviously hinged around the success of this one specific book!!!)

Here are the reasons it's in the author's best interest to make their contractual delivery date, not in any particular order of importance:

1) Long Leads. For those not familiar with this term, it's what magazines require if they're going to review your book. Magazines set their monthly columns well in advance, so if your FINISHED materials aren't at the magazine 5 months in advance, you can kiss any magazine reviews buh-bye.

2. Blurbs. When you have an early completed manuscript, you have time to do a blurb campaign with it--and those can take ages. (Getting famous people to read books=not quite as easy as it sounds.) But hey! Who needs any copy on their book cover? I think those blank covers with nothing but an image or a quote from the author's own introduction are sexy. Totally.

3. Rights Sales. Foreign publishers, especially if you're looking for same-language co-pubs across the Atlantic (eg if I'm looking for a British publisher, or if a British editor is hoping for an American publisher), requires a rough manuscript or submittable materials A YEAR in advance if they want to make a big deal out of things. They'll need a finished manuscript AT ABSOLUTE LATEST 6-8 months before the home country pub date. (I'm not even going into Australia here--that's an even more complicated kettle of fish, and even more of a reason to get stuff in on time--Ozzy friends, I'll come back to you later.) There are also audio, book club, and large print sales, all of which need to be fully executed well in advance, because all of those groups ONLY want to publish simultaneously with the originating publisher. They need your materials SIX MONTHS IN ADVANCE or there's no way they'll take you; competition is simply too steep. But hey! Who wants their book made into an audio book, anyway? Listening to things is stupid. And who wants their book translated into French? No one even likes France, as a whole, I've found.

I should also mention here that rights sales precipitate buzz--meaning, weird as it may sound, a rights sale may get you publicity coverage, or drive review interest. So yeah.... another opportunity maybe not to blow.

4. In-House Interest. If your manuscript is in in a timely fashion, perhaps people at your publishing house besides your editor--your publisher, your publicist, your sales people--will actually have a chance to read it, instead of just talking about it vaguely. Don't you want the people who are selling and publicizing your book to actually know what it's about? Just a thought.

5. Events. Most venues book up FOUR MONTHS in advance. Some book up even earlier. But hey, maybe you didn't want to do any readings, anyway.

6. Pre-pub reviews. There are four pre-pub venues, and I bet even non-book people could name at least one. They are Publishers Weekly, Kirkus, Booklist, and Library Journal. They're the definitive sources you see turning up on Amazon and book jackets, and they are what wholesalers, indies, libraries, and distributors use to determine how many copies they're taking well in advance--which majorly affects your print run. And, by the way, they don't consider anything they haven't received FOUR MONTHS in advance. But hey! Who wants to sell to libraries, anyway? Who needs a big print run?

Rar. Ok. I'm down off my little soapbox now. But Author o' Mine, if you're out there reading--please go finish your effin' manuscript, k?

42 Comments on Reasons to Make Your Delivery Date (Or, Please Don't Be Late, Even Though We Always Are), last added: 8/19/2009
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