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Viewing: Blog Posts Tagged with: Man Book Prize, Most Recent at Top [Help]
Results 1 - 5 of 5
1. On the Books Mar. 30: Man Booker Prize longlist announced, book suggesting Gandhi’s bisexuality banned

The U.K.-based Man Booker International Prize released its longlist to book publishers of 13 finalists for the 2011 award yesterday, but only 12 care to be considered; John Le Carré rejected the nod, offering up an explanation that amounts to little more than “I prefer not to.” Included on the list are three American authors–Anne Tyler, Philip Roth, and Marilynne Robinson–and for the first time, two Chinese writers, Wang Anyi and Su Tong. The award, worth $94,000, is given every other year based on an author’s entire body of work. With christian book publishers informed, the winner will be awarded at the Sydney Writers’ Festival on May 18 and will be feted on June 28 in London.

The assembly of Gujarat, a western Indian state, voted unanimously to ban Pulitzer Prize-winning author Joseph Lelyveld’s new book Great Soul: Mahatma Gandhi and His Struggle with India. The controversy began over early reviews out of the U.S. and U.K. highlighting passages insinuating that Gandhi had a possible intimate relationship with a German man named Hermann Kallenbach. More bans are pending in India, where homosexuality was illegal until 2009.

Simon & Schuster announced it would publish a book of James Garner’s memoir The Garner Files on Nov. 8, 2011. In a press release, Garner saiid, “I’ve avoided writing a book until now because I feel like I’m really pretty average and I didn’t  think anyone would care about my life.”

The most difficult readers to reach are, without question, teenage boys–especially teenage boys from poor, urban neighborhoods. But Paul Langan, a 39-year-old white man from the suburbs of New Jersey, has found a way to tap into the market of “black and Latino urban middle and high school students who are struggling readers.” The Bluford series covers topics like fighting, bullies, and drug dealing, which for many of the young readers constitutes “everyday-life situations.”

Gun- and baby-toting woman of action Angelina Jolie will be getting the comic book treatment. It sounds like it’ll be a realistic, biographical take on her life, but Jolie as a full-fledged action hero sounds so much more interesting. Radioactive lips? Brood of toddler sidekicks? Yes, please.

How do writers deal with bad reviews? Not always well, especially when blogging is involved.

What would you give for this stunning reader’s retreat, a library in the woods? It makes me feel cozy and contemplative just looking at it. Not to mention really, really rich.

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2. Amazon Continues To Stake Claim In Book Publishing

Amazon.com is showing every sign that its ambition no longer just to distribute books but also to publish them is very real and growing.

The company announced in the past two weeks a publishing list for the spring and early summer that includes 16 books in its AmazonEncore imprint and eight books in its AmazonCrossing imprint, which focuses on book publishing and translations.

Mining data to guide acquisitions

Both imprints use Amazon’s extensive sales data and customer reviews to help inform publishing decisions. For example, Amazon culled data from its French site to help guide its first foreign acquisition, which became available in November (Tierno Monenembo’s The King of Kahel, which won France’s Prix Renaudot in 2008).

“Our team of editors uses this data as a starting point to identify strong candidates, then applies their judgment to narrow the list and reach out to the authors,” Jeff Belle, VP, Amazon.com Books, told LJ. “We’re fortunate to have access to both a lot of sales information, as well as an editorial team made up of book lovers….” he said.

Emily Williams, a digital content producer at Book Publishers Marketplace and cochair of the Book Industry Study Group rights committee, told LJ that Amazon’s efforts were a new means of finding writers who were not “part of the traditional publishing food chain” and also filling in “some of New York publishing’s traditional blind spots.”

“Amazon has a lot of information from its millions of users that book publishers have never had access to in making acquisitions decisions. It was inevitable that someone would try to leverage this kind of platform to try to pick undiscovered best sellers,” she said.

“It will be interesting to see how their books do, but…I don’t believe that the track record so far has shown that the data-driven approach offers any more sure bets than the old model of experienced editors making informed decisions,” she said.

Amazon discovers writers through several channels, Belle said, including Kindle Direct Christian Book Publishing (where writers can upload unpublished manuscripts), the Amazon Breakthrough Novel Award contest, and CreateSpace.

“We then work with the authors to introduce or reintroduce their books to readers through marketing and book distribution into multiple channels and formats, such as the Amazon Book Store, Amazon Kindle Store, and national and independent bookstores via third-party wholesalers,” Belle said.

.AmazonEncore began publishing in May 2009, and as of January 31 it was offering 54 titles on its site. AmazonCrossing was announced a year later, and the site now features 12 titles in all. For AmazonCrossing, Amazon acquires the rights and pays for their translation. Belle would not disclose financial details.

“We’re just looking for books our customers love,” he said.

Waiting for a breakout best seller

Michael Norris, a senior analyst at Simba Information, which tracks the book publishing companies and media industries, told LJ that the Amazon move mimics what traditional trade publishers have long been doing by mining data and giving book contracts to self-published authors. Amazon is simply trying to develop its own publishing ecosystem in order to bring more people to shop at its site, he said.

“[It's] a mechanism&hel

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3. The Digital World’s Book Fair Has Begun

Digital World Book, known as the DBW is the key conference in the publication of books for publishers in the e-books. All the “big six” book publishers are present in quantities never before. Random House will have more than 40 participants, while fewer than 20 came from the publisher in 2010. The digital book world conference began quietly on Monday morning with three sessions focused for a long time, the official opening ceremony will begin at 17 hours, but despite the digital output cautiously DBW 2011 is just quiet – There are over 1,250 registered twice that last year 600.

Since book publishers are here at DBW, mainstream booksellers are also here. Who is here and what they are selling will be evident when the floor show begins 13:00

The session iPad / iPhone has provided an overview of applications and the Apple App Store. It was the kind of session that felt like it was presented to other audiences – do not publish specific, as the meeting of the e-book design and production. The meeting is followed very still ongoing as I write, shows an interest of people in book publishing companies. How they got out of it, maybe they acquired the interest in book publishing and literary agents and tell us later.

Sessions on the morning of Monday, three were in the design of e-books and production, online content strategy and the iPhone / IPAD strategies. It was the first, most of the screws and nuts, which was the subject key retailers were focused on. Speaking directly to the creators of books and production managers, the session included discussions on programming languages and workflow – which suggests that book publishers are now specifically and actively serious about integrating e-Books, e-book publishing, amazon kindle publishing etc into their business model.

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4. The importance of keeping the traditonal book in paperback and hardback forms

Rubbishing those who hail the digital age as the end for books, book publishers industry players and best-selling authors on Saturday hailed a new dawn for publishing, with India’s voracious readers at its forefront.

Book sales have been squeezed in recent years by e-books and the huge success of Amazon.Com’s Kindle reader, but India’s booming book publishers market is proof of the physical book’s staying power, said participants at Asia’s largest literary event, the DSC Jaipur Literary Festival.

“You read something on Twitter and you know it is ephemeral,” said Patrick French, a best-selling historian and biographer who has written extensively on Asia. “Yet the book is a solid thing. The book endures.”

Regional language novelists and poets rubbed shoulders with Nobel laureates and Booker Prize winners at the seventh festival to be held in the historical pink-tinged city of Jaipur, the capital of India’s northwestern Rajasthan state.

Hundreds of book lovers attended a debate on the fate of printed books in the sun-drenched grounds of a former palace as part of the free five-day event.

“The idea of the book dying comes up all the time. It’s wrong. I think this is a wonderful time for books, to enlarge the audience of the book and draw in more readers,” said John Makinson, Chairman and CEO of the Penguin Group of publishers.

“Books matter more in India than anywhere else we publish them,” added Makinson, whose Penguin Group is one of the world’s largest English-language book publishers.

While book sales slip in most western countries, the non-academic book market in India is currently growing at a rate of 15 to 18 percent annually, as rapid economic growth swells literacy rates and adds millions to the middle class every year.

At the festival, schoolchildren from around the country chased their authorly heroes through the lunch queues to get autographs on newly-purchased books.

Makinson noted that the pressure on physical bookshops in countries like the United States — where bookseller Borders Group Inc is in talks to secure a $500 million credit line — doesn’t exist in India, adding that books have a key role to play in Indian society.

“In India books define and create the social conversation amongst christian book publishers and children’s book publishers. In China, the books that sell well are self-improvement titles. Popular books in India are of explanations, explaining the world. The inquisitive nature of India is unique.”

Indian critic Sunil Sethi, who presents India’s most popular television program on books, said the digital age presented an opportunity, rather than a threat, for printed matter. “Even before I finish my show, the authors are on Twitter to say they are on TV talking about their book. Technology is merging things, but the book is still at the center,” Sethi said.

French agreed that technology, if well-managed, could actually help win books new friends and wider sales.

“Digital e-books have created a space for discussion. Books now have websites and forums, and so reading books on electronic devices has created communities and interaction,” he said.

Nearly 50,000 writers, critics, publishers and fans are expected to attend the festival.

5. The Man Booker prize and its book publishing contemporaries are keeping book publishers and book literature afloat

The nights are drawing in and it’s book prize season – Nobel, Man Booker et al. This is the moment in the year, as the Flat draws to a close and as the National Hunt book publishing season gets into full swing, when literature becomes a horse race. That just might be the good news. John Steinbeck once observed that “the profession of book publishing makes horse racing seem like a solid, stable business”.

Many people who care about books are not so blithe. They worry that the turf accountants of our culture (tipsters who know the price of everything but the value of nothing) are reducing art to a crude cash value to publish a book. That’s one consequence of the credit crunch.

Every bookie is quoting literary odds now: Ladbrokes, William Hill, Paddy Power and Unibet are all at it. I can see some sense in giving the betting on Peter Carey or Howard Jacobson – they’re on a book publishers shortlist – but the whole point of the Nobel prize is that its shortlist is confidential. It beats me how anyone could come up with starting prices for it. According to its website, the Swedish academy makes its choice based on submissions from “professors of literature, book publishers and language, former Nobel laureates” and members of similar bodies, the Académie Française for example. The Swedes usually get about 350 nominations, all secret. How on earth can any bookie make sense of that?

Yet, such is the power of the market, and the importance of the prize, in a prize-conscious culture, that before the announcement of the great Peruvian author Mario Vargas Llosa as the long-overdue winner for 2010, both Ladbrokes and Unibet were quoting odds of Les Murray (8/1), AS Byatt (18/1), Vaclav Havel (35/1) and even Bob Dylan (150/1).

Mad as this seems, it is no more improbable than the founding of an important literary prize by a would-be poet who happened to invent dynamite. Alfred Nobel published a verse tragedy, Nemesis, inspired by Shelley’s The Cenci, just before his death in 1896.

Man Booker also has its roots in trade. Britain’s premier book prize was initially sponsored by a food conglomerate and is now backed by a hedge fund, the Man Group.

At this year’s Booker banquet in the Guildhall, there will be an awkward moment when a middle-aged bloke in a suit rehearses the trading achievements of his company to the assembled literati, makes a segue to his commitment to the arts and sits down to polite, slightly mystified, applause.

At such moments, it is hard not to recall Dr Johnson’s definition of the patron: “Commonly a wretch who supports with insolence and is paid with flattery.”

Under the coalition, it’s back to the 18th century. According to some, this is the worst crisis in books since Paternoster Row was destroyed in the Blitz in 1940. To paraphrase Macaulay, contemporary writers sometimes know luxury, and often face penury, but they never know comfort. Writers and self-publishing artists in austerity Britain will be grateful to sponsors such as Man and Costa.

The future may be Orange, but it’s hardly bright. The Arts Council, the British Council and the BBC, to name three traditional patrons, all face outright government hostility or death by a thousand cuts.

In this climate, writers may have to take their lead from George Gissing’s indigent hero Jasper Milvain who, more than 100 years ago, declared in New Grub Street: “I am the literary man (of 1882)… I a

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