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• Top of the morning to you, froggies!  I had one heckuva weekend, I tell you.  Actually it was just one heckuva Saturday.  First there was the opening of the new Bank Street Bookstore location here in NYC.  I was one of the local authors in attendance and, as you can see from this photograph taken that morning, I was in good company.

At one point I found myself at a signing table between Deborah Heiligman and Rebecca Stead with Susan Kuklin, Chris Raschka, and Peter Lerangis on either side.  I picked up the name tag that Jerry Pinkney had left behind so that I could at least claim a Caldecott by association.  Of course that meant I left my own nametag behind and a certain someone did find it later in the day . . .

Then that afternoon, after wolfing down an Upper West Side avocado sandwich that had aspirations for greatness (aspirations that remained unfulfilled) I was at NYPL’s central library for the panel Blurred Lines?: Accuracy and Illustration in Nonfiction.  This title of silliness I acknowledge mine.  In any case, the line-up was Sophie Blackall, Brian Floca, Mara Rockliff, and her Candlewick editor Nicole Raymond.  It was brilliant. There will perhaps be a write-up at some point that I’ll link to.  I just wanted to tip my hat to the folks involved.  We were slated to go from 2-3 and we pretty much went from 2-4.  We could have gone longer.

• I’ve often said that small publishers fill the gaps left by their larger brethren.  Folktales and fairy tales are often best served in this way.  Graphic novels are beginning to go the same route.  One type of book that the smaller publishers should really look into, though, is poetry.  We really don’t see a lot of it published in a given year, and I’d love to see more.  The new Lee Bennett Hopkins Poetry Award may help the cause.  It was recently announced and the award is looking for folks who are SCBWI members and that published their books between 2013-2015.  It makes us just one step closer to an ALA poetry award.  One step.

• How did I miss this when it was published?  It’s a New Yorker piece entitled Eloise: An Update.  It had me at “The absolute first thing I do in the morning is make coffee in the bathroom and check to see what’s on pay-per-view / Then I have to go to the health club to see if they’ve gotten any new kettlebells and then stop at the business center to Google a few foreign swear words.”  Thanks to Sharyn November for the link.

• Y’all know I worship at the alter of Frances Hardinge and believe her to be one of the greatest living British novelists working today, right?  Well, this just in from the interwebs!  Specifically, from agent Barry Goldblatt’s Facebook page:

BSFA and Carnegie Medal longlister Frances Hardinge’s debut adult novel THE KNOWLEDGE, about a London cab driver with a special license to travel between multiple alternative Londons, who, after rescuing a long-missing fellow driver, finds herself caught up in a widening conspiracy to control the pathways between worlds, to Navah Wolfe at Saga Press, in a two-book deal, for publication in Summer 2017, by Barry Goldblatt at Barry Goldblatt Literary on behalf of Nancy Miles at Miles Stott Literary Agency (NA).

Mind you, this means I’ll have to read an adult novel now.  I’ll cross that bridge when I come to it.

• Speaking of England, I’m tired of them being cooler than us.  For example, did you know that they have a Federation of Children’s Book Groups?  A federation!  Why don’t we have a federation?  I’ll tell you why.  Because we haven’t earned it yet.  Grrr.

• Ooo!  A new Spanish language children’s bookstore has just opened up in Los Angeles.  And here we can’t get a single bookstore other than Barnes & Noble to open up in the Bronx in English, let alone another language.  This is so cool.  Methinks publishers looking to expand into the Latino market would do well to court the people working at this shop, if only to find new translatable material.

• Fancy fancy dancy dancy Leo Lionni shirts are now being sold by UNIQLO.  Some samples:

Smarties.

• Roxanne Feldman is one of those women that has been in the business of getting books into the hands of young ‘uns for years and years and years.  Online you may recognize her by her username “fairrosa”.  Well, now she has a blog of her very own and it’s worth visiting.  Called the Fairrosa Cyber Library, it’s the place to go.  However – Be Warned.  This is not a site to merely dabble in.  If you go you must be prepared to sit down and read and read.  Her recent posts about diversity make for exciting blogging.

• Phil Nel has compiled the greatest Dr. Seuss blog post of all time.  I said it.  I stand by it.  Doubt me if you dare.

• Me Stuff: Because apparently the whole opening of this blog post didn’t count.  Now Dan Blank is one of those guys you just hope and pray you’ll meet at some point in your life.  He’s the kind of fellow who is infinitely intensely knowledgeable about how one’s career can progress over time and he’s followed my own practically since the birth of my blogging career.  If I appeared in Forbes, it was because of Dan.  Recently he interviewed me at length and the post is up.  It’s called Betsy Bird: From “Invisible” Introvert to Author, Critic, Blogger and Librarian.  I feel like that kid in Boyhood with Dan.  Really I do.

• It was Adam Gidwitz who alerted me to a theatrical production going on in town right now that holds my interest in its hot little hand.  He says the company is fantastic and that the show is entirely worth it.  Though, with a name like BAMBIF*CKER/KAFFEHAUS: A caffeinated ride through sex, death, deer, and Zionism how could it not be?

• Fact: The Cotsen Children’s Library of Princeton has been interviewing great authors and illustrators since at least 2010.

• Fact: Access to these interviews has always been available, but not through iTunes.

• Fact: Now it is.  And it’s amazing.  Atinuke.  Gary Schmidt.  Rebecca Stead.  Philip Pullman.  It’s free, it’s out there, so fill up your iPod like I am right now and go crazy!  Thanks to Dana Sheridan for the info!

The other day I linked to a piece on the term “racebent” and how it applies to characters like Hermione in Harry Potter.  It’s not really a new idea, though, is it?  Folks have always reinterpreted fictional characters in light of their own cultures.  This year the publisher Tara Books is releasing The Patua Pinocchio.  Now I’ve been a bit Pinocchio obsessed ever since my 3-year-old daughter took Kate McMullen’s version to heart (it was the first chapter book she had the patience to sit through).  With that in mind I am VERY interested in this version of the little wooden boy.  Very.

• Ever been a children’s nonfiction conference?  Want to?  The 21st Century Children’s Nonfiction Conference has moved to NYC this year and it’s going to be a lot of fun.  I’ll be speaking alongside my colleague / partner-in-crime Amie Wright, but there are a host of other speakers and it’s a delightful roster.  If ever this has ever been your passion, now’s thWe time to go.

• Diverse books for kids don’t sell?  To this, Elizabeth Bluemle, a bookseller, points out something so glaringly obvious that I’m surprised nobody else has mentioned it before.  I’m sure that someone has, but rarely so succinctly. Good title too:  An Overlooked Fallacy About Sales of Diverse Books.

• And speaking of diverse books, here’s something that was published last year but that I, in the throes of the whole giving birth thing, missed.  The We Need Diverse Books website regularly posted some of the loveliest book recommendations I’ve ever seen.  We’ve all seen lists that say things like “Like This? Then Try This!” but rarely do they ever explain why the person would like that book (I’m guilty of this in my own reviews’ readalikes and shall endeavor to be better in the future).  On their site, the WNDB folks not only offered diverse readalikes to popular titles, but gave excellent reasons as to why a fan of David Wiesner’s Tuesday might like Bill Thomson’s Chalk.  The pairing of Lucy Christopher’s Stolen with Sharon Draper’s Panic is particularly inspired.  The covers even match.

Daily Image:

I am ever alert to any appropriation of my workplace that might be taking place. Recently I learned that in the Rockettes’ upcoming holiday show there will be this set in one of the numbers.  Apparently Patience and Fortitude (the library lions) will be voiced by (the recorded voices of) Tina Fey and Amy Poehler.  I kid you not.

Years ago when I worked in the old Donnell Library I looked out the window of the Central Children’s Room to see three camels standing there chewing their cud or whatever it is that camels chew.  They were with their trainer, taking a walk before their big number in the Rockettes’ show.  The crazy thing was watching the people on the street.  The New Yorkers were walking past like the it was the most natural thing in the world.  This is because New Yorkers are crazy.  When camels strike you as everyday, something has gone wrong with your life.

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Hervé Tullet is known for his prodigious versatility, from directing ad campaigns to designing fabric for Hermès. But his real love is working with children, for whom he has published dozens of books, including Press Here.

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Leo Lionni’s works as a celebrated author and illustrator have elevated the standards on what it means to successfully utilize simplicity and sophistication to create the perfect picture book.

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Beloved children’s author Eric Carle has a new book called Friends coming this Fall. Penguin Young Readers Group’s Philomel imprint will publish the picture book about “the love that binds people and the obstacles they will overcome in order to be together.”

Penguin Young Readers Group president Don Weisberg and Philomel publisher Michael Green negotiated the deal. Philomel plans to print 300,000 copies for the first U.S. printing. Carle explained the book in the release:

Friends dates back to 1952, when I was a 22 year greenhorn who arrived in New York City from Germany, speaking poor English and carrying a cardboard suitcase and a portfolio of my graphic designs. It was my good luck to meet Leo Lionni, then the Art Director of Fortune magazine, who became my mentor. Upon his recommendation I got my first job in the new world as a graphic designer with The New York Times. After that a loose and infrequent friendship with Leo developed that lasted until his death in 1999. Friends started out as a tribute to Leo Lionni, but the story somehow swerved into the story of another friendship, that of two small children. All friendships are somehow connected.

New Career Opportunities Daily: The best jobs in media.

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Frederick’s Sky Mice
by Leo Lionni

Who scatters snowflakes? Who melts the ice?
Who spoils the weather? Who makes it nice?
Who grows the four-leaf clovers in June?
Who dims the daylight? Who lights the moon?

Four little field mice who live in the sky.
Four little field mice … like you and I.

One is the Springmouse who turns on the showers.
Then comes the Summermouse who paints in the flowers.
The Fallmouse is next with walnuts and wheat.
And Wintermouse is last … with little cold feet.

Aren’t we lucky the seasons are four?
Think of a year with one less … or one more!

Teachers, go here and here for great resources on Lionni's books, and enjoy the photos of mice visiting the Mighty Minnows!

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Do you remember Frederick? I was in the library the other day and when I pulled this book off the shelf, I was flooded with childhood memories and feelings! I was mesmerized by this book as a child, even before I could read, I think. The story can absolutely be enjoyed without the benefit of words.  Of course, the finer points of the plot might be lost in translation, but look at how much story and personality and narrative the below image conveys, all without a single word.

Wow! I think this was my favorite image in the book as a child. It is so beautiful!

Frederick was originally released in 1967, (won a Caldecott), and today is back in print. He's a super-hip mouse at 44 years old and counting. I'm happy to learn that today, Frederick even has his own Facebook page.



Watch the frederick story on YouTube (approx 6-7 minutes).

Keep on collecting the colors, Frederick, and we will keep closing our eyes and listening!

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At NCTE I found myself laughing at myself, because with 700 sessions to choose from, I managed to attend a session that I had already attended last year!  Not so surprising--the concept of "Picturing Writing: Fostering Literacy through Art" is right up my personal alley, and the collage-based approach called "Image-Making Within the Writing Process" is my back door.  Thanks to Beth Olshansky and her teacher colleagues for leading me home (two years in a row).

So, in our new 2.0 Elementary Integrated Curriculum we are supposed, as winter sets in, to be studying plant and animal life cycles, planting seeds and learning about baby animals. (Never mind that all around us dying, darkening, sleeping.)  To tie it all together and to lead us into a poetry project, I chose Leo Lionni's Frederick and Eric Carle's The Tiny Seed, which we have been comparing and contrasting, enacting and evaluating: which parts of this story could really happen?  do Frederick and his family do what real mice do? 

Meanwhile, each child used watercolors to paint 3-6 papers for collage, in the manner of both Carle and Lionni. As the class worked to see what animals, plants and weather their unpredictable painted papers suggested, I learned quite a lot that will help me support the project next time!  (Note to self:  20 collaging kindergarteners at once is too many.)  Still, their collages are very pleasing, often striking, and most importantly, quite individual. 

This week we're placing our collages in front of us and writing poems.  While a couple of the 5-year-olds are able to write their compositions on their own, for most I'm scribing with strategically placed blanks for them to spell juicy words like fish, rain, float and lion.  I cannot wait to share the whole collection with you, but for now I have only two to hand.  Jordan cut 4 shapes from a pinkish-purple paper, arranged them as a fish on a stripy bluish sea paper, and then painstakingly cut and glued maroon and ochre spots from another paper to create a bubbly surface. Here is his poem.

Mighty Minnow
by Jordan

mighty minnow swimming fast
in a deep, deep sea
pinkish-purple spots and dots
do you see any more colors
or anything else on me?

Ezekial is my youngest nearly 6-year-old and My Project for the year. We worked very closely to make the lion he imagined out of a deep muddyish turquoise paper. Here is the poem we negotiated.

Lion
by Ezekial

the blue dad lion
is walking to his wife
the playground is their house
they eat leaves and grass
they climb up the ladders
and they jump!

Extra poet's note: My plan, of course, was to model the collage-to-poem move using my own giraffe-under-sunset collage...but as my colleagues often say, "Kindergarten happened," and I found myself sitting down to write with children without ever having modeled. Guess what? For this class anyway, it has not mattered. Perhaps the other poetry we've been reading (most recently Frederick's "Sky Mice" poem and Douglas Florian's Beast Feast) and all the singing we've done has been enough. Their words sing, too!

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Back before Thanksgiving, when I asked the children to list what they were thankful for, I went for variety by specifying some categories:  a person, a food, something in nature, something at school, something you like to play, a part of your body.   Talia suprised me by writing "my intinestinse" (which, unlike the average 5-year-old, she felt confident to spell independently).

Clearly intestines remain of great interest to her.  Having read Frederick all last week, we are looking forward to a visit from real pet mice and listing what we know and what we wonder about mice.  On our KNOW chart, Talia's statement reads, "Mice have intestines."  On our WONDER chart, her question reads, "Do mice have intestines?" She has a sense, very vague, of what intestines are for.  But I think she could use some further information.

I'm working on a mouse intestines poem for Talia--do you have one too?

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I've been underwater for the last two weeks, thanks to the hurricane of back-to-school details and a pesky need to actually sleep every night.  However, I must be growing gills, because I'm finding time to post.

It has been a fairly fishy week.  I began the year with my new K class with a deeply favorite book, Swimmy by Leo Lionni.  He's just such a good role model, isn't he?  Swimmy stands out from the crowd, takes care of himself, finds wonder in his surroundings even though he's scared and alone, takes a stand and solves a problem--cleverly--and shows bravery and determination as he leads all the little red fish to liberty.  For right now, I'll be the eye, but soon my 19 little ones will begin to lead the way.

Then we sang a tune I used to sing to my children when they were infants in the tub with me:

"Splish, splash, splish;
I am a little fish.
Swimmy, swimmy, swimmy, swimmy,
Splish, splash, splish."

At snacktime (made necessary by a scheduled lunch time of 10:45!), we've been plucking and reading this week's poem from the Poetree:

Fish

Look at them flit
Lickety-split
Wiggling
Swiggling
Swerving
Curving
Hurrying
Scurrying
Chasing
Racing
Whizzing
Whisking
Flying
Frisking
Tearing around
With a leap and a bound
But none of them making the tiniest
tiniest
tiniest
tiniest
tiniest
sound

by Mary Ann Hoberman

This poem reminds Ms. Mordhorst's Mighty Minnows that fish are very quiet indeed, and that the Mighty Minnows can be very quiet when it's called for.  Now before we enter the hall we sing, "Splish, splash, splish; I am a silent fish," and we swim down the hall like one giant silent fish with our hands finning up and down or side to side.

Tricia at The Miss Rumphius Effect is our "powerless" Poetry Friday host today...hope to surface long enough to see you there!

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Happy Monday to you, everyone.  I’ve plenty of tasty treats to bestow on the good little boys and girls this morning.  First off, the only thing that I can figure when I look at the baby versions of various Harry Potter characters by Artful Babies is that whomever the creator is they must spend a lot of time skulking about maternity wards.  How else do you manage to capture that brand new ugly/cute look of newborns?  Of all the characters, the Snape amuses me the most.  Anyone who has ever seen a pissed off baby will recognize the look on his face.  And for those of you reading this with your morning coffee, I will spare you the baby Lord Voldemort.  Needless to say, be prepared to spittake.  I liked my friend Marci’s suggestion that someone take the Voldemort baby and put him under a bench in a train station somewhere, though.

• I love Leila Roy of bookshelves of doom, but I think I love her best when she’s taking down a bad book.  Whether it’s Flowers in the Attic or her recent smackdown of John Grisham’s Theodore Boone sequel, nobody snarks like she does.

• A hitherto unknown Arthur Rackham drawing has been discovered in an obscure book?  Hot diggety dog!  That is awfully cool to me.

• New Blog Alert: Well, as I live and breathe.  I hereby declare myself unobservant.  Since March of this year there has been a group blog of middle grade authors called Smack Dab in the Middle.  Group blogs are a perfect way for authors to blog without having to distract themselves from their real jobs.  In this particular case it’s a great line-up of folks and I’ve taken a great deal of pleasure checking out some of their upcoming books.

• I know you all read your Morning Notes from 100 Scope Notes without fail.  Be that as it may be, how can I not link to a man who knows when to use the phrase, “This cover needs more maracas“?

• Seems a bit unfair.  I complained some time ago about the fact that Kadir Nelson somehow managed to be able to write AND illustrate his books with aplomb.  Hey, Kadir!  Save some talent for the rest of us!  Now I feel the same way knowing that not only did illustrator Leo Lionni make some of the greatest picture books of the 20th century, he could sculpt as well.  9 Comments on Fusenews: More cowbell/maracas, last added: 7/28/2011