How to use this Page

This morning, Kay (art director), Emily (graphic designer), Ali (associate editor), and I traveled deep into the Warehouse District of Minneapolis for a photo shoot. The photos in question were for our Monica books (which feature Monica Murray, the best friend of Claudia Cristina Cortez).

Our model, Devyn, was fantastic. She's thirteen, just like Monica, and fit the part perfectly. She wasn't afraid to do silly stuff like toss pom-poms in the air or pretend to punch the camera, and she has a gorgeous smile.

All told, there were about 600 photos taken by the amazing people at Delaney Photography. We narrowed that down to a hundred that we liked. (Devyn is amazingly photogenic--it was hard to choose!) Four of the photos will end up on book covers and be on shelves in August.

Here's Devyn posing for one shot.



And here's one of the shots we loved.




Thanks, Devyn and Delaney—now Monica has a face!

Oh, I love it when one of my books is mentioned in one of the big magazines. This article at SLJ features books about summer camp, including our very own Claudia Cristina Cortez in Camp Can't.

I never went to camp as a girl. (I did--nerd alert!--go to gifted and talented day camp, which I'm guessing is not at all like sleepaway camp...) But I always loved reading about other kids' camp experiences. Camp seemed like this cool place where anything could happen. My husband, however, was not a fan of his sleepaway camp, so it will be interesting to see whether we send our little boy. Luckily, we have a few years to think about it.

The photo shoot for the Camp Can't cover was fun. The designer really had get creative to come up with a concept that would show the reader that Claudia was at camp and having kind of a hard time. Since the Claudia covers each use one photograph, it was difficult to figure out a photo that would communicate that simply. I love what the designer came up with--to me, it shows that Claudia's roughing it, and her hiking shoes prove that she's working hard. We also struggled with the title, but I love the end result--in this book, Claudia struggles with a lot of difficulties, like bullies, annoying little kids, problems with her friends, and trying hard to pass the swimming test. For a while, it really does seem like she "can't" get it right.

Did you go to camp? Love it, hate it? Should I send my kid, if he wants to go?

More soon!
Beth

Last week, three of us from Stone Arch Books—one senior designer, one editor, and one creative director—headed to downtown Minneapolis for a photo shoot. We were working on the covers for the new Claudia Cristina Cortez books that will come out next July. It was a long, fun day. The day before, Kay, the book’s designer, did a ton of shopping. She had to pick out things for the model to wear, and other props for the covers—things like pizza boxes, balloons, and sunglasses. When we showed up at the photographer's studio, we set up the props and clothes. Then, once the model and her mom arrived, we got to work! We shot the four covers one at a time, and took as many as 100 photos for each cover. After the photographer finished taking pictures for each cover, the three of us looked at all of the images on the computer and decide which ones we liked the best. It was a long day, involving many wardrobe changes, but we had a great time. And we love our Claudia model. Marcelia is 13, and we chose her over other models because she seemed so friendly, as if lots of different kinds of kids would like her. Though she’s young, she’s very professional. She’s confident as she’s being photographed, which helps us get the shots we need. Plus, she’s exactly how we imagined Claudia—fun, friendly, and with a great smile! The next step is for Kay to use the photographs to create the Claudia covers. She’ll pick a background color, add the photograph, use a cool font to showcase the title, and add interesting design elements to make the cover pop. Once the back cover copy is added, the cover’s done, and soon, it’ll be in the hands of Claudia fans all over the country!

As we've said before, we love to hear what readers think of our books. But we also like to hear what grownups think. That’s why a good review in SLJ or Booklist means so much to us. Every time the reviews come in, we send them to everybody at Stone Arch Books. We all talk about what we think of the reviews, what we can learn from them, how they can better our future books, and whether we agree with the review. It’s rewarding when we see that a reviewer really gets what we’re doing.

This review was in the January School Library Journal.

GALLAGHER, Diana G. Guilty!: The Complicated Life of Claudia Cristina Cortez. ISBN 978-1-59889-838-5; ISBN 978-1-59889-881-1. LC 2007005955.
GALLAGHER, Diana G.. Whatever!: The Complicated Life of Claudia Cristina Cortez. ISBN 978-1-59889-839-2; ISBN 978-1-59889-880-4. LC 2007005954. ea vol: illus. by Brann Garvey. 81p. (Claudia Cristina Cortez Series). photos. glossary. Web sites. CIP. Stone Arch. Jan. 2008. PLB $23.93; pap. $5.95.

Gr 4–7—In Guilty!, seventh-grader Claudia and her friend Monica are accused of stealing from popular clique leader Anna. Learning the principle "innocent until proven guilty," Claudia tracks down the real thief, exposing other wrongdoings and earning a few extra bucks in the process. Whatever! describes the never-ending drama faced by many 13-year-olds. When longtime friend Adam wants to join Claudia and her friends' "Whatever Club," the trio must decide if letting a boy in will alter the way their club is run and, ultimately, affect their friendships. With their TV-sitcom-like tone, these books are lively and engaging. Their short sentences, changing and playful fonts, and cartoons will entice reluctant readers. Each title includes background information about the different characters and their relationship to the protagonist. Fans of Marissa Moss's "Amelia's Notebook" series (S & S) and Carol Weston's The Diary of Melanie Martin (Knopf, 2000) will enjoy Claudia and her dilemmas. Discussion questions and writing prompts are included.—Jennifer Cogan, Bucks County Free Library, Doylestown, PA (School Library Journal, 1/2008)



We loved that the reviewer could tell the Claudia books were meant for reluctant readers, since we designed the Claudia books specifically to appeal to the growing population of reluctant girl readers. We use cool fonts to emphasize key words and phrases. We are careful with sentence structure, in order to make reading easy and fun. The pages are lined with small illustrations to help identify characters and enliven the story. And the Cast of Characters in the beginning of the book helps readers predict the story and recognize characters immediately, thus removing one of the very first obstacles to reading.


We’ll have more Claudia in our Fall ’08 catalog. In fact, we’re having the photo shoot for the new Claudia covers in February!

So last week I helped one of the small libraries I worked with get their in-house library catalog actually online, like on the web. They use Follett and had to pay some ungodly amount of money for the “web connector” software to make this happen. The process involves installing a fairly non-standard web server onto whatever your server is and then using it as the interface to your existing Follett install. The manual says you need to have a static IP address to make this work and the cable company they use for Internet won’t give them one. So, we had to do a little haxie magic using DynDNS, a special port redirect in the router, and a little app that lives on the server and broadcasts its current IP address to the DNS server. I had an idea that this would work but wasn’t totally sure, so we tried it. Other than that, my basic approach was “I am not a good cook but I can follow a decent recipe” which is what we did for the install.

When I say “we”, I mean me and my friend Stan who is a local IT guy who comes with me on some of these more complicated projects for the cost of lunch and does all the typing while I answer questions and explain what’s going on. The software install took all of fifteen minutes but the Q and A session took nearly an hour. As it stands they’re probably still going to use the local version of the OPAC in-house just in case the Internet goes down. I’m not sure I understand this reasoning and told them so. I’m as cautious as the next person as far as having a Plan B for most catastrophic situations, but I worry that if you only roll out the most bulletproof solutions, you wind up never trying new things and you live in fear that you haven’t tested everything rigorously enough. This sort of fear, uncertainty and doubt means going with large-scale tried and true solutions and is a definite impediment to getting libraries to work with open source. Additionally, with the perpetual betaness of a lot of 2.0 tools, anyone can muster up a reason to say no to them. I’m still always looking for the angle that will make people say “yes.”