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Viewing: Blog Posts Tagged with: motion graphics, Most Recent at Top [Help]
Results 1 - 6 of 6
1. What Every Animation Student Should Know About Title Sequence Design

Art of the Title, an addicting resource with dozens of high-def clips, recently posted their Title Design Finalists for the SXSW 2013 Film Awards. Of the animated title sequences, The Man Who Shook the Hand of Vicente Fernandez and ParaNorman are standouts: the first for its use of vintage woodblock typeface and spaghetti western aesthetic, and the latter for its 1950s horror-inspired design. Both sequences are richly nuanced, and imply an understanding of the history of typography and graphic poster design. This applied visual knowledge is the direct result of the collaboration between animators and designers.

Title sequence design has evolved since the days of Saul Bass, Maurice Binder and Pablo Ferro, some of the most recognized godfathers of the artform. More and more animators and graphic designers are building entire studio practices devoted to title sequence design. The first (or last) fifteen minutes of any film is increasingly crucial to the overall art direction, and often seen as an opportunity for experimentation.

I’ve spoken with several young animators who still treat title sequences as an after thought. Or, even worse, they just slap on the default fonts provided by Flash or After Effects. I’ve never understood this attitude. Think of it this way: you wouldn’t spend several months working on a cake recipe, bake it to perfection, just to cover it in store-bought icing. But for animation students just starting out, executing a thoughtful title sequence in addition to animating a film can be overwhelming. Fortunately, help is usually nearby in the graphic design department, where students will leap at the chance to assist in creating a title sequence.

One of the (many) ironies of higher education is that colleges attract hordes of bright, eager students, then isolate them into separate buildings, sometimes several city blocks or miles from each another. When I was a design student at the University of Texas, the animation students didn’t even realize my department existed—and vice versa. Unfortunately, animation and graphic design departments are rarely adjacent, and it’s up to students—not their teachers—to make these connections.

So if you’re an animation student, do yourself a favor: open up your university map, locate the graphic design school, then drop by and make introductions. Not every animated film, short or feature-length, needs a complex, typeset title sequence with bells and whistles. But building relationships with graphic designers, especially now that motion graphics is a required area of study in many design schools, could yield infinite possibilities with mutual benefits.

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2. “Embrace” By Ashley Rae Pearsall

It takes restraint to use 2D motion graphics in as straightforward a manner as Ashley Rae Pearsall’s Embrace. The effect is surprisingly dramatic. The short was made in the School of Visual Arts’ Computer Arts program.


Cartoon Brew | Permalink | No comment | Post tags: , , ,

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3. Aaron Ray from Legwork writes: The NY Times approached us to...



Aaron Ray from Legwork writes:

The NY Times approached us to create an animation to accompany their story about last year’s debt deal negotiations between President Obama and Speaker of the House John Boehner. Partnering with the writers at the NY Times, the animation retraces the details of how the deal came to be and how it ultimately unraveled.


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4. ENVISION : Step into the sensory box (by...



ENVISION : Step into the sensory box (by SUPERBIEN)

Beuatiful motion graphics mapped/projected onto real three-dimensional surfaces. Don’t ask me how. (via @scottlava)



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5. “AS ONE” by Makoto Yabuki

AS ONE from makoto yabuki on Vimeo.


Posted by Luc Latulippe on Drawn! The Illustration and Cartooning Blog | Permalink | No comments
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6. 30 Unforgettable Movie Opening Sequences

Smashing Magazine has posted a list (and accompanying video) of 30 Unforgettable Movie Opening Sequences. Here are just two of my favourites:

It’s a Mad, Mad, Mad, Mad World (by Saul Bass):

Dr. Strangelove (featuring lettering by Pablo Ferro:

(via Motionographer)

Related links:
Saul Bass Kicks Ass
Pablo Ferro (or: How I Learned to Stop Worrying and Love Typography)
If Saul Bass did the titles for Star Wars

1 Comments on 30 Unforgettable Movie Opening Sequences, last added: 12/30/2008
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