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Yup, it’s my annual what-I-did-this-year skiting post. I write these mostly for myself so I can easily keep track. Hence the last day of the year category. Thus you are absolutely free to skip it.¹

This year was exceptional. I’m still pinching myself. My first Bloomsbury USA book, How To Ditch Your Fairy, was published and seems to be doing well. I was sent on my first book tour, which was fabulous. It’s insane how much fun I had and how many fabulous schools, book shops and libraries I visited in California, Michigan, Missouri, New York, Ohio, Pennsylvania and Texas. Thank you to everyone who came to see me while I was on the road. It was a blast getting to meet you all! I loved hearing what fairies you all have!

Now this is going to sound like the acknowledgments page but bear with me cause I thanked my fabulous editor, Melanie Cecka in print, but not the wonderful publicity and sales and marketing folks because, well, I didn’t know them back then. Deb Shapiro is the best and funniest publicist I’ve ever worked with, Beth Eller is a genius of marketing, and all the sales reps who’ve been flogging the fairy book mercilessly across the USA are too fabulous for words. Extra special thanks to Anne Hellman, Kevin Peters, and Melissa Weisberg.

HTDYF also sold (along with the liar book) to Allen & Unwin in Australia. This is a huge deal because it’s the first time I’ve had a multi-book deal in Australia and A&U publishes many of the best writers in Australia, including Margo Lanagan, Garth Nix, Penni Russon and Lili Wilkinson. My editor and publisher, Jodie Webster, is a joy to work with. So’s Sarah Tran and Erica Wagner and Hilary Reynolds and everyone else on the Alien Onion team. Bless!

Both Bloomsbury and A&U seem even more excited about the liar book than they were about HTDYF. Which is a huge relief to me because, um, it is not the most obvious follow-up to the fairy book. Older, darker, scarier, completely different. Stuff like that. Here’s hoping that not too long into the new year I’ll be sharing the title, the cover, a sneak preview, and other such fabulous things.

The fairy book also sold in Germany to Bertelsmann, who published the Magic or Madness trilogy there and gave it the best covers ever. It was awesome getting to meet the two Suzannes: Krebs and Stark in Bologna. Thank you for believing in my book so strongly that you bought it when it was still in manuscript. I still can’t quite believe it.

Speaking of the trilogy it sold in Korea to Chungeorahm Publishing, which means it’s now published in ten different countries and eight different languages. All of it Whitney Lee’s doing. It’s astonishing to me how well the trilogy is doing more than three years after first publication. Fingers crossed that will continue.

I also had two short stories published. A rarity for me. My last short story was published back in 2004. These two were the first I’d written since then. Short stories are not my thing. They’re so much harder to write than a novel. ““Pashin’ or The Worst Kiss Ever” appeared in First Kiss (Then Tell): A Collection of True Lip-Locked Moments edited by Cylin Busby and was universally declared to be the grossest story ever. “Thinner Than Water” is in Love is Hell edited by Farrin Jacobs. I’m proud of them both for very different reasons. But don’t expect any more. Writing short stories hurt my brain.

Last year I was wise and only aimed to write one novel in 2008. Just as well because that’s all I did this year no stories, no articles, nothing else. I wrote the liar book and began the 1930s book. It’s very clear that I’m a one-book-a-year girl.

I also mentioned in that one-year-ago post that I had three sekrit projects. The first is no longer a secret: the Zombie Versus Unicorn anthology that I’m editing with Holly Black, which marks the first time I’ve edited original fiction. Am I excited? Why, yes, I am. It will be out from Simon & Schuster in 2010 and we’ll be announcing our insanely excellent line up of authors in the new year. Truly, you will die at how great our writers are.

One of the other sekrit projects morphed into a solo project (the 1930s book) and I’m still hoping that the last of the sekrit projects will go ahead some time next year. Here’s looking at you co-conspirator of my last remaining sekrit project! You know who you are.

Next year will be taken up with writing the 1930s book and editing the Zombie v Unicorn antho. The 1930s book is the biggest most ambitious book I’ve tried to write since my very first novel set in ancient Cambodia. I’m loving the researching and writing. Immersing myself in another era is the most fun ever! I think my next ten books will all be set in the 1930s.

My 2009 publications. This is a WAY shorter list than last year:

September: the liar novel for Bloomsbury USA.

October: the liar novel for Allen & Unwin.

Yup, just the one novel from me. Sorry! You should also get hold of Cassandra Clare’s City of Glass when it comes out. It’s the final book of the City of Bones trilogy and the best of the three. I read it in one sitting on my computer.² Then later in the year there’s Robin Wasserman’s sequel to Skinned. You know you want it! Yet another book I read in one go. Also on my computer. Think how much better it will be between actual covers.

Then there’s the three YA debuts I’ve been talking about by Peterfreund, Rees Brennan and Ryan. If you read no other books in 2009 make sure you read those three. I’m also dying to read the sequel to Kathleen Duey’s Skin Hunger, which was my favourite book of 2007.

Last, but not least, the old man has his first novel in two years, Leviathan. Fully illustrated by the fabulous artist Keith Thompson and better than anything else Scott’s ever written. I’m so proud of him and of this book. You’ll all love it. Seriously, it’s worth the price just for the endpapers!

I travelled way too much this year. Italy, Switzerland, Austria, Germany, the UK, France, Canada, all over the USA, and home to Australia. Again. Looks like the same for next year. I have no idea what to do about that. I guess when you try to live in two different countries at the same time that’s the price. Oh, and lots and lots of offsets. We try to be good.

This is where I usually say that I think the coming year’s going to be fabulous. But this year I’m not sure. The economic news back in the United States has been dire. Friends have lost their jobs, their editor, their imprint. It’s scary in publishing right now and it’s even scarier in many other industries. I really hope good governance in the USA will make a difference world wide. But I just don’t know. I had great hopes for the Rudd government and here he is botching the fight against climate change and trying to put up a filter for the internet in Australia. Ridiculous. Surely Obama’s government will not be so stupid.

Here’s hoping 2009 will see a return to sanity all around the world, but especially here in Australia.

Happy new year!

1. I would if I were you.
2. Actually I was lying in bed. Whatever.

“Write what you know” is one of the most frequent pieces of writing advice. Problem is, it’s rubbish. As Cat Sparks discusses at length in this excellent post:

We’ve all heard that old adage ‘write what you know’. Well, that’s a damn fine idea if you happen to be an articulate astronaut, outback adventurer, brain surgeon, fashionista, rock star, molecular biologist or trapeze artist. But if, like me, you’re just another white middle class wage slave, maybe you want to rethink that hoary old chestnut. Because maybe we just aren’t that interesting and maybe what we know about is duller than a public service tea break. I have developed a better idea. Find something you don’t know much about, learn it up and run with the baton from there.

Almost every book I’ve written has involved me doing research. Obviously, I did that for my two non-fic books. But also for my novels. The Magic or madness trilogy has a protag, Reason Cansino, who’s a mathematical genius. I am not. I can barely add up. I had to learn about Fibonaccis, prime numbers, and many other mathematical concepts that I barely grasped and have now completely forgotten, but hopefully make sense and worked in those three books. I’ve had some maths fiends write and tell me how much they appreciated Reason’s mathsiness. Those are the compliments that mean the most to me because that was by far the hardest part of writing the trilogy. I was writing stuff I didn’t understand. Or only barely. And only for long enough to write those bits of the book.

None of my novels are about people who are like me. Charlie in How To Ditch Your Fairy is a jock. I love sport, but I’ve never played that much and have never excelled. I would never have made it into a sports high school, even if I’d had the talent, cause I don’t have the discipline, and I really hate being told what to do. Charlie loves it. Rules make her happy, being at the strictest, most irrational high school in the world makes her happy. It would have driven me nuts. I would have been expelled within a week. Sometimes I think Charlie is the character I’ve written who is least like me. She has little intellectual curiosity, she’s happy with how things are, she loves rules, and she’s very very disciplined. Writing her was a revelation—I wound up liking and even understanding her. Whereas if we’d been at school together, I doubt we’d have had anything to talk about. Charlie doesn’t read or watch tellie and she doesn’t have much of an imagination.

If I’d've stuck to writing what I know, I wouldn’t have written any of those novels.

That’s not to say that I use nothing I know. Sometimes I give characters aspects of myself. Reason has spent time on indigenous settlements, so did I. Tom (also from the trilogy) has a father who’s a sociologist, so are both my parents. Tom in the trilogy loves fashion; so do I. But we’re still different. I’m challenged to get a button onto a shirt; Tom can make any item of clothing from scratch. So it required research to make his fashion prowess believable.

For me, one of the great pleasures of writing novels is exploring worlds I don’t know. I didn’t know anything about New Avalon when I began HTDYF. It’s an amalgam of places I’ve been, but it became its own city. Not like anywhere else. I didn’t know it until I wrote it. But I especially love learning about the characters I populate my books with. None of them have ever turned out the way I thought they would. They’ve all forced me to stretch as a writer, to learn things I didn’t know—about mathematics, about being an athelete, about being someone other than myself. It’s a gift to get to live in someone else’s head for awhile. It’s why I kept writing for twenty years without being published. It’s why I will keep writing long after my career has dried up. And it’s why I’m so bewildered by those writers who keep writing the same book over and over again. Maybe I should write a novel about that kind of a writer so I can figure it out?

Forget about “write what you know”. Or, rather, don’t be limited by that injunction. One of the scariest things I encountered on my tour was when I was being shown around a lovely school and I was introduced to all the different grades, even kindergarten, and in one class, second grade, I think, the teacher told her students that I was a writer:

“She writes stories for a living!”

The kids looked a bit bemused by this information but smiled and waved at me. I smiled and waved back.

“When you were their age,” the teacher asked me, “you wrote about your own experiences, didn’t you?”

“Oh, no,” I said immediately, “I wrote about dinosaurs and wizards and witches and monsters and—”

The teacher cut me off even as many of the kids were giggling. “Yes, but don’t you agree that it’s much better to learn to write from your own experiences?”

I don’t think that at all. I was horrified. So horrified that I just stared at her, not able to articulate my response. I don’t think anyone noticed because someone realised we were running late and I was led away. But later that day I made it a point to talk about how important and fun it is to write about stuff you don’t know, and that the way to do that is to make it into something you do know.

For example, maybe you have an excellent idea for a story about a kid whose mum is an elephant trainer? But you don’t know anything about elephants or what goes into training them. Start reading up on it and once you have go to the zoo nearest you. See if you can interview the zoo keeper about how they keep their elephants. Ask yourself lots of questions: How happy are elephants to be trained? How much longer do they live in the wild than in captivity? Would your character have an ambivalent attitude to their mum’s job?

That’s a lot to learn. Maybe you can ground your story by setting it somewhere you’re familiar with, or giving your protag some aspect of yourself. I doubt anyone writes a story that’s entirely made up of stuff they don’t know. In fact, really once you’ve researched it, you do know it.

Hmmm, I think I’ve come full circle: write what you know.

But remember that what you know includes everything you’ve learned, all your research, everything you’ve read, or heard or seen. So the more you read, and hear and see, the more you have to write about.

I am now almost up to November answering my correspondence. There’s only a hundred more emails to answer! Yay!

If you’ve written to me this year and not heard back from me, that means I either didn’t get your email, or you did not get my response. Either way best thing to do is to write me again.

I received more fan mail this year than all previous years added together. (Which, admittedly, was not hard as I received very few until this year.) Of all the fabulous things that have happened to me in 2008¹ those letters are by far the best. The majority were about posts and essays on this website—especially requesting writing advice. The next biggest group of letters were about the trilogy, and lastly about How To Ditch Your Fairy. Though to put that in perspective HTDYF has already attracted more letters in the few months since it was published than Magic or Madness did in its first 18 months of publication. Yay, fairy book!

Thank you so much for the wonderful letters. Each one gave me a tremendous lift. Even if I was already in a good mood they made me happier still. While I’ve always wanted to be a writer, until my first book came out, it had never really occurred to me to think about what that would actually mean, about what it would be like to have readers. I know that sounds a bit bizarre, but I was so focussed on my writing, and on getting published, that I just hadn’t considered that part of the equation: that being published means being read by people I’ve never met. I’m glad that part didn’t occur to me ahead of time. I think it would have spooked me. But it turns out to be fabulous.

Thank you for all the letters pointing out the typos and errors in my books and my blog. I really appreciate them and do what I can to fix future editions. Keep ‘em coming!

Thanks to everyone who wrote and begged for more books in the Magic or Madness and HTDYF universes. I’m pretty sure that HTDYF is a standalone and the MorM series a trilogy, but I’m thrilled my books left you wanting more. The best way to get more is to write it yourself. There are gazillions of wonderful fanfic sites out there. You could add your own stories about the further adventures of Tom and Charlie. Go forth and create more fanfic! Mash up MorM with Buffy or Nana. Or HTDYF with Naruto! What would be cooler than that?

Thanks for all the tips on quokkas and mangosteens and cricket and 1930s fashions and photo sites. Much appreciated! Though I’m horrified that any of you are settling for dried mangosteen or mangosteen juice. Ewww. There are no substitutes for the actual fresh fruit!

Good luck with your writing. Yes, sometimes it can be hard and you don’t know what’s going to happen next. That happens to the professionals too. The only thing you can do is keep pushing through. Don’t give up. But remember to have fun with it too. One of the best things about not being published yet is that you have heaps of time to experiment. Write the same story in all the different points of view. See which one works best. Try writing a story backwards. Starting at the end and working your way towards the beginning. Write in lots of different genres. Muck around! Have fun!

Thanks for your letters, your comments, and all your support. It means the world to me.

xo

Justine

1. Of which more on the last day of the year.

A frequently debated question is who was the best dancer? Fred Astaire or Gene Kelly.

The answer is: the Nicholas Brothers!

Feast your eyes:

Fayard and Harold Nicholas have never been surpassed. Just astonishing. Even Fred Astaire admitted the fabulousness you have just watched was the best dance sequence he’d ever seen. He was correct.

On the research front: Yes, that sequence is from Stormy Weather and yes it was released in 1943. But they were the top act at the Cotton Club from 1932. As you all know the Cotton Club was the top entertainment venue in New York City in the 1930s, which co-incidentally is when and where my next book is set. So rewatching the fabulous Stormy Weather totally counts as research cause it recreates many 1930s era Cotton Club numbers.

Next stop Emperor Jones from 1933, which I don’t even have to justify. Yay!

For those suggesting 1930s films: I much appreciate it. Just keep in mind I’ve been doing this research for well over a year and have been obsessed by Hollywood films of the 1930s since I was knee high to a grasshopper. Thus if it’s readily available on DVD odds are I’ve already seen it. But if it’s relatively obscure, or only just released on DVD, then suggest away!

Initial disclaimer: I realise that just by announcing that I’m not that fussed I’ll be seen as protesting too much. To which I respond: Whatever.

In the course of reading Diana Peterfreund and Carrie Ryan’s lovely posts about all the ways in which YA is dismissed by people who know nothing about it and have read at most two YA novels, and the New Yorker blog post that set Carrie off, I realised that I, in fact, wasn’t particularly annoyed or outraged by it. There are a few reasons for that:

1. The post in question, while declaring that it is the exception that proves that YA is not worth reading, raves about a novel by a truly wonderful writer: Kathe Koja’s Headlong. I’ve not yet read it. (Tragically, it is not set in the 1930s.) But I have heard great things and I’ve read several of Koja’s other novels. She’s a genius. Pure and simple. Anyone spending time praising her work in a public forum is okay by me. Continue!
2. I’ve seen that kind of dismissal of the genre many times before—not just YA, but also sf and fantasy. It’s boring and I’m bored by it. Yawn. Been there done that. The more you hear an erroneous set of assumptions, the less they bother you. I’ve also mounted the counterarguments and had them largely fall on deaf ears so I can’t be bothered saying it all again. I’l leave it to those more able and willing. Like Diana and Carrie and Maureen Johnson and John Green and Jennifer Lynn Barnes.
3. We’re doing better than they are. I don’t want to skite about my genre, but . . . Oh, who am I kidding. I totally want to skite! I don’t care that there are adults who will never read YA because there are heaps of adults who are reading it. Not to mention the gazillions of teenagers. YA totally outsells adult litfic. Our audience is bigger than theirs. Our books earn out; theirs mostly don’t. Many of the YA writers I know can make a living writing; most of the litfic writers I know can’t. Many YA writers sell in multiple territories. We have books in Korean and Russian and Indonesian and Turkish and Estonian as well as English. We get fan letters from our readers all the time. We’re doing just fine; it’s adult litfic that’s in trouble.

Now that last skiteful point may turn out to be an historical aberration. Horror as a genre was riding very very high in the eighties and look at it now! Exactly. There are very few “horror” sections left in book shops and Stephen King’s pretty much the only one still doing fabulously well. Best to take that point with a grain of salt. I imagine that when the genre dries ups and my books stop selling¹ I’ll be annoyed all over again at those mean litfic types peeing on YA. But I hope not. On both counts. But, yes, especially in the US, this has been a very scary year in publishing.

In the meantime, yay for Koja praise. Yawn to ignorant dismissals of any genre. And yay for all us YA writers doing just fine, thank you very much, while the rest of the publishing world collapses. Some of you astute followers of publishing in the US may have noticed that there were way more job losses and other slash-and-burns in the adult publishing world than there were in children’s/YA. Maybe the current spate of litfic sniping at YA is sour grapes?²

Oops, seems that I’m still skiting³ Look away, pretend you saw nothing! And read whatever damn books you want to read: litfic, YA, romance, fantasy, manga, airplane manuals, cricket books. It’s all good.

I’ll get out of your way now . . .

1. Those two events may or may not be concurrent.
2. Well, except that as I pointed out t’other day many of them haven’t even heard of us.
3. Which is dangerous given how precarious publishing feels right now, even though book sales are actually up in the USA on what they were the year before.

Diana Peterfreund and Carrie Ryan saved me from writing a post I’d been sort of planning for awhile—on the various lame ways people dismiss YA—but which I kind of couldn’t be arsed actually writing. So bless them both!

I’ve come across this example all too often:

“XYZ is pretty good, for a book for children, but I doubt the author will be allowed to take it to the next level, because children’s books rarely do that.” (The “that” in question, by the way, is a rebellion against the powers-that-be by the teen main characters, which is so common in YA fantasy and SF books that it’s practically a cliche.)

Succinctly put, Diana!

Though mostly what I get from adult writers and readers in place of dissmissals, are blank expressions. “What’s YA?” they ask. This happened to me most recently here in Sydney. I ran into a friend I hadn’t seen since we were studying for our PhDs together. She’s a successful (and fabulous—I love her work) writer of adult fiction and memoir, winner of many awards and grants, very clued in to the Australian publishing scene, but when I told her what I write, she didn’t know what I was talking about, and hadn’t heard of any of the top YA writers or novels I named. It was very disorienting. She didn’t even know Twilight.

I’m trying to decide whether that’s better or worse than all the people who assume that all YA is exactly like Twilight. Yes, I have had people seriously say to me, “YA? Isn’t that the vampire romance genre?”

Sigh. Don’t get me wrong, I have nothing against Twilight. In fact, I’m a hundred per cent for it. Stephenie Meyer’s success has created a whole generation of readers. Many of whom, I’m convinced, wouldn’t be reading without her. A few of her fans have gone on to read my books. Bless her and bless them! I feel the same way about Meyer that I feel about Rowling. Grateful bordering on worshipful.

But as the readers of this blog know, there’s more to YA than vampire romance. Why, we have zombie romances, faerie romances, troll romances, robot romances—we have any kind of romance you can name. My next novel is a liar’s romance and the one after that is a 1930s romance.

See, stupid YA knockers or ignorers, we has much variety in YA! Why, I’ve even heard rumours that there are YA novels that aren’t romances at all. Though I’m yet to confirm it.

I found this article on whether to go hardcover or paperback for a debut novel dead interesting. It’s a debate that doesn’t happen much in the Oz market where the vast majority of books are paperback orignal.

I prefer reading paperbacks because I find hardcovers are usually too heavy and unwieldy.¹ The books I love best I like to have in hardcover (first edition, natch) but I usually have a paperback reading copy as well. Um, yes, I can be a bit compulsive about my fave books. What of it?

How many of you buy hardcovers? How many wait for the paperback? Are there some writers you’ll buy in hc and others you only get in pb?

1. Though, I confess, I adore little hardbacks. They’re so cute!

I am going to go out on a limb and predict that these three titles will be the big debuts of 2009:

Diana Peterfreund’s Rampant
Killer uni***ns and the tough gals what fight them. It’s funny and exciting and romantic and has amazing action scenes. What more do you need to know?

Carrie Ryan’s Forest of Hands and Teeth
Zombie apocalypse, scary nuns, and a girl who’s never seen the ocean. You know you want this.

Sarah Rees Brennan’s The Demon’s Lexicon
I have not yet read this one but Scott has and he keeps bugging me to read it. He loved it. I’m a huge fan of Sarah’s extremely witty and wonderful blog so I have high hopes.

They’ll all be out next (northern hemisphere) spring. I guarantee that you will love them.

What books are you all looking forward to next year?

From the comments on the last post I get the feeling some of you think that I’m saying writers shouldn’t blog.

Au contraire.

Many of my favourite blogs are by writers. I love writers’ blogs! I love reading about their struggles with their writing, about their thoughts on craft, their battles with their psychotic neighbours, the zeppelins they build. I love learning how different most writers approach to writing a novel is from mine. In fact, later this week I’ll be posting a bit more about outlining versus winging it. Cause who gets tired of that topic? Not me!

I frequently encourage writer friends to start blogging. In fact, I feel a little swell of pride about certain writers’ blogs because I’m convinced my nudging them is part of why they started blogging. Go me!

There are a gazillion positive effects of blogging: direct communication with other writers and readers you wouldn’t otherwise meet, becoming part of communities,¹ having fun, talking craft, encouraging everyone to try fresh mangosteens² etc etc.

And, yes, if your blog entertains people there’s a chance that some of them will wind up buying your books. All I’m saying is that if that’s your sole motivation for starting a blog then odds are you will be disappointed.

It’s rubbish that starting a blog is an excellent way to flog books. The majority of brand new blogs have teeny tiny audiences. It takes ages to build one. And if all you’re doing is flogging your books you will never build an audience. Because a blog full of exhortations to BUY MY BOOK is pretty much the most boring blog in the universe.

Which does not mean that I don’t want you to buy my books. I do! But only if you want to and if you can afford it. But I’m just as happy with you borrowing them from the library. Support your local library!

Or not reading them at all. Life’s short and there are many wonderful books. I totally get reading Dorothy Dunnett’s Lymond chronicles or King Hereafter or anything by Jean Rhys or Angela Carter or Jane Austen before you’d read my books. I’d certainly rather read them or Alice in Wonderland or way too many books to name than anything I’ve written.

Quite frankly I’m just as thrilled by the people who enjoy this blog as I am by the people who enjoy my books. The fact that there’s often no overlap between those two groups is awesome. It means I can amuse people who have zero interest in YA or fantasy but have a fascination for cricket or mangosteens or quokkas or any of the myriad other topics I crap on about.

Which is yet another reason I love blogs so much. They’re places where we can share and discuss our obsessions. There are few things more fun than that.

1. Especially important if you live in a small town far from other writers.
2. Dried, juiced, tinned mangosteens are all abominations. The one true mangosteen is the fresh fruit. Which can now even be purchased (for a fortune) in the US of A.

One more thing that I think some wannabe published writers don’t understand. Being a professional writer means having homework ALL THE TIME. (Thanks to Jennifer for pointing this out.) And when your homework comes back covered in read you have to do it over. Sometimes you have to do it over multiple times. And then your homework gets checked again by several other people (copyeditor, proofreader) and then you have to look at it again.

It’s like the worst homework ever that NEVER ENDS.

I’m just saying . . .

Boingboing links to a dead interesting piece on facebook and privacy. It’s something I think about a lot. Well, not facebook, which I currently avoid as actively as I avoid twitter, but privacy and blogging.

Because it happens frequently that my ideas about privacy and those of many others do not line up. Fer instance, I never blog about the stuff I hold to be private, which includes most of what’s going on with me offline, except as it relates to my writing career, and even then I share only what can be publicly shared. Thus you don’t hear about my selling a new book until the contract is signed. Which means an interminable wait between my knowing that a book is sold and my telling you. Whereas I have seen writers blog the very first offer.

It goes the other way too. I blogged about how much I earned last year because I think it’s important that wannabe writers are acquainted with just how little a reasonably successful full-time writer earns.¹ I know several writing bloggers who are appalled that I shared my income. I also blog sometimes about when the writing is not going well. Again there are writing bloggers who think that’s way too private to ever share.

But that side of the privacy issue is easy. We bloggers blog what we want to blog. We’re in control. If we think something’s too private for blogging then we don’t blog it. What we don’t have control over is what our friends and family choose to share in the comments thread. I have had friends bring up stuff I consider deeply personal in comments. I delete those comments. But even so, sometimes those comments are up for quite awhile before I see and destroy them. *Shudder*.

Less egregious are the friends and acquaintances who use comments to say, “Hi, how are you doing? We should get together.” I write and say, “Hey, you have my email address. I love you but what are you doing putting stuff like that in a comments thread about the end of publishing as we know it?”

It feels to me like an etiquette breach. If we haven’t seen each other in ages and you want to reconnect—email me. There’s a contact form on every single page of this blog. Here’s a rule of thumb: if you post in comments something that is of no interest to anyone but you or me then it should be an email, not a comment.

My blog is my public face. It’s a place to discuss a wide variety of topics—books, writing, publishing, Elvis, mangosteens, quokkas and so on and so forth. I expect people to stay on topic and the vast majority of folks do. Tis why I love my blog. The people who comment here seem to have the exact same notions of blogging etiquette that I do. Bless you all!

Note: I am not saying this to remonstrate with anyone. When my friends do this I call them on it and they apologise and never do it again. They are quick learners. Or, you know, tolerant of my eccentricities. Just as when I do stuff that bugs them they call me on it and I attempt never to do it again². It’s a beautiful thing.

However, I keep being made aware that many, many, many others don’t think about blogging in the same way I do. They are surprised when I mention my feelings about this. They think I have a major stick up my arse. “If you want to keep your life private,” they ask, “why do you blog?”

There are many people who live their entire lives online. They share. In my opinion they massively overshare. But, hey, it’s their blog they can do what they want with it.³ Some also mark their blogs as a place with an in crowd, who can talk personally with the blogger, and whose comments always get a response. When the blogger in question has a public career as a writer or an artist or a musician or what have you I wonder how appealing that makes the blog to potential readers. Do they feel shut out? I know I am never tempted to comment on such a blog.⁴

What do you lot think? Am I a fuddy duddy? No, don’t answer that! What are your thoughts about privacy and blogging? How do you feel when a personal discussion takes place on a blog that you went to cause you like the blogger’s music or art or writing?

1. Sure some earn heaps more, but not many.
2. Though sometimes I fail cause I am not as quick a learner as they are.
3. And I confess that there are some extremely personal oversharing blogs that I’m deeply addicted to.
4. I try hard to make this blog as inviting and non-in-group-y as I can. In the olden days I would respond to almost every comment. Sadly, I am no longer able to do that. Though I am still more likely to respond to comments by people I don’t know as I am to comments by the known.

I have a mountain of work, admin, packing, and correspondence to catch up on, but instead I am reading through my new favourite blog, Cake Wrecks, which I discovered via an old favourite blog, Jenny Davidson’s Light Reading. I’m sure all of you have been enjoying it for years. What can I say? I am slow.

So far it has led me to many pleasures but few top the delight of the world’s worst Dalek cakes. I confess that I laughed so hard I cried.

Then it led me to this. The making of the most incredible cake I have ever seen:

Apparently it took twelve days to make. Wow. Just wow.

Here in the USA’s publishing capital, NYC, there are many signs of a publishing downturn: reports and rumours that books sales are down and that the big chains are ordering less books. A few of the big publishing houses are laying off staff, cutting expenses, not acquiring books, and various agents are seeing a slow-down in their sales, especially for debut novels.

Of all the genres children’s (which includes YA) seems to be the least affected. Sales have slowed but not nearly as drastically as in adults. The Times reports that while parents are curtailing their own spending they’re still buying their children presents. It’s interesting that the recent Times article that covered Houghton Mifflin Harcourt’s freeze on acquisitions did not mention that the freeze does not apply to children’s books.

Children’s books are relatively inexpensive. Especially compared to adults. An average YA hardcover is US$16 while an average adult hardcover is US$24. Quite a difference. Adult books are also given higher advances (on average) and earn out slower, if they earn out at all. Several people told me that way more of their children’s list earns out than their adults. You hear that? We are profitable.

While sales are down, every single children’s division has at least one bona fide hit. Not all of those hits are as insanely huge as Stephenie Meyer’s Twilight books, which have earned every employee at Little Brown a bonus, but they’re still doing very nicely. Not to mention that Meyer’s books have also benefited other authors by creating a demand for “more like that, please!” I’ve gotten quite a few letters from Twilight fans telling me they turned to the Magic or Madness books because they’d run out of Meyer’s. I am very very very thankful to Stephenie Meyer. She and J. K. Rowling are a huge part of why children’s is as profitable as it is. Bless you both!

That said, we are in (at the very least) a recession. Libraries are seeing big increases in traffic and more and more people are borrowing when before they might have bought (which as I argued yesterday is far from a bad thing for authors). Like I said, sales are down. They’re down all over and for many things not just books. (Unless you make Spam, that is.)

So am I worried?

Well, sure. But not that much more than usual. Publishing is a risky business even when the economy is booming. Genres go in and out of fashion, as do authors. I know writers who were doing brilliantly in the 1980s, who are now only published in the small press world. How many of the super popular children’s writers of the eighties and nineties are popular and publishing now?¹

Most writers don’t make a living writing even in the best of times. Unpublished writers who are freaking out that they’ll never break through in such tough times are forgetting that their odds aren’t great anyway. It’s not just the unpublished who have trouble. The vast majority of authors with one published book never publish a second. Even long established writing careers go into decline.

Publishing is a tough business no matter what the economic climate. But at least we’re in the strongest part of our industry, and at least we’re not on Broadway, or making cars.

1. Judy Blume, Garth Nix, Tamora Pierce, J. K. Rowling and, um, probably heaps of others I’m not thinking of right now.

I’ve had a few folks write to me to ask where they can buy signed copies of my books. The answer is there are many many places. I was just on tour, see, and wherever I went I signed books. Even if you have zero interest in whether a book is signed or not these are all very fine bookshops that you should check out if you haven’t already:

California:

Borderlands Books
866 Valencia St.
San Francisco CA 94110
Bonus: they have two gorgeous Sphynx cats.

Kepler’s
1010 El Camino Real
Menlo Park, CA

The Storyteller
30 Lafayette Cir
Lafayette, CA

Copperfield’s Books
140 Kentucky St
Petaluma, CA

Books Inc.
601 Van Ness
San Francisco, CA

Michigan

Schuler Books & Music
3165 Alpine Ave
Walker, MI

Pooh’s Corner
Breton Village
1886 1/2 Breton Rd. S.E.
Grand Rapids, MI

Ohio & Kansas City, Missouri

Joseph-Beth Bookstore
2692 Madison Road
Cincinnati, OH

Fundamentals
25 W Winter Street
Delaware, OH

Cover to Cover
3560 North High Street
Columbus, OH

Books & Co
Books & Co at The Greene
4453 Walnut Street
Dayton, OH

Reading Reptile
328 W. 63rd Street
Kansas City, MO

Philadelphia & NYC area

Big Blue Marble Bookstore
551 Carpenter Lane
Philadelphia, PA

Voracious Reader
1997 Palmer Ave
Larchmont, NY

Books of Wonder
18 West 18th Street
New York, NY

Texas

BookPeople
603 N. Lamar
Austin, Texas

Barnes & Noble
Northwoods Shopping Center
18030 Highway 281 North
San Antonio, Texas

Canada

Bakka-Phoenix Books
697 Queen Street West
Toronto, ON

Indigo Bookstore
Yorkdale Mall
3401 Dufferin Street
Toronto, Ontario

Love is Hell, an anthology including stories by me and Scott as well as Melissa Marr, Laurie Faria Stolarz and Gabrielle Zevin is now available in the US of A. The extra good news is that it’s a paperback. Cheapness!

A portion of the proceeds of Love is Hell will benefit College Summit, a nonprofit that helps more kids get into college.

Let The Right One In is a Swedish vampire movie set in the early 1980s. It’s also one of the best genre movies I’ve seen in years—scrap that—it’s one of the best movies—no modifier needed—that I’ve seen in years. You all need to go see it. Not least because every time I think there’s nothing new that can be done with vampires, someone does something new and fabulous.

No, this isn’t my review of Twilight, it’s a post about a new anthology (out this week!) that includes a short story by me.

Actually, at 60 pages it’s really a long story. There are only five stories in the anthology, so everyone got to stretch out a bit and write mini-novels. As you can probably tell from the title, the subject is love and romance of a supernatural kind.

Here’s what it looks like:

And here are the stories:

“Stupid Perfect World” by me
Set in a future in which the ancient scourges of humanity—war, sickness, hunger, teen hormones—have been eliminated. In fact, the only place you ever experience them is in a special history class called Scarcity. Extra credit proposals are due today, and Kieran’s and Maria’s class projects are going to bring them together in unexpected ways.

“Thinner Than Water” by Justine
This tale of culture clash is set in a town that follows the old ways: no TVs or cell phones, no factory-made clothes or food, and marriages way too young. This sucks for Jeannie, who’s sixteen and supposed to be “hand-fasted” soon. But when she chooses Robbie, who has a touch of faerie blood, the clash of cultures takes on a new dimension. Click here for an excerpt.

“Love Struck” by Melissa Marr
A love affair with a selkie has its complications. Melissa can explain this better than I can.

“Fan Fictions” by Gabrielle Zevin
Paige falls for a mysterious new boy at school. As Gabriel puts it: “Say, have you heard of that book where the ordinary, clumsy girl falls for the sparkly, vaguely obsessive vampire dude? (I think it’s just starting to catch on.) My story is a bit inspired by that whole thing.”

“Sleeping with the Spirit” by Laurie Faria Stolarz
Loving a ghost ain’t easy, but it’s totally worth it.

Love is Hell is available now at fine bookstores everywhere, and online at Amazon, Barnes & Noble, and Booksense.

A portion of the proceeds will benefit College Summit, a nonprofit that helps more kids get into college.

This is my favourite USian holiday. A day set aside to give thanks for the good stuff in your life is a lovely idea. I’m extremely lucky because I have so much to be thankful for that if I listed them all this would be the longest post in the history of blogging.

Thus I will be brief:

I am thankful for the fabulous readers of this blog. Whether you comment or lurk I am grateful for your continued support.¹ Without you there’d be no point. You all rule.

Happy Thanksgiving!

xo

Justine

1. Even those of you who kvetch about my unorthodox grammar.

Scott and me are having a wee bit of an argument. He thinks I sign too slow on account of I like to chat to everyone and make my dedication as personal as possible. He thinks that’s fine with a very short queue but when the line is long you owe it to the people standing in line waiting to go as fast as possible.

The argument arose because I had a big line at NCTE¹ on account of the lovely Professor Nana talked very enthusiastically about How To Ditch Your Fairy. Bless you!

In my defense

1. Where I was sitting I couldn’t see the queue so I didn’t know how long it was.
2. English teachers are interesting and I wanted to know what grades they taught and where they were from.
3. Just signing a book is boring. I like to talk to people and figure out why they want their book signed.
4. Scott is a hardened pro; I’m still a (relative) newbie.

What do youse lot think? Would you prefer an author who rushes to make the line go quicker? Or would you prefer an author who takes the time to chat with everyone?

1. National Council of Teachers of English

So I may have mentioned that my title for the liar book, Why Do I Lie?, was rejected by my publisher and by most of the people who’ve read the book.¹ We’ve been on the hunt for a new title and may, at long last, have settled on one.

Yay!

1. Curse you all!

Our BookPeople event was run like the Actor’s Studio. There was a moderator, Emily, who asked us questions written down earlier by the audience. Unfortunately, we ran out of time and couldn’t answer them all. So here are our answers to the ones we didn’t get to that night.

Be warned: there are some spoilers for Scott’s Uglies books.

Questions for Justine:

Q: Will there be any more books about New Avalon?

A: I don’t plan to write any. Of the next two books I will publish, one is already written—the Liar book—and the other one—set in NYC in the 1930s is under way. If I did get an idea for another book set in New Avalon (where How To Ditch Your Fairy is set) it wouldn’t come out until 2011 at the earliest.

Q: Do schools like New Avalon Sports High really exist?

There are all sports high schools around the world. But I hope they’re not quite as strict as NA Sports High. I didn’t base it on any particular high school. Though I was influence by a doco I saw about girls training to be gymnasts at the AIS (Australian Institute of Sport). I was shocked at the long hours these young girls were training and at how strict their coaches were. Yet they seemed to love it. I remember one girl being asked how she could love such a tough training regime. She looked at the journo asking her the question as if they were crazy: “Are you kidding? I get to go to the Olympics!”

A: Is all the slang a mix of US & Australian or is some of it made up?

I made up the majority the slang, mostly by playing with my thesaurus. Thesauruses are fun! My favourite is “pulchy” for cute or good-looking. I’ve always thought “pulchritudinous” was the most hilarious word ever because it sounds so ugly yet it mean beautiful.

Questions for Scott:

Q: Did Tally and David get together at the end of Extras?

A: It is up to you, the reader, to decide.

Q: Why did you k*** Z***?

A: One of the dumb things Hollywood does is show us wars in which only extras and minor characters get killed. But in real life, everyone is the star of their own movie. So in real wars, everyone who’s killed is someone important—not just an extra or a bit player.

So once I realized that Specials was about a war, I felt it would be dishonest for only minor characters to get killed. Someone important to Tally had to die, and Zane was in the wrong place at the wrong time.

Q: How did you find all the thirteen-letter words to use?

A: At first I found them “by hand.” Whenever I ran into a long word I counted the letters, writing it down if it had thirteen letters. But after a while I developed a strange superpower, the ability to spot
tridecalogisms by sight. Then my sister-in-law bought me a crossword dictionary that listed words by length, which was cool. Then finally I found a website that was designed to find words you didn’t know who to spell. I typed in thirteen question marks, and it generated a giant list! (I can’t remember the site name now . . . )

Questions for both Justine and Scott:

Q: Are you friends with any other authors?

Justine: Yes. Loads and loads of them. It’s fabulous. We read each other’s mss. critique them bounce ideas off one another. I’m very lucky.

Scott: We also write at least once a week with several authors: Maureen Johnson, Robin Wasserman, E. Lockhart, Cassandra Clare, Lauren McLaughlin, are the ones who most often show up.

Q: Is there any news on a movie?

Justine: While there’s been some interest in turning How To Ditch Your Fairy into a movie nothing has come of it so far. Trust me, if there’s any news on this front I will sing it from the rooftops. Though I think the Fairy book would make a better TV series than a movie.

Scott: The Uglies movie is still waiting for a script, as far as I know. I think Hollywood doesn’t know how to make a movie about, you know, ugly people.

Peeps is with an independent producer and screenwriter, and So Yesterday is being looked at. More news on that soon (probably).

But no auditions yet!

Q: When brainstorming ideas for your next book do you come up with multiple ideas? How do you choose the one to push forward with?

Justine: I pretty much always have a number of novel ideas to play with. I tend to talk about them with Scott and my agent, Jill, as well as my editor, Melanie, and a few writer friends. I’ve been talking about writing a book about a compulsive liar for ages. Whenever I mentioned it people would get very enthusiastic. I was too afraid to start though cause it seemed like it would be really hard to write (I was right) so I delayed until Scott and Jill and Melanie all ganged up on me.

I guess I let people bully me!

Though honestly all the bullying in the world wouldn’t have gotten me going if I hadn’t finally figured out a way to write the Liar book. So I guess my real answer is that the book that begins to grow and make sense is the one I wind up writing.

Scott: I usually have one idea that I really want to do most. I don’t come to that conclusion by any conscious way; it simply bubbles up in the back of my head as the most interesting idea. I think this ability comes from having written, like, 18 books—I’ve tried lots of ideas, and so am getting better at telling the more productive ones from the boring ones.

Q: Do you have any advice for young writers?

Justine: Loads! You can find some here, here and here. Though all my advice applies to beginning writers of all ages. In a nutshell my advice boils down to:

• Don’t be in too much of a hurry to get published. Learning to write well is the main thing. If you try to publish before you’re ready you can wind up very discouraged. While you’re learning o write you should have fun with it. Try different styles, different genres, mess about, get your hands dirty!
• Read A LOT. Read and read and read and read! Think about what books you like best and try to figure out what it is about the writing that works for you. Then give it a go. Think about what books you hated and try to figure out why the writing was such a disaster. Don’t write like that.
• Write a lot.
• Learn how to critique other people’s work.
• Learn how to take criticism. If you want to be a professional writer you’re going to have to learn to take criticism and the sooner you start practicing the better!

Scott: Here’s the “writing advice” category from my blog, including some advice from guest blogger Robin Wasserman: Writing Advice.

Q: Which is your favourite cover?

Justine: I’m assuming you mean of one of my books. I’ve been very lucky I like every single one of my covers. But I think my absolute favourite is the one Cat Sparks did for Daughters of Earth.

Scott: Probably Extras. The fun part was that I got to work on it from the beginning, from choosing the model to picking the final shot.

The full story can be found here.

Q: Why are most of your protagonists girls?

Justine: Er, um. I don’t actually know. It was not by design. The first novel I wrote has multiple viewpoint characters many of whom are boys. My second novel is first person from the point of view of a boy. However, neither of those books sold. My first published novels (the Magic or Madness trilogy) has three view point characters two of whom are girls. And then How To Ditch Your Fairy is first person from the viewpoint of a girl. So far the books I’ve written with more girl characters are the ones my publishers have wanted. We’ll see if that pattern continues.

I don’t really consciously decide to make my main characters girls or boys. Nor do I consciously make them black or white. That’s just the way they are. Once I start getting a sense of their voice I’m learning at the exact same time all those other things about them: their race, gender, ethnicity, opinion of Elvis etc. Hope that makes sense!

Scott: I’ve had a mix of male and female protagonists. So Yesterday and Peeps were both from the point of view of boys, and The Last Days and Midnighters were from both male and female POVs. But I guess more people have read Uglies so Tally has left the strongest impression. Since that series is about the pressures of beauty and looks, I figured that a female protag would make more sense. Certainly, boys do worry about the way they look. But overall, girls are under a lot more pressure to freak out over every zit and extra pound.

Though, as I say in Bogus to Bubbly, I actually did try to write Extras from Hiro’s point of view. But the interesting stuff kept happening to Aya, so I moved her to center stage. I still don’t know exactly how it worked out that way.

Last night’s event in Austin went splendidly. The folks at BookPeople—Mandy, Topher and Emily were wonderful hosts. Emily mc’d brilliantly and we were asked lots of very smart questions. Many we’d never been asked before. I really like the Actor’s Studio format, which meant there was no awkward oh-noes-there-will-be-no-questions-tonight moments. It was a lot of fun to do an event with Scott again which we haven’t in ages.

And then there was this:

Rebecca’s superb anti-uni***n T-shirt. Doesn’t she look fabulous? She made me one too! Thank you, Rebecca, it fits perfectly. I’ll be wearing it here at NCTE.

Texas is always so good to me.

Yes, there will be a zombie-un***rn story. I hope you’re happy. Because personally I think that’s a bit gross.

No, I can’t tell you the names of any of the contributors. But trust me, they are all fabulously excellent writers.

Yes, it is a YA anthology. It will be edited by the marvellous Karen Wojtyla. That’s right, me and Holly, who are editing the Zombie versus Uni***ns anthology, will in turn be edited. It’s, like, a whole editing chain.

Sorry, the anthology is closed.

Yes, there will be lots of different kinds of zombies. Not just your regular Romero types.

I have no idea about the uni***n side of things. I doubt there’s more than one kind. And if there is, who cares? Hmmm, maybe you should direct your uni***n questions to Holly Black or to Diana Peterfreund both of whom know ridiculous amounts about that very lame topic.

Send your zombie questions my way. If I don’t know the answer I will turn to Robert Hood, who is Professor Zombie, and knows everything there is to know about zombies.

Thanks for all the excited emails and comments about the anthology. Us two editors are both thrilled that you’re thrilled.

GO TEAM ZOMBIE!!!!!

In case you haven’t been following the zombie-versus-unicorn thread on the internets, it has come to a mighty climax with the announcement of:

The Zombie Versus Unicorn Anthology! A collection of zombie and unicorn short stories to settle the issue for good, co-edited by Justine Larbalestier (aka, my Justine) and the fabulous Holly Black.

Justine is, of course, the head of Team Zombie, and Holly is the head of Team Unicorn.

Here’s Justine’s announcement of it, and here’s Holly’s.

Stay tuned for an amusing video on this subject.

But first, some appearance news: Justine and I will be in Austin, Texas this Wednesday night, at the awesome bookstore known as BookPeople.

Wednesday, Nov 19
7:30 PM
BookPeople
603 N. Lamar
Austin, TX 78703
512-472-5050
800-853-9757
Click here for more.

And the next night, Justine will be appearing at a Barnes & Noble in San Antonio.

Thursday, November 20
7:00PM
Barnes & Noble
Northwoods Shopping Center
18030 HWY 281NSuite #140
San Antonio, TX 78232
210-490-0411

Hope to see you there!

And now, a short video from Lauren Myracle, she of the Scare-a-thon and (sadly) a member of Team Unicorn.

Let the battle continue!

Recently me and some of my pro writer colleagues have been asked why we are always complaining about writing, and, the follow-up question: if it’s such a horrible job why don’t we get a better one?

Good question! Here are some of the answers:

1. Whingeing is fun. Writers in particular are totally addicted to it. We can’t not whinge.
2. Writers are boring. We don’t get out much so we don’t have much to talk about other than writing, which is one of the least interesting things ever. “Hey, guess what, guys? Today I typed! A lot. Like, I typed maybe 2,000 groupings of letters.” If we whinge about it we figure it sounds a bit more interesting. We don’t get another job because we’re boring and writing is boring: we belong together.
3. Boasting about how you have the best job in the whole world is rude and skiteful and makes rational people want to chunder¹ or kill you. “Look at me! I am so blessed and lucky! Why today I typed. A lot! I think I typed maybe 2,000 groupings of letters. I think I arranged them really well! Go me! Also I did that wearing pjs. And no one at work was mean to me. Because I work at home! Where the ice cream is. My life is perfect!” Oh, shut up, already. It is better to whinge than to skite.
4. Writing is really hard. It makes writers bleed from the eyeballs. Demons take up residence in our brain and sip on our cerebrospinal fluid. But if we told you how it really was—how there are tiny goblins—trained by our evil publishers—that hold open our eyelids and slap our fingers back on to the keyboards thus making sure we never miss a deadline and keep churning out publishable product—you would never believe it so we just whinge about the lesser aspects of writing hell. We don’t get another job because we can’t. The contract with our publishers mean we are indentured slaves until we die.
5. Writing is dead easy. Seriously all we do is sit around and type, luxuriating in our pyjamas, and ordering our minions around, while we feast on champagne and caviar. But if we let everyone know that then too many people would want to be writers. Thus, der, we pretend it’s really hard. “Ow, my brain! It burns! Too many groupings of letters today! I suffer!”

I hope that makes it all crystal clear. I live to answer your questions. And, um, write books. Like the one that’s due next Friday fer instance. Should get back to that. Or sleep, possibly. If the clanking pipes allow.

Oh, and also, what Maureen said.

Later!

1. Or as me and a bunch of my friends used to say “muntah material”. We were studying Indonesian. Don’t ask.

I was reading today that the whole zombie v un***rn debate was started by John Green. I’m not going to link to the person who claims that because, you know, I’m not into shaming people. But, EXCUSE ME?!

The mighty zombie versus un****n debate began right here on this blog back in February 2007 with me on the side of zombies and Holly Black on the side of uni***ns. Anyone who says otherwise is a liar or ignorant. Sheesh!

Let’s just say I am not happy that such a slanderous lie is circulating. John Green will be the first to tell you that it began over here.

In less cranky-making news I will be doing an appearance right here in New York City this coming Saturday with a cast of hundreds, including New York Times bestseller Suzanne Collins of Gregor and Hunger Games fame. But as far as I’m concerned the highlight is being on the same bill as Robin Wasserman of Skinned fame. Have you read it yet? If not why not?

You’ll find us here:

Saturday, 15 November, 12:00PM-2:00PM
with William Boniface, P.W. Catanese,
Suzanne Collins, Joanne Dahme,
Daniel Kirk, Dean Lorey, Amanda Marrone,
Ketaki Shriram and Robin Wasserman
Books of Wonder
18 West 18th Street
New York, NY

Who knows? If you join us you might spot some zombies. Or uni***ns. Though I hope not. I hear those single-horned creatures are definitely not toilet trained. I’m just sayin’.