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Studs Terkel, prize-winning author and radio broadcast personality was born Louis Terkel in New York on May 16, 1912. His father, Samuel, was a tailor and his mother, Anna (Finkel) was a seamstress. He had three brothers. The family moved to Chicago in 1922 and opened a rooming house at Ashland and Flournoy on the near West side {LISTEN}. From 1926 to 1936 they ran another rooming house, the Wells-Grand Hotel at Wells Street and Grand Avenue. Terkel credits his knowledge of the world to the tenants who gathered in the lobby of the hotel and the people who congregated in nearby Bughouse Square, a meeting place for workers, labor organizers, dissidents, the unemployed, and religious fanatics of many persuasions. In 1939 he married Ida Goldberg and had one son.

Terkel attended University of Chicago and received a law degree in 1934. He chose not to pursue a career in law. After a brief stint with the civil service in Washington D.C., he returned to Chicago and worked with the WPA Writers Project in the radio division. One day he was asked to read a script and soon found himself in radio soap operas, in other stage performances, and on a WAIT news show. After a year in the Air Force, he returned to writing radio shows and ads. He was on a sports show on WBBM and then, in 1944, he landed his own show on WENR. This was called the Wax Museum show that allowed him to express his own personality and play recordings he liked from folk music, opera, jazz, or blues. A year later he had his own television show called Stud's Place and started asking people the kind of questions that marked his later work as an interviewer.

In 1952 Terkel began working for WFMT, first with the "Studs Terkel Almanac" and the "Studs Terkel Show," primarily to play music. The interviewing came along by accident. This later became the award-winning, "The Studs Terkel Program." His first book, Giants of Jazz, was published in 1956. Ten years later his first book of oral history interviews, Division Street : America, came out. It was followed by a succession of oral history books on the 1930s Depression, World War Two, race relations, working, the American dream, and aging. His latest book, Will the Circle Be Unbroken : Reflections on Death, Rebirth, and Hunger for a Faith, was published in 2001. Terkel continued to interview people, work on his books, and made public appearances until his death. He was Distinguished Scholar-in-Residence at the Chicago Historical Society.

(Courtesy: http://studsturkel.org)

Exclusive reports from Crime Fiction's international big-bash by our roving reporter.

7th day - La Semana Negra recognition

Every year La Semana Negra awards writers for their literary work. The jurors of the prizes are always fellow writers, and although the prize is not monetary, as Spanish writer and one of the winners of the Hammett award said, “It gives you prestige because it is not driven by anything else than the quality of the work. It's very transparent.”

Here is the list of categories and the 2007 winners:

The Hammett Prize to the best detective fiction novel written in Spanish given by the Asociación de Escritores Policíacos:
This award was a tie, so it’s shared between the Spanish Juan Ramón Biedma for his novel El Imán y la Brújula and the Argentinean Leonardo Oyola for Chamamé.

The Espartaco (Spartan) Prize given to the best historical novel written in Spanish was given to the Mexican writer Antonio Sarabia for his novel Troya al Atardecer.

The Memorial Silverio Cañada Prize given to the best first published detective fiction novel written in Spanish was given to the Argentinean writer Carlos Salem for his book Camino de Ida.

The Rodolfo Walsh Prize, for the best nonfiction detective book written in Spanish, was given to the Mexican writer Sanjuana Martínez for Prueba de Fe.

The Celsius 232 Prize for the best science fiction or fantasy novel was given to the Spanish writer Javier Negrete for his book Alejandro Magno y las águilas de Roma. There was a special mention by the jury to the Spanish writer José Carlos Somoza for his book La Llave del Abismo.

Also, for a short story contest, the Ateneo Obrero de Gijón Prize was given to Nacho Padilla for “Viaje al centro de una chistera” (Trip to the center of a top-hat).

The prizes were given at 10:30am on July 19th at a press conference in Gijón’s Hotel Don Manuel. The room was jam-packed with nominated writers, press, and all the staff of La Semana Negra. There was a special energy in the room, and although local television channels were present covering the prizes, everything seemed so intimate. No one except the jurors, not even Paco Taibo, II, knew who the winners were, so everyone was anxious and expectant, especially the nominees.

The winner of each category was read off by one of the jurors. They opened a white envelope and off a handwritten letter read a special message from all the jurors and then announced the winner. Every time one was read, the room was invaded by a wave of claps, yells, and hugs for the winners.

Leonardo Oyola, a winner of the Hammett Prize shed a few tears. Carlos Salem was also very moved and happy; it’s his first published novel ("Camino de ida"), and as he said when he received the prize, “Your own fellow writers are the ones who recognize your work, and that makes this prize so important.”

All the writers recognize the importance of giving each other recognition, but in the case of Sanjuana Martínez and his investigation book on the victims of Mexican Catholic pederast priests, she affirmed that the award is also “recognition of the courage of the victims, to all those who have suffered and are still suffering.”


Following is a short introduction to the winner’s books. I hope these books get translated into English soon, but if not, definitely keep a close watch for them, because Semana Negra winners have a tendency to win more literary prizes.

The Hammett Prize: Juan Ramón Biedma's El Imán y la Brújula is a political novel of Spain during 1926, an espionage plot, where extreme situations are abundant and with the end of the war of Morocco as a background.

Leonardo Oyola's Chamamé (a traditional danceable rhythm of the northeastern Argentina) is about the persecution of two asphalt pirate gangs after the theft of loot. A vibrant story about a settling of scores.

The Espartaco (Spartan) Prize: Antonio Sarabia's Troya al Atardecer is a war novel that tells the story of twin brothers who fight on opposing sides.

The Prize Memorial Silverio Cañada: In Carlos Salem's Camino de Ida, Octavio Rincón’s authoritarian woman dies during their vacation, and it’s the best thing that ever happened to him. Perplexed at the fact that his most profound wish in life has been realized and confused between this wish and his fear of becoming a suspect of her death, he embarks on a wild journey.

The Rodolfo Walsh Prize: Sanjuana Martínez's Prueba de Fe is a denunciation book against at least two prominent Catholic cardinals, Norberto Rivera Carrera and Juan Sandoval Iñiguez.

The Celsius 232 Prize: Javier Negrete's Alejandro Magno y las águilas de Roma. Alejandro didn’t die in Babilonia. The hypothesis presented in the book is that he was poisoned by his ambitious wife Roxana in connivance with Perdicas, one of the generals, but a mysterious doctor Nestor arrives just in time to neutralize the intoxication.

José Carlos Somoza's La Llave del Abismo is a futuristic thriller that evokes a shadow universe. It is also a journey through the ins and outs of faith, a reflection over what it means to kill in the name of religious beliefs, and a revelation of what is hidden behind them.

Saludos desde Gijón!
Thania Muñoz