What is JacketFlap

  • JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans.
    Join now (it's free).

Sort Blog Posts

Sort Posts by:

  • in
    from   

Suggest a Blog

Enter a Blog's Feed URL below and click Submit:

Most Commented Posts

In the past 7 days

Recent Comments

Recently Viewed

JacketFlap Sponsors

Spread the word about books.
Put this Widget on your blog!
  • Powered by JacketFlap.com

Are you a book Publisher?
Learn about Widgets now!

Advertise on JacketFlap

MyJacketFlap Blogs

  • Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.

Blog Posts by Tag

In the past 7 days

Blog Posts by Date

Click days in this calendar to see posts by day or month
new posts in all blogs
Viewing: Blog Posts Tagged with: carl sandburg, Most Recent at Top [Help]
Results 1 - 6 of 6
1. Bimonthly etymology gleanings for August and September 2014. Part 2

Continued from “Bimonthly etymology gleanings for August and September 2014. Part 1″

Dangerous derivations and chance coincidences

A correspondent cited a few tentative etymologies of English words.

  • Sail: in Mennonite Low German sähl means “harness.”
  • Bride: Dutch brudespaar allegedly means “broody pair.” Doesn’t bride mean “broody hen”?
  • Cow: the German word kauen means “to chew.” Couldn’t that be the origin of the word cow?

I am sorry to disappoint our correspondent, but such haphazard comparisons should be abandoned. To discover the origin of old words, one has to compare their most ancient attested forms. For example, kauen always had a diphthong, while cow has its late diphthong from a long monophthong that once sounded like Modern Engl. oo (compare German Kuh). And so it goes. On the more intuitive level, one should realize that, if a word has baffled professional scholars for centuries, the most tempting solutions have probably been offered and rejected. By the way, the Dutch compound for “bride and bridegroom” is bruidspaar, not brudespaar; the word has nothing to do with brooding.

Another correspondent wrote that the Russian word for “kiss” also means “to aim.” Whoever suggested this connection seems to have confused the Russian words tsel “whole” (discussed in the post on kissing) and tsel’ “aim.” The sign l’ stands for palatalized (or “soft”) l; where the transliteration has an apostrophe Russian has a special letter (the so-called miagkii znak). Tsel is an old word, while tsel’ is a borrowing of German Ziel “aim” (more precisely, Middle High German), via Polish.

Still another correspondent wonders whether the noun chapbook and the verb tucker (out) “to tire, to weary” can be of Hindi origin. I think chapbook has such a transparent English derivation that it does not merit further discussion. Tucker is probably a frequentative of tuck, like very many verbs of this structure. There is no denying the fact that our correspondent cited Hindi words that have both the form and the meaning closely corresponding to chapbook and tucker. But, as I have written many times while answering similar questions, the fact of borrowing can be ascertained only if we succeed in showing how a foreign word reached English (compare the history of thug, which is indeed from Hindi, or other examples cited in the great book Hobson-Jobson). Was tucker used mainly by Hindi speakers? Do we have any proof that this verb spread from their community? Only a detailed investigation along such lines can sound convincing. Otherwise, we will stay with kauen ~ cow and their likes.

Wise restraint. An old colleague of mine wrote in connection with my post on roil.

“Honoré de Balzac published in 1842 a novel called La Rabouilleuse. The title name is explained as being a word local to the Berry region of France where a young girl is employed to stir up the mud in a stream, thus clouding the water and permitting a fisherman to more readily catch crayfish (crawfish?). One can easily see the way the word is formed: the verb bouillir “boil” plus a reduplicating prefix ra- and a feminine agent suffix. Now the verb rabouillir or some variant of it might fit in with roil both with some phonemes and the meaning.”

The author of the letter did not suggest any solution, and I think he was right to do so. The coincidence looks like being due to chance.

Old Friends

Every now and then I run into publications that would have come in most useful in my earlier posts and comments. But it is never too late to pick up even the oldest chestnuts. For instance, I have challenged the supporters of they ~ them in sentences like when a student comes, I never make them wait to give examples that are really old. Almost nothing has turned up. But here are two more phenomena that have aroused some interest among our readers.

Split infinitive. It would seem that passionate, as opposed to rational, splitting set in several decades ago, and the construction I called to be or to not be conquered the ugly day. Roswitha Fischer’s article on the split infinitive appeared in 2007; however, I read it only this summer. Among many other examples, she quoted Wycliffe: “It is good for to not ete fleisch and for to not drynke wyn” (ca. 1382). I do not follow Wycliffe’s recommendation but in defense of his grammar should say that with for to he had nowhere else to put the negation. I am sure everybody will remember: “Simple Simon went a-fishing, / For to catch a whale.” Nowadays, for to, an analog of German um zu, is dead, except in some dialects.

One… his. We have been taught to say one…one’s. But people keep correlating one with his (now probably their; see above). In The Nation for 1921 I found a letter to the editor from Steven T. Byington (Ballard Vale, Massachusetts) with the funny title Four Centuries of Onehese. The writer quoted five sentences with one—his. I’ll reproduce only the relevant part of them:

  • “…one was surer in keeping his tunge, than in muche speking” (excellent advice going back to 1477)
  • “…the higher one doth mount, the less doth euery thing appeare which is below him” (1607)
  • “If one proposes any other end unto himself” (1650)
  • “…one’s sure to break his neck” (1650), “One should do what his own nature prescribes” (1886)

Among other things, the letter discusses the utterance: “One oughtn’t never take nothing that ain’t theirn.” I suspect that in the great books on English grammar by Jespersen, Poutsma, and Curme many more examples of the one… his type will be found. A certain Markman, a friend of James Steerforth’s, “always spoke of himself indefinitely as a ‘man’, and seldom or never in the first person singular” (David Copperfield, Chapter 24 “My First Dissipation”). This way of speaking may help those who have trouble with one.

sandburg

Check your slang

Also in The Nation, this time for 1922, I found a more than enthusiastic review by Clement Wood of Carl Sandburg’s fourth book of poetry Slabs of the Sunburnt West. In the opening paragraph, Wood expressed his delight about Sandburg’s use of slang. I ran the list by my undergraduate students. Here it is: humdinger, flooey, *phizzogs, fixers, frame-up, *four-flushers, rakeoff, getaway, junk, *fliv, fake, come clean, gabby mouth, *hoosegow, *teameo, *work plug, lovey, slew him in, bull, jazz, scab, booze, stiffs, hanky-pank, hokum, bum, and buddy.

The words that no one recognized are given above with an asterisk. I knew more. However, some of them I knew by chance. For instance, long ago, a bookstore near our main campus closed its doors. It began to sell its stock at a small discount, but every two days the prices went down. The only books that no one wanted to take even when they were free were those by American poets. I grabbed the entire batch and read everything. In this rather dubious treasure trove, I discovered Sandburg, read his poem called Phizzogs, and looked up the word. It has never occurred in my reading since that day. In my work, I have dealt with synonyms for “prison,” so that hoosegow was quite familiar to me. I also knew fliv, but the word is forgotten. This is what I expected, for once I tried the same experiment with jitney and drew blank, while people of my age recognized it immediately. If I had run into a poker player, such a person would have had no trouble identifying four-flushers. Fixers, bull, work plug, slew him in, and stiffs look transparent, but without the context it is impossible to decide their exact meaning. We of course guessed that hanky-pank is a back formation on hanky-panky.

My students say that, when they watch movies of the fifties, they do not understand the slang used there, while their parents are in the dark when it comes to the slang of their children. On the other hand, the words given in bold in my list are today so familiar that no one would have referred to them as particularly striking. One should take into consideration that, to know one’s language, one has to read the literature written in it. It is curious to follow the modern annotations of Oliver Twist and Vanity Fair. Both Dickens and Thackeray used slang quite generously, and the commentators assume that no one understands it today. Perhaps they are right.

I still have some questions unanswered and will take care of them at the end of October.

Image credits: (1) Photograph of Carl Sandburg, 1947. Library of Congress. (2) Sandburg book cover via Booklikes.

The post Bimonthly etymology gleanings for August and September 2014. Part 2 appeared first on OUPblog.

0 Comments on Bimonthly etymology gleanings for August and September 2014. Part 2 as of 10/9/2014 7:37:00 PM
Add a Comment
2. What’s the single best piece of writing advice? Harper Lee, John Steinbeck and Carl Sandburg weigh in

What's the single best piece of writing advice?

Every week, I spelunk into the Writer’s Digest archives to find the wisest, funniest, or downright strangest moments from our 92 years of publication.

Harper Lee’s birthday is tomorrow, so today I went on a hunt to find some Harper Lee quotes somewhere in our archives. I didn’t exactly troll up an entire interview (no surprise there, given her lack of media appearances since To Kill a Mockingbird was published*), but I did stumble on this gold mine from 1961.

For a cover story interviewing Lee and a slew of other writers—John Steinbeck, Rod Serling, Carl Sandburg, James Thurber—we posed the question, “What advice would you offer a person who aspires to a writing career?” and asked for a single response.

Here’s their writing advice. I’m in the process of geeking out and printing Sandburg’s right now so I can place it above my desk.

As for our swag drawing, thanks to everyone who shared their thoughts on Janet Evanovich and outlining last week. We dipped a hand into the random WD swag hat, and a name emerged: Sharon Vander Meer. Sharon, can you email [email protected], ATTN: Zachary Petit, and I’ll send you a list of free books to choose from?

Happy Friday!

*Here’s to hoping it wasn’t because we cited Lee as the author of To Kill a Hummingbird. Oy. Some 50 years later, WD still regrets (and still heavily cringes at) the error. Sorry, Harper!

What's the single best piece of writing advice?

Erskine Caldwell, Carl Sandburg, William Inge, Robert Fuoss

What's the single best piece of writing advice?

Erle Stanley Gardner, Herb Mayes, Paul Engle, Richard Gehman, Francois Sagan

What's the single best piece of writing advice?

Thomas B. Costain, Harper Lee, John Steinbeck, Rod Serling

What's the single best piece of writing advice?

Stirling Silliphant, Allen Drury, Paul Scott Mowrer, James Thurber

 

Add a Comment
3. "Buffalo Dusk" by Carl Sandburg

Some years back, I came across "Buffalo Dusk" by Carl Sandburg. The poem is in The Random House Book of Poetry for Children: A Treasury of 572 Poems for Today's Child (1983) selected by Jack Prelutsky and illustrated by Arnold Lobel. Here it is:
The buffaloes are gone.
And those who saw the buffaloes are gone.
Those who saw the buffaloes by thousands and how they
     pawed the prairie sod into dust with their great hoofs,
     their great heads down pawing on in a great pageant of dusk,
Those who saw the buffaloes are gone.
And the buffaloes are gone.
Sandburg was wrong, but is that what he thought when he wrote the poem in 1920? How many people, in 1920, thought "those who saw the buffaloes" were gone? It wasn't true then, and it wasn't true in 1983 when Jack Prelutsky chose the poem for the collection... Did Prelutsky think so in 1983? And when Lobel was drawing the buffalo herd that accompanies the poem, did he think so?    

1 Comments on "Buffalo Dusk" by Carl Sandburg, last added: 7/23/2011
Display Comments Add a Comment
4. Friday: Quotes that stick

Talking is a hydrant in the yard and writing is a faucet upstairs in the house. Opening the first takes the pressure off the second. — Robert Frost

One must be an inventor to read well. There is then creative reading as well as creative writing.  — Ralph Waldo Emerson

I make it clear why I write as I do and why other poets write as they do. After hundreds of experiments I decided to go my own way in style and see what would happen.  –Carl Sandburg

I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors. — Carl Sandburg

 The difficulty of literature is not to write, but to write what you mean  – Robert Louis Stevenson

*all quotes courtesy of Brainyquote and thinkexist.com*


Filed under: writing for children Tagged: carl sandburg, Ralph Waldo Emerson, Robert Frost, Robert Louis Stevenson

4 Comments on Friday: Quotes that stick, last added: 1/28/2011
Display Comments Add a Comment
5. Happy Valentine's Day!

I Love You
by Carl Sandburg

I love you for what you are
knowing so well what you are.
And I love you more yet, child,
deeper yet than ever, child,
for what you are going to be,
knowing so well you are going far,
knowing your great works are ahead,
ahead and beyond,
yonder and far over yet.


Thank you to everyone who has inspired, encouraged and befriended me, and to every person who has ever given me a gift by reading this blog. Happy Valentine's Day!!

0 Comments on Happy Valentine's Day! as of 1/1/1900
Add a Comment
6. Tales for Little Rebels


2 Comments on Tales for Little Rebels, last added: 11/6/2008
Display Comments Add a Comment