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Results 1 - 25 of 28
1. JWAM reader request no. 1: Choosing povs

Malcolm Tredinnick Says:

Picking a point of view and how you learnt to work with the different types would be something I’d be interested to hear about. As a reader, I kind of know when the point of view works for the story and when it doesn’t, but I don’t really know how consciously writers make the choice or how you do it.

Hmmm, a tricky one first up. Curses!

I think I may have mentioned that for most of my writing life i.e since I was five and first started, I wrote short stories, not novels. I’d start many but not finish them. But I finished hundreds of short stories. None of them were much good as stories, but they were excellent for learning stuff like how to use the different points of view.

And, wow, did I. I even have a few stories written in second person. Those were on purpose experiments, but in my early days I did lots of experimenting without knowing what I was doing. I would change points of view willy nilly. One minute a story would be in first, and then in limited third, and them in omniscient. I’d write from Jack’s pov, then Chan’s, then Jill’s, then Kara’s. Sometimes all in the one paragraph. Those stories were mostly unreadable, but slowly I started to learn my way around the four basic povs.

In those early bouncing-around-all-over-the-place stories I had no control over what I was doing with pov. I didn’t notice the constant changing. That was something I learnt by writing all those bad stories and discovering.

How does that translate to what I write now?

The first draft of Magic or Madness was written in third person. I also thought the book was going to be entirely from Reason’s pov. I wound up with Reason’s voice being in first and the two other pov characters, Tom and Jay-Tee, being in third. I’m not sure how that happened. Reason just wasn’t working in third. Her voice seemed flat. As soon as I tried shifting it to first, the book took off. I’d found the right voice.

I think my struggle to find the right voice for Reason stems from the trilogy beginning life as a set of ideas, rather than with a specific character. Both How To Ditch Your Fairy and the Liar book began with the strong voice of the protag. Both are in first person. It never occurred to me to change. Didn’t need to.

Scott says he uses first person when the book is more digressive—So Yesterday, Peeps—it allows him to stop the narrative and say, “Hey, let me tell you this cool thing.” He uses third when the narrative has more of a straight drive, like the Midnighters and Uglies books.

My current novel is (at least partly) in omniscient. It’s big with a large cast of characters. I believe that omniscient is the point of view best suited to epics. I think Dunnett’s and Pullman’s1 deployment of it is a large part of what gives those books their distinctive epic feel. If I can make it work even half as well as they do I’ll be home and hosed.

I’m loving writing in omni. I love being able to move from a close in view of a character’s thoughts all the way out to a sweeping view of the city and that character’s place in it. Omniscient feels like the most metaphysical point of view. The most flexible too. It allows for straight driving narrative, digressions, whatever I want to do with it. Right now I am deeply in love and feel that it is perfectly suited to the huge story I am attempting to tell. Bless you, omni!

Hope that answers your question, Malcolm.

  1. in His Dark Materials

1 Comments on JWAM reader request no. 1: Choosing povs, last added: 1/5/2009
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2. Last day of 2008

Yup, it’s my annual what-I-did-this-year skiting post. I write these mostly for myself so I can easily keep track. Hence the last day of the year category. Thus you are absolutely free to skip it.1

This year was exceptional. I’m still pinching myself. My first Bloomsbury USA book, How To Ditch Your Fairy, was published and seems to be doing well. I was sent on my first book tour, which was fabulous. It’s insane how much fun I had and how many fabulous schools, book shops and libraries I visited in California, Michigan, Missouri, New York, Ohio, Pennsylvania and Texas. Thank you to everyone who came to see me while I was on the road. It was a blast getting to meet you all! I loved hearing what fairies you all have!

Now this is going to sound like the acknowledgments page but bear with me cause I thanked my fabulous editor, Melanie Cecka in print, but not the wonderful publicity and sales and marketing folks because, well, I didn’t know them back then. Deb Shapiro is the best and funniest publicist I’ve ever worked with, Beth Eller is a genius of marketing, and all the sales reps who’ve been flogging the fairy book mercilessly across the USA are too fabulous for words. Extra special thanks to Anne Hellman, Kevin Peters, and Melissa Weisberg.

HTDYF also sold (along with the liar book) to Allen & Unwin in Australia. This is a huge deal because it’s the first time I’ve had a multi-book deal in Australia and A&U publishes many of the best writers in Australia, including Margo Lanagan, Garth Nix, Penni Russon and Lili Wilkinson. My editor and publisher, Jodie Webster, is a joy to work with. So’s Sarah Tran and Erica Wagner and Hilary Reynolds and everyone else on the Alien Onion team. Bless!

Both Bloomsbury and A&U seem even more excited about the liar book than they were about HTDYF. Which is a huge relief to me because, um, it is not the most obvious follow-up to the fairy book. Older, darker, scarier, completely different. Stuff like that. Here’s hoping that not too long into the new year I’ll be sharing the title, the cover, a sneak preview, and other such fabulous things.

The fairy book also sold in Germany to Bertelsmann, who published the Magic or Madness trilogy there and gave it the best covers ever. It was awesome getting to meet the two Suzannes: Krebs and Stark in Bologna. Thank you for believing in my book so strongly that you bought it when it was still in manuscript. I still can’t quite believe it.

Speaking of the trilogy it sold in Korea to Chungeorahm Publishing, which means it’s now published in ten different countries and eight different languages. All of it Whitney Lee’s doing. It’s astonishing to me how well the trilogy is doing more than three years after first publication. Fingers crossed that will continue.

I also had two short stories published. A rarity for me. My last short story was published back in 2004. These two were the first I’d written since then. Short stories are not my thing. They’re so much harder to write than a novel. ““Pashin’ or The Worst Kiss Ever” appeared in First Kiss (Then Tell): A Collection of True Lip-Locked Moments edited by Cylin Busby and was universally declared to be the grossest story ever. “Thinner Than Water” is in Love is Hell edited by Farrin Jacobs. I’m proud of them both for very different reasons. But don’t expect any more. Writing short stories hurt my brain.

Last year I was wise and only aimed to write one novel in 2008. Just as well because that’s all I did this year no stories, no articles, nothing else. I wrote the liar book and began the 1930s book. It’s very clear that I’m a one-book-a-year girl.

I also mentioned in that one-year-ago post that I had three sekrit projects. The first is no longer a secret: the Zombie Versus Unicorn anthology that I’m editing with Holly Black, which marks the first time I’ve edited original fiction. Am I excited? Why, yes, I am. It will be out from Simon & Schuster in 2010 and we’ll be announcing our insanely excellent line up of authors in the new year. Truly, you will die at how great our writers are.

One of the other sekrit projects morphed into a solo project (the 1930s book) and I’m still hoping that the last of the sekrit projects will go ahead some time next year. Here’s looking at you co-conspirator of my last remaining sekrit project! You know who you are.

Next year will be taken up with writing the 1930s book and editing the Zombie v Unicorn antho. The 1930s book is the biggest most ambitious book I’ve tried to write since my very first novel set in ancient Cambodia. I’m loving the researching and writing. Immersing myself in another era is the most fun ever! I think my next ten books will all be set in the 1930s.

My 2009 publications. This is a WAY shorter list than last year:

    September: the liar novel for Bloomsbury USA.

    October: the liar novel for Allen & Unwin.

Yup, just the one novel from me. Sorry! You should also get hold of Cassandra Clare’s City of Glass when it comes out. It’s the final book of the City of Bones trilogy and the best of the three. I read it in one sitting on my computer.2 Then later in the year there’s Robin Wasserman’s sequel to Skinned. You know you want it! Yet another book I read in one go. Also on my computer. Think how much better it will be between actual covers.

Then there’s the three YA debuts I’ve been talking about by Peterfreund, Rees Brennan and Ryan. If you read no other books in 2009 make sure you read those three. I’m also dying to read the sequel to Kathleen Duey’s Skin Hunger, which was my favourite book of 2007.

Last, but not least, the old man has his first novel in two years, Leviathan. Fully illustrated by the fabulous artist Keith Thompson and better than anything else Scott’s ever written. I’m so proud of him and of this book. You’ll all love it. Seriously, it’s worth the price just for the endpapers!

I travelled way too much this year. Italy, Switzerland, Austria, Germany, the UK, France, Canada, all over the USA, and home to Australia. Again. Looks like the same for next year. I have no idea what to do about that. I guess when you try to live in two different countries at the same time that’s the price. Oh, and lots and lots of offsets. We try to be good.

This is where I usually say that I think the coming year’s going to be fabulous. But this year I’m not sure. The economic news back in the United States has been dire. Friends have lost their jobs, their editor, their imprint. It’s scary in publishing right now and it’s even scarier in many other industries. I really hope good governance in the USA will make a difference world wide. But I just don’t know. I had great hopes for the Rudd government and here he is botching the fight against climate change and trying to put up a filter for the internet in Australia. Ridiculous. Surely Obama’s government will not be so stupid.

Here’s hoping 2009 will see a return to sanity all around the world, but especially here in Australia.

Happy new year!

  1. I would if I were you.
  2. Actually I was lying in bed. Whatever.

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3. Fred Astaire versus Gene Kelly

A frequently debated question is who was the best dancer? Fred Astaire or Gene Kelly.

The answer is: the Nicholas Brothers!

Feast your eyes:

Fayard and Harold Nicholas have never been surpassed. Just astonishing. Even Fred Astaire admitted the fabulousness you have just watched was the best dance sequence he’d ever seen. He was correct.

On the research front: Yes, that sequence is from Stormy Weather and yes it was released in 1943. But they were the top act at the Cotton Club from 1932. As you all know the Cotton Club was the top entertainment venue in New York City in the 1930s, which co-incidentally is when and where my next book is set. So rewatching the fabulous Stormy Weather totally counts as research cause it recreates many 1930s era Cotton Club numbers.

Next stop Emperor Jones from 1933, which I don’t even have to justify. Yay!

For those suggesting 1930s films: I much appreciate it. Just keep in mind I’ve been doing this research for well over a year and have been obsessed by Hollywood films of the 1930s since I was knee high to a grasshopper. Thus if it’s readily available on DVD odds are I’ve already seen it. But if it’s relatively obscure, or only just released on DVD, then suggest away!

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4. Yes, this is research too

Eleanor Powell and Buddy Rich rocking out (starts at about 1:25 via Emma Bull):

Okay, I admit that this comes from 1942. However, part of my 1930s novel takes place on a cruise ship just like Ship Ahoy. Well, except for not being a sound stage. And, um, one of my characters adores the Tommy Dorsey band. So even though this is a future Tommy Dorsey band appearance that she will never see it totally counts as research. And also another of my characters can see into the future and uses that ability to follow Eleanor Powell’s career.1 Thus watching this clip is TOTALLY research.

Lord, how I adore Eleanor Powell. Broadway Melody of 1940 is one of my favourite movies of all time. I know everyone squees over her “Begin the Beguine” routine with Fred Astaire, which to be sure is deeply squee-worthy, but I also love this one (gets going around 2:15):

Eleanor Powell + boats = joy!

And Broadway Melody of 1940 totally counts as research because it was shot in 1939 and last time I looked that was in the 1930s.2

Just in case some of you have never seen “Begin the Beguine” here you go:

You’re welcome!

  1. Some of these things may not be true.
  2. Even though my book is more set in the early 1930s. But never mind that!

1 Comments on Yes, this is research too, last added: 12/25/2008
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5. BookPeople questions we ran out of time to answer

Our BookPeople event was run like the Actor’s Studio. There was a moderator, Emily, who asked us questions written down earlier by the audience. Unfortunately, we ran out of time and couldn’t answer them all. So here are our answers to the ones we didn’t get to that night.

Be warned: there are some spoilers for Scott’s Uglies books.

Questions for Justine:

Q: Will there be any more books about New Avalon?

A: I don’t plan to write any. Of the next two books I will publish, one is already written—the Liar book—and the other one—set in NYC in the 1930s is under way. If I did get an idea for another book set in New Avalon (where How To Ditch Your Fairy is set) it wouldn’t come out until 2011 at the earliest.

Q: Do schools like New Avalon Sports High really exist?

There are all sports high schools around the world. But I hope they’re not quite as strict as NA Sports High. I didn’t base it on any particular high school. Though I was influence by a doco I saw about girls training to be gymnasts at the AIS (Australian Institute of Sport). I was shocked at the long hours these young girls were training and at how strict their coaches were. Yet they seemed to love it. I remember one girl being asked how she could love such a tough training regime. She looked at the journo asking her the question as if they were crazy: “Are you kidding? I get to go to the Olympics!”

A: Is all the slang a mix of US & Australian or is some of it made up?

I made up the majority the slang, mostly by playing with my thesaurus. Thesauruses are fun! My favourite is “pulchy” for cute or good-looking. I’ve always thought “pulchritudinous” was the most hilarious word ever because it sounds so ugly yet it mean beautiful.

Questions for Scott:

Q: Did Tally and David get together at the end of Extras?

A: It is up to you, the reader, to decide.

Q: Why did you k*** Z***?

A: One of the dumb things Hollywood does is show us wars in which only extras and minor characters get killed. But in real life, everyone is the star of their own movie. So in real wars, everyone who’s killed is someone important—not just an extra or a bit player.

So once I realized that Specials was about a war, I felt it would be dishonest for only minor characters to get killed. Someone important to Tally had to die, and Zane was in the wrong place at the wrong time.

Q: How did you find all the thirteen-letter words to use?

A: At first I found them “by hand.” Whenever I ran into a long word I counted the letters, writing it down if it had thirteen letters. But after a while I developed a strange superpower, the ability to spot
tridecalogisms by sight. Then my sister-in-law bought me a crossword dictionary that listed words by length, which was cool. Then finally I found a website that was designed to find words you didn’t know who to spell. I typed in thirteen question marks, and it generated a giant list! (I can’t remember the site name now . . . )

Questions for both Justine and Scott:

Q: Are you friends with any other authors?

Justine: Yes. Loads and loads of them. It’s fabulous. We read each other’s mss. critique them bounce ideas off one another. I’m very lucky.

Scott: We also write at least once a week with several authors: Maureen Johnson, Robin Wasserman, E. Lockhart, Cassandra Clare, Lauren McLaughlin, are the ones who most often show up.

Q: Is there any news on a movie?

Justine: While there’s been some interest in turning How To Ditch Your Fairy into a movie nothing has come of it so far. Trust me, if there’s any news on this front I will sing it from the rooftops. Though I think the Fairy book would make a better TV series than a movie.

Scott: The Uglies movie is still waiting for a script, as far as I know. I think Hollywood doesn’t know how to make a movie about, you know, ugly people.

Peeps is with an independent producer and screenwriter, and So Yesterday is being looked at. More news on that soon (probably).

But no auditions yet!

Q: When brainstorming ideas for your next book do you come up with multiple ideas? How do you choose the one to push forward with?

Justine: I pretty much always have a number of novel ideas to play with. I tend to talk about them with Scott and my agent, Jill, as well as my editor, Melanie, and a few writer friends. I’ve been talking about writing a book about a compulsive liar for ages. Whenever I mentioned it people would get very enthusiastic. I was too afraid to start though cause it seemed like it would be really hard to write (I was right) so I delayed until Scott and Jill and Melanie all ganged up on me.

I guess I let people bully me!

Though honestly all the bullying in the world wouldn’t have gotten me going if I hadn’t finally figured out a way to write the Liar book. So I guess my real answer is that the book that begins to grow and make sense is the one I wind up writing.

Scott: I usually have one idea that I really want to do most. I don’t come to that conclusion by any conscious way; it simply bubbles up in the back of my head as the most interesting idea. I think this ability comes from having written, like, 18 books—I’ve tried lots of ideas, and so am getting better at telling the more productive ones from the boring ones.

Q: Do you have any advice for young writers?

Justine: Loads! You can find some here, here and here. Though all my advice applies to beginning writers of all ages. In a nutshell my advice boils down to:

  • Don’t be in too much of a hurry to get published. Learning to write well is the main thing. If you try to publish before you’re ready you can wind up very discouraged. While you’re learning o write you should have fun with it. Try different styles, different genres, mess about, get your hands dirty!
  • Read A LOT. Read and read and read and read! Think about what books you like best and try to figure out what it is about the writing that works for you. Then give it a go. Think about what books you hated and try to figure out why the writing was such a disaster. Don’t write like that.
  • Write a lot.
  • Learn how to critique other people’s work.
  • Learn how to take criticism. If you want to be a professional writer you’re going to have to learn to take criticism and the sooner you start practicing the better!

Scott: Here’s the “writing advice” category from my blog, including some advice from guest blogger Robin Wasserman: Writing Advice.

Q: Which is your favourite cover?

Justine: I’m assuming you mean of one of my books. I’ve been very lucky I like every single one of my covers. But I think my absolute favourite is the one Cat Sparks did for Daughters of Earth.

Scott: Probably Extras. The fun part was that I got to work on it from the beginning, from choosing the model to picking the final shot.

The full story can be found here.

Q: Why are most of your protagonists girls?

Justine: Er, um. I don’t actually know. It was not by design. The first novel I wrote has multiple viewpoint characters many of whom are boys. My second novel is first person from the point of view of a boy. However, neither of those books sold. My first published novels (the Magic or Madness trilogy) has three view point characters two of whom are girls. And then How To Ditch Your Fairy is first person from the viewpoint of a girl. So far the books I’ve written with more girl characters are the ones my publishers have wanted. We’ll see if that pattern continues.

I don’t really consciously decide to make my main characters girls or boys. Nor do I consciously make them black or white. That’s just the way they are. Once I start getting a sense of their voice I’m learning at the exact same time all those other things about them: their race, gender, ethnicity, opinion of Elvis etc. Hope that makes sense!

Scott: I’ve had a mix of male and female protagonists. So Yesterday and Peeps were both from the point of view of boys, and The Last Days and Midnighters were from both male and female POVs. But I guess more people have read Uglies so Tally has left the strongest impression. Since that series is about the pressures of beauty and looks, I figured that a female protag would make more sense. Certainly, boys do worry about the way they look. But overall, girls are under a lot more pressure to freak out over every zit and extra pound.

Though, as I say in Bogus to Bubbly, I actually did try to write Extras from Hiro’s point of view. But the interesting stuff kept happening to Aya, so I moved her to center stage. I still don’t know exactly how it worked out that way.

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6. This is awesome

I’m sure you all know about it, but I am having a ball going through shorpy’s historical photos. Though there aren’t nearly enough from the early 1930s. Still. Dead fascinating.

To everyone who sent me the photo of the Aussie spider eating the Aussie bird: Why, yes, out spiders are tough. But our birds are not wussy.

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7. On the road again

Lessons learned today:

  • Beef jerky on it’s own is not enough to keep a girl going all day.
  • Also never diss a hometown boy just before visiting his state. I don’t take a word of that back, but let’s just focus on Deanna Nolan’s awesomeness instead, eh? Plus, really? It’s news to the folks of Michigan that some do not appreciate Bill Laimbeer? I find that very difficult to believe.
  • I am not yet ready to talk in detail about the new book (the one set in the 1930s). At the appearance tonight I started to, but then I got a weird feeling all over, and my mouth closed. How weird is that?

I am now an expert on what clothes travel well and what don’t. I have enough outfits with me for a thousand appearances and it all fit into one teeny tiny suitcase. I am now a packing genius!

If you’re in the Grand Rapids, MI area here’s where I’ll be tomorrow, or, er today:

Wednesday, 1 October 2008, 4:00PM
Pooh’s Corner
Breton Village
1886 1/2 Breton Rd. S.E.
Grand Rapids, MI

Hope to see some of you there!

3 Comments on On the road again, last added: 10/28/2008
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8. For those asking

For those asking why I haven’t been blogging the US election:

It’s because I cannot believe what I’m seeing and hearing. Seriously if I had made up a tenth of what’s been going on and put it in a novel no one would credit it. They’d be all, “The characters keep changing! They don’t make any sense. And one of them seems to be a malfunctioning robot! Also there’s a zombie! I thought this was meant to be realism. What the hell?”

Not to mention that I cannot talk about wolf killers dispassionately. I love wolves. Almost as much as I love quokkas.

Plus I’ve been in a really great mood lately. I don’t want to bugger that up.

So that’s why I’m not blogging the election.

But if you want to know what some other YA authors think check out Maureen Johnson’s YA for Obama social site.

And just so you don’t think I’m being partisan, which I’m not on account of I’m not USian and have no vote in the US of A, here is the YA for McCain site.

Enjoy!

Me, I’m retreating back to the simpler and happier times of the 1930s—researching my next book—when there were no earth-shattering world-wide financial crises, no wars, and no environmental disasters. Oh, wait . . .

Never mind.

2 Comments on For those asking, last added: 9/27/2008
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9. The next next novel

Because I am nearing the end of my next novel, and fast approaching my deadline, naturally my mind has turned to the novel I’ll be writing after this one. It will be set in New York City in the 1930s. Yup, I’ll be trying my hand at some historical fiction. Why not, eh? Afterall, it’s on my list.

And like, Cassie, who’s preparing for her next novel by only reading books about or set in Victorian England, I’m going to only read Depression era New York City books. Though because I am cunning I also get to watch many of my fave movies from the 1930s. An astonishing number of which are set in NYC. Damn I’m good.

I need no help with movie recs but I’d love to get recommendations for books, especially non-fiction such as histories and journals and collections of letters from that era. Novels would be fab as well. Preferably written and published then, but if a book is particularly good just set then should be fine.

Thanks!

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10. Another reason books are teh devil

Just when you’re approaching the end of one book and you really must give that book all your time and all your brain, another one comes along and starts insisting you write it instead.

This is WRONG and must stop. IMMEDIATELY.

Bugger off, stupid new book. GO AWAY!

9 Comments on Another reason books are teh devil, last added: 7/18/2008
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11. Time is running out

If you would like me to name a character (or something) after you in my next novel you’d better hurry up and bid. I mean, if you can afford it. The bidding is now at—I swear I am not making this up—US$150.

You have until one minute past midnight on 15 July USA Pacific time to place your bids.

There are also many other amazing things up for auction. Including a map that Tamora Pierce put together for her book Trickster’s Queen. The bidding for it is currently at US$175. Personally, I think it’s worth more.

There are also all sorts of fabulous goodies over there: care packages from all over, baked goods, an astonishing array of most excellent things and services. Some haven’t been bid on! Some are going for silly cheap! You should get over there and bid!

All money goes to fight those who are against love and want to stop gay and lesbian marriage in California.

2 Comments on Time is running out, last added: 7/14/2008
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12. The next novel

A bunch of questions are being asked about the next novel both here and in emails. Here are some answers:

When is it due?

August

When will it be published?

September 2009

Who is publishing it?

Bloomsbury USA

What is it about?

Lies

What’s it called?

As mentioned the working (and I hope permanent) title is the same as a song from the 1990s by an all-girl band. Feel free to guess. No one has gotten close so far.

Is it a sequel to How To Ditch Your Fairy?

No

Why isn’t it a sequel to HTDYF?

Because

Will there be a sequel to HTDYF?

Maybe

How long do you think it will be?

75,00-85,000

How long is it now?

54,013

Wow, you have quite a few words to go and August isn’t very far away—are you panicking?

Aaargh!! Damn you!! Leave me alone!! STOP asking questions!!

You seem a bit tightly wound—have you thought of maybe getting a massage or something?

I kill you. I kill you with my bare hands.

22 Comments on The next novel, last added: 7/11/2008
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13. I is sorry

That I haven’t answered emails in ages and ages or done many many other things I’m supposed to do. Like respond to comments here. But you may have noticed from some of my posts of late that I has book.

I has unfinished book.

Which must be finished before not too long.

Thus I am only capable of two things:

  1. Writing said book.
  2. Complaining about writing said book.

All else—communicating with other peoples, washing clothes and dishes and floors and self etc, paying bills, following the Tour de France, functioning like normal human being—all is on hiatus till book be done.

That is all.

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14. The writing-not-easy thing, part the millionth

Yes, again! What of it? I promise this will be the last whingeing-about-writing post. Truly.1

I think I’m still in shock that my job is not always a doddle. You see, I fully expected that it would be.

Let me explain:

A full-time novelist is all I’ve ever wanted to be. Obviously the main reason I wanted to do it is because I’ve always loved telling and writing stories and I’ve done it since I was knee-high to a grasshopper. But I also kind of figured that it would be easier than any other job. Writing stories was fun. Something I did when I wanted to take a break from the onerous crap that I had to do. Surely doing it most of the time would be even more fun?

I imagined my life as a full-time novelist would involve never having to get up before noon, writing only when I felt like it, never being stressed, six-figure advances for every book, mangosteens for every meal, and walking on rose petals while fairy dust fell from the sky.

None of this has happened! NONE of it.2

I’ll admit that my job is not as hard as some people’s. I’m not down a coal mine. I’m not in a war zone. I don’t run the risk of death or injury very often—though paper cuts can be nasty.3 Many people work way harder than I do. Like my sister, who does 3,000 hour a week in dark rooms, making everyone in Hollywood’s hair look real, and the monsters look super scary.4

What was I saying?

Oh, yes, I thought writing would be the easiest job on the planet and I’d never have to work hard. So every time I do have to work hard it’s a horrible shock. Thus my whingeing.

Though it probably is the easiest job on the planet, which leads me to the depressing thought that no job is without hard bits. How unfair is that?

  1. Though I am writing a novel about a compulsive liar so I could be practicing. Plus all I’m doing right now is writing. What the hell else do I have to blog about?
  2. Though I do occasionally get to eat mangosteens.
  3. Not to mention RSI and back pain.
  4. Or something. I’m never entirely clear on what exactly Niki does.

9 Comments on The writing-not-easy thing, part the millionth, last added: 7/15/2008
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15. How to Write a Novel Redux

It has come to my attention that many readers of my post on how to write a novel are under the misapprehension that it is a description of how I write novels.

It is not.

It wasn’t even an accurate description of how I wrote them back when I wrote it. Lo, those many years ago.1

The novel I’m writing now makes no use of a spreadsheet,2 I did not borrow the plot for it,3 and the first sentence does not begin with “the” or “once upon a time”.4

I wrote the how-to-write-a-novel post for two reasons:

  1. I thought it would be funny. Maureen Johnson had just written a very amusing how-to-write-a-book post and I wanted to try my hand at the genre.
  2. I was also responding to the beginning writers who’d written asking questions about novel writing. Thus I was thinking about what might work for them. A common complaint was that they could never think of a plot. Hence the borrow-a-plot advice. Also they worried about the length and how to organise such a big amount of words. Hence the spreadsheet advice.

Personally, pretty much every novel I’ve written has been produced differently from the previous one. I have no set methods. Though I have lots of madness.

The novel I’m writing right now is the first one I’ve written with Scrivener and that’s making a huge difference to how I’m writing it. I’ve certainly never written a book completely out of order before. The last scene is already written though many from the middle are not. For me that is very strange.

I’m sure there are people who write each novel in the exact same way5 but most of the writers I know say they find each one different and have to figure out how to write it as they go.

I am the same.

  1. Well, okay, almost two years ago.
  2. Scrivener renders spreadsheets unnecessary.
  3. I’ve never written a novel that way, though I have written a number of short stories that retell ballads. One you can find here and another one will be published as part of Love is Hell later in the year.
  4. None of my novels do. Though Magic Lessons begins with “once”.
  5. There are some who write the exact same novel over and over again.

7 Comments on How to Write a Novel Redux, last added: 7/7/2008
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16. The hard bits

The hardest part of writing a novel isn’t the beginning, or the middle, or the end. It’s not getting characters right, world building, keeping your sentences gorgeous, it’s none of those things. The hardest part is having to write when you don’t have the heart for it.

When you’re sad, or distracted, or in a bad mood, or bored. It’s writing when you can’t think straight, when the words are arranging themselves in dreadful “sentences” that hurt your brain. It’s writing when writing is the last thing you want to do, and every word, phrase, sentence is a struggle.

Writing through a crap day is the very hardest part of being a writer. Then getting up the next morning and doing it again. And the next. And repeat until the bloody book is finally finished.

(Blurbs are still harder, but.)

18 Comments on The hard bits, last added: 7/8/2008
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17. Brief note to the lurkers and newbies as well as general excuses

In the last few weeks there’s been quite a bit of delurkification as well as some new commenters. Ordinarily I would respond in the comments and welcome you personally but, well, I has deadline. And book for deadline is scary and complicated and not genre and I may be out of my depth and um,

PANIC!!!

But I hate to be rude and I love to see new folks here. So,

WELCOME!!!

To everyone else: sorry for not responding as much even though I read all your comments,1 also for being months and months behind with email, for not having done that thing I promised I’d do for you, and for generally being as slack as, um, a very slack person.

Book comes first! Before hygiene, friends, nutrition, changing polls, health, admin and pleasure. Is just how it is.

  1. Except for the ones about USian gridiron. Boring.

10 Comments on Brief note to the lurkers and newbies as well as general excuses, last added: 6/25/2008
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18. Pretty!

I’ve been playing with wordle, which is a lovely app by Jonathan Freiberg that a bunch of writers have been playing with on account of it is irresistible. You plug in your novel (or whatever text you want) and the app makes it all pretty. You can futz with the layout, the colours, the fonts etc. Procrastination heaven!1

I fed in a bunch of my novels. And oohed and ahed. And then I fed in my novel what I is currently writing and lo and behold not just pretty but useful. I could see at a glance what words I’m overusing and which characters and threads are getting the most attention. Interesting . . .

Notice that I have made it small enough that there are no real spoilers. I am so good to you people.

And did I mention pretty?

  1. What do writers on a deadline live for but to procrastinate?

15 Comments on Pretty!, last added: 6/20/2008
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19. And so does wombat excrement!

No, not really. I just wanted to type “wombat excrement”.

I’ve had some complaints about not changing the poll. The reasons for that are that:

  1. I’ve been really busy. This book ain’t writing itself!
  2. I’m waiting for a clear winner. Seriously, ugg boots, lingerie as outer wear, formal shorts, pregnancy dresses and tops on the non-pregnant, and low riders are pretty much neck and neck.
  3. It’s my favourite poll. I would miss it if it were gone.

I’ve also been cooking. The farmer’s market at Union Square has gotten good again after its hideous nothing-but-gourds winter doldrums.1 The spring garlic especially is making me really happy. Also I have discovered garlic scapes. Yum. I’ve been frying them with tomatoes and serving on bread with soft boiled eggs and whatever greens looked best at the markets. Yummiest breakfast ever.

Anyone else a farmer’s market addict? What’s best where you are? And what have you been doing with it? I mean other than just plain eating like I am with the strawberries that are just coming in. Delicious!

  1. Yet another reason not to be in NYC in winter.

14 Comments on And so does wombat excrement!, last added: 6/15/2008
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20. Riding high (Updated)

The rest of the publishing industry may be in the doldrums but according to The New York Times we are riding high:

Juvenile books overall, including paperbacks, were up 3.1 percent, to 900.9 million copies. Net revenue in the juvenile segment, the largest of all categories in terms of copies sold, increased to $3.66 billion, from $3.4 billion.

Perhaps surprisingly, sales of children’s books, which includes the rapidly growing young adult segment, are not expected to rise strongly over the next few years. “If it weren’t for Y. A., this sector would be in worse shape than it is,” Mr. Greco said.

Given that picture books and middle grade are doing crap,1 the article leaves me wondering how fast Young Adult sales have been growing? I suspect the answer may be google related or I could just, you know, ask the people in the biz I know, but, well, I’m lazy and there’s this book to be writ.

So I’ll settle for going YAY! And hoping those sales remain strong for the next forty years.

Update: Gwenda reminds me that this excellent Newsweek article cites growth figures of 25%.

  1. Though I hear middle grade is about to start improving.

12 Comments on Riding high (Updated), last added: 6/3/2008
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21. A Tender Morsel

I have been noticing much skiting on the internets of late. “Oh look,” says a blogger, “look what amazing Advanced Readers Copy I has been sent! Is mine, not yours. Hahahahahah!”

Well, now it’s my turn. I has an ARC of Margo Lanagan’s first novel in years and years, Tender Morsels. I hugs it to my chest and will share with no one! Well, okay, I’ll share what I thinks of it with you but not the actual ARC cause that’s mine!

But before I get to actually, you know, read the delicious bookie which is calling to me—seriously, everything about it screams, READ ME!, from the gorgeous cover to the jacket copy to the fact that Margo Lanagan wrote it—I must work. Back down into the word mines to excavate sentences and paragraphs of the next book. It’s back-breaking work but someone must do it.

Okay, I write now buoyed by the fact that I have Tender Morsels and you don’t!

Hehehehehehe.

Ahem.

8 Comments on A Tender Morsel, last added: 5/31/2008
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22. Made my day

Cricket Buzz just named its top 51 cricket blogs and I’m on the list!

Yay!

And also—how embarrassing! I have been very remiss of late when it comes to cricket blogging. I mean I haven’t mentioned the blessed sport since March and not written anything proper since January. Largely because (for reasons beyond my control) I have not been home since May of last year.1 Thus I have not been immersed in cricket culture and have not been keeping up with things such as the new Twenty20 Indian Premier League. 2

I like the idea of it in theory. But I hate the idea of it as a replacement for Test cricket. That will never happen! Or at least not in my lifetime.

I miss cricket. I must find ways to re-immerse myself. Or, I will, when this book is finished.

  1. Waaaaahhhh!!!!!
  2. The link is to a NYT article explaining the League which will amuse those of us who know about cricket and hopefully be a clear-ish explanation for those who know nothing.

5 Comments on Made my day, last added: 5/12/2008
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23. My next book (Updated)

Some are asking what it is that I’m hard at work on. You know the thing that’s impeding my ability to get other stuff done like answer email?

It is a book.

Here is where I explain all about said book. I can also tell you that I estimate it will be about 60 thousand words long or possibly 300 pages. Unless it’s not.

There, hope you’re satisfied! You know so much that there’s hardly any point in reading it now. See what your questions lead to? I hope you’ve learned your lesson.

Update: No, no one has guessed the name of the song by a 90s all-girl band that I took the title from.

10 Comments on My next book (Updated), last added: 5/9/2008
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24. Roman Restaurants

While we were in Rome we worked and we ate. I wrote four thousand words; Scott about thirteen thousand. I am thoughtful writer, who thinks about her words, okay? Or something. Like Scott had an immediate deadline and I did not. My deadline’s not till August, which is AGES away.

The eating was way more fun than the writing, not that wasn’t fun, mine. I like my four thousand words but not as much as I loved these restaurants:

Osteria dell’Arco
Via G Pagliari 11
06 854 8438

This is a neighbourhood restaurant with a simple but elegant fit out. The owner was a total sweetheart whose good English made up for our non-existent Italian. The food was also simple but elegant. My favourite dish was home-made ricotta with roasted tomato and zucchini and intense wild mint. Though Scott’s artichoke soufflé was also pretty amazing. Way more artichoke than soufflé. Served with dried roasted artichoke. Though all the food was fabulous and the owner was very helpful picking a wine for us as neither Scott nor I know much about Italian wine.

I really loved the pace of this place. I never felt rushed. The long breaks between courses were very welcome. And we were given much help designing our vegie repast. The Waitress was also charming. She didn’t speak English (and why should she?) but did speak Spanish. Was fun getting to use my extremely rusty Spanish.

La Campana
Vicolo della Campana 18
06 6867820

La Campana is very old school, which befits a place that’s supposed to be Rome’s oldest restaurant. The waiters were mostly older blokes and spoke almost no English. We muddled by on my Spanish and guess work, which made everything that much more fun. The place cooks only traditional Italian (mostly) Roman food. Everything we had was wonderful. My favourite dish was (again) a salad. A huge oval of mozzarella di bufala with tomatoes and rocket. The tomatoes were sublime: sweet and firm and probably the best tomatoes I have ever eaten. Their skin was mostly red with some green and yellow striping and the seeds a dark green. I’m desperate to figure out what they were. Yum! The cheese was also sensational and bears no resemblance to the substance of the same name I’ve had in Australia and the US. (We actually had the same tomatoes at lunch at Cantina Cantarini Piazza Sallustio, 12—a very simple mostly fish restaurant that we also enjoyed heaps).

I ordered the wine at every restaurant we went to La Campana was the only one where they had Scott taste it. I did say old school. They also automatically gave him the cheque.

Glass Hostaria
Vicolo Del Cinque, 58 Traselevere, Roma

This was our favourite meal. Prices were very reasonable and the food was adventurous, well-executed, and delicious. Definitely not old school. This time my favourite course was my main: monk fish with almond cous cous and yellowy orangey reduction that I cannot remember what it was but it was wonderful and a sprinkling of chili. The whole thing was amazing. Dessert was sublime. We both had the orange and pavlova dish. Which was several orange segments in a line with salt and paprika sprinkled on them and then a big round kinder-surprise looking meringue filled with orange gelato with a kind of sherberty mixture at the bottom. It resembled an egg and was deeply fabulous. Even the bread was amazing. It came on a long platter with two slices of each kind which ranged from regular sourdough through to black squid ink bread.

The restaurant has a really fun fit out with dangling lights and plenty of glass. Including the tables. The wait staff are young and lovely, though sometimes a wee bit confused. The sommelier was spot on though and we wound up having the best wine we’ve had so far on this trip: a 1999 Gaja Chardonnay “Gaja e Rey”. I want it again!

The chef, Cristina Bowerman, came out to talk to us because there was almost nothing on the menu for vegetarian Scott. She was utterly charming and organised a fabulous meal for Scott that included coffee quinoa and chickory. It turned out she trained in Austin and spoke well of the wonderful restaurant we’d been to there, The Driskill Grill. Her favourite restaurants in NYC are our faves: Per Se and WD-50.

I wish we’d had longer in Rome. We didn’t manage to get in at La Pergola, which some say is the best in Rome. But there were also gazillions of neighbourhood restaurants I wanted to explore. Oh, yeah, and I guess we should have checked out the Colosseum and the Pantheon and that stuff. Did I mention we were working? Novels don’t write themselves you know! And hungry writers cannot work. There mind’s wander and they start typing the same thing over and over again. It was essential for our careers that good food be our priority.

In short: Rome is now on my list of cities I could live in.

For a city to make this list it must be pedestrian friendly, have really good food and wine, and I must have, you know, been there. The other cities on the list are: Sydney, Melbourne, New York, San Francisco, Buenos Aires, Madrid, Paris, Mexico City.

I’m also very fond of Bologna, Salamanca, San Miguel de Allende, and Dunedin, but suspect they are all too small to live in for more than three months or so. Bangkok, on the other hand, is a bit too big, though I’d definitely love to go back and stay for a few months. Such good food there! Yum.

Oh, look at the time. I must away to my next meal.

What are your favourite food cities?

12 Comments on Roman Restaurants, last added: 3/28/2008
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25. Why all the research?

Enough of you have been emailing to ask why I wants to know about lying and DNA testing and race that I feel I should offer some kind of explanation, or several even:

  • I am hard at work building a lie-and-DNA-detecting robot.
  • I was bored.
  • Maureen Johnson made me ask you cause she’s too lazy to do her own research.
  • It’s for my new novel.
  • It’s procrastination to avoid work on my new novel on account of Scott took my IM capability away.
  • I am distracting myself from certain sad events on The Wire.
  • None of the above.

I hope that’s cleared everything up to your satisfaction.

18 Comments on Why all the research?, last added: 3/12/2008
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