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Viewing: Blog Posts Tagged with: stanley kubrick, Most Recent at Top [Help]
Results 1 - 3 of 3
1. ‘And the Oscar went to …’

In his acceptance speech at the 1981 Oscars (best original screenplay, Chariots of Fire), Colin Welland offered the now famous prediction that ‘The British are coming!’ There have since been some notable British Oscar successes: Jessica Tandy for Driving Miss Daisy (1989); director Anthony Minghella for The English Patient (1996); Helen Mirren (in The Queen, 2006); and — maintaining the royal theme — awards for best director, actor, and film for The King’s Speech in 2011.

But looking at all British Oscar winners — since the first Academy Awards in 1929 — presents a different story. Less the ‘British are coming!’, more the ‘British have been!’ A full list of Oscar winners with entries in the Oxford Dictionary of National Biography (currently 79 individuals) lists 70 recipients between 1929 (Charlie Chaplin, The Circus) and 1980 (Alec Guinness, honorary award), and just 9 winners since Colin Welland’s rousing prediction. The Oxford DNB’s selection criteria — that all people included are deceased in or before 2009 — means this imbalance isn’t really a revelation, nor should it come as a surprise. Quite simply, and happily, most post-1981 British winners remain in good, creative health.

But the ODNB’s Oscar list is nonetheless an interesting reminder of outstanding talent, and outstanding films, from the history of British cinema. Here, of course, you’ll find the great names: Vivien Leigh (twice best actress for Gone with the Wind, 1940, and A Street Car Named Desire, 1952), Laurence Olivier (special award for Henry V, 1947 and best actor, Hamlet, 1949), or the lovely Audrey Hepburn (best actress, Roman Holiday, 1954). Also notable is that some of the most successful figures in British cinema have worked behind the camera, including the directors Carol Reed and David Lean who were both double winners.

The Oxford DNB’s list also reminds us of the perhaps forgotten successes: Jack Clayton whose The Bespoke Overcoat won ‘best short (two-reel) film’ in 1957 or Elizabeth Haffenden, winner, in 1960, of the best costume (colour) Oscar for the often scantily-clad Ben-Hur. Then there are the surprises: did you know that George Bernard Shaw won a statuette in 1939 for his adapted screenplay of Pygmalion, or that the dramatist John Osborne collected the same award for Tom Jones in 1964?

Finally, there are the ones who almost got away. It seems extraordinary that Stanley Kubrick (he lived in Britain, so he’s in the ODNB) won only once — and this for ‘best special effects’ in 2001: A Space Odyssey. Or that Cary Grant (born in Bristol) had to make do with an ‘honorary award’ in 1970. Perhaps most surprising is that the giant of twentieth-century film, both in the UK and US, only reached the stage once, to receive the Irving G. Thalberg memorial award in 1968. He, of course, is Alfred Hitchcock whose life is recreated in an eponymous film out this month — and possibly on next year’s Oscar shortlist.

In addition to the Oxford DNB biographies above, the life stories of Audrey Hepburn and Cary Grant are also available as episodes in the ODNB’s free biography podcast.

Now, from podcast to a pop quiz from Who’s Who, we’ll test you not only on what you know about the BAFTAs and Oscars, but who you know.

Your Score:  

Your Ranking:  

The Oxford Dictionary of National Biography  is the national record of men and women who have shaped British history and culture, worldwide, from the Romans to the 21st century. In addition to 58,500 life stories, the ODNB offers a free, twice monthly biography podcastwith over 175 life stories now available. You can also sign up for Life of the Day, a topical biography delivered to your inbox, or follow @odnb on Twitter for people in the news. The Oxford DNB is freely available via public libraries across the UK. Libraries offer ‘remote access’ allowing members to log-on to the complete dictionary, for free, from home (or any other computer) twenty-four hours a day.

Who’s Who is the essential directory of the noteworthy and influential in every area of public life, published worldwide, and written by the entrants themselves. Who’s Who 2013  includes autobiographical information on over 33,000 influential people from all walks of life. The 165th edition includes a foreword by Arianna Huffington on ways technology is rapidly transforming the media.

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Image credit: CHICAGO – JANUARY 23: Oscar statuettes are displayed during an unveiling of the 50 Oscar statuettes to be awarded at the 76th Academy Awards ceremony January 23, 2004 at the Museum of Science and Industry in Chicago, Illinois. The statuettes are made in Chicago by R.S. Owens and Company. (Photo by Tim Boyle) EdStock via iStockphoto.

The post ‘And the Oscar went to …’ appeared first on OUPblog.

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2. A collection of shots from Stanley Kubrick utilizing straight-on...



A collection of shots from Stanley Kubrick utilizing straight-on one-point perspective.



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3. Death to Humans! (The Apocalypse Remix)

Read his previous post, 10 Ways World of Warcraft Will Help You Survive the End of Humanity!

By Robert M. Geraci


Scientific American recently rocked the Internet with its editors’ piece “Death to Humans! Visions of the Apocalypse in Movies and Literature” but, in doing so, have missed half of the fun. In an article where the sublime (The Matrix) meets the atrocious (The Postman), the chief problem that SciAm’s editors suffer is that, to be honest, they do not know what an apocalypse is.

Threats to the world are not apocalyptic. In one of the apocalyptic texts par excellence, the Book of Revelation, the world isn’t just going to end…it’s going to transform in radical fashion (admittedly thanks to the seven seals that FBI and ATF members thought were marine mammals when David Koresh quoted them, the many-headed beast, and the whore of Babylon who will be drunk on the blood of the martyrs). Despite all the trials and tribulations, the end of the world is a good thing: it will end with the establishment of a wondrous new one.

So, how about some more apocalyptic films and books?

R.U.R. (1927; play) – Robots plan on killing us all. But after they’ve finished their noble work, they will explore an earth purged of, umm, us.

2001: A Space Odyssey (1968; film and novel) – In Kubrick’s and Clarke’s classic, David Bowman gets sucked into a galactic hotel and comes back a “Star Child” who can toss aside nuclear weapons as though they are paper airplanes. A new world shall dawn in the warm glow of the cosmic baby’s power.

Dark City (1998, film) – After John Murdoch psychokinetically conquers the aliens who have enslaved humankind, he remains stuck in a spaceship but uses its powers to provide himself with a West coast paradise where he will spend the future with a lovely woman whose memories have been tailored to match his own.

The Lord of the Rings (1954-1955 and 2001-2003; novels and films) – When two hobbits (one deranged and well past his prime, the other just twisted and tired after a noble quest) struggle at the flaming precipice of Mount Doom, they inaugurate a new world. In the end, lava purges the forces of evil and the friendly hobbits have a fighting chance to spend eternity blowing smoke rings and cheering for fireworks.

Down and Out in the Magic Kingdom (2004; novel) – Cory Doctorow paints us a future where we can spend an infinity in Disney Land, rejuvenating our bodies and, when necessary, restoring our minds to cloned bodies in the case of, well, an accident.  And the line at the Pirates of the Caribbean ride won’t matter because you have an infinite amount of time to wait.

Accelerando (2006; novel) – After the machines take over the solar system, predicts Charles Stross, we can always ask a divine

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