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Blog: But What Are They Eating? (Login to Add to MyJacketFlap)
JacketFlap tags: Teens, CHOP, Toast, Matt Kelly, toastworthy, Add a tag
Blog: OUPblog (Login to Add to MyJacketFlap)
JacketFlap tags: Andrew Coe, Chop Suey, Suey A, food, History, china, Food and Drink, the, culture, American History, in, Cultural, A-Featured, Chinese, of, Andrew, Coe, World History, Chop, Leisure, Chinese food, States, United, Add a tag
Megan Branch, Intern
The only foods that I can think of as being as “American as apple pie” are recipes that have been lifted from other countries: pizza, sushi and, of course, Chinese food. College in New York has meant that I eat a lot of Chinese food. In his new book, Chop Suey: A Cultural History of Chinese Food in the United States, Andrew Coe chronicles Chinese food’s journey across the ocean and into the hearts of Americans everywhere. Below, I’ve excerpted a passage from Chop Suey in which Coe details the earliest written account of an American’s experience eating Chinese food for the first time almost 200 years ago.
Nevertheless, the first account we have of Americans eating Chinese food does not appear until 1819, thirty-five years after Shaw’s visit. It was written by Bryant Parrott Tilden, a young trader from Salem who acted as supercargo on a number of Asia voyages. In Guangzhou, he was befriended by Paunkeiqua, a leading merchant who cultivated good relations with many American firms. Just before Tilden’s ship was set to sail home, Paunkeiqua invited the American merchants to spend the day at this mansion on Honam island. Tilden’s account of that visit, which was capped by a magnificent feast, is not unlike the descriptions Shaw or even William Hickey wrote a half century earlier. First, he tours Paunkeiqua’s traditional Chinese garden and encounters some of the merchant’s children yelling “Fankwae! Fankwae!” (“Foreign devil! Foreign devil!”). Then Paunkeiqua shows him his library, including “some curious looking old Chinese maps of the world as these ‘celestials’ suppose it to be, with their Empire occupying three quarters of it, surrounded by ‘nameless islands & seas bounded only by the edges of the maps.” Finally, his host tells him: “Now my flinde, Tillen, you must go long my for catche chow chow tiffin.” In other words, dinner was served in a spacious dining hall, where the guests were seated at small tables.
“Soon after,” Tilden writes, “a train of servants came in bringing a most splendid service of fancy colored, painted and gilt large tureens & bowls, containing soups, among them the celebrated bird nest soup, as also a variety of stewed messes, and plenty of boiled rice, & same style of smaller bowls, but alas! No plates and knives and forks.” (By “messes,” Tilden probably meant prepared dishes, not unsavory jumbles.)
The Americans attempted to eat with chopsticks, with very poor results: “Monkies [sic] with knitting needles would not have looked more ludicrous than some of us did.” Finally, their host put an end to their discomfort by ordering western-style plates, knives, forks, and spoons. Then the main portion of the meal began:
Twenty separate courses were placed on the table during three hours in as many different services of elegant china ware, the messes consisting of soups, gelatinous food, a variety of stewed hashes, made up of all sorts of chopped meats, small birds cock’s-combs, a favorite dish, some fish & all sorts of vegetables, rice, and pickles, of which the Chinese are very fond. Ginger and pepper are used plentifully in most of their cookery. Not a joint of meat or a whole fowl or bird were placed on the table. Between the changing of the courses, we freely conversed and partook of Madeira & other European wines—and costly teas.”
After fruits, pastries, and more wine, the dinner finally came to an end. Tilden and his friends left glowing with happiness (and alcohol) at the honor Paunkeiqua had shown them with his lavish meal. Nowhere, however, does Tilden tell us whether the Americans actually enjoyed these “messes” and “hashes.”
Blog: Sugar Frosted Goodness (Login to Add to MyJacketFlap)
JacketFlap tags: Chop, Shop, gogopedro, Shapes, Add a tag
It's been a while for me...I have been doing a lot of drawing away from the computer...and with the summer on its way that will only become more common.
However I recently started sharing with a group of guys over at CHOP SHOP SHAPES...doing little creative drawings exercises with random shapes and occasional themes...Check um out here!, CHOP! SHOP! SHAPES!
I hope everyone here in the goodness is doing well. I'll be back to comment soon...Now its time for sleep.
P
Blog: My Purple Wig (Login to Add to MyJacketFlap)
JacketFlap tags: kids, thank you, magical, magical, CHOP, Children's Hospital of Philadelphia, Lymeria, thank you, CHOP, Children's Hospital of Philadelphia, Lymeria, Add a tag
This past Saturday, I visited the Children's Hospital of Philadelphia to read a selection from "Lymeria" to patients.
It was really fun to be there and play with the kids. (I can't believe I lost that Care-Bear Memory Matching Game twice!)
It made me happy to know that everyone was able, if for just a few moments, to travel with me to the magical world of Lymeria.
I would like to say thank you to everyone that was there: the administration of CHOP, the staff, but especially the kids.....you know who your are...for allowing me this opportunity. I hope you enjoy the rest of the book and that Lymeria becomes a special place for you as it is for me.
I hope to come back soon. (Maybe next time I'll win that game.....)
Kristina
Blog: A. PLAYWRIGHT'S RAMBLINGS (Login to Add to MyJacketFlap)
JacketFlap tags: plays, playwriting, stage, submission guidelines, entertainment, drama, Canadian, e-mail, eleanor tylbor, a. playwright's ramblings, theatre, comedy, dialogue, submission guidelines, plays, playwriting, drama, entertainment, stage, e-mail, eleanor tylbor, Canadian, a. playwright's ramblings, Add a tag
SUBMISSION OPPORTUNITY: AN ONGOING DIALOGUE WITH SELF
BY Eleanor Tylbor
PLAYWRIGHT
Oh look! The Blankety-Blank Theatre is asking playwrights for plays. Hmmmm...interesting... Wonder if they're accepting plays from outside the U.S. Probably not...
INNER VOICE
There you go again! Negative. Always negative! Maybe they are!
PLAYWRIGHT
Yeah... Could be. Neh. I mean, this is a well-known and substantial theatre. They have enough playwrights domestically
INNER VOICE
So? What does that have to do with anything?
PLAYWRIGHT
Nothing but somehow I have a feeling they don't
INNER VOICE
You and your dumb feelings! How many opportunities did you let slide by based on your "feelings"?
PLAYWRIGHT
Let me read the guidelines, here... Hmmm and mmm - course I'm right. All the people and judges involved are from the U.S. Why would they waste time reading a play from an un-American? I suppose it would be a similar situation if it were reversed. You know - a Canadian theatre holding a playwriting competition? 'Course I wouldn't know having never won...anything, anywhere, anyway at any time. Oh to see my work actually up on a stage!
INNER VOICE
It doesn't say anything one way or the other. Why don't you query them and find out at least?
PLAYWRIGHT
Yeah... I could... I suppose... Maybe... I guess it would be a good idea. Let's see if they have an e-mail address... Hmm... Says here they have a lot of people reading all the entries. Well - that just about screws me. Wonder if they specialize in drama...or comedy...
INNER VOICE
So query and find out!
PLAYWRIGHT
Know what? It really scares me that lots of people will be reading my play. People who don't even know me or anything about the history of my play! How can they judge the merit of my intellect?
INNER VOICE
Nobody in Canada knows anything about it - or you either, doofus!
PLAYWRIGHT
True... It's just the idea of strangers reading my play and passing judgment on it. 'Oh look', they probably say to each other. 'This is laughable! She calls herself a playwright?' I bet they do that! Have a good laugh at our expense!
INNER VOICE
You're creating barriers again!
PLAYWRIGHT
Perhaps...Let me read some more about this theatre. Just as I thought! I could end up having a reading and not a production!
INNER VOICE
So what's wrong with that?
PLAYWRIGHT
What do I have to gain from a mere reading? I want a production! No - I need a production! I could just as easy get a group together and have a reading of my play. I don't have to spend who knows how much on postage and wonder whether anybody even read it.
INNER VOICE
So do it! Stop complaining for heaven's sake and do something. Your play will never see the light of day by sitting at a computer reading theatre submission guidelines.
PLAYWRIGHT
I'm sick and tired of submitting and daring to hope that maybe - just maybe - the play will be produced! All the while waiting and waiting for news. Checking the mail and the Internet for some response and all the while doubt creeping in and over-taking hope. What else do playwrights have to live for but hope?
INNER VOICE
You're telling me this? Me who shares your anxieties?
PLAYWRIGHT
What happens though if I can't find anyone who wants to read?
INNER VOICE
What happens if you do find people who want to read? If you don't take the first step, you'll never know. Go for it!
PLAYWRIGHT
Oh look here... this looks like just the theatre I've been looking for. I got a good feeling about this one.
Blog: A. PLAYWRIGHT'S RAMBLINGS (Login to Add to MyJacketFlap)
JacketFlap tags: playwriting, stage, my life, playwrightville, playwrights, news, life, friends, writing, humor, dialogue, playwriting, actor, my life, stage, playwrightville, actor, Add a tag
FEMALE CHARACTER
Uh-oh... I sense bad news is on the way
MALE CHARACTER
How do you know?
FEMALE CHARACTER
How do I know? How-do-I-know? Do you hav'ta ask that? Can't you feel the bad vibes?
MALE CHARACTER
I thought it was just a bad case of indigestion from all the popcorn she ate last night. She always pigs out on popcorn when her plays are rejected
FEMALE CHARACTER
Yeah - don't we know it! At least it's the diet kind. Okay - steel yourself now! It's coming...
ELLIE
Um - people...characters from my play... No. Friends
FEMALE CHARACTER
Okay. We get the picture. Been there, heard that. Now just cut to the chase. So?
ELLIE
Well there's good news and bad news
MALE CHARACTER
Do we get a choice which one we wanna hear first?
FEMALE CHARACTER
Oh pleeze! Just let her divest herself of all her angst will you, so that we can get on with our so-called purpose in life?
ELLIE
Ahem... The good news is that I entered the BBC International Playwriting Competition
FEMALE CHARACTERThat's it? You entered a competition? That's all the good news you have to tell us? Oh gawd - here it comes...
ELLIE
Well...I didn't win
FEMALE CHARACTER
This dear playwright, is not news. You are aware that we have been in this state for years now waiting...waiting...waiting for the call that never comes. Y'know - it's not easy being characters from a play longing to share ourselves with theatre audiences. The stage! The lights! The applause! Never to hear applause...
ELLIE
What can I say? Maybe I should just do another re-write
MALE CHARACTER
A re-write? Is that...like really necessary? I mean...the play does make a strong statement
FEMALE CHARACTER
Wait a minute. You won't change our characters, will you? You do like us, right?
ELLIE
Of course. I just want to tighten up the dialogue, is all. You'll be happy to hear that I'm going to have a public reading
MALE CHARACTERFantastic! At last real people will get to know us and who knows where that could lead!
ELLIE
Now all I hav'ta do is find some people. It can't be just anybody off the street, y'know!
FEMALE CHARACTER
Why not? A body is a body is a body. At least they're real people
ELLIE
Yeah - I suppose. Now all I hav'ta do is spread the word and set it all up...
MALE CHARACTER
We'll be waiting. We're always waiting
FEMALE CHARACTER
Ain't that the truth!
That is a fine gesture to do with those who most need it. Way to go!