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Viewing: Blog Posts Tagged with: Goal-Setting, Most Recent at Top [Help]
Results 1 - 14 of 14
1. Happy Holidays 2016!

Happy Holidays from Me to You! How will you spend the next few weeks? My plans include:
  • Watching Game of Thrones Season 6. I've been waiting for this for a long time.
  • Reading Book 3 of the Elena Ferrante Neapolitan series: Those Who Leave and Those Who Stay.
  • Decorating the clay pieces I made last month. I'm still working with an Asian-inspired theme: tiny landscapes, goldfish, and all embellished with beads and coins.
  • Making jewelry: earrings, necklaces, bracelets--using up more of my beads!
  • Being more present and aware with my social media friends: leaving comments on blogs, retweeting their tweets, and really getting to know who everyone is.
  • While I'll be busy online, I'm also taking a small break from all my various writing and art groups until February 2017.
  • Preparing more manuscript submission lists to agents and editors to use in the New Year. (Mindful submission is so much better--and more rewarding--than going willy-nilly through agents and editors A-Z "just because they're there.")
  • Goal planning. One of my favorite year-end tasks! I'll be deciding and finalizing what I really want to do in 2017. (Hint: it's going to include a lot of painting!)
  • And finally, despite the ginormous and very tempting sales in all the stores, I'm NOT buying any new journals, sketchbooks, or any art and writing supplies for myself until I've used 100% of what I already have. And that's a promise!
I hope you've had a happy and miraculous 2016 and that you'll use the holiday season to unwind, relax, and enjoy all the wonderful moments of this beautiful season. I'm so grateful for everything that has come to me this year, and I'm grateful for all of you for sticking with me and reading my blog so faithfully. Thanks for visiting and I'll see you soon. Until then, drink cocoa, stay warm, and remember to stay creative every day!

Tip of the Day: Celebrate the season with a special outing for your writing or art group. In my case I was able to spend a wonderful get-together yesterday with my writer friends at the oh-so-amazing St. James Tea Room here in Albuquerque. (Highly recommended if you're ever visiting New Mexico.) The decor was 100% English Victorian and the December menu was based on Charles Dickens's A Christmas Carol. It was all so authentic I thought I'd traveled to the UK--and without any jet lag! Find somewhere special in your own neighborhood to gather, rejoice, and share your 2016 successes and your 2017 goals.

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2. The Value of a Five-Day Challenge


My inspiration for writing today's post comes from a great magazine out of Australia that I discovered via my writer's group: Womankind. It's a lovely mix of artwork, personal essay, and interesting articles on all sorts of things, from the meaning of happiness to living in Tuscany (which I'm sure would make me pretty happy.) I bought my first copy several weeks ago, and one of the articles that struck me the most was a collection of progress-reports from readers who had taken a "Five-Day Creativity Challenge." When I first saw the heading of "Five Days," my initial reaction was one of skepticism. Like, "Anybody can do five days of something. Try NaNoWriMo or the A-Z Blogging Challenge if you really want to test yourself and suffer!"

But after I'd read the various entries on what readers had done with the challenge, I became intrigued: five days seemed like an excellent amount of time, just right for tying up loose ends starting something new, or returning to a neglected project. It seemed exactly what I needed to motivate myself into finishing half a dozen little personal projects I had set myself over the years and then subsequently abandoned in favor of bigger, more important efforts.

The first thing I did to start off in the right direction was to purchase the storage basket pictured above. I liked the way the inside fabric was printed with old letters and stationery, and I liked the way it was already labelled "storage."

My next step was to gather up the six projects that have been driving me nuts and making me feel guilty each time I start something new. I put some of them in plastic bags for safe-keeping, and then put everything into my basket.

Then I chose one project to finish:


The story behind this sketchbook is that I initially ruined it before I'd even sketched on a single page. I had read in an art journaling magazine that a good ideas was to a) put watercolor washes down on every page before starting anything, and then, b) spray the pages with fixative. The watercolor washes were a great idea. But the fixative? That was a very bad idea. Oh, what a bad idea. The plastic-coated pages were completely resistant to most media. The only thing that sort of worked was watercolor pencil, but when it came to adding any detail, forget it, as I found out when I tried to draw a little cardinal and the beak just kept growing bigger and bigger. To salvage whatever I could, I started collaging and experimenting, and thus a little book of sorts began. I called it my Silly Little Book of Silly Little Birds:




I actually found myself enjoying the challenge of how to make those impossible pages work one way or the other, but after completing about 32 out of 56 pages, I just stopped. I'm not sure why. Maybe I became bored with birds, or I finally grew to hate those slippery-slidey pages to the point of admitting defeat and quitting. That is, until the five-day challenge!

Last week I gave myself five days to work solely on silly birds, several pages a day, with the goal of completing the book once and for all. Here's a small sample:













I finished on Friday, and now I only have five projects left in my basket. I might not be tackling another one for a few weeks yet, but in the meantime, the guilt over my little forgotten birds is gone and my "creative burden" is definitely a whole lot lighter. Feels great!

Best of all, I learned a lot from working on this project: I learned I could persevere through difficult conditions; I learned about picture-book layout, something that has always interested me; and I learned I really love birds! So much so, that I'll be adding them to many more sketchbooks and paintings in the future. A whole new take on Anne Lamott's classic Bird by Bird, for sure.

Tip of the Day: Five days might not seem a lot, but it's amazing how far they can go toward helping you start, finish, or continue a creative project. For example, how about a Five-Day Query Letter Writing Challenge? A Five-Day Outlining Challenge? Or a Five-Day Beading Challenge? Short and sweet and infinitely practical. Let me know how it goes for you.

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3. Goal Check-in: One Book, One Picture at a Time


For today's post I thought I'd share how one of my goals for the year is going: Use one art book at a time completing ALL the lessons.

The book I'm starting with is How to Draw Buildings, by  Ian Sidaway. I chose it for a number of reasons: 
  • It dovetails nicely with my other art goal and theme of drawing and painting doorways, especially those connected with my current WIP, Ghazal.
  • It give me a good foundation (no pun intended) for my weekend outings with Urban Sketchers.
  • I really, really want to learn how to use perspective better/correctly.
  • Being familiar with buildings and architectural detail will help me with some ideas I'm tossing around for illustrating picture books.
  • The more buildings I draw for practice, the easier it will be to sketch in my travel journals.
  • And more than anything, I just love buildings!
I particularly like the way this book is structured. Each lesson is divided into three: first is the main example with several pages of instructions followed by the suggestion to "Try Another Medium," and ending with a third prompt, "Try Another Building." 

The first chapter, and the one I've completed, is all about drawing simple small houses, beginning with graphite on white paper. I used a new 9 x 12 inch Strathmore Recycled 400 series sketchbook I bought for just this purpose:


Once I'd finished the drawing, I then moved on to Part II: try another medium. For this I chose to use an ultrafine black Sharpie on a heavier sketchbook page (Strathmore Visual Journal) that I had already painted with a background using my Japanese Kuretake Gansai Tambi watercolors:


The last section, "Try Another Building" provided a photo of what the book called a "stern little house," which it certainly was. For this piece I chose a sheet of student-grade watercolor paper that I had previously experimented on last year by placing a piece of crumpled wax paper face-down on the surface and then ironing the whole thing with my craft iron. After removing the wax paper and letting the watercolor sheet dry, I then painted it with a light wash of Prang watercolors (my super-favorite, ever-so-cheap but excellent brand for art journaling, etc.). The result was an interesting resist pattern resembling bare tree branches that also matched the photo in this last part of the lesson. 

I drew the house and filled in the "trees" with Faber-Castell Polychromos color pencils and white charcoal--doing my best to make the whole thing as stern as possible.


So there you are, three houses, three ways, and all ready for the Three Little Pigs to move in! Another interesting option might be to write a story or vignette based on each of these settings. Anybody want to try?

I've set aside Sunday afternoons to be my "class time" using this and my other how-to books throughout the year. Next Sunday I'll be moving on to Lesson 2 and two-point perspective (the example shown on the cover of the book above). Already I'm feeling nervous which is exactly why I'm using this step-by-step approach. No more just buying books, looking at the pictures, and working on the "easy" parts. Instead, I'm "building up my courage" to go straight through from cover to cover, lesson to lesson. And because I've put that in writing, I'm now honor-bound to stick to my goal! (Taking a deep breath.)

Tip of the Day: What difficult phases of the creative process do you find yourself frequently avoiding and therefore never learning to the degree you want? For me it was never attempting the "advanced" lessons in my art and other reference books. I've found that breaking a task down into easy steps is a good way to overcome and/or work with anxiety. For instance, gathering all your needed supplies for a project a day before you start can be be one step. Setting a timer to work on a portion of the project for just twenty-minutes at a time can be another. Whatever you do, keep in mind that the only way to learn anything is with steady practice, not "instant genius absorption." Good luck and have fun!

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4. Happy 2016 Goal-Setting


Every year I like to set my goals--not so much to make the year into a non-stop homework assignment, but more to clarify where I want to go and how I want to get there. This year I have five:

1. Keep submitting the novel (The Abyssal Plain) I finished editing last year. Which means: making serious submission lists, staying tuned-in to what's happening in the publishing world, not being defeated by rejection, and just going for it. Yes.

2. Finish the edits on my new novel, Ghazal, and have it submission-ready by the end of the year. I'm really looking forward to this particular task because I particularly love this manuscript. It's based on the theme of "Thirty Doors, Thirty Stories" and one of the things I'm planning to do as a spin-off goal is to create thirty mixed-media illustrations to go with the manuscript. (People with long memories might recall that one of my 2015 goals was to paint and draw scenes of doorways, something that fits my current WIP perfectly and still maintains my interest.)

3. Write short stories. Initially my goal was to "write one short story a week." My goodness, only one? Not . . . three? I don't know who thinks up these things, but after failing to write any short stories during the first two weeks of the year, I thought this imperative was somewhat draconian. To save my sanity and accomplish my other goals, I just plan to write short stories--when I can--rather than embark upon another novel this year. (Whew, that feels better.)

4. Go for the A-Z Blogging Challenge again. This will be my second year participating and another good reason to not fill up my calendar with "must write" short stories. The challenge involves blogging every day except for Sundays during the month of April, each blog post based on a topic starting with A and working through to Z. I enjoyed my first outing with the A-Z'ers and can't wait to see what kinds of new blogs I'll discover this year.

5. Work through my art instruction books one exercise at a time as if I were in a class. After my last bookshelf purge, I was interested to see that the majority of books I kept in any single subject were all my art instruction books. I love them, but I have to admit to not always using them. Too often I just look at the pictures and/or do only the intermediate lessons. I read the beginner's lesson and think, "Oh, that's boring. I don't need to learn about color mixing or how to make pages and pages of pencil marks for practice." This is always followed by then going to the advanced lesson and reeling when I see how complicated it is, my usual thoughts being, "I could never do that!"

This year that's all gonna change. I'm going to tackle one book at a time rather than diving into all of them at once (another bad habit), and do the exercises in order: beginner, intermediate, advanced. If I have to be bored painting circles, or do the advanced lesson on how to draw the perfect sleigh horse with shiny little bells in its mane (yes, this is a real lesson in one of my books) twenty times to get it right, so be it. I might end up having to stay with just one book for the entire year, but it's the only way I'm going to progress with my art skills and justify why I'm keeping those books.

So that's me. How about you?

Tip of the Day: Find a group of supportive listeners and goal-setters to help you brainstorm and solidify ideas for 2016. Before writing this post, I met with my writer's group specifically to discuss our goals for the year. It was a wonderful and inspiring meeting that encouraged me to a) have some goals, and, b) go gentle on myself. I was also able to pick up some fresh approaches on how to tackle the various projects, things such as adding more meditation and "quiet time" to my day, or venturing out into new selling opportunities. Best of all, I didn't feel alone in my quest to make my year something special. Thanks, group, and good luck with your own goals!

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5. New Year, New Goals

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Here we are—a new year, a clean slate, all kinds of good things on the horizon! I have so many plans and ideas, but as I mentioned in my last post I want to pace myself a little better this year, and keep my goal list down to just three items. Over the weekend I had some time to sit down and make some decisions about what those three goals would be. In no particular order, the winners are: 

1. Edit and rewrite my next novel. As soon as my synopsis and outline for The Abyssal Plain--the literary novel I finished last year--are ready for submission (hopefully by the end of the month) I want to start working on book #10: Ghazal.  Last fall I re-read the first draft for the first time in a year, and was happy to discover that most of the editing will simply be improving some of my word choices (stronger verbs, etc.), cleaning up typos, and adding a small amount of text to help clarify the plot.

2. Work on a long-term art project. Prior to this year, the best word to describe my approach to art-making would be “scattered.” “Unfocused” might work even better. My haphazard style (aka "dabbling") is the result of loving absolutely every art material and technique I can get my hands on: collage, watercolors, acrylic, clay, every type of pencil or crayon or pastel imaginable that I then use on so many different types of papers, boards, and fabric supports that I could probably write a comprehensive thesis on the subject. 

What I haven’t done is follow any kind of serious idea or direction. I like painting cats, dogs, landscapes, faces, flowers, trees, ferrets, even my art supplies when I'm desperate—but none of it really makes for a coherent body of work. Although I never want to box myself in to the point that I give up drawing ferrets, I still want to find some kind of artistic voice this year. In other words, I want to create a series. And the strongest subject that is calling to me right now is: doorways. Using a variety of mediums and supports, I want to explore open doorways, closed doors, antique doors, doors decorated for the seasons, doors in foreign lands and climates. The concept of doors (and the houses they belong to) is so rich in metaphor and possibility that it will be a challenge to know when to stop!

3. Sketch as much as possible, and add freewriting to my drawings.Despite my concentration on doorways, I still want to keep up a sketching habit, hopefully with even more vigor than in previous years. After all, a series of doors all on their own can get a little stale. For that reason, each door will need it’s own personality: a kitty on the stair, a container of roses under the streetlight, a basket of freshly-picked tomatoes. To do that with any kind of finesse, I’ll need to practice. And to make sure I get in my daily writing practice, I plan to add freewriting to my sketches. 

I can’t tell you how energized I am about these goals and plans. The best part is I don’t need any new supplies, LOL! Just the faith and confidence to say “yes” to every new drawing, every new page.


Tip of the Day: Never underestimate the power of brainstorming. To make my list of three goals I actually had to brainstorm a list of about twenty. There was a lot I wanted to do—way too much and much more than anyone could handle with any kind of joy or enthusiasm. But I couldn’t have found the three that really appealed to me without writing it all down first.

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6. Wishing You a Wonderful New Year!

Happy New Year, everyone! May 2015 be a fantastic and inspired year for all of us. This morning I woke up to snow, a beautiful and refreshing sight, especially on a day off. The "blank slate" symbolism of seeing vast fields of white outside my windows has also been the perfect backdrop for reviewing the past year as I gear up to experience the new. Some of my 2014 highlights included:
  1. After a long absence, I rejoined the Society of Children's Book Writers and Illustrators. This time I enrolled myself as both a writer and as an illustrator, a rather bold step, but one that has opened many new possibilities for the future.
  2. I must have been in the mood to join groups, because I also became a member of the Colored Pencil Society of America.
  3. April found me blogging every day for the 2014 April blog challenge. A fun exercise, but it also taught me how hard it is to be a "daily blogger."
  4. I moved into a new house! We're still in the middle of remodelling, but every day we get a little bit closer to being "finished" (whatever that means . . .).
  5. Following through with my goal of illustrating, I took a fantastic summer class on "Drawing Cats and Dogs." I learned so many valuable tips, especially on the importance of keeping a reference notebook I can take with me wherever I go (no excuses not to draw).
  6. October found me at the SCBWI Albuquerque conference,  having a grand time meeting editors and fellow writers.
  7. Which then prompted me to write my first picture book for submission--a task I'll be starting this month.
  8. For some crazy reason I signed up for NaNoWriMo again, and actually reached 50K!
  9. At long last I obtained jewelry tools and supplies and can now officially call myself a "beader." 
  10. I started taking a Saturday morning drawing class--which means I have to get up on Saturday mornings (brrrr.) But I love the weekly discipline of joining other artists and focusing on a set project.
  11. My writer's group continued to meet regularly and happily at our new home: the Albuquerque Museum. What a treat it is to go there for writing, friendship, and coffee every other week!
  12. I finished all my edits on my new novel, The Abyssal Plain, preparing it for 2015 submission. Whew.
Reading through this list makes me both happy and already a little nostalgic. The year was imbued with such a sense of new beginnings and creative purpose. I have yet to set my goals and plans for 2015, but they're something I'll be working on this afternoon. As soon as I narrow them down to a do-able list, I'll be sure to let you know. Thanks again for visiting--Happy New Year!

Tip of the Day: New Year's Day is such a great time to make notes and road-maps for the days ahead. Several years ago I decided to turn the whole idea of  "New Year's resolutions" into one that's more about goal-setting rather than being overly-strict (and restrictive) with myself. This year I'm going to limit myself to just three goals--anything else after that can happen, or not, depending on my time, energy, and circumstances. With that I'm inviting you to join me--what are your three goals for 2015? Feel free to list them under the "comments' section. And have a cup of cocoa while you're there--that's what I'll be doing.

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7. Paint the Town! Happy New Year!

Happy New Year, Everyone! Let's make it the best ever.

Usually at this time of year I list my writing goals, but for 2014 I only have two: to edit and submit my two current WIP's--one fiction, one nonfiction--for publication. That's it! Not that I won't be having some fun and entertainment in between marketing sessions, however, because 2014 is the year I plan to go much more deeply into my artwork.

This is particularly significant for me as my 2013 Christmas gift to myself was to renew my (very lapsed) membership in the Society of Children's Book Writers and Illustrators, not just as a writer, but as an illustrator, too. A big step, I can tell you.

My theme for the year will center on animals and what I can best describe as "seasonal illustrations," pictures that portray and define the various months of the year and what they mean to me: winter snow, autumn leaves, spring flowers. To help me stay motivated and on track with this project, I've set myself a game-plan that will focus on a single medium every month:
  • January:  Conté brand products, both crayon and pencils.
  • February: Mixed media and collage.
  • March: Pastels; including soft stick pastels, pan pastels, and pastel pencils.
  • April: Charcoal.
  • May: Colored pencil.
  • June: Graphite--all shapes and sizes..
  • July: Watercolor.
  • August: Rubber stamping (with collage and mixed media backgrounds).
  • September: Oil pastel.
  • October: Water-soluble pencils (both watercolor and graphite pencils).
  • November: Pen and ink.
  • December: Acrylic. (The scary one--I've left it for last, LOL!)
Sound fun? I think so! One of the reasons I decided to try this approach is that over the years I've acquired so many different art supplies that I thought it was time to a) stop buying anything new, and b) find out which ones I really like and which ones I can live without. At least that's the plan--hope I can stick to it, and I hope you'll be inspired to venture into a creative project of your own this year. Let me know what you find!

Tip of the Day: What would you like to explore in 2014 that's outside of your usual comfort zone? Jewelry, pottery, archaeology? I'd love to know--drop me a line, either as a comment here, or at my Facebook page. Looking forward to what you have to share. Best wishes for a great year ahead.

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8. Valerie's Rules for Winter

Happy Holidays! And welcome to longer days now that we've passed the solstice. More time to write--well, a few minutes per day at least!

For the coming New Year I've decided to make myself some "rules," ways to stay energized during those extra minutes when I'd much rather pull the covers over my head and hibernate until spring. Here are my top 12:
  1. Morning pages. 3 handwritten pages first thing in the morning are easy to write in the spring and summer, torture in the winter. Which is why I need to shift my schedule just a little bit. Instead of giving up, or stumbling around in the dark hating every minute of the exercise, I'm going to write my pages during my morning tea-break. It will be something to look forward to every day, and a good use of my spare time.
  2. Write up my goals for 2014 step-by-step. Every year I set at least 5-6 new goals for the year. What I usually bypass is how I'm going to achieve those goals. In the past I've relied too much on hope and magic: hope that I'll get it done, and wishing for a fairy godmother to wave her magic wand and make things happen. This year if I can't list a number of practical, sensible ways to achieve a goal it goes in the trash.
  3. Read good books. My reading time is limited. If a book bores me halfway through or I think it's just too silly for words, I have no obligation to finish it. The End.
  4. Drink cocoa. A spoonful of sugar makes the medicine go down. 'Nuff said.
  5. Take artist's dates. I am so bad about NOT taking my planned artist's dates. 2013 saw me make at least a dozen or more plans to visit museums, galleries, specialty shops . . . they all fell through. I told myself I was too busy, I would go "tomorrow," I would make up for it by taking two dates in a row, who needs artist's dates anyway . . .  No more procrastination.
  6. Be crafty: knit, sew, crochet. A few years ago I accidentally bought 5 times the amount of yarn I needed to knit my husband a sweater. (OK, math never was my strong point). 2014 is the year that stuff turns into some more outfits, or maybe a blanket or two! I also want to buy a new sewing machine to make a dress from the fabric I bought at Mood in April.
  7. Walk. Although I try to walk as much as possible whenever I have to accomplish errands (the mall, grocery stores, etc.), nothing compares to going for real walks in the real outdoors. Albuquerque has many beautiful parks just waiting for me to stretch my legs, clear my head, and take some photos while I'm there for future art references.
  8. Wear gloves, bundle up. It's taken me several years to realize that if I want to enjoy a winter walk, I will have to wear the right clothes. A light cardigan won't do! I suppose in the past I went without gloves or a hat thinking I would get too hot and then I'd have to carry everything home. This has never happened.
  9. Be a Secret Santa regardless of the date. Giving doesn't stop at Christmas. One of my favorite ways to help out is to always maintain a donation jar or tin for coins all year long. At the end of every day I place my spare change in the jar. It's amazing--and fun--to see how that money adds up!
  10. Make soup. There's something so healing and comforting about soup for lunch or dinner in the winter time. Not only is soup ridiculously easy to prepare, it seems to go a long way, leaving plenty of leftovers for those nights when cooking is the last thing anyone wants to do.
  11. Plan a new manuscript. But don't actually write it--at least not until my current WIP is completely finished and ready to submit. To that end I am going to have a dedicated notebook just for ideas for the next novel. Only ideas and notes. No actual scenes, no freewriting "just for fun." The notebook will be at my side as I work on the WIP so I can jot down any ideas that come to me, but that's all I'll do: jot, jot, jot, and then back to the WIP.
  12. Dream about summer vacation! Catalogs, travel magazines, and brochures make great resources for collaging a visual summer treasure map. And most of them are free. Where will we go?
Tip of the Day: Christmas is just one day of the year, but that's no reason to turn into the Grinch on the 26th. Do something special for yourself and someone else every day--and then write about it. Merry Christmas, one and all--see you again in 2014!

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9. Autumn Planning


For the last few weeks I've found myself offline much more than usual. I can't help it--where some people suffer from "spring fever" and the inability to stay indoors and concentrate when the first green buds appear on the trees, I have the exact opposite problem: "autumn fever." 

It's been that way all of my life, something to do with the turning leaves, cooler days, an Indian Summer wardrobe that pairs sweaters with cotton skirts, Halloween, Nanowrimo . . . my birthday . . . there's nothing about the season I don't love! 

And even though it's been a long, long time since my student days, I think autumn brings back a remnant of "back to school" determination and renewal to my psyche--all those great plans to accomplish by next semester! I recently read somewhere that deciding to become a writer is like signing up to do homework for the rest of your life. Too true--which is probably why I'm so interested in creating schedules, routines, and self-imposed deadlines; I don't want to mess up my assignments.

With that theme in mind, I've been busy getting ready for the writer's equivalent of term paper and doctoral thesis rolled into one:  revising my next novel. In this respect I've been a little bit like a squirrel hoarding autumn acorns for the winter. Do I have the right supplies? Have I done all my prep? I think so, starting with:

  • A complete first draft with a beginning, middle, and end.
  • First draft fully edited. (Four red pens hit the dust!) Areas that require new scenes and chapters all marked out for new writing.
  • Character names, dates, goals finalized.
  • To keep my characters and story events in order, I've created a "manuscript chart" listing my chapters.  This was important for me to remember both my timeline and to know exactly which characters appear in these chapters, and why. I've also included a section to remind myself why I even HAVE a particular chapter other than because it's so well written, LOL! I figured this last section could also be helpful for marketing and and editorial response, especially in the case of an editor requiring any kind of further rewriting.
So . . . I'm ready to go! Second draft, here I come. But first, I just have to take one more autumn walk with my journal-sketchbook in hand. These leaves are just too pretty to miss.  

Tip of the Day: What projects have you got planned for the winter? What "school supplies" do you need to purchase or make to ensure the work goes smoothly? In my case it was a bigger binder to hold all my revision notes, as well as some new magazine cut-out for those extra sections I need to write. It's good to have everything you need before you begin.

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10. 21 Days to Writer's Fitness

They say it takes 21 days to make--or break--a habit, and after 21 days of inspiration from Leigh Medeiros and Silver Wings Scripts, I can happily say it's true. Leigh is (amongst other creative accomplishments) the creator of "Screenwriter Shape-up", a 21-day program designed to turn your screenwriting wishes (I wish I had more time/ I wish I could follow through with my ideas/I wish I could write every day...) into established realities.

The version of Screenwriter Shape-Up I took started on February 11 and lasted until March 3. The mission was simple: write down a series of do-able goals for the full 21 days and then...well, do them! My goals this time around were fairly straightforward: to write a 1-page treatment of my most recent screenplay idea--a supernatural thriller--followed by a 2-page treatment, and then to outline my various scenes. But after a week into the program, I found the goal-setting was just the beginning of something much deeper . For instance, there was:
  • Discipline! As much as I'm intrigued by screenwriting, far too often it ends up on the back burner, especially when I'm working on a novel or even this blog. But now I've learned to carve out a dedicated screenwriting hour for myself every day. And you know what? That one little hour is  helping all my other writing as well.
  • Discovering that 21 days goes fast--and it's the perfect time frame for any kind of deadline or project in the future. The 30 days assigned to the more well-known writing marathons such as Nanowrimo or Scriptfrenzy can seem overwhelming, especially to new writers. 21 days is short and sweet.
  • I met so many nice new people--wow, there are some great and friendly writers out there.
  • I finally grasped how to use Facebook. This might not sound that amazing to my Internet-savvy friends, but Facebook has always been difficult for me to use. Being part of the discussion groups helped me to see the value of the site and fearlessly join in.
  • Working every day toward my goals allowed me to  accomplish them, and more--I now have a complete screenplay outline. Current goal: a complete first draft.
  • I learned I could use the 21-day plan for other projects, too. For instance, how about 21 days just for art journaling, 21 days for editing, or 21 days to write 21 poems? This could be a good schedule for all those spaces between various manuscript drafts awaiting revision and rewrites.
  • Best of all, now that the 21 days are up and I find myself lodged in my new screenwriting habit, I feel I can truly call myself a screenwriter. In the past I used to consider myself more of a screen-dabbler, a person who liked to play around with screenplays but never thought anything I wrote was worthy of entering into a competition or receiving serious consideration. No more! I love my current project and hope to have it contest-ready by next year.
So as you can see, my goals led me to some pretty good places. Which doesn't mean I can rest on my laurels. A writing habit means that once again it's time to stretch those fingers, lift those pens, and start writing. After all, they don't call them "exercise books" for nothing!

Tip of the Day: Set up your own 21-day program for a project you've always wanted to work on but have delayed for some reason. Choose "start" and "finish" dates that will help, not hinder you, assign yourself an achievable goal or two, and go for it!

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11. Setting My Goals for 2013

Happy 2013--and happy goal-setting!

At the start of every new year, I like to cast my resolutions in the form of goals; things I want to work toward to make the year both creative and meaningful. This year I've decided to go for 3 categories: Writing, Art, and Marketing with three goals each:

Writing:
  1. Revise and submit my new novel, The Abyssal Plain.
  2. Revise and submit my nonfiction manuscript, A Pet Owner's Book of Days.
  3. Type up my short story and poetry notebooks.
Artwork:
  1. Create 52 paintings--one a week. Sunday will be my dedicated painting day.
  2. Commit to a daily drawing practice--even if it's just for 15 minutes.
  3. This is the year I go professional. Everything is for sale!
Marketing:
  1. Submit my two manuscripts until they're sold!
  2. Create two more book trailers.
  3. Participate in local opportunities to sell books and artwork.
So that's me--how about you? I'd love to hear your plans.

Tip of the Day: Goal-setting is all about what you truly WANT to accomplish, not what you think you SHOULD achieve, or what somebody else has told you is the "right move" for your career or personal life. Make sure your goals come from your heart and not some image of what you think fits the "perfect writer or artist."



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12. Deadlines or Dreadlines?

This month I seem to have a lot of deadlines. I don't really like them. That said, I also know they are a necessary evil for every stage of the creative process, whether they're for sending in an article to a magazine on time, or setting up personal completion dates for various manuscript drafts. Which still doesn't make me happy with them!

The first time I ever had a real contract deadline I worked right up until the very last second I could, then rushed to the post office right on the nickel. My manuscript made it to the publisher on time, thank goodness, but the next day when I spoke to my editor by phone, she told me I was "very slow." Wow. I was a newbie at that stage and didn't know much about the publishing world. There and then I vowed to not make the same mistake twice.

Since that first professional submission, I can't say I've made friends with deadlines, but I've also learned a few ways to make them bearable, and perhaps more importantly, do-able. These include:
  • Deadlines are not about killing yourself--or the work. Pacing is everything! Take some days off in between writing.
  • If you need to move a deadline forward--be honest with yourself (and your editor), but don't use the opportunity to change dates as a way to procrastinate and avoid completing the work.
  • If a serious emergency occurs that may delay or prevent you reaching your deadline--let your editor know ASAP. Don't be embarrassed to be human.
  • The best thing about assigning a deadline to your own private work schedule is it makes you STOP working on a piece before you take all the life out of it.
  • Always keep a deadline calendar that is only for your manuscript or other creative project deadlines. Work out realistic stopping points.
  • Try not to be too public about personal deadlines--letting everyone know a certain date for being finished with your WIP or similar, and then not being able to deliver might keep you from working with deadlines ever again.
  • If possible, do your best to be a few days early with your professional deadlines.
  • Don't agree to absurd deadlines unless you really, really know you can comply. Sometimes we can be so hungry for a sale or a shot at publication we'll agree to unreasonable demands--and then find we're mired in an impossible task. Better to walk away without signing if something doesn't feel "right."
  • Know your boundaries and energy limits. Know your working style and how much you can (or can't) do.
  • Schedule and plan out your work pace. Don't be a "last minute sprinter" working on sheer adrenaline. Just like tackling exam questions, work on the easy parts of your manuscript assignment first, then take the more difficult areas line by line, one paragraph at a sitting.
  • Give yourself space between deadlines to breathe and regroup.
  • Even when you finish a piece, give it 24 hours to gel. Whether it's a blog post, a query letter, or a finished manuscript, don't push "send" the second you finish writing. Let it wait.
  • Whenever possible, practice working with deadlines. Finished work is the key to success; deadlines will help you get there.
Tip of the Day: Create some easy deadlines for yourself. For instance, give yourself a week to write a short story. Break the work into sections: e.g., one day for research, one day for the first and last paragraphs, one day to polish, and another to rewrite. Slow and steady does win the race (and keeps you ready and rested for more!).

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13. Stay Creative Every Day Tip #11: Don't Worry


The Big Move is over: (most) boxes are unpacked; old furniture has been gifted to new owners; the to-do lists shrink on a daily basis--and I'm doing my best to follow Stay Creative Every Day Tip #11: Don't worry. Easier said than done, of course--especially when there's so little time left each day for my writing, not to mention blogging, tweeting, e-mailing.... 

And as much as I'm trying to "stay calm and carry on," I know it's natural to worry about things like getting to the post office on time to mail packages, or keeping the refrigerator stocked with more than toaster strudels. What isn't acceptable is getting equally worked up about the times I can't get to my art and writing, thanks to things like moving. I've also discovered that the #1 reason I worry is because I've neglected following my previously-posted 10 tips on how to stay creative every day. For instance, the times I've managed to not have pen and paper handy while waiting for the cable installer to show up, or then trying to write with a faulty pen I found in the trash.

During more settled times, my other "creative" worries can stem from not feeling "good or smart enough" to be a writer or an artist at all. (Tip #8, "Don't compare yourself to others" is the true root of this problem.) Or worrying about not having enough time to accomplish all the amazing goals swirling through my mind, especially in the middle of the night. I'm sure we've all been there, and I'm sure we've all done as much as we can to avoid the worry track, but if you're still feeling stuck and can't see a wait out, here are some ways to approach the anxiety:
  1. Worrying wastes energy--energy that can be used for creative work. A good trick is to simply write out or express your worries through any art form: clay, collage, even dancing.
  2. Some people are fuelled by worry--and that's okay if it helps get the work done. What isn't okay is wasting other people's time by incessantly voicing those worries, being the kind of worrywart Julia Cameron has referred to as a "toxic friend," someone who wants to stop your work while they complain about their own. Avoid at all costs!
  3. Take action! Do one small task toward your goal every day, no matter how small. For instance, because I've had zero time to write, I've been collecting visual bits and pieces for a collage about this current time in my life. It only takes a few minutes, but it does help me feel that I'm doing something.
  4. Procrastinating is a form of worry that is self-perpetuating and can only add to your worries. That's why schedules and routines are so important to keep. Even if you only designate 15 minutes a day as the bare minimum where you MUST work on your project, do it.
  5. Feeling like your work isn't matching the picture in your head? This is a big one for me. Yet no one else can possibly imagine what I'm envisioning as the perfect story or perfect painting. The same for you, so just be proud of the work you have accomplished and keep going forward. And never, ever point out to others what you think are your work's flaws, or apologize for what you think is "wrong."
  6. The sense of being overwhelmed by all that's required to finish any major piece can be pretty worry-making. So while it's admirable to be able to see the whole picture

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14. Stay Creative Every Day Tip #9: Finish What You Start


Big news: I'm moving! I'll still be in Albuquerque, but I'm trading home ownership for apartment living with more time for writing and art, not to mention a swimming pool. It's a major change, for sure, and as much as I will be glad to leave yardwork behind, the one thing I know I'm going to miss is my little at-home studio. However, in its place I'm getting industrial space with lots of room to go wild with clay, paint, and all the glue I can spill. Watch out Etsy!

In preparation for packing, I've taken stock of my works-in-progress shelf and files and realized that besides my bulging "idea file" I have no less than 22 manuscripts in various states of completion. For some people this may seem an excessive (and frightening) amount, but to me it signifies productivity and never having to say I'm bored. It also means I'm going to be extremely busy for the next few years if I want to get these works into print and/or up for sale. So if my math skills are correct, here's the line-up:
  • 5 screenplays. 1 at 3rd/final draft stage; 2 have reached the full first draft stage; 1 is halfway finished; 1 is still incubating.
  • 9 novels. 1 is finished and ready for submission; 3 are full first drafts; the other 5 are pretty well outlined considering I'm a dedicated "pantster."
  • 4 books of poetry. All complete first drafts.
  • 2 short story collections. All complete first drafts.
  • 2 non-fiction manuscripts: 1 is a complete first draft, 1 is approximately 200 pages of notes. (Does that qualify as a draft?)
Which brings me to Stay Creative Tip Every Day #9: Finish What You Start. Do your best to not leave any piece of work unfinished. Unfinished work is usually about not knowing what to do next. To find the solution, try being playful: add a new character; paint red squiggly lines down the middle; paste on some text cut from a magazine. If you really dislike a piece and don't want to finish it, stop and consciously throw it away and don't think about it again.

In my how-to book, The Essential Guide for New Writers, one of the most important points I teach is that the only manuscripts that sell are finished manuscripts. Even if you're lucky enough to pitch and sell a 10-book series to an editor by sharing a few ideas scribbled on a dinner napkin, at some stage you will have to write and finish those books to get your full advance and avoid a law suit.

So how to stay motivated and on track even when you've added all the red squiggly lines you can? The top 4 ways I know for completing any w

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