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Viewing: Blog Posts Tagged with: special features, Most Recent at Top [Help]
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1. This is a Moose

ThisIsAMooseBy Richard T. Morris, illustrated by Tom Lichtenheld

published 2014 by Little, Brown and Company

This book has been out in the wild for a couple days now, and let me be the first to tell you to be sure to check the endpapers. Know a movie buff? A cinematographer? A dud with a digital camera? A moose with a dream? Do you have something important to say? Or do you just need a good laugh?

Well. Scoot over and share the lens with this crew.

From the publisher:

Lights! Camera! Moose!

MOOSE? Yes, Moose! When a movie director tries to capture the life of a moose on film, he’s in for a big surprise. It turns out the moose has a dream bigger then just being a moose–he wants to be an astronaut and go to the moon.

His forest friends step in to help him, and action ensues. Lots of action. Like a lacrosse-playing grandma, a gigantic slingshot into space, and a flying, superhero chipmunk.

In this hilarious romp, Richard T. Morris and bestselling illustrator Tom Lichtenheld remind us to dream big and, when we do, to aim for the moon.

breakerI’m so honored to have an exclusive look at this cast of characters. And since they are straight off the set of the most spectacular documentary ever created, this is a real treat. This is nature behind the scenes.MooseMugshot_Text_MooseDirector DuckMugshot_Text_DirectorDuckGrandma MooseMugshot_Text_GrandmaMoosePeanut GalleryMugshot_Text_PeanutGalleryHow great is that?

Big thanks to Tom Lichtenheld and Faye Bi at Little, Brown for these mugshots and crew info. And if you liked this peek into the picture book, stay tuned for next week. More special features on the way!

ch

 


Tagged: richard t. morris, special features, this is a moose, tom lichtenheld

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2. Writerly Process: Special Features

An impromptu gathering at our home last night—two dear friends and our son coming in and out from a party of his own. Late into the night (rather, earlier today), the conversation turned not to books, but to writers and to writer talk.

It was suggested (by one) that the writerly process is too internal to be of any communicable interest. That what goes on inside a writer's head should stay right there, in a writer's head—the poem or the story or the book ideally speaking exclusively for itself. Process talk has inherent wings in the field of design (how did the green swan-footed couch come to sit beside the pink silk lampshade?) or in film (who doesn't luxuriate in the "Mad Men" special features? who doesn't want to know every last thing about that series' how?) or in the kitchen (which spice and how much and what is the chemistry of baking powder?), but not in writing, where the obsession is the writer's alone and the gist, the longing, the choice making, the fears, the megalomania do not make for relatable tales.

I didn't sleep the rest of the night, retracing the contours of this conversation in my head. I considered how long it takes to produce a story, even, that is worthy of another's glance—of all that time in between that is only choice making, only process. I thought of this blog, which is nothing if not process talk—the splintering off of obsessions, the dwelling with them, the fervent hope that what is said will be of some inherent interest.

I thought of you, reading this blog. I thought to say, Thank you. And happy new year.

11 Comments on Writerly Process: Special Features, last added: 1/7/2009
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