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1. How to Self Publish a Book

self publishI want to introduce you to a website I have been using now for really quite a long time, this company is called Blurb and what I do is print books, they are one of the companies driving technology behind the self publishing revolution that happen in the last 5 to 8years. As it happens I have been using this site since I think 2002 something like that and I do all of my paper backs in hard covers.

So what Blurb has done is make the process of making books very simple, let’s start by looking at the sort of books you can make here. Certainly you can make photobooks, which is what you can now do in a lot of different places, you can do this through apple, you can this through many companies now who have made the margin in this business vanish, so photo books certainly you can do. But the part I am interested in that is unusual about blurb are the trade books, these are the kinds of books you find in book stores, these are pocket size books, trade page backs, hard covers, as well in the world of publishing your own book and this is where I think blurb really comes into its own.

So let’s say for a second I want to create a book, maybe about 120 pages, so if I go back to the Blurb website I can calculate the price, and it tells me that I will get a 100 copies of the trade page back which is the one am interested in, (in black and white) for $599, thats about 6 dollars a pop, I want less then the price is going to go up to about 8 dollars a pop. Think about it, I can upload my e-book to this website and get even a single copy for as little as 8 dollars.

So let’s look at how to do this a little more specifically, but first see how Blurb have come a variety of different ways of doing this. The easiest I think is what I call Booksmart.  Booksmart is when you download an app to your computer, and create the book using the app and then upload it to the blurb system. They will then print it out for you and send it to you. The other thing that I use a lot is the “Indesign” plugins, now I am not expecting you to know how to use Indesign, the best way is to hire someone who knows how to use it from a website like Fiverr or Elance.

For example, if we go to Elance and I want to find a designer I just type in “designer” and Elance will tell me in this case that there are 3600 designers waiting to help me. If I type in indesign I become more
specific and now there is 3,362 designers who know indesign, if for example I narrow my search
to just the United States, it comes back with a small number of people, 1300 people who know how to use indesign and live within the US.

But let’s go back to Blurb, so let’s say I just want to create a paperback, how will that work? Well I can start by downloading BookSmart, when you have this app installed you can start a new book from scratch. For demonstration I am going to use an old manuscript of mine from a book I have written called The Google
Gamble, so I just type in the title and my name, and In this case select a trade paperback which is the standard size you use in book stores. Next it ask what kind of layout do I want… do I want something blank, do I go for my own or start from scratch, do I want to use one of their portfolios, such as photobook or guestbook? I could even use a blog where I go straight to a blog on the web and it will draw the content for me, in this case I have a word document which is how I recommend you begin. So I tell the program I want a word document and click to continue In a matter of seconds, magically Blurb actually lays out my book for me in various formats.

Then I am going to go ahead and select the style of cover. I’ve got lots of options here, for example if I want to change the font on cover I could and I could begin to play with the layout if I wanted to.

There are some basic layout tools that you can use. For me to do a complete book I will hire someone to do the design using a service like Fiverr or Elance, more likely Elance, you can see it put together very quickly and have a sequence of pages laid out beautifully and ready to go and with a very small amount of work.

So once you get a cover that you like and you got some copy that you like you can press ‘previewbook’ to flick through one last time to make sure it’s how you want it, then you click to order the book. This is where it’s amazing, but once you have got that done you simply log in to your account on Blurb and you will upload it there for you for free.

What’s great is when you upload a particular book it automatically creates a sort of a sales page for you. Other people can preview the book, this is very powerful and I can select how many pages are pre-viewable when it goes full screen and you can see  my cover and into the pages. Someone could have a look and make a decision whether they might like to buy. I could just show the first 15 pages of mybook or I could choose the book’s language.

I can choose my own pricing which is what’s so powerful, I simply select my markup and there is my final price $14.99 and then using a special link I could actually pop a promotional widget into my blog or my Facebook page, and it is now live

That’s why I find Blurb to be such a fantastic and easy to use system and you can see it’s so easy to get your book published online and on sale and ready to go in a matter of a few clicks using a free account and free software to do it. By the way the side benefit is when you sell these books Blurb just sends you a check for the difference between the cost price and the sale price at the end of every month, not a bad way to get a check at the end of the month. I encourage you to check it out.

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2. Welcome

Authors Advocate Website came into being as the publishing world witnessed the crossover from the traditional print based publishing model to the modern online publishing phenomenon of Blogging, Article Writing, Guest Posting and more recently Google Authorship. We offer how advice for writers to get started with Google Plus and Google Authorship. We regularly feature artists and writers who are starting out with Google Authorship. Our guests come from all walks of life and write about a whole host of topics. If you would like yo be featured on our site please contact Jerrod Hoadley through the Contact Page. Enjoy….!

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3. Hello world!

Welcome to WordPress. This is your first post. Edit or delete it, then start blogging!

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4. Features G+ Author – Brendan Foster

Brendan Foster

Mr Brendan Foster

Brendan Forster

Brendan is the owner of Louisville Roofing Contractors, When he’s not up a ladder or repairing a roof he like to write about the Construction industry, and especially the Roofing profession. His real interest lies in innovation and development. He like to review new products and write about the new training required for tradesmen to instal the latest products

Two driving forces in todays market are 1. Cost and 2. Sustainability. Recently he tested a new radiant barrier form of insulation for metal buildings… here is a sample of his writing.

Writing About the Roofing Industry

There are different methods for installing a radiant barrier in a commercial-type building. When I say commercial-type building, it could be an airplane hangar, a barn, a shed, a mini-storage unit… pretty much any building that’s a non-residential attic type. In fact, our original website Rooferslouisvilleky.org covers everything you need to know about residential attic applications.

The biggest challenge is that there are so many different type buildings that can benefit from a radiant barrier that we can’t cover every type of building in detail. I’m going to cover most of the common-type buildings and honestly there’s really no right or wrong way to install it. You really might have to improvise to make it work.

I apologize, but we don’t have a lot of videos or pictures from customers so if you have any questions, please send me an email or give me a call; send me pictures of your building and I will help you with a solution for installing Ware House Foil in your building.

Remember, this information is for NON-CONDITIONED (or non-insulated) buildings. These are buildings that are typically just a shell. They usually are either metal,or wood, or a flat warehouse type building. There’s usually air flowing through from the doors and the windows and the shell is getting hot, absorbing radiant heat from the sun, and then it’s re-radiating heat across the space and heating up everything inside the building.

The main thing to remember is to just cover as much of the shell as possible. Basically, if the sun is hitting one side, you want to get a piece of Ware House Foil on the inside between you and that outer shell.

Here are some general rules to follow when installing Ware House Foil:

  • 1. The more coverage, the better. Radiant barrier has a cumulative effect. Just like if you put a tree over half the building, it’ll help, same thing if you put radiant barrier over half the building, it will help to. If the sun is hitting the outside of the building, you really want foil on the inside. Finally, it’s OK if you have gaps or cracks or small openings in the foil. Just remember, the more coverage the better.
  • 2. It does not have to be pretty or perfect. Just get the Ware House Foil up! The heat doesn’t care if the foil is a little crooked or wrinkly. Finally, let the air flow. You want air to flow freely though the building. Usually air is gonna come in the building through doors and windows and then exhaust through the top of the building through some type of exhaust vents. Most buildings can be categorized in to one of three types.

The first are warehouse type buildings
These are usually flat roofed buildings and they’re built with either concrete walls or cinder block walls. They usually have a flat roof using a purlin system to hold the roof up, usually either a tar and gravel type roof or possibly just a bare metal roof.

The second type of building are wood-framed buildings.
These are buildings that are built with wood frames and they’ve either got a metal-type shell (like a garage or an auto shop) or they will have a wood-type shell (like a barn).

Finally, the last type of building are metal-framed buildings. These are buildings that are all metal framing and they usually have an all-metal exterior skin.

I’m going to give a brief summary on how to install Ware House Foil in each type of building. You’ll find complete information on how to install in the different type buildings at www.rooferslouisvilleky.org/commercial

For warehouse-type buildings with purlins, you’re generally going to run the Ware House Foil between the purlins, up and over the cross supports. Now the product is available both in 48″ and 60″ wide rolls. Typically purlins are on 60″ (or 5ft) centers, so the foil fits perfectly between the two purlins. All you have to do is bring the foil up and over the cross supports from one end of the building to the other. If you don’t have cross supports, you can create your own – it’s really easy! You can use wire or cord or packing strapping, pvc pipe, 1×2 lumber… pretty much anything just to create something to hold the foil up. It doesn’t weight a whole lot, but it’s super strong and durable. You just want to create a grid so the foil can go from one end to the other between the purlins.

Wood-framed buildings are probably the easiest to install Ware House Foil in, both in the roof and in the walls. A wood-framed building usually has wood frames and either a metal skin ora wood skin, kind of like a barn. Really, all you are doing is stapling the foil to that wood framing. You can either go horizontally or vertically, you can take the measurements and decided whatever is best for you.

All you are looking for is you want a piece offoil inside the wood framing. Coming from the outside-in, for example, you’ll have themetal, the airspace and then the foil. Ideally you want that airspace to be vented (you want air to flow freely between the foil and the metal skin). If you have a “dead” air space, that’s fine, but a ventilated airspace is a little better.

We also have a product that is white on one side and foil on one side. With that product you put the foil to the outside (toward the outside of the building) and you have a nice clean white interior. So you’re reflecting the heat before it ever even gets in to the building. Metal-framed buildings are probably the hardest to install, simply because you can’t staple Ware House Foil into the metal. If you’ve got a roof where the beams are dropping down a little bit,you can run the foil up and over the beams (basically between the beams and the roof) and that works great.

If you don’t have that option, you’re going to have to get a little creative to figure out a way to attach the Ware House Foil to the metal framing. Here are just some of the options (and we’ve had customers do all kinds of stuff to work): Probably the easiest way is to attach some type of board (either plywood or 1×2′s) to the metal framing and just staple it. You can use glue, screws, clamps, pretty much anything to get that wood to attach to the metal and then you can staple it. We’ve also had people do what’s called the “sandwich method” where they’ll take the foil, put it up on the metal and then take a strip of plywood and screw it in (to the metal supports) and basically squeeze the foil between the wood strip and the metal.

We’ve even had customers use magnets – get a bunch of magnets and hold it up in to place. Pretty much you’ve gotta get creative on a metal building. If you send us some pictures, we will be glad to offer you some suggestions on how to install WareHouseFoil. Like I mentioned earlier, there’s really no right or wrong way to install Ware House Foil in your commercial-type building (besides leaving the required air gap). You might have to get a little creative to make it happen, but the main thing to remember is just to get a piece of Ware House Foil between that hot building shell and the interior.

Once you eliminate that radiant heat, you’ll be AMAZED at how much more comfortable the building feels. Now, the AIR temperature may not drop a whole lot, but it’s the radiant heat that you’re eliminating. It’s kinda like the difference between a car parked in the sun and a car parked in the shade: same air temperature, but the car parked in the shade is a lot more comfortable. The main thing is get a piece of foil up, get it done. If you have any questions, I’m always a phone call or an email away at [email protected]

Louisville Roofing Contractors

 

624 E. Market St
Suite 2
Louisville KY
40202
Phone 502 912 8937

www.rooferslouisvilleky.org.

 

 

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5. Comment on Features G+ Author – Brendan Foster by Mr WordPress

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6. Preparing for What Comes Next

I have been happily writing this blog for exactly four years. The first blog post I published, on September 22, 2008, "The Future of Book Publishing" described the state of the industry as a "perfect storm" for destruction of the status quo and predicted that, as always, the threat would bring opportunity. And so it has. That blog post, which about 200 readers read, announced the coming transformation of the book publishing industry. The remaining posts, written over the years, have described in various ways the unfolding of that transformation with the hope of providing information to authors about how to navigate the turbulent waters.  From the moment I wrote that first post, I have been surprised at how much I have enjoyed doing the research for and writing these posts and have been very gratified to see the readership of this blog steadily grow so that in recent times as many as 78,000 people per month have come to the site to see what is new.

In reviewing the expanse of the blog, I am amazed at how far the book publishing industry has come and how many changes have taken place in four years. Back then self-publishing was still considered a very questionable elective by the establishment, what we now call legacy publishers, as well as many authors, academics, and perhaps even readers. In four years that has all changed. For more on this topic, read my February 28, 2011 post titled "When Self-Publishing Lost Its Stigma." Now some legacy publishers have reluctantly and belatedly established their own self-publishing imprints.

Four years ago few people had heard of an e-reader. There were no i-pad Tablets (introduced in April 2010) or Nooks. Kindles were new and no more popular than Sony Readers. Most books were still purchased in bricks and mortar stores, and Borders was considered a major chain. Today 25 percent of adult Americans own an e-reader; the sale of e-books has surpassed the sale of hardbound trade books; and Borders is bankrupt and sadly has closed its many doors.

One continuing, unresolved, book industry phenomenon is the law suit between the Author's Guild and Google, which remains unsettled and awaiting adjudication, having been initiated in 2005. In this blog, I have tried to keep authors up to date on this evolving situation that will, when finally concluded, eventually have an important impact on authors, publishers, copyright protection, libraries, and the entire industry.

The aim always of the information I have written has been to help authors be prepared for all that is involved if they decide to self-publish a book. I have concentrated on the importance of copy edited and copyrighting, traditional book promotion, developing author platforms and brands, virtual book promotion (including hosting web sites and blogs, online press releases, using social media for seeking exposure and disseminating books, online book reviews), autograph parties in bricks and mortar stores, publicity and interviews, and the benefits of sharing books or giving some away. There are posts in this blog devoted to each of these subjects.

I have featured established authors who chose to self-publish instead of accepting contracts from legacy publishers, and I have told the story of some Dorrance authors and how they have been successful. I have paid tribute in memoriam to Steve Jobs, Barney Rosset, and the last living Code Talker who was a Navajo and a Marine and whose story Dorrance published.

Some of the most frequently read blog posts through the years were: “26 Things to Know about Self Publishing a Book” (December 31, 2008), “The Long Tail and Self-Publishing” (March 30, 2009), “Marketing Books with Blogs”(March 31, 2010), and “Self-Published Authors Drive E-book Sales”(May 18, 2012). My intent has been to serve as an advocate in assisting authors in their desire to connect with readers, and I hope, to some degree, I have succeeded in that effort. No one can ever know about or care about your book as much as you. So do all you can to stay involved and to prepare for what comes next.

My authorship of this blog has now come to an end. Please know that it has been an honor and privilege. Good wishes to you all.

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7. Demand for E-Books Increases at Libraries

E-books are outpacing all other areas of book sales growth in the United States. Without any doubt, American readers have turned in their ballots, and e-books are here for the long run. During the first quarter of 2012, the sales of e-books exceeded those of adult hardback books. Paperback sales are still ahead of e-book sales, but their numbers are drastically declining while e-book sales are steadily rising. The popularity has moved from online retailers to public libraries where members are demanding to borrow e-books, just as they have borrowed print books for centuries. But the demand exceeds the supply at this point in time.

As the demand rises, libraries are struggling to keep up due to many factors. In some cases a lack of technological knowledge by librarians is a factor. Library budgets are down while the prices publishers are requiring for the acquisition of e-books has drastically increased. The e-book price for libraries for books published by legacy publishers is often three times the cost of the print version. This is in part because traditional publishers are still very much threatened by e-books despite their adding dramatically to their bottom lines.

The end result for borrowers unfortunately is frustration. Long wait times and popular titles that are simply unavailable have library members fuming. Penguin, for example, will allow a library to purchase only one copy of an e-book. Since the policy for selling e-books to libraries is one copy-one lender, this means only one person may check out that e-book at a time regardless of how popular it may be. Other major publishers, such as Simon and Shuster and Macmillan, will not sell e-books to libraries. The American Library Association is working with publishers and authors to improve dialog and working relationships so that library members can eventually have more access to e-books.

Some of the difficulty comes from confusion and misunderstanding on the part of not only publishers but also of authors. Last spring some very irritated and angry authors shut down a web site named LendInk because they thought it was allowing readers to download e-books, thus lending them out without purchase or restriction. This would have been a clear violation of copyright laws. But in fact what the site was doing was allowing people who already owned an e-book to share it with others. Authors in general think that sharing e-books is bad for sales. The truth is just the opposite. Just as with the music industry, sharing increases awareness and therefore demand. It is good for book sales.

As e-books continue to increase in popularity with readers of all stripes and technology continues to improve, authors and publishers will need to find ways to work with libraries to make e-books as conveniently and regularly available to library borrowers as print books. For self-publishers, who often choose to publish either first or exclusively in an e-book format, it is vital that the problems associated with e-books and library availability become sorted out as quickly as possible.

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8. Google's Next Stand

On July 27, 2012, Google filed a Motion for Summary Judgment in the Author’s Guild vs. Google case. For authors and most others not familiar with legal terms, the definition of a Summary Judgment is a decision before and without having a trial, and in the case of Google, that would mean a dismissal. In other words, Google wants the case dismissed. The primary reasons Google presents for why the case should be dismissed are that Google Books Digital Library is based on fiar use and is of “enormous transformative benefit to the public in that readers can find relevant books and authors’ books “can more easily be found, purchased and read.” It’s hard to argue with both of those positions, but the question at hand is: Is this fair use under copyright law or did Google simply help themselves to authors’ content without permission and thereby deny them of their copyright protection?

Back in March of 2011, Circuit Court Judge Denny Chin rejected a settlement between the Authors’ Guild and Google on anti-trust grounds, stating that it would create a monopoly. The major objections were unfair advantage, privacy abuse, undermining copyright protection, and exerting unfair impact on competition. The decision was good for authors, who tend to be not well organized, in that Google's proposal called for authors to opt - out of their scheme or be considered as willing participants. Chin suggested opting - in would be fairer. In that way authors who do not make a choice are not automatically swept along into the system.

Those who objected were primarily authors, international entities (whose international copyright laws would have been ignored), competitors, and idealists who think intellectual property should receive more protection. One especially problematic area for Judge Chin was that of orphan books - that is books which are under copyright but for whom the author is not known. According to the Google Settlement, Google would have simply digitized and distributed these books, eliminating competition and thereby changing copyright law.

To date Google has scanned 20 million books, some illegally and some legally. The project originated when Google formed a partnership with several research libraries –
University of Michigan, Harvard University, Stanford University, Oxford University, and the New York Public Library – to scan books in what it termed its Library Project. The scanning did not include complete books still in copyright; often pages were blacked out; and normally just snippets from books were made available for evaluation to the public. Google claims their methods use “no more than necessary” for a reader to get the idea of whether a book would be valuable. And the company likens their method of perusal to that of Amazon’s “Search Inside the Book,” a

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9. The Loneliness of the Independent Bookseller

What do Newton Bookshop in Newton, Pennsylvania, Blue Elephant Bookshop in Decatur. Georgia, Edgartown Books in Edgartown, Massachusetts, Mystery Lovers Bookstore in Oakmont, Pennsylvania, and Outwrite Booksellers in Atlanta, Georgia, have in common? They have all closed or been put up for sale in recent months. It's a hard time to be an independent, bricks and mortar bookstore trying to make it in the Amazon and e-book era. Authors fear it will be harder and harder to secure local promotion for their new books and that coveted spot in the front window display. Publishers fear Amazon's apparently successful grab at being all things to all people in the world of books - from publisher to distributor, review source and perhaps even local store. But was there ever a golden age of booksellers and if so, when was it? Was there a time when readers in almost any town in America could go to a fine, local, independent bookstore and browse through an endless supply of classics, children's books, mysteries, romances, non-fiction, history, art books, cookbooks, newly released best sellers, etc. Or is that just a piece of well constructed nostalgia?

In 1931 only 500 bookstores existed in the United States. By 1940 almost 95 percent of Americans could read, but bookstores were only located in one third of U. S. counties. Mostly they were located in large cities. And the vast majority of book buyers purchased their books in stationery stores and supermarkets where the selection was very limited. These stores mostly carried a selection of bestsellers, celebrity memoirs, and self-help books.

By the 1970s superstores and chains were dominating the bookstore business, threatening independent bookstores with their discount prices and merchandizing know-how. But again the floor space was carefully allotted to the most popular books, and people complained that older titles, classics, and more niche titles were missing. Coffee became a popular staple of such stores, and now most of them are extinct. So the question is was there ever a wonderful thriving, independent bookstore industry in this county, or was it just a myth?

Today the legacy publishing industry, some authors, and some book buyers fear that the internet and e-books, Amazon.com and its Kindle reader in particular, will be responsible for the death of the local bookstore. If that happens, we have only ourselves to blame. My husband worked in the book publishing business for many years - in the area of marketing. He tells of going to a school in New York City to call upon the school's bookstore manager and noting that in the school mail room, located across from the bookstore, the mailboxes were utterly filled with boxes from Amazon.com. That store has since closed. Whether the store was not carrying the stock the students wanted or the students just liked the convenience of shopping from their laptops is not really relevant. The point is something better that fills more needs has come along, and when we immortalize the good old days and those quaint and wonderful stores, we leave something out of the picture - reality. Moreover we forget about how many more books customers now have at their fingertips; how many more authors can get their books into print and distributed; how convenient it is to shop for a book from bed or your beach chair; and how truly democratic it all is.

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10. Self-Published Authors Driving E-Book Sales

I have recently read an estimate that by next year there may be 1 billion e-books sold in the world. just how many e-books are sold is extremely difficult to state because Amazon.com, the world's largest retailer of e-books, does not provide sales figures. Amazon did announce one month in the spring of 2011 that e-book sales had exceeded mass-market paperback and hardbound sales combined, and we do know that the number and percentage of e-books sold continues to increase exponentially each year. But the exact number sold is still a secret. Hardbound books remain preferred for reading to children. And in some cases text books have been difficult to convert to the digital format because of all the graphics, charts, tables, etc. Nevertheless e-books are here to stay and on the rise. And one of the major factors in the increase of e-books sold and read is the burgeoning number of authors who are self-publishing their books.

A recent article in the Christian Science Monitor stated that readers' appetites to consume e-books are so robust that in certain genres authors are finding it difficult to keep up with demand. In what it termed an e-revolution, the paper noted that, in particular, mysteries, thrillers, and romance have become increasingly popular for downloading onto e-readers. To some degree, they seem to imply that because others cannot tell from the e-reader in the hand the title of the book being read by an individual, this newfound privacy has led to guilty pleasures - reading more of what might be considered pulp fiction or even smut. An example of this phenomenon is the success of 50 Shades of Gray by E. L James, now a New York Times best-selling book, which was originally posted on the author's web site and later self-published in e-book and print-on-demand form by an Australian virtual publisher. Critics call it mommy porn, and it is phenomenally successful. The Monitor article goes on to say that veteran author James Patterson's mysteries are so highly in demand that he has had to commit to writing 13 novels this year alone. Self-publishing authors should take note.

And yet the publishing establishment continues to fret about the phenomenon of e-books and its relationship to self-publishing. An article in the most recent issue of the Columbia Journalism Review worries about the pricing of e-books, stating that it is not about the cost of making the book or even what the audience is willing to pay, but rather the price must be set to pay for the publisher's investment in the next project. Such thinking seems very outdated and impractical for an industry in the kind of flux that publishing now finds itself.

And Pulitzer-Prize-winning author Michael Dirda of The Washington Post, in a recent interview, while grudgingly admitting that Gertrude Stein self-published and allowing for the fact that he had contributed the foreword to a self-published memoir written by one of his teacher's, made the statement that, in the avalanche of self-published books being released, bad drives out good. I find it highly ironic then that, in the same interview, he identifies the worst novel he has ever read to be Dazzle by best-selling commercial author Judith Krantz, published by legacy publishers Crown and Bantam.

To his credit Dirda seems to be keeping an open mind. He asks, who knows what publishing will be like in 20 years? It's a legitimate question, but it seems clear that it will be less like what it was in the previous century and more open, more democratic, more entrepreneurial, and more digital.

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11. Comment on Microsoft Enters Electronic Publishing Business

I think it's wonderful how things are expanding in the publishing and writing world. Technology is helping to shape and market the publishing industry and other industries as well with their many different types of distributions. I hope the publishing industries in self-publishing and traditional publishing will continue to grow.

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12. Microsoft Enters Electronic Publishing Business

Publishing, technology, and business publications are all abuzz with the news that Microsoft has purchased 17 percent of a newly formed unit of Barnes and Noble (consisting of the Nook and college bookstore markets). Microsoft is investing 605 million of its cash over five years ostensibly to compete with Amazon, Google, and Apple in the e-book world.

Microsoft is coming very late to the tablet, e-reader, e-book industry. But the timing of its entry undoubtedly has much to do with the fact that the giant software company will launch its new Microsoft 8 Operating System this fall, which features touch screen technology, the kind of technology now used on the iPad. It is also a time when downloadable college textbooks are coming into their own, and it seems the general shift in publishing continues increasingly towards e-books. "We are at a cusp of a revolution in reading," says Andy Lees, president of Microsoft. Actually the revolution has been off and running for some time, but it is good they are paying attention now.

At one time Amazon controlled 90 percent of the e-book market. Google and Apple, with
Android tablets, Nooks, and iPads, have bitten into that monopoly, and now Amazon controls just 60 percent and Barnes and Noble controls 27 percent, with Apple coming in third. But Apple offers so much more on its iPad than just e-books - music, films, TV, games, and a myriad of applications, so that their dominance or lack thereof in the e-book market is not of great importance to the corporation. Now with Microsoft getting into the tablet game, it may be that the Nook will offer much more varied possibilities for entertainment and education than it currently does.

Also of note is the fact that, given the ruling against Apple and the agency model publishers for setting e-book prices, it has been feared by publishers that Amazon was about to heat up the e-book pricing wars. With its infusion of cash and prospects of offering better technology, Barnes and Noble may provide more competition for Amazon than has been the case until now so that it may not feel it has quite the free reign as was expected.

The partnership makes a great amount of sense and has plenty to recommend it for both companies. Barnes and Noble will become a more well funded competitor and will have access to global markets currently beyond its reach. It will produce Nook applications for all smartphones and tablets that will use the new Microsoft Windows 8 Touch Screen Operating System. A touch screen version of Microsoft 8 will become available on all Nooks going forward. As for Microsoft, it will now have an ally in the area of technology, retail, and media that it has not previously been able to establish. It will also be able to develop stores such as Apple has within the Barnes and Noble stores scattered throughout the nation, a brick and mortar advantage Amazon does not have to date.

Hopefully for authors, publishers, and readers, all this will lead to more varied and less expensive alternatives in e-reading devices and in e-books so that, in the end, more and more people will be reading more and more books and other publications.

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13. Prices on E-Books to Fall

The end result of the Department of Justice's anti-trust law suit against five major publishers for what amounts to price fixing will be, at least in the short run, lower prices on e-books for customers. As soon as the suit was announced, Amazon.com stated they would push down the prices on e-books they sell.

A few years ago when Amazon was trying to assure its place as controller of the e-book market, especially by dominating the e-book reader market with its Kindle, the giant internet retailer assigned very low prices, usually $9.99, for almost all new and best-selling e-books it was offering, regardless of the publisher's price. In almost all instances, Amazon was selling these e-books at a loss in order to maintain its tight grip on the market for both e-readers and e-books. Publishers and authors, fearful of both the monopolistic aspects of this move and the manipulation of prices which, to their thinking, were too low for publishers to sustain, were very concerned about what they saw as dangerous precedents being set.

Five major publishers (Hachette, Simon & Schuster, HarperCollins, Macmillan and Penguin) got together with Apple's Steve Jobs, who at the time was getting reading to launch the first iPad, and colluded in creating what they called the agency model for e-book pricing. Under this model, the publishers set the book price and the retailer retained 30 percent. E-book prices rose from $9.99 to $14.99 and $16.99 almost immediately because part of the agency model agreement stated that no retailer could sell the e-books for a lower price than the agency model price publishers had agreed upon with Apple (as a most favored distributor). Of course, this was considered by Amazon and the government to be price fixing and restraint of trade, and the suit was under way.

Prior to the entry of Apple into the e-reader market through the launch of the iPad, Amazon.com controlled 90 percent of the e-reader market. Today that percentage has decreased to 60 percent. But with Amazon's plan to lower prices, the retailer may once again take control of a greater share of the e-reader and e-book market.

Three of the publishers sued have reached a settlement with the Department of Justice and have abandoned the agency model. But two have not - Macmillan and Penguin. One in particular, Macmillan, made a statement to the effect that it cannot agree to the terms of the settlement because it would, in fact, put Amazon back in the position of having a monopolistic hold on the e-book market, which was the reason the publishers felt forced to create the agency model in the first place.

It is ironic that a monopolistic strategy created a climate in which, in reaction, a price-fixing strategy emerged, only to be struck down as illegal, making way for the monopolistic model to come back into dominance. In my opinion, monopolies are never good for authors or, in the long run, for customers. But in the short run, e-book prices will come down which may be good for sales. Stay tuned for further developments in the ongoing battle between Amazon and traditional publishers.


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14. Comment on Selecting Publishing Formats For Books

'Selecting publishing formats for books' may help the authors for publication of their books. I do agree with the publication of book in e-book format first because it may help the author for its publicity through medium of social media.

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15. Comment on The Death of Barney Rosset

I greatly admire those who are willing to step out of the safety of their inter santum sanatoriums and stand alone to fight for what they believe is their right and just cause for free expressions and beliefs no matter the cost or consequencies.

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16. Comment on Selecting Publishing Formats For Books

Thank you for the analysis on modern publication problems and new developments in the field of publication. It is very inlighting and revealing.

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17. Comment on Selecting Publishing Formats For Books

I'm very pleased with this post  and I want to see more. I am currently working on a book, and Dorrance Publishers have helped me with great advise. I thank them. Cant' wait to get done with my manuscript. Respects to David Braun.

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18. Encyclopaedia Britannica in the Digital Age

The New York Times and other news sources announced this week that the last print edition of the Encyclopaedia Britannica had been published and that when the 4000 volumes currently in sock are sold, there will be no more created. Many of the articles appearing at the time of the announcement made it seem as though the venerable institution was now on the trash heap of civilization, to be heard of no more. One writer even commented, "And no one will miss it." Reading further into the announcement and researching Encyclopaedia Britannica's own web site yields a very different picture. It would appear Britannica has managed the conversion from the world of print to the digital age successfully, despite very real threats and stiff competition.

Going all the way back to 1981. Encyclopaedia Britannica created a digital version of its 32 volumes for Lexus Nexus, the international database publisher. In 1961 Britannica purchased one of its major competitors, Compton's Encyclopedia, and they turned it into the first multi-media CD Rom encyclopedia in 1981. During the 80s and later, many home computers came with Compton's pre-loaded.

Since the company sold the greatest number of sets in a year in 1990, 120,000, and before, it has been preparing for the digital age. The sales figures for the last print edition, only 8,000 sets in 2010, made up less than 1 percent of the company's total annual sales volume, with curriculum materials, films, language arts tools, and other educational aids making up 85 percent of its sales, and the rest, almost 15 percent of revenues, coming from its online version. Approximately 500,000 subscriptions are sold annually. Schools and libraries purchase the bulk for $70 a year, but individual consumers also purchase the online encyclopedia, which is available for download at the itunes store as an app for $1.99 a month. As a result, the company has converted entirely to digital products and has maintained revenues and increased profitability, according to its CEO.

Its internet competition is, of course, Wikipedia, the online, open, social, submissions-based, self-correcting, free encyclopedia. A study by Nature, the magazine, a few years ago found, in articles they compared in both Wikipedia and Encyclopedia Britannica, an average of 4 mistakes in Wikipedia, but an average of 3 mistakes were found in Britannica. Encyclopedia Britannica strongly objected to the accuracy of the study, but Nature did not change their findings. Still Britannica claims Wikipedia is no competition for them since they have trust, scholarship, quality, accuracy, and a pool of experts, some Nobel Prize winners, writing for them on their side. And while Google searches prefer Wikipedia, you can browse your subject and add ", Encyclopaedia Britannica," and the Britannica article will come up first, and it's also free.

I grew up in the time when door-to-door salesmen sold sets of encyclopedias to parents convinced that education was the way for their children to have a life better than the one they had. And we had two encyclopedias in the living room bookcase - both Compton's and Britannica - the red and the blue. This was only right for a family composed of what would later be known as factoids. We looked up everything. I remember having papers assigned at school and knowing, as I began writing them, that Compton's would give me a good overview and then Britannica would provide more background and additional sources for primary reference and additional research. They were an essential part of my education, and I imagine most authors and writers have spent a great deal of the

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19. Comment on The Nook's Unknown Future

I think that the Kindle will outperform the nook because of the way it latches on so effortlessly to Amazon.

But the kindle will also mean the end of figures and diagrams as they cannot be seen well on the device at all.

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20. Comment on Barry Eisler Walks from $500K Deal to Self-Publish

Hello,
I am a author of two self-published children's books and I am now in the process of having a third book self-published, a novel and I am typing up my second novel on computer. I believe in the self-publishing industry and I hope it becomes the next best business in the publishing industry or possibly in the world. I have written a different book, that I think the new generation will love to accept. I have viewed some successful self-published authors online a lot lately, such as lisa genova and I say that self-publishing doesn't sound bad at all to me. Go for it self-publisher's!

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21. Comment on Selecting Publishing Formats For Books

I am very moved by the information you have posted on your publishing formats for books. It's a wonderful and well developed advertisement. it's fitting to educate new and upcoming authors such as myself.

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22. Justice Department vs Apple, iPad, and 5 Publishers

When e-books first became popular and Amazon began selling lots of Kindle devices and numerous e-books to read on them, publishers were, as you may remember, extremely worried. They feared e-books to begin with, and the fact that Amazon was selling e-books below cost in many cases had them in a panic. Many publishers believed that the $9.99 price Amazon.com was arbitrarily placing on almost all e-books was too cheap and would set a precedent that would, in the end, be a real threat to the financial future of the book publishing industry. At this point in the history, Steve Jobs and the i-Pad entered the competition.

Before the first i-Pad was launched, Jobs and five book publishing companies, Simon & Shuster, Hachette Book Group, Penguin Book Group, Macmillan, and Harper Collins, entered into an agreement that for Apple the publishing companies would utilize what came to be known as the Agency Model. As this model works, the publishers set the prices for e-books and Apple takes 30 percent for each one they sell. Publishers have been using this model for pricing e-books throughout the industry, and prices for digital books have increased.

The United States Justice Department has filed suit against Apple and these five publishers stating that this behavior violates anti-trust laws and allows for favoritism and price-fixing. The parties are in talks and it is hoped that a settlement can be reached. Apple has filed a motion that the case be dropped. Furthermore it is quite ironic that it was Amazon's monopolistic behavior in setting the prices for e-books on its Kindle, without regard to the publisher's prices and costs, that was the impetus for the creation of the Agency Model to begin with. And even more complicating is the fact that those five publishers are not selling their e-books on Amazon.

The digital book sales segment of the book publishing industry has been and remains the fastest growing sector, and so it is of vital importance to publishers and authors that the question of how e-books are priced and who gets to make those decisions gets settled quickly, fairly and sensibly. The financial well-being of publishing in general depends upon it.

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23. Comment on Barnes and Noble, The Essential Book Chain

Thank you for the correction. I appreciate your pointing out my typo and the omission.

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24. Comment on Benefits of Having a Middleman in Self-Publishing

It's an interesting point you make because I can remember the stigma that used to be attached to authors 15 years ago that went down the self-publishing route. What's more there were lots of "vanity publishers" that would take lifesavings off people in return for a bound book that frankly was usually littered with erorrs and mistakes.

While technology has certainly provided the instruments to make publishing easy, people should not be fooled into the fact that book publishing is easy. Evidence shows how bad it is: how many e-books are there out there without even page numbers!!

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25. Comment on Protecting Copyright on the Internet

It's difficult to answer, but I think it's plain wrong that you can goto YouTube and watch copyright owned material and that advertising revenues are generated over the top of these videos.

That's wrong, but certainly the SOPA solution was not one.

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