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The cartoonist sits down with us to discuss the legacy and future of his legendary series.

It was a rare “event week” for me at the comics shop with the much anticipated release of the new comics anthology Island! Brandon Graham, the creator, editor, and cover artist for Island is our subject this week. Graham’s work is inspired by classic European and Japanese(manga)comics. He started off drawing comics for Antarctic Press & Radio Comix, some being pornographic(see Milk! #7, etc.).

Graham would go on to work with the infamous Meathaus collective and to creating his own independent titles: Multiple Warheads and King City. I was fortunate to meet the super-friendly Mr. Graham back in 2012 during his Multiple Warheads: Alphabet Tour and he was kind enough to contribute to my convention sketchbook!

Brandon Graham is part of a new age of Image Comics, which has overtaken the “Big 2″(Marvel/DC) in the original content department. Recently, Graham, along with artist Simon Roy, “re-imagined” Image Comics co-founder Rob Liefeld’s Prophet to much critical acclaim.

Island #1 is an over-sized comic magazine published by Image Comics and features work by Brandon Graham, Marian Churchland, Emma Rios, Kelly Sue DeConnick, and Ludroe. You can check out a preview here. The series will be released on a monthly basis.

You can see the latest news & art updates for Brandon Graham here.

For more comics related art, you can follow me on my website comicstavern.com – Andy Yates

Brandon Graham is a maverick. He is most famous for his work on 2009’s King City, but has worked in comics since the 1990s, getting his start in sequential porn before moving into work for Dark Horse, Oni Press, and Image Comics.    Known for his clever wit, graffiti-inspired illustration style, and fascination with butts, Graham has carved a niche for himself in the industry that he uses as a platform to explore artistic styles and subjects rarely seen in mainstream American comics.  He is currently finishing a run on Rob Liefeld’s Prophet and is about to launch two new Image series.  8House is a fantasy series that features a different creative team in each issue telling short stories that combine to form a cohesive universe.  Island is an anthology series that is being curated by Brandon and is designed to reintroduce audiences to the dying art of the comics Zine.

The Beat recently sat down to talk to Brandon about his influences, his work, and what he hopes to accomplish in the years to come.

Alex Lu: King City was one of the first books I read when I was getting into comics.  My favorite thing about it was the inordinate number of puns in the story.  Do you keep a journal full of them?

Brandon Graham: Oh yeah, it’s obscene how many bad puns made it into that book.   I do keep a journal full of jokes and things that make it into the comic, but it’s not necessarily planned.  I used to work very hard at making sure I had enough jokes per page, but it wasn’t the most fun way to work so I toned it down.

I used to have a system for making jokes and making puns.  More recently, I was trying to find different ways to do humor.  I would study Rumiko Takahashi comics, see how she structures her humor, and then try to emulate that.  That influence played into the Multiple Warheads series.  In doing these non-pun based humor, sometimes the puns would just come in naturally, whereas in King City I’d make lists of possible jokes I could make.  I did that a lot, but I didn’t want to keep doing it in everything I did.

Lu: How’s it been working on Prophet, simply being the writer as opposed to playing the role of the artist as well?

Graham: It’s a very different experience.  The humor there is much more subtle, as it’s not meant to be a humorous book.  That makes it faster to write, and it’s been a really good learning process to collaborate with different people and collaborate on a monthly comic.

Lu: How did you script Prophet?

Graham: A lot of the stuff is just me thumbnailing it– just doing a rough version of the comic, handing them a copy, and letting them do their own versions of the pages.  The back of some of the volumes have those rough thumbnails in them.  Sometimes I’d even do them in full color.

Lu: Did you find your collaborators sticking to your roughs or deviating from them dramatically?

Graham: It depends on the artist.  When I work with my wife, Marian, she doesn’t like me to do layouts.  She just likes me to tell her what happens on the page.  However, a lot of the guys on Prophet preferred that I did the layouts so they could come in and not have to think about a page too much.  They’d just rework it if they had a better idea.

Lu: When Prophet wraps, do you plan on doing more work that’s strictly based in writing, or will you transition back to doing art as well?

Graham: I’m working on doing more illustration.  I’m currently doing a magazine, Island, which is an excuse for me to do a lot more short story work and a lot more drawing without a specific sense of place.  If I want to do a series of illustrations, now that I have Island I don’t have to worry about finding a home for it.  I’m going to be writing five or six issues for the 8House shared fantasy universe each year as well.

Lu: I saw the cover work for 8House.  It’s beautiful.  How long has that series been in production?

Graham: Quite a while.  It’s changed dramatically, but it started as a way to do stuff with some of the Top Cow books.  I was going to be doing Pitt, and another team was going to be doing Witchblade.  That didn’t work out, but it turned into a new version of itself.

Lu: What’s the basic premise of 8House?

Graham: It basically takes a bunch of creative teams, have them set stories in the same world, and then have them riff off one another.  It’ll be interesting to see how teams are influenced by one another, similar to how Marvel and DC have these random books that weren’t originally meant to be part of a shared universe, but have been patched together to form one that people accept.

Prophet was very strict about how the universe worked but 8House  is more open.  Different stories can be told from different perspectives and they’ll almost feel like they’re in different worlds.  It’ll be more like how Fantastic Four and New Gods are in the same universe but feel very different from one another.

Lu: Awesome.  And what’s the premise for Island?

Graham: It’s going to be a monthly title put out by Image, 150 pages per issue.  It’ll be distributed through comic stores.  It’s about an inch larger in width and height from a standard comic.  A lot of the production process involved me thinking about what I wanted to read in an anthology as well as why I didn’t often read anthologies.

A part of it was making sure it felt like a bundle of comics than an anthology.  None of the stories are shorter than 20 pages, and some are up to 50 or 60 pages.  You pay for this $8.00 book and you get 3 or 4 entire comics, so it’s slightly cheaper than just buying individual issues.

It’s also carefully curated, so if you like one or two artists in the issue you’ll like the other two as well.  There’s nothing in there I wouldn’t buy myself, and I’ve been very particular about not playing politics and picking people specifically for their names.   I go after quality work.

Lu: So how do you pick the group that ends up in each issue?

Graham: I’m always digging up artists whose work I am excited about, and there’s a huge amount of work that doesn’t get the exposure it deserves.  A lot of people stick to specific publishers or genres, and that’s true even in places like Image.  I come from a different background from a lot of their creators, so I wanted to bring in creators that I feel more in tune with.

I’m even putting some lesser known older work into Island.  There’s a 1986 six issue comic published by Eclipse called Zooniverse that I fell in love with when I was eleven.  That’s getting reprinted in Island.  There’s also a British small press comic by an artist named Lando called Island 3  that’s only been printed in small press zine format in England that we’ll be printing and bringing to a mass audience.

Lu: It’s pretty unique to have a zine in the modern American comic book industry nowadays, isn’t it?

Graham: Well, you have stuff like Dark Horse Presents… but those stories often feel like they’re intended for different audiences.  I’m not trying to do this specifically, but I am trying out untested people.  There are new creators in Island, but there are also creators like Emma Ríos (Pretty Deadly) who are coming in and doing their own writing.

Most of the work is single creator– written, drawn, and colored by them.  If a writer is in Island, I’ll have them do prose or write an essay.  Kelly Sue DeConnick wrote an article in the first issue about a poet who deeply influences her.  It’s stuff you wouldn’t see in a normal comic book.

Lu: What’s your hope for Island?

Graham: Well, I hope people are just as excited for it as I am.  One of the great things about comics right now is that people that are being given the freedom to do whatever they want at publishers have the opportunity to shape how the industry grows, not only in their work but in the work of people they bring into the industry.  If you have a fanbase and people who trust your work, you can tell them to check out the work of someone you admire and help grow the community in that way.

Lu: What specifically has influenced you?

Graham: I used to be strongly influenced by graffiti, but I also did porn comics and it’s all bleeding into my system and becoming something that’s hopefully new.  I read a lot, and I’ve been trying to read more novels in order to remind myself that there’s a world outside of comics.

Lu: What are you reading right now?

Graham: I’m reading a Charles Stross book called Saturn’s Children, which is about a sex robot that activates after humanity goes extinct.  There’s also Haruki Murakami’s Hardboiled Wonderland and the End of the World, which is my favorite book ever. I remember reading that and thinking that this is just a better version of everything I’m trying to do.

Lu: How do you feel about having a distinctive style that’s strongly influenced the development about several other artists?

Graham: It’s always really exciting to see that.  I wear my influences on my sleeve so much that I hope it’s a gateway to people tracking down the work of people I’m influenced by like Moebius or Adam Warren.  It’s also a little daunting when you see what you can see what you’ve done in something someone has devoted their life to, but ultimately it’s very exciting.

8House: Arclight #1 releases on June 24th, 2015.  Island #1 hits stands on July 15th, 2015.

Going the less taken route of traditional media, over digital, young comics brewmaster Marian Churchland wows with her delicate line work & deeply human characters. Her 2009 graphic novel Beast propelled Churchland into the indy comics scene limelight. It’s a masterfully rendered loose reinterpretation of the classic Beauty and the Beast story. As I learned from her art blog, Churchland usually approached her page first with a brown colerase pencil, then(if working in color) she’ll add value with copic pens, watercolor wash, or sometimes acrylics. The final finishes are done with a black color pencil.

Other notable works by Marian Churchland include a few issues of Richard Starkings’ Elephantmen, Dark Horse Presents on MySpace, Conan: The Daughters of Midora & Other Stories, Madame Xanadu, and Once Upon a Time Machine.

2015 looks to be a big year for Marian with the upcoming release of her new collaborative project From Under Mountains with friends Claire Gibson & Sloane Leong, a new comic with fellow artist/husband Brandon Graham called Arclight, and a gallery of her art being featured in the inaugural volume of Island, a new independent, star-studded comics anthology hitting shelves this Summer.

You can follow Marian Churchland on her tumblr site here. She updates it regularly with new art, and answers fan questions.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

And here’s another great event for the weekend, Brandon Graham talking about Comics, Creativity, and Censorship at the Society of Illustrators/ The event is sponsored by the CBLDF.

Brandon Graham, the acclaimed cartoonist of the highly influential graphic novels King City and Multiple Warheads, and the driving force behind the genre-bending science fiction series Prophet will appear in New York City on September 19 for a lecture and reception at the Society of Illustrators, and sponsored by Comic Book Legal Defense Fund! CBLDF will also be offering copies of a new, limited edition sketchbook by Graham!

Graham brings a broad, international range of influences to his comics, fluidly meshing Japanese, European, and North American genre and literary styles within his approach. In this slide lecture, Graham discusses his influences, and unpacks his approach to solving creative problems, navigating censorship and self-censorship, and advancing a unique creative point of view in the current publishing landscape.

Graham’s lecture will begin at 7 PM to be followed by a cocktail reception from 8 PM to 11 PM at the Society of Illustrators, 128 East 63 Street.

Admission
$15 Non-Memebrs | $10 CBLDF and SI Members | $7 Students and Seniors with Valid ID

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After taking a look over the solicitations for Marvel and DC in December, it’s time to take a look at Image’s new comics. There’s a whole new load of first issues, along with some specials and – uh-oh – a Black Kiss 2 Christmas Special. Ho-ho-ho?

CBR have the full list, which must have taken them ages to format - here are the cherry-pickings:

There are a lot of new stories starting this month, including Dead Body Road from Justin Jordan and Matteo Scalera (above) and The Saviors by James Robinson and J. Bone (below). The former will be a revenge story, with a man avenging the death of his wife, which happened during a botched robbery. The latter is a conspiracy story, with the hero uncovering an alien cabal who plan to take over the World.

Joseph Michael Linsner returns to his Cry for Dawn characters for a one-shot this month called Sin Boldly.

As it’s Christmas, Image have decided to celebrate with two specials – the first of which is Krampus! by Brian Joines and Dean Kotz, a story loosing the mythical anti-Santa after all the actual-Santas somehow lose the source of their powers.

Black Kiss 2 also has a Christmas special, with Howard Chaykin both writing and drawing the story. Look at the cover. Listen to this solicitation:

because nothing says “holiday fun” like an endless stream of incredibly nasty revenge sex.

Oh lordy. Hide the kids.

The final chapter of Carbon Grey begins this month, from Paul Gardner, Hoang Nhuyen, Khari Evans and Kinsun Loh

A studio edition of Jupiter’s Children #1 is out – basically a version without the colours, so you can see Frank Quitely’s artwork in black and white.

A Distant Soil II is released in trade this month, continuing Colleen Doran’s series.

Mind The Gap begins ‘Act II’, which seems to be essentially a ‘season two’ for the book. Issue #12 closes the mystery of the first season, and now the book moves onwards to some new mystery.

Image will be releasing The Complete Multiple Warheads in trade, compiling Multiple Warheads #1-4 and Multiple Warheads: Down Fall, both written and drawn by Brandon Graham.

Brandon Graham’s KING CITY is something of a poster child for the fusion comics generation—begun as a “OEL manga” it was rescued from contract limbo and returned to lead the vanguard of Image’s newly invigorated and eclectic line. But it’s more than just a symbol—people actually seem to be buying it.

The other day we were checking some biblio info and saw that the new King City collection was around #3500 in Amazon books. Of course, that could mean only that it sold three copies…but anything under #10000 is still a respectable showing. As of today, it’s dropped a bit:

but still doing well. However, even its #28 place at image is notable: it’s the 2nd top selling book that isn’t a Walking Dead book from Image! It lags only Chew Volume 5. Here’s the #27-40 list from Amazon:

27. Chew Volume 5: Major League Chew TP

28. King City TP

29. Invincible Ultimate Collection Volume 7 HC

30. The Strange Talent of Luther Strode Volume 1 TP

31. Severed HC

32. Walking Dead Survivors Guide TP

33. Chew Omnivore Edition Volume 2 HC

34. The Walking Dead Omnibus Volume 2 HC (New Printing)

35. Skullkickers Volume 1: Treasure Trove HC

36. The Walking Dead: The Covers

37. Hack/Slash Omnibus Volume 4 TP

38. Liberty Meadows Sunday Collection

39. Chew Volume 1: Tasters Choice

40. Invincible: The Ultimate Collection, Vol. 1

For reference, The #40 Image book is at #29,721 overall on Amazon.

Like we said, Amazon rankings don’t mean hundreds of books sold — really only a handful, but this kind of sales velocity for KING CITY shows that it’s definitely a hit. It’s good to see Image developing a new generation of strong sellers. And as we keep mentioning, with graphic novel sales depressingly flat, new hits are definitely needed to get consumers excited about the category…outside THE WALKING DEAD of course.

Zeitgiesty Brandon Graham covers the Stumptown Comics Fest

We’re proud to present the 2011 poster for the Stumptown Comics Festival, illustrated by Brandon Graham! A northwest native, Graham embodies the creatively bold spirit that continues to energize the independent comic book community in Portland, OR and beyond. A 2008 Eisner Award nominee for Best Writer & Artist, Graham has continued to receive praise for his unique, original graphic novel, King City, well after its original publication and subsequent change from TokyoPop to Image. In addition to being a special guest of Stumptown Comics Fest 2011, Graham is serving on the inaugural jury of the 2011 Stumptown Comic Arts Awards.

Attendees to the festival will have the chance to purchase a special print of the show poster by Brandon Graham, as well as t-shirts with the art celebrating the seventh successful year of Stumptown Comics Fest. Plans are currently being made to offer any remaining prints and shirts to those unable to attend via online sales following the festival weekend. Chance are, however, demand will be so high that supplies will be sold-out.

Brandon Graham joins guests Eric Powell, Randy Emberlin, Sarah Glidden, Carla Speed McNeil, Molly Crabapple, Benjamin Marra, and several other extraordinary creators at the Oregon Convention Center on April 16th and 17th. Full guest and exhibitor list, with many more to be announced, available at StumptownComics.com.