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Shannon Hale is the New York Times best-selling author of fifteen children's and young adult novels, including the popular Ever After High trilogy and multiple award winners The Goose Girl, Book of Thousand Days, and Newbery Honor recipient Princess Academy.

Even as a little girl, Shannon was aware of gender and that girls were treated differently than boys.

Messages girls hear growing up: marry rich; boys are smarter than girls; your value is in your looks; even the things women are supposed to best at, men are better. These are the things Shannon had mulling inside her.

Shannon just unraveled a string of her rejection letters across the entire ballroom stage!

When THE GOOSE GIRLS came out, there was the assumption that boys do not read books about girls, so Shannon believed she wrote books that boys would never read.
When Shannon wrote RIVER OF SECRETS with a male protagonist, boys still did not read the book because she was woman.

If Shannon knew what a big deal the PRINCESS ACADEMY title would be, she wouldn't have title it  that.

(Note: Shannon has the room clapping and cracking up!)

A teacher once told Shannon: "When I tell I class I'm going to read the Princess Academy, the girls go ________, and the boys go___________." (Just like the room could here, you can fill in the sounds made by the girls and boys.)

Shannon asks the boys: Boys, why are you so scared of princesses?

She asks the girls a long list of questions about choices they can make (Can you wear blue? Can you wear pink? Can you be a race car driver? Can you be a clothing designer?) Then asks the boys: Who told you can only do half the stuff?

Shannon tell us, women have half the audience. It's how it is. We have labeled book by and about girls for girls, and girls only.

Shannon has a collection of great slides, showing that you can't get cooties from reading PRINCESS ACADEMY. This all started with Jon Scieszka. Love it!



Men as mentors is so critical. A boy who loves reading turns to his dad and asks, "Dad do you like to read?" Dad answers, "No, not really." Boy responds, "Me neither."

Are you giving books about girls to boys, and saying, "I think you'll like this book because it's funny, etc." We need to do this. We must!

Reading novels creates empathy. We are asking boys to live in a world that is 50% female while telling them not to read books about them. This needs to change.

A must-read post about the time Shannon spoke at a school and the boys were not invited.

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It’s 1851, and Amelia her mother Sophie, and her mother’s companion Estelle have just made the journey from Boston to San Francisco. The journey was most difficult for Estelle, who suffered from seasickness the entire time. Amelia, however, had befriended some of the sailors and learned a thing or two about tying knots.

As their ship, the Unicorn, makes its way into the harbor, Amelia’s sailor friend Jim asks her to make herself useful. She helps Jim by tying up the bundles of newspapers he has with him. Amelia is surprised to find that the newspapers are from the east and are 3 months old. She soon learns that folks in California are hungry for news back east and will pay a pretty penny for it.

Once Amelia and her family are on dry land, Amelia’s mother reveals that the journey over was much more expensive than she had planned for. When Amelia goes to find a cart to help them haul their belongings, she has a brainstorm. She unpacks her dress shoes that are wrapped in a newspaper. A newspaper that is indeed newer than the ones that she bundled up and the newsboys were currently selling. When Amelia takes up on a street corner to sell her lone paper, she soon finds out that one kid, especially a girl, can’t sell in Julius’ turf. She is quickly and physically taken out of the game.

Amelia finds it difficult to be one of only a handful of women around. Yes it’s nice that all of the women gravitate toward each other and help each other out, but how is Amelia to help her family if all of the jobs from newsboy to printer’s devil are for boys?

Maybe Amelia would be better off as a boy.

Liza Ketchum has written a rip-roaring piece of historical fiction that will captivate all readers. Amelia’s intrepid nature and the vast chaos of San Francisco in the 1850s are fascinating. Sophie and Estelle are obviously partners, though Ketchum’s treatment of the relationship is simply matter of fact, and the book never strays into lesson territory. It is more of a scandal that Sophie never married. The action is non-stop, and readers will delight in Amelia’s adventures, whether they be up in the sky, down in the streets, or along the journey.

Hands down my favorite read so far this year.

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