Tradd Moore broke into the comics scene with the indy series The Strange Talent of Luther Strode, and it’s sequel The Legend of Luther Strode with writer Justin Jordan. His distinct, dynamic style, and liberal use of squash & stretch with his characters has quickly propelled Tradd Moore to the top of the mainstream comics world. He graduated from the Savannah College of Art and Design in 2010, and jumped right into illustrating comics after that.
Today, Tradd Moore has a bonafide hit on his hands with his work on the new, revamped Ghost Rider with writer/artist Felipe Smith for Marvel Comics. He also provides cover art for other Marvel books, like Secret Avengers, and Deadpool. When he can find the time, he continues to work on independent comics like the new Image series Zero.
You can see more artwork, and follow Tradd Moore on his blog.
For more comics related art, you can follow me on my website comicstavern.com - Andy Yates
It appears that Marvel have offered Ghost Rider creator Gary Friedrich a settlement, thus ending the lengthy case which had previously bankrupted the veteran writer. The details of the settlement have not been offered to the public, but Friedrich’s attorney has informed a federal New York judge that the case can now be dismissed.
Hopefully this is good news for Friedrich, whose battle for rights over the Ghost Rider came to a head in 2007, when the first movie was released. There was sniping on both sides, with Friedrich suing Marvel and then Marvel counter-suing Freidrich and, well, let Jeff Trexler explain it all in more detail.
Interestingly enough, however, writer Bob Layton – best known for his work on Iron Man, aspects of which were reflected in the subsequent film releases – has also taken to Twitter to announce that Marvel have also made a settlement with HIM over a character issue. Referencing David Michelinie in his tweet, this almost certainly refers to the ‘Demon in a Bottle’ storyline he wrote.
I wonder if we’ll see other creators revealing settlements over the next few weeks. It looks like some new policy might have come in, and hopefully it’s one which will give all creators the best possible deal.
My studio, it has to be said, is full of many things - it is my creative nest, where I can surround myself with the treasures I have found and been given. Although I may not use many of them from day to day, they inspire and console me. Many tokens from blog and non-bloggy friends...spot the Lily Moon card from my friend Maya -
The old year ended with the little people in 'Cat's Cradle' journeying far away to their first job. It is always a wrench to know I will probably never see most of my paintings again, but good to know that they are watching over someone, somewhere.
The new year started with one of Rima's beautiful calendars. I cannot think of a nicer way of getting through the year - she still has one or two left I think, so if you hurry...
Entering January with some gorgeous letter blocks, with huge thanks to fellow illustrator Paula for her thoughtful gift...
...and my triple good luck charm, to keep bad things away from me this year, especially timewasters, as I had enough of them in 2007. White china heart from Tara, rosehip heart from Higgledy Piggledy, textile/embroidery heart from Border Tart - thank you my dears - I defy anything truly bad to happen with the combined love of these three friends.
A big red hand to point the way bravely forward to 2008 - there is something very commanding about this stern indicator. It arrived unexpectedly in the post this week, mysteriously unsigned...for a few minutes I felt like my all time hero, Tintin, receiving an anonymous signal summoning him to a new, exotic adventure. But then I remembered kind Alan Brignull of the Hedgehog Press, and his lovely picture on Flickr which I had fav'd. Thank you so much!
I am under the weather and feeling like this at the moment -
So I am going to retire for a few days, and bury myself in my sketchbook, as I seem to have got my drawing mojo back at last. Have a good weekend everyone!
Nice catch on the Layton settlement, this is the correct link to Layton’s tweet btw:
https://twitter.com/Bob_Layton/status/377823458589036544
His mentioning a “character rights issue” suggests this could be related to the use of James Rhodes/War Machine in the movies (rather than the Demon in a Bottle storyline).
Just take care of your creators corporate comics and you won’t have these kinds of problems ever again. Give them bonuses, rewards, benefits for creating original ideas for your spinning grinding wheel of entertainment if you won’t offer them copyright ownership. These creators are putting dollars in your pockets, do something for them before it gets ugly.
Now, settle with the Kirby. Estate.
The Corporate Masters are a double-edged sword. On the one hand are the asymmetry they can bring to bear against individuals. On the other is that they have high (total in some cases) regard for risk management. And in many of these cases, there is some significant potential risk exposure.
Nice to see Friedrich and Layton taken care of.
On the subject of these copyright cases, what is it like for comics creators in other countries? Seems to me a lot of Japanese creators make a lot of money, but I don’t know if they retain any copyright or if they just have a deal to be cut in on profits with the publisher.
Japanese comics creators retain copyright on their works. But so do most American comics creators, just not those working on licensed characters.
It is great to see the folks who, you know, actually made comics benefit from the flood of dollars their creations have brought in. There’s no reason why comics can’t operate under the same rules as TV and other media.
Mike
While one wishes every worker to get a reward(so this is good news) it’s just a shame that other professions like scientists, engineers, designers etc don’t get any benefit from their creations even though arguably their creations are of more benefit to humanity than media output.
Wonder why why we don’t see anybody making as much fuss for their rights as we do for comic books.
For example my contract states everything I create(even in my own time) ,if it has the slightest connection to the business of my employer it belongs to them(and this is pretty much standard in engineering field).
David, that is a standard in other fields, too. Some companies (and industries) are very protective of their employees’ creations. I understand the intent of this contract stuff, (if you invent a new product on the bus ride home, it is still not yours, because the company expects that they are sponsoring your ideas with their paycheques and equipment) but it can get onerous.
If this was Science Beat, we’d probably invest more time in scientist rights
Maybe, the Efforts of these 2, Brave Guys
will , finally, open a Door for the Jack Kirby Estate.
Jillian Kirby,Jack’s youngest Grand Daughter has begun “Kirby4Heroes”,
in an effort to assist Members of the Comic Book Industry
who are in Need.(See Her FaceBook page for all the details.
The “Hero Initiative” is supported through Her Work , as well.)
She never met Her Grand Father, but has come to understand the lives of people like Jack Kirby, Steve Ditko, and many others , who probably feel forgotten (and i am not educated enough to know all of them to include. i don’t wish to ignore any of the men and women who have given so much to my memories,creativity, and present life.)
Thank you for writing this Article.
i am very Glad for These Creators.
i wonder about the case of Bill Finger, and His “Creation” of The Bat-Man ; will anything come down to His Estate and Heirs.
Again, i am not expert, but i feel somewhat convinced that
Bill Finger had a huge involvement in Bat-Man, and Bob Kane
never came through on His Promises to Mr. Finger.
i Hope The Best for all of these who are Heroes, to me…
Al wrote: “Some companies (and industries) are very protective of their employees’ creations…(if you invent a new product on the bus ride home, it is still not yours, because the company expects that they are sponsoring your ideas with their paycheques and equipment) but it can get onerous.”
My dad was a university professor in analytical chemistry and part of his employment agreement was that in addition to teaching, he was obligated to conduct research, write papers, run the lab, etc. Anything he discovered – because he was salaried, tenured and received health coverage and things like that, and because he was using the university’s labs and equipment – the school would own but he would get credit and royalties in perpetuity should the discovery yield cash in some form.
He did push some research projects forward to the next level, but nothing that would get him “Eureka!” loot.
I’ve worked in places where I was presented with documents to sign that would grant all my off-site independent work to the employer, but they were easy to negotiate down to much more acceptable terms.
Gary Friedrich is VERY lucky that Marvel did this and didn’t go with leaving him destitute from the court case he lost against them…
Most people, I believe, think of Layton as an artist rather than a writer — though he did write and draw the two Hercules mini-series in the ’70s/’80s and he and Michelenie co-plotted their Iron Man runs.
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