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Viewing: Blog Posts Tagged with: Christopher Denise, Most Recent at Top [Help]
Results 1 - 25 of 35
1. Lucy's Lovey

As you can see, I work quite quickly. Any given piece usually takes about 30 seconds. From "Lucy's Lovey" by Betsey Devany. From Henry Holt this September.


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2. One of my earliest influences...

I loved my view master-still fascinated by these mini environments!


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3. Channeling my inner Seinfeld.


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4. Redwall fan? Original, one of a kind, Redwall art for sale.

A detail from the Redwall art listed in my ETSY shop.
https://www.etsy.com/listing/267553700/the-creatures-of-redwall-sleep?ref=listing-shop-header-2

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5. New book beginning....

New book. #kidlitart #childrensbooks #picturebook— with Anne Marie Pace.



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6. Publishers Weekly Q&A with Alison McGhee

from Firefly Hollow, Atheneum Books for Young Readers 2015 

From a wonderful interview here with Alison McGhee author of our new book, Firefly Hollow.


PW: "What, in a nutshell, do you hope that young readers take away
from the story?"

Alison: "No matter how lonely and misunderstood you may feel, there is a place for
you in this world, and there are people who will love you."

Read the interview here:


http://www.publishersweekly.com/pw/by-topic/authors/interviews/article/67659-q-a-with-alison-mcghee.html

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7. Alison McGhee on the writing of Firefly Hollow

If you have had a chance to read Alison McGhee's Firefly Hollow, and hopefully liked the book, then you may enjoy this wonderful post she has written on the creation of the story. In it, she shares her own thoughts and struggles in the writing of the manuscript with inspiring honesty and grace.

"The long and winding road that led to my novel Firefly Hollow began with some photocopied paintings that arrived in the mail one day. They were by an artist named Christopher Denise, and I spread them out on my big wooden dining table and stood there studying each one. 

The idea was that I would write a picture book to go along with them. I love an assignment, but this one intimidated me. The paintings were just so damn beautiful. There was a vole wearing a little sailor's cap, and there was a cricket, and there was a boat and a river. There was the night sky and moonlight and the colors in each painting were like jewels.


Could I write a picture book worthy of those paintings? I wanted to, and I tried. For about a year and half, I tried. But everything I wrote—and I wrote a lot—kept spiraling out into more story than a picture book, with its tiny word count and strict page limit, could handle."

Read the rest of her post here at the Pippin Insider:

http://www.pippinproperties.com/blog/entry/conjuring-firefly-hollow/?comments

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8. Firefly Hollow development part 2: Curiosities.



This is part two of a short series of posts about the development of my most recent book, Firefly Hollow written by Alison McGhee. See my post from June 26th to read part one.

Putting a story together, or rather discovering one and unearthing it, is tricky business. Steven King describes it this way:

“Stories are relics, part of an undiscovered pre-existing world. The writer’s job is to use the tools in his or her toolbox to get as much of each one out of the ground intact as possible. Sometimes the fossil you uncover is small; a seashell. Sometimes it’s enormous, a Tyrannosaurus Rex with all those gigantic ribs and grinning teeth.” 

What parts of my story did I have? Not much. I had a few sketches that were resonating and some notes about the characters, but still no real sense of the story yet.
I tried asking myself questions about the characters: Who is this vole? Where does he live? I caught a few glimmers of things but any sort of narrative remained elusive.

So, I did what many illustrators do when they are stuck: Research. 

I started collecting images of voles, crickets and paintings of water that I really loved. I looked up rafts and boats, grabbing  anything that caught my eye. Some of the images I already had in a folder that is constantly updated called "curiosities".  In his book on creativity "Catching the Big Fish", David Lynch calls these collections "firewood". I love the term, and it is perfect the way he describes it, but I shied away from naming my folder likewise. I didn't want to burn through my material too quickly! I started putting things up and soon I had a wall of the shed covered in images. 
Writing is hard work, I happen to think that it is MUCH harder than illustrating though many of my writer friends disagree with me. Writing good picture books is particularly difficult, you will know this if you have ever tried. Trying, as I was, to write something like the final manuscript of Firefly Hollow Firefly...was....lets just say that it is like showing at Wimbledon and trying to compete because you beat everyone in your family at badminton. Nevertheless, I tried to write the picture book version of my story-numerous times. They were terrible; really, really bad. 

As an illustrator, I respond to a text and then begin to add my own voice. Ultimately, I try to create a corresponding visual narrative that enhances and supports the written word-basically creating a parallel emotional narrative. That is a summarization, and I don't think about it that way when I am working, but its the closest I can come to describing the process. I had nothing to respond to so I continued on with what I felt right...the pictures. I sketched little visual "notes" about things that I thought would be fun to paint. 
I was still on hold for the project in my desk so I scanned a few of the sketches and painted them up in Photoshop (just for the fun of it) as a color studies. 

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9. Redwall art

Getting this Redwall painting ready to offer at my ETSY shop. I love drawing otters!


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10. The beginnings of Firefly Hollow. A fortunate delay, a change of venue, the kindness of neighbors, and finally...taking my own advice


The fortunate delay.


It was one of those rare times in publishing where there was a lull in the constant demand of my production schedule.
I was waiting for feedback from a publisher on a final round of sketches for a picture book.
In the past, I would have begun feverishly scratching away at the waiting heap of work for the next book. But there was no heap of work. I had been turning down projects-waiting for and wanting something that I felt a particular type connection with. This could have been a bit nerve-wracking for any self employed artist.  Fortunately, I had other things that were demanding my attention.


A change of venue.


At the time, my studio space was located in a revolutionary era merchant building. While it was charming, the roof had begun to leak and late nights of driving from Providence back to our little bay-side town were getting tiresome. Given my usual level of exhaustion, it was actually getting dangerous.
It was time to go.


The kindness of neighbors. 


Anika (see posts relating to Anika Denise) and I decided that it was time to to renovate our dilapidated garage.
But that process would take several months to complete so where was I to work?

This is the magical part, the part where the greatest gifts come out of the ether unannounced and without fanfare.

I asked for help.

I asked my friend and next door neighbor Doc Pete (he is really a doctor) to help me move some of the larger items out of the way so I could begin evaluating the task of rebuilding the garage.
Two minutes later I was looking at my new temporary studio, Pete's shed.
Doc Pete's shed was an eight foot by ten foot structure. It had a door, two windows, and electricity. Rent free. We cleared it out, opened the windows, and I could hear and smell the waves on the bay.
I was in heaven.


Taking my own advice...finally.


I taught at Rhode Island School of design for a few years.
Part of the job was handing out lots of unsolicited advice.
One of my favorite tidbits for aspiring illustrators was to use any "down time" they might have to create personal projects.
I had given that advice enough and now it was time to follow it. I quickly realized that this was quite a bit harder than I imagined.

But I had been given the gift of time, the gift of change, and a quiet place to accept those gifts.

I began to sketch and wrote this above my drawing.."Cricket and Vole"
This is what they looked like.



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11. In this mornings email from Publishers Weekly!


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12. Firefly Hollow detail-revisited


Back on November on November 18th, I posted a sketch from the work on my desk that day. I just remembered that I planned to share a glimpse of the same part of the finished piece. 
Both are details of a larger painting from my forthcoming book Firefly Hollow written by Alison McGhee. 
Cheers.
Chris


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13. Deadlines!


Be sure to visit my facebook fan page, Christopher Denise Illustrator:

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14. Firefly Hollow-WIP

A sneak peak of the current project! See my post from December 2nd to see a screen shot of this piece in an earlier stage. Blogger still seems to be automatically auto correcting the color. If you are interested, the color looks more accurate on my professional Facebook page-Christopher Denise Illustrator.


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15. Firefly Hollow work.


Different approach with this book. Working up the drawings in charcoal (digital) and layering in color. The designer and I were looking for a jewel tone range of soft colors. Takes a fair amount of restraint not to just rush in and try to paint over things but seems to be working!

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16. The Perfect Picture Book for Thanksgiving Prep!

Baking Day at Grandma’s

By Anika Denise; illustrated by Christopher Denise

 

 

         “Over the river, and through the wood,

         To Grandfather’s house we go.

         the horse knows the way to carry the sleigh

         through the white and drifted snow.”

 

 

 

Remember this Thanksgiving poem of six verses by Lydia Maria Child? Originally called “The New England Boy’s Song about Thanksgiving”, it spoke of fun, frolic and festivities with these original lines:

 

        “Over the river and through the wood,

         When Grandmother sees us come,

         She will say, “Oh dear, the children are here.

         Bring a pie for everyone.”

 

 

How about a picture book perfect to go along with Thanksgiving prep or the trip to Grandma’s house this holiday season? “Baking Day at Grandma’s” displays in wonderfully evocative deliciously homey art by Christopher Denise, the wholesome New England coziness of a trip to Grandma’s for a day of baking fun.

Only as an additional picture book perfect plus, THIS Grandma happens to be a huge, maternal fur laden, bespectacled bear whose house is nestled deep in the wintry countryside.

Three small bruins are on an adventure, passing icy ponds, dressed in Nordic caps and sweaters, towing the smallest of the three in a wooden sled. Destination? Grandma’s house! Arriving at Gram’s, they are greeted by a shawl around her shoulders, image of “grandmotherhood” itself, in the persona of a bear. Kids will just imagine being scooped up in a furry hug by those gentle paws. Of course, Mr. Denise, the author’s husband has fashioned an amazingly cozy Grandma’s house for this baking day. His attention to detail is faultless with its log cabin lines, farm sink, hand turned victrola, wide pegged wooden floors topped with a glass fronted cupboard, AND even the MIXING bowls pattern I remember from MY childhood!!

This bear trio measure, stir, lick wooden spoons and bake to their heart’s content with their kindly Grandma guiding the day’s activities of hot cocoa and old-time music and tapping feet, passing the time while the kitchen timer ticks away! Love that hooked rug they prance their paws upon.

Brownies iced and bagged AND wrapped to perfection with red ribbons are the ultimate take away from a day spent with someone you love DOING SOMETHING you love.

And as those bears don their outdoor togs for the trek back home with warm hugs all around, Ms Denise has created the picture book that will cause YOU to want to ring up your own children’s Grandma and ask HER to echo the lines that dot this picture book,

 

                 “It’s baking day!

                 It’s baking day!

                 It’s baking day at Grandma’s!”

 

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17. Perhaps little updates are better?

I have been updating my professional facebook page, Christopher Denise Illustrator, but keep putting off updating my blog so I may try a new approach.
I had been posting some sketches and there seems to be some interest in process. I had been thinking about a longer post on the delights of drawing in my digital charcoal space but it may be some time before I get around to it. I think Ill just let out little bits here and there and go back later (summer 2015 probably) and sum up some thoughts.
In any event, I have found myself drawn back into a world of miniatures. It takes a certain mindset to stay in the right place and I have been helped along by the music of Jonsi and Alex-specifically Riceboy Sleeps. The duo are best known for their amazing work as Sigor Ros. 
So today I put on the headphones again and begin working up this aerial nighttime drawing. It be painted up in the next day or two. Here is a little detail.  I can't share full pieces just yet. If you guys like it...maybe I can try to check in once a week and show little glimpses and let you know what I am listening to.

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18. Baking Day at Grandma’s Is a Winner in More Ways Than One

BlogPrize Baking Day at Grandma’s is a picture book bundled in love, warmth, and thoughtfulness. At its core, it speaks to a family (grandma and her grand cubs) spending quality time together. Not only is Anika Denise’s text a pitch-perfect rhyme—and one that makes you want to clap along (and bake a cake) with the charming bears—Christopher Denise’s illustrations are enchanting. The cover, with light streaming in through the kitchen window, immediately pulls you into the scene. You want to join the bear family, stir batter, sip hot cocoa on a snowy day, and dance to an old-fashioned record player while chocolate cake bakes, all in the company of a loving and adoring grandma bear, who happens to be modeled after Anika’s grandmother Rose. This is the highlight for me, and why Baking Day at Grandma’s is quickly becoming a favorite with my grandkids. The book even includes a recipe for Grandma Rose’s chocolate cake!

baking-day-interior-copyright-christopher-denise-2014I get emotional over heartfelt picture books, and Baking Day at Grandma’s is one of those books. It’s a perfect text-to-illustration match. The singsong rhythm of Anika’s words, coupled with bears that take on humanlike qualities in their movement and expressions, make this a picture book winner. A true talent of NYT’s bestselling illustrator Christopher Denise is how he brings woodland animals to life. They almost feel real. Clearly, these bears adore each other, and the artwork of their hellos and goodbyes is especially heartwarming. To learn more about how Baking Day at Grandma’s evolved, watch this endearing book trailer. https://www.youtube.com/watch?v=aZTRFELt9-0 Anika also offers a little Activity Kit on her website. Download for free here: http://www.anikadenise.com/free-goodies/

Anika&Chris_StudioShot_The Providence Journal recently featured Anika and Christopher in a lovely must-read article.  Learn more about this talented duo by clicking on the link. http://www.providencejournal.com/writers/gail-ciampa/20141001-charming-book-by-barrington-couple-has-its-heart-in-the-kitchen.ece

 

Baking with the kiddosAs someone who works at an old-fashioned toy store, I see a lot of grandparents. Too often, they arrive at Mystic’s Toy Soldier clutching detailed Christmas or Hanukkah lists, the I-only-want-this-specific-electronic-toy/game kind of list. I see the frustration and stress that comes along with this. Ultimately, we have lost the true meaning of holidays. Long lists of electronic games only encourage further isolation, and that is not what kids need. They need one-on-one attention. They need the TV off, electronic devices put away in drawers, and they need present adults without a cell phone at the ready. Children need to bake cakes and dance in the kitchen with their grandmas, or with their mothers, their fathers, and their grandfathers. With the support and encouragement of loved ones, children also need to know they can make a difference in this world by doing things for others. In Baking Day at Grandma’s, the bear cubs wrap up individual pieces of cake to give away as gifts. They do get to lick batter off the wooden spoon, which is always been my favorite part of cake baking.

CT_Bk_FairAnika and Christopher Denise are some of the nicest people I know. And this weekend, at the Connecticut Children’s Book Fair, you can meet both of them! In addition to giving a joint presentation, Anika and Chris will also be signing copies of their collaborated books, which include Pigs Love Potatoes, and Bella and Stella Come Home. I could go on and on about why I love these books, too. In addition, Christopher has illustrated a multitude of books by other authors, including Rosemary Wells, and Brian Jacques.

If you are unable to attend this weekend’s Connecticut Book Fair, you can still get a signed copy by contacting Barrington Books, a fabulous independent bookstore in the town where Anika and Christopher live.

Want to win a signed copy of Baking Day at Grandma’s? To enter the drawing, please comment on this post and share your favorite memory of quality time with either your grandchildren or your grandmother. The drawing will be held on Tuesday, November 11. In addition to a signed copy of Baking Day at Grandma’s, the winner will also receive eight baking day gift tags!

SONY DSCAnika&Chris Credit Corey GrayhorsePhotograhy


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19. Limited edition print available!

Happy Friday from my friends at Tiny Showcase!
Gallery Night (featuring Providence, RI) print now available. Limited edition of only 100.
http://tinyshowcase.com/artwork.php?id=2292


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20. Autumns final day at Redwall Abbey

Autumn at Redwall Abbey

A little autumn for The Redwall fans.
When I began work on A Redwall Winters Tale, I created a series of very small thumbnail sketches immediately after my first read through. This image came directly from one of those sketches. 
I have included a jpeg of the image as it appears in the book with Brian's wonderful poem. I remember that he read that poem to me over the phone and I knew what he wanted-how he wanted the piece to feel. I think it came from a shared appreciation of this particular time of day and season.
The Thistledown troupe and stray travelers of Mossflower are making their inside the gates of Redwall Abbey where the lanterns are lit and the fires are already burning. The warmth and smell of cooking welcomes the weary travelers inside as the light slips up the mighty walls and great bell tower. 
This original art is currently available, though probably not for long, at my Etsy shop.






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21. Its Fall-time for Oliver.



I've stretched out the summer to the last warm beach day but alas...its Fall. I do actually enjoy the season and had a chance to indulge my love for this time of year in New England a few years ago while illustrating Oliver Finds his Way by Phyllis Root. The board book is still available at your favorite independent bookstore. Visit my site, http://www.christopherdenise.com, for quick links to purchase past titles.

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22. Baking Day Birthday!

It's officially Baking Day at Grandma's. Move the furniture and start the music! 
Our new book releases today! Many thanks to all the folks at Philomel Books and, of course my wonderful collaborator- Anika Denise!


Learn more about Baking Day at Grandma's and check out the free downloadable goodies at 



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23. Two new listings of original Redwall Art now available at my ETSY shop!

New listings-check them out!



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24. Baking Day at Grandma's Book Trailer!





Check out the trailer for my new book!

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25. Original Redwall art available at my ETSY shop today!



          This large pastel painting was one of the first that I created while illustrating The Great Redwall Feast (Philomel Books, 1996). I remember trying to create a sense of discovery, much as we do when reading Brian's first Redwall novel. Tucked into Mossflower woods on two sides, the meadow and the great road on the others, we see Redwall for the first time! This book and image pre-date the animated series by several years. This view of Redwall would be from the south. This small party of woodland characters is probably returning from St. Ninian's. 
       The finished art area measures approximately 13 inches x 16 inches, roughly 133% larger than the reproduction in the book.


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