By Meghann Wilhoite
American composer and self-proclaimed “bad boy of music” George Antheil was born today 114 years ago in Trenton, New Jersey. His most well-known piece is Ballet mècanique, which was premiered in Paris in 1926; like Stravinsky’s Rite of Spring, from which Antheil seems to have derived quite a bit of inspiration, the premiere resulted in audience outrage and a riot in the streets. The piece is scored for pianos and a number of percussion instruments, including airplane propellers.
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Though he died at the age of 58, polymath Antheil managed to accomplish quite a bit in his relatively short life both in and outside the field of music. Here are some highlights:
- His name appears alongside the actress Hedy Lamarr’s on a patent, granted in 1942, for an early type of frequency hopping device, their invention for disrupting the intended course of radio-controlled German torpedoes.
- In 1937 he published a text on endocrinology called Every Man His Own Detective: A Study of Glandular Criminology. The book includes chapters on “How to read your newspaper” and “The glandular rogue’s gallery”.
- His music was championed by the likes of James Joyce, Ezra Pound, Sylvia Beach, W.B. Yeats, Erik Satie, and Pablo Picasso.
- Under the pseudonym Stacey Bishop, he wrote Death in the Dark, a detective novel edited by T.S. Eliot, the hero of which is based on Pound.
- After spending the majority of the 1920s and 30s in Europe, he settled in Hollywood and wrote dozens of film, television and radio scores, for directors such as Cecil B. DeMille and Fritz Lang (and with such titillating titles as “Zombies of Mora Tau” and “Panther Girl of the Kongo”).
- Last, but not least, here is Vincent Price narrating Antheil’s “To a Nightingale” with the composer himself on piano: George Antheil – Two Odes of John Keats – To A Nightingale: Vincent Price, narrator; George Antheil, piano
Meghann Wilhoite is an Associate Editor at Grove Music/Oxford Music Online, music blogger, and organist. Follow her on Twitter at @megwilhoite. Read her previous blog posts on Sibelius, the pipe organ, John Zorn, West Side Story, and other subjects.
Oxford Music Online is the gateway offering users the ability to access and cross-search multiple music reference resources in one location. With Grove Music Online as its cornerstone, Oxford Music Online also contains The Oxford Companion to Music, The Oxford Dictionary of Music, and The Encyclopedia of Popular Music.
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On this day in 1922, James Joyce’s Ulysses was first published in its entirety, although the publication history of the book is nearly as complex as the novel itself. Initially serialised in The Little Review from 1918, publication of Nausicaä episode led to a prosecution for obscenity and no English-speaking country dared to publish more, and risk further prosecution. However, shortly after arriving in Paris in July 1920, Joyce met Sylvia Beach, proprietor of the Shakespeare and Company bookshop and friend to modern writers. On hearing of the collapse of Joyce’s hopes of US or English publication, Sylvia Beach offered to publish the book under the auspices of Shakespeare and Company, to have it printed in Dijon by Maurice Darantiere, and to finance it by advance subscription. Joyce agreed at once. Here, we’ve picked one of our favourite extracts from the Oxford World’s Classics edition (pp.226-227).
Mr Bloom turned over idly pages of The Awful Disclosures of Maria Monk, then of Aristotle’s Masterpiece. Crooked botched print. Plates : infants cuddled in a ball in bloodred wombs like livers of slaughtered cows. Lots of them like that at this moment all over the world. All butting with their skulls to get out of it. Child born every minute somewhere. Mrs Purefoy.
He laid both books aside and glanced at the third : Tales of the Ghetto by Leopold von Sacher Masoch.
– That I had, he said, pushing it by.
The shopman let two volumes fall on the counter.
– Them are two good ones, he said.
Onions of his breath came across the counter out of his ruined mouth. He bent to make a bundle of other books, hugged them against his unbuttoned waistcoat and bore them off behind the dingy curtain.
On O’Connell bridge many persons observed the grave deportment and gay apparel of Mr Denis J. Maginni, professor of dancing &c.
Mr Bloom, alone, looked at the titles. Fair Tyrants by James Lovebirch. Know the kind that is. Had it? Yes.
He opened it. Thought so.
A woman’s voice behind the dingy curtain. Listen : The man.
No: she wouldn’t like that much. Got her it once.
He read the other title : Sweets of Sin. More in her line. Let us see.
He read where his finger opened.
— All the dollarbills her husband gave her were spent in the stores on wondrous gowns and costliest fillies. For him ! For Raoul !
Yes. This. Here. Try.
– Her mouth glued on his in a voluptuous kiss while his hands felt for the opulent curves inside her deshabillé.
Yes. Take this. The end.
— You are late, he spoke hoarsely, eying her with a suspicious glare.
The beautiful woman threw off her sabletrimmed wrap, displaying her queenly shoulders and heaving embonpoint. An imperceptible smile played round her perfect lips as she turned to him calmly.
Mr Bloom read again :
The beautiful woman.
Warmth showered gently over him, cowing his flesh. Flesh yielded amid rumpled clothes. Whites of eyes swooning up. His nostrils arched themselves for prey. Melting breast ointments (for him ! For Raoul !) Armpits’ oniony sweat. Fishgluey slime (her heaving embonpoint !). Feel ! Press ! Crished ! Sulphur dung of lions !
Young ! Young !
An elderly female, no more young, left the building of the courts of chancery, king’s bench, exchequer and common pleas having heard in the lord chancellor’s court the case in lunacy of Potterton, in the admiralty division the summons, exparte motion, of the owners of the Lady Cairns versus the owners of the barque Mona, in the court of appeal reservation of judgment in the case of Harvey versus the Ocean Accident a
