My first book is going to be made into a film.
Actually, that's something of an understatement. 'Ways to Live Forever' is being made into a film right now.
Somewhere up in Newcastle there are about fifty people standing around in the cold holding esoteric job titles like Best Boy and Continuity. There are two women whose job it is to pick clothes for my characters. There are people with clapper boards and three full-time drivers and a catering van and a whole team of producers and even a tutor for the child actors, like something out of Noel Streatfield. And all of this attention is focused on one or two of the actors for something like an hour, in order to produce thirty seconds worth of film.
It's bizarre.
The whole thing is, of course, very, very exciting. Imagine watching a troupe of grown men and women acting out scenes from the back of your imagination - taking silly things you scribbled down on a back of an envelope deeply seriously - playing with lights and colours and camera angles absolutely seriously, to capture something that you only put in to dig yourself out of a plot hole, or to fill in the gap between two important scenes. I've seen some of the early rushes, and the whole thing is going to look gorgeous.
On another level, it is of course not my imagination at all. Nobody looks exactly like I imagined them (although the boy playing Sam comes close) - everyone else looks more like film stars. The house is bigger than I pictured it, and the emphasis has been placed in slightly different places, which makes it very definitely the product of the very talented people making the film, rather than me.
In some ways, this makes it much more interesting to watch. When I was first sent the script, I was too frightened to open the attachment in case the story was very different from my book. When I did read it, the problem was almost the opposite - the film is very faithful, and so much of my dialogue has been used that reading the script was like hearing your own voice played back to you on tape - too raw to enjoy.
The best parts of the script-reading experience were seeing my jokes taken out of context, or visualised, or exaggerated in ways I hadn't expected. I describe one character as looking like a French spy, for example - in the film he's spotlighted, fedora down, in dramatic silhouette.
Another throwaway line nearly made me cry reading the script. A character in the novel remarks that once Sam - my narrator - is dead, he's going to steal all the royalties from his book and go to the Caribbean. It's a funny line in the book, nothing more. In the film, the little scene ends and Felix switches on the film camera and delivers the line face-on. It's unexpectedly poignant, because you know he isn't going to survive the film either.
Seeing someone else make something completely different out of my story is like standing ten paces back from it - almost like approaching it as a disinterested reader. I noticed mistakes in my writing that I never spotted while editing. But the director's characters touched me in a way my own never did.
I can't wait to see the finished thing.
Click here to see the young actors preparing for their roles,
Here to find out more about the film,
And here for my website.
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It’s not possible, obviously. Movies don’t have to hang about describing the landscape, they just dump you straight in it. Same with character description, the weather, the background music... There are scenes that are all but perfect film moments and they couldn’t be written – or not in the same way, not as a sort of storyboard-in-a-novel. The tango scene in Moulin Rouge! could only be a movie scene; it couldn’t live that way in prose. Some movies do it better even when there is a book – Sonny Corleone’s book-bound death in The Godfather was never as elegant and brutal as the one he met in the film.
I was thinking about both those scenes recently because I’m on holiday and I ran out of books (sob), and moved all too early onto DVDs. But just as I was in the slough of despond about not being able to write a tango scene that danced, or a death scene that – well, that also danced – my eight-year-old daughter (who never seems in danger of running out of books) announced that the abridged version of Call Of The Wild was her new favourite.
‘Good pictures, too,’ says I.
‘Yes, the pictures of Buck were good. But John Thornton didn’t look like that.’
‘Oh,’ says I.
‘The pictures are good,’ she says, ‘but my mind-pictures are always the best.’
Which reminded me of something someone said recently – and I have to apologise because I can’t remember if it was here or on Facebook or somewhere else, so I have to paraphrase – ‘No two people in the world ever read the same book.’
Which is so reassuringly true: everybody has a different mind-picture. Everybody sees the same film – more or less. Visually, anyway. But everybody reads a different book. I’d love to see what readers see when they read my characters but it’s probably just as well that I never will - though I get a real kick out of hearing how someone else pictured a character or placed a scene. It’s magical to think of someone reading your words, but making his own mind-picture. (What’s more, the power of the mind-picture is consolation for any author who hates the face printed on the cover of their book.)
Besides, going back to films, it works both ways. There are words that can’t be successfully filmed – not as they were written. For Whom The Bell Tolls is one of my favourite books. It was made by a great director, word-for-word and scene-for-scene, into one of the most turgid film experiences ever.
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By: Sally Nicholls,
on 12/2/2009
Blog: An Awfully Big Blog Adventure (Login to Add to MyJacketFlap)
JacketFlap tags: Sally Nicholls, Ways to Live Forever, Filmed Novels, Add a tag
Blog: An Awfully Big Blog Adventure (Login to Add to MyJacketFlap)
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12 Comments on The Film of the Book - Sally Nicholls, last added: 12/3/2009
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By: Gillian Philip,
on 7/25/2009
Blog: An Awfully Big Blog Adventure (Login to Add to MyJacketFlap)
JacketFlap tags: Movies, Films, Moulin Rouge, Call of the Wild, Gillian Philip, For Whom The Bell Tolls, The Godfather, Mind Pictures, Filmed Novels, Add a tag
Blog: An Awfully Big Blog Adventure (Login to Add to MyJacketFlap)
JacketFlap tags: Movies, Films, Moulin Rouge, Call of the Wild, Gillian Philip, For Whom The Bell Tolls, The Godfather, Mind Pictures, Filmed Novels, Add a tag
I watch too many movies. I should read more, watch less. But my misspent hours with my DVDs aren’t entirely wasted, professionally speaking. There are scenes in my favourite films that I’d love to be able to – well, not reproduce, obviously; that would be stealing. But I’d like to get the same energy, the same straight-to gut hit that you get from the best movie scenes.
It’s not possible, obviously. Movies don’t have to hang about describing the landscape, they just dump you straight in it. Same with character description, the weather, the background music... There are scenes that are all but perfect film moments and they couldn’t be written – or not in the same way, not as a sort of storyboard-in-a-novel. The tango scene in Moulin Rouge! could only be a movie scene; it couldn’t live that way in prose. Some movies do it better even when there is a book – Sonny Corleone’s book-bound death in The Godfather was never as elegant and brutal as the one he met in the film.
I was thinking about both those scenes recently because I’m on holiday and I ran out of books (sob), and moved all too early onto DVDs. But just as I was in the slough of despond about not being able to write a tango scene that danced, or a death scene that – well, that also danced – my eight-year-old daughter (who never seems in danger of running out of books) announced that the abridged version of Call Of The Wild was her new favourite.
‘Good pictures, too,’ says I.
‘Yes, the pictures of Buck were good. But John Thornton didn’t look like that.’
‘Oh,’ says I.
‘The pictures are good,’ she says, ‘but my mind-pictures are always the best.’
Which reminded me of something someone said recently – and I have to apologise because I can’t remember if it was here or on Facebook or somewhere else, so I have to paraphrase – ‘No two people in the world ever read the same book.’
Which is so reassuringly true: everybody has a different mind-picture. Everybody sees the same film – more or less. Visually, anyway. But everybody reads a different book. I’d love to see what readers see when they read my characters but it’s probably just as well that I never will - though I get a real kick out of hearing how someone else pictured a character or placed a scene. It’s magical to think of someone reading your words, but making his own mind-picture. (What’s more, the power of the mind-picture is consolation for any author who hates the face printed on the cover of their book.)
Besides, going back to films, it works both ways. There are words that can’t be successfully filmed – not as they were written. For Whom The Bell Tolls is one of my favourite books. It was made by a great director, word-for-word and scene-for-scene, into one of the most turgid film experiences ever.
6 Comments on Lights, Camera, Action - Gillian Philip, last added: 7/29/2009
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I'm envious, Sally, it must be such an exciting experience. I do remember going to hear a short story I'd written recorded on the BBC and seeing how what I'd written was being changed, translated into a different medium just by being read. I'm so glad it seems to be a positive thing for you, and I know some writers haven't enjoyed their books being filmed. You're having to let go of your subject-matter, into the hands of someone else. I'm looking forward to watching the film!!
Sally... this is wonderful news! Congratulations! What an incredible experience to 'see' it all come alive. I'd be hard-pressed to stay away from the set! Look forward to watching it.
Oh, this is so exciting! Do let us know (I'm sure you will!) when it's out/on.
Sally, I am going to have to run out and buy a mountain of hankies for when I go and see the film. I've already sobbed loudly over your book in a crowded cafe. What an amazing experience for you. I hope you'll blog about it some more as the filming proceeds.
Fantastic! I am looking forward to seing it.
Sally, that's wonderful! How exciting - I'm so happy for you. Enjoy every minute, and tell us all about it :-)
That's brilliant news! You must be having so much fun at the moment.
Excellent! Enjoy yourself!
Linda
Looking forward to that. And why shouldn't people be running around trying to make your ideas real? Someone has to tell them what to do.
Thank you. It is very, very exciting, if a little surreal.
I'm looking forward to it too! Spooky though it was, I think it must be great to have something made that's faithful to your work – not my experience, as you know! I'll be blogging in the new year on friends' exciting 2010 projects, so can you tell me what month it's out, and what certificate? Thanks. And congrats!
Congratulations Sally, what an amazing - but understandably strange - experience, seeing your characters 'in the flesh'.