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Viewing: Blog Posts Tagged with: Raquel Fernandes, Most Recent at Top [Help]
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1. A Q&A with a Keytar player

I sat down with V.J. Manzo, author of Max/MSP/Jitter for Music: A Practical Guide to Developing Interactive Music Systems for Education and More, and real-live Keytar player, to get the inside scoop on one of the coolest, retro electronic instruments on stage — the Keytar.

When and why did you decide to start playing Keytar? 

I’ve been playing keytar for a little over 5 years now. I play in a group where it is necessary to use multiple keyboards at once. I wanted to play an instrument that allowed me to move around freely on the stage, instead of always being tethered to the keyboard on a stand that is stuck in one location. The keytar, in particular the vintage Roland AX-7, looked retro and quirky, so I decided to use it because it made the parts I perform on it a little bit more fun and noticeable for the audience.

What exactly is a Keytar, and what makes it different from the keyboard?

A keytar is a synthesizer instrument just like a keyboard synthesizer on a traditional stand, but it is tied to a strap and worn like a guitar. It’s played mostly for live or stage performances. It differs from a keyboard on a stand in that it has a smaller range of keys, and can be worn. Because of the way it’s held, it’s probably best used for one-handed solos, rather than 2-handed playing that is more common with the keyboard on a stand. Unlike a piano, the keytar sends computer messages using a protocol called MIDI, that say “I played this note, this hard.” Then the software receives the information from the instrument and synthesizes the note with different sounds. For this reason, a keyboard or keytar can sound like anything: a piano, a guitar, a bagpipe—anything, really!

V.J. Manzo playing Keytar
V.J. Manzo playing Keytar. Image used with permission

What was the first song you learned to play on Keytar?

The first song I learned on keytar was “Separate Ways” by Journey. It had a really nice melody that I thought would stand out and be able to catch the audience’s attention. I remember thinking, “That main melody is really memorable, and iconic. It’s nice to get to play an instrument that really shows the audience where on the stage that melody is coming from, and in such a fun and surprising way.”

Do you remember your first Keytar performance? What was running through your head? 

Yes! I remember thinking, “WOW! This instrument takes a little bit of getting used to after playing keyboard. How do I hold this thing and play with good technique?! Oh, I can’t?— Oh well, at least it looks cool!”

What do you enjoy most about playing Keytar? 

I really enjoy being able to move around on stage, and having the ability to really interact and engage with the audience. That flexibility is something keyboard players don’t really get with the stand. It’s lot of fun too — and I usually get good responses from the audience.

Are there any notable Keytar players that you like?

Lots of players have used and currently use a keytar! Jordan Rudess from Dream Theater, Herbie Hancock, and Stevie Wonder all shred on Keytar! They were popular in the 80’s, but have recently become popular again with the introduction of new technologies into the new Roland models. It takes a certain amount of confidence for a keytarist to be ok with the stigma having “guitar-envy”!

What is your favorite song to play on the Keytar?

My favorite song to play on the keytar is “Tom Sawyer” by Rush. The keyboard lick in the middle is iconic, and with a keytar, the audience can actually see the notes I’m playing. The musical figure itself works out nicely to be played with one hand, which is ideal for the keytar!

V.J. Manzo playing keytar:

 Headline image credit: Korg RK-100 (1984) MIDI remote controller. CC-BY-2.0 via WikiCommons

The post A Q&A with a Keytar player appeared first on OUPblog.

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2. AMS/SMT 2014: Highlights from the OUP booth

We had a great time at this year’s AMS/SMT meeting! Milwaukee was a bit chilly, but we drank lots of coffee, cozied up with thrilling new books, and listened to some fantastic presentations!

Weren’t able to make it, or just feeling nostalgic? Take a tour through the eyes of OUP music, and check out some memorable highlights from this year’s joint meeting:

You can find out more information about the AMS/SMT 2014 conference by visiting their website. We already can’t wait for next year!

The post AMS/SMT 2014: Highlights from the OUP booth appeared first on OUPblog.

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3. Eight facts about the waterphone

What in this galaxy is waterphone? You’ve might have not seen one, but if you’ve watched a horror or science fiction movie, chances are you’ve heard the eerie sounds of the waterphone. With Halloween around the corner and a spooky soundtrack required, I toured through Grove Music Online to learn more about the monolithic, acoustic instrument.

1. The waterphone was invented in 1967 and patented in 1975 by Richard A. Waters. It was manufactured individually to order by him (formerly under the company name Multi-Media in Sebastopol, California) so each was unique.

2. The Standard model is a stainless steel bowl resonator containing water. The dome-shaped top opens into a vertical unstopped, cylindrical tube that serves as a handle. Around the edge of the resonator are attached between 25 and 55 nearly vertical bronze rods, which (depending on the model) are tuned in equal or unequal 12-note or microtonal systems.

3. Various sizes have been produced; the earliest (‘Standard’) had a resonator 17.8 cm in diameter. Current models (‘Whaler’, ‘Bass’, and ‘MegaBass’) are constructed from flat, stainless steel pans.

4. The rods can be struck with sticks or Superball mallets or rubbed by a bow or the hands.

5. The movement of water in the resonator produces timbre changes and glissandi.

6. It has been played in a wide variety of musics, including rock and jazz, and featured in the compositions of Tan Dun and Sofia Gubaidulina.

7. It is an important element in the Gravity Adjusters Expansion Band founded by Waters in 1967.

8. It has been featured in many horror and science fiction film and television soundtracks, such as Poltergeist and The Matrix.

Headline image credit: Waterphone. Photo by Hangklang. CC BY-SA 3.0 via Wikimedia Commons.

The post Eight facts about the waterphone appeared first on OUPblog.

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