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You bet they do! Authors know what buttons to push.

By ‘what buttons to push’ I mean what buttons do authors use to manipulate (yep, being honest) their readers’ emotions, to get them on side with the characters in their books. For example, perhaps the author creates unlikeable, evil antagonists and emphasizes the sterling qualities of his protagonists.

The most obvious ploy is the ticking clock. It not only lends urgency but it yanks the reader along at a rush, keeping him intrigued.

Then there’s characterization. Of course in this dynamic world, what worked ten years ago may not have the same appeal in 2014. The innocent 1960s virgin, so prevalent in romances of that time, would drive a reader from 2014 to drink. We are much more cynical, well-informed and downright demanding than we were then. Historically though, some classics retain their appeal because they are much more than the sum of their characters’ emotions. To Kill A Mockingbird’s racial tensions are still not outmoded today, and that lazy description of the syrupy south’s inbred attitudes is not far from the truth in some out-of-the-way places. And that is why books like these are classics. They endure not just because of the characters in the books but because of the settings and historical attitudes. And Harper Lee manipulated the readers’ emotions. Think of the way she pushes Scout’s lack of desire to be a ‘lady’ so that the reader is on Scout’s side.

Perhaps today’s writers manipulate the readers in more subtle ways. What of Dick Francis’s heroes who are often of the working class up against a criminal upper class or just up against class bigotry where he is on the outside looking in? Dick Francis does that so well that even if the protagonist is not your usual Everyman, the reader is still very much on his side. That’s right. The modern protagonist need not be a perfect hero as he has been in novels and movies of the past. Some have patchy backgrounds and they’ve made mistakes.

There’s Lee Child’s Jack Reacher who thrums a string in every male heart. They all want to be Jack with his freedom and lack of possessions but with an innate sense of responsibility. And of course Jack has been in the military and knows how to handle himself in vicious situations. Every man’s dream. There are a lot of wannabe Jacks out there. And Lee knows how to manipulate those readers. 

Tami Hoag’s heroines are believably imperfect. They make mistakes and have hang-ups that readers can empathise with and they frequently have to form alliances with people they don’t trust. There’s that little brush of reality that lends credence to the stories.

So…empathy and sympathy are the buttons. And the harder those buttons are pushed by authors and movie makers, the more a reader/viewer becomes invested in the characters. We need to see how the protagonists get themselves out of a bind, or if the evil antagonists get their come-uppance. And the best books of all are where you know darned well that the author is pushing your buttons, but you just don’t care. The book is so good! ~Vonnie

Vonnie Hughes is a multi-published author in both Regency books and contemporary suspense. She loves the intricacies of the social rules of the Regency period and the far-ranging consequences of the Napoleonic Code. And with suspense she has free rein to explore forensic matters and the strong convolutions of the human mind. Like many writers, some days she hates the whole process, but somehow she just cannot let it go.

Vonnie was born in New Zealand, but she and her husband now live happily in Australia. If you visit Hamilton Gardens in New Zealand be sure to stroll through the Japanese Garden. These is a bronze plaque engraved with a haiku describing the peacefulness of that environment. The poem was written by Vonnie. 

All of Vonnie’s books are available on Musa Publishing and Amazon.

Learn more about Vonnie Hughes on her website and blog. Stay connected on Facebook and Goodreads.

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Death Comes to the Village. Catherine Lloyd. 2013. Kensington. 304 pages. [Source: Library]

Death Comes To The Village was a very enjoyable--quite pleasant--mystery set in Regency England. Major Robert Kurland, our hero, is an invalid soldier. He's recovering from his injuries, but, no one can begin to predict if he'll make a complete recovery. The mystery opens with his frustration at its highest. He is unable to sleep because the curtains have not been closed. He--for better or worse--decides to try to take care of it himself. Of course, he isn't able to walk properly. And it's amazing he even makes it all the way to the window before collapsing in a heap on the floor. But before he falls oh-so-dramatically, he witnesses something through the window. A man carrying a large-bulky-heavy-something. Is he a burglar or a murderer? Is there a reasonable explanation? He's not sure. He feels something happened, and he tells the rector's daughter, our heroine, Lucy Harrington. He shares with her his notion that a crime may have happened--not mentioning murder--and he wants her to keep her ears open. Did anyone else hear anything? see anything? Were any homes robbed? Anyone gone missing? Any strange behavior? Soon these two have teamed up and are working hard to solve a mystery...

There HAVE been thefts in the area. Many homes are missing small objects, it appears there is plenty of reason to suspect a burglar...

But two maids have also vanished...and Miss Lucy Harrington fears the worst...

© 2014 Becky Laney of Becky's Book Reviews

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The Tutor's Daughter. Julie Klassen. 2013. Bethany House. 412 pages.

It wasn't quite love at first sight--or love at first sentence, I suppose. But within a few chapters, I knew it was LOVE, LOVE, LOVE. The more I read, the more I loved. This was one of those oh-so-magical, giddy-making historical romances for me. The Tutor's Daughter is a regency romance. (I would DEFINITELY recommend it for fans of Jane Austen and Georgette Heyer.) The heroine is a young woman, Emma Smallwood. She has for the last few years greatly helped her father in his teaching or tutoring. In the past, they've taught from their own home or school. But business has been poorly lately, and when he is offered a tutoring position at the home of his would-be-pupil, and that offer extends to his daughter, he accepts. The Smallwoods will be leaving their own home to live with the Weston family. They know the two oldest Weston sons--they are former students now grown to adulthood. But they don't know their new pupils, Rowan and Julian. And nothing prepares them for the reality of living in such a strange and sometimes unwelcoming home. (It feels more like Northanger Abbey than Jane Eyre, perhaps, but there are some secrets, some clues, some mysteries.) The Weston household can be oh-so-strange and not at all what it appears.

When she was younger, Emma was perhaps drawn to the second son, Phillip. But now that she's become reacquainted with both Phillip and Henry, well, she's surprised by how much she does admire and respect Henry! This is SHOCKING to her at first because she perhaps didn't realize that he would grow out of his childishness, his obnoxiousness, his pranks. But he is all grown up now, and he's oh-so-responsible.

I absolutely loved this one so much. It was so compelling, so dramatic, so perfectly perfect!!!

© 2013 Becky Laney of Becky's Book Reviews

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