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On Friday, I read On Making Mistakes on Robin Talley's Tumblr page. There, she wrote:

Two weeks ago, my latest book, As I Descended, was released. One week later, I received an anonymous message from a thoughtful reader who’d just started the book. This reader, who’s Indigenous, noticed that I’d used the term totem pole in chapter 1 to describe where a character stood in her school’s social hierarchy ― in the sense of the phrase “low man on the totem pole.”

Talley's response to that reader was similar to the one I got from Sarah McCarry when I wrote to her about that phrase in her book (see her post), and the response I got from Ashley Hope Perez when I wrote to her about the phrase in her book (see my post).

In short: they listened.

Talley wrote that she'd shared that reader's message with her editor, Kristen Pettit at Harper Teen, and that the term will be taken out of future printings of the book. Here's the photo of the page that Talley posted:


The line is "Maria was almost as high up the totem pole as Delilah." I'm guessing that the book's title "As I Descended" is a reference to that totem pole. My guess is that Delilah is going to descend from a high point on the social status hierarchy.

The book itself has nothing to do with Native peoples. I haven't read it, so do not want anyone to think that this post is an endorsement of the book.

In her post, Talley apologized:

I profoundly regret that I used the term this way, and I apologize to any readers who have been hurt by it.

I shared Talley's Tumblr post, adding this:

Really glad to see another person speak up about this, and another writer and editor acknowledge its use as being wrong! Very glad it’ll come out of the next printings, too, and that it is all being made public for us to know! Thank you, Robin! 

A thought, though, about apologies. 

I get why people offer them. They’re a social grace. But sometimes, they carry some things that don’t work. They suggest that __ is hurt by the word that misrepresents their particular demographic, when maybe __ isn’t actually hurt. Maybe __ is just pissed off. Yeah, I know, being angry can be characterized as hurt. Still, though, saying someone of that demographic is the one who should be apologized to suggests they’re the only one who is hurt by the word, when I think everyone who doesn’t know it is a problem is impacted by it. 

Instead of “I profoundly regret that I used the term this way, and I apologize to any readers who have been hurt by it,” maybe something like (and yeah, I know, this is pretty audacious of me to tell someone how to apologize, but I think we’re talking about larger issues) “I messed up. I didn’t know I was messing up. Lot of us don’t know. Let’s not do that, ok, ourselves, anymore, ok? And let’s tell others about it, too.” 

On Twitter, I retweeted her "On Making Mistakes" tweet, and that I had a response to her post (crossing lot of social media platforms with this post!). Talley replied that she agrees with my points.



In brief:

1) A Native reader wrote to Talley.
2) Talley listened.
3) Talley wrote to her editor.
4) Talley and her editor are revising that line.
5) Talley wrote about this error, publicly.

Change happens, when we speak up, and when we listen. With more of this speaking up, and listening, I feel optimistic that change can happen.

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I started writing  a completely different post to this but recent events have put me in a dark mental place and I suspect I'm not the only one.

First there was Orlando. There are no words for the pointless destruction wrought on the people in the night club there. I'm not going to share any more of that hate though, I'm going to share a bit of love:

And then...I won't go into politics here,  but most of you reading this will be well aware that the UK is having a referendum on whether or not to leave the EU.  I  attempted to engage in debate about this - true, informed, educated debate designed to help all involved, including myself, have a better picture of the potential impact of the referendum result.

I was polite, restrained, mildly funny and I got completely trolled on twitter for it. Nasty, aggressive, rude, sometimes moderately informed, always biased and vile team trolling. I withdrew. There was no debate to be had, I was hunted by a group of campaigners actively requesting assistance to "Take down this b*tch."

And now Jo Cox, Labour M.P. for Batley and Spen,  has been killed and I don't know if it has anything to do with the referendum but I can't help but feel the  nature of some quarters of the campaign verbally  reflect precisely the aggressive  and violent actions that brought this young woman's life to an end.

I am tearful. I am sad. I am in no mood to write - but....

I have a book to finish.

So how do you control your mood so you can effectively produce what's needed on the page?


1. Listen to music. 

Music can turn your mood around - you can pump up your heart rate or swell with emotion if you choose the right sound track. I never listen to music when I'm writing ( well, rarely, sometimes classical tracks) but I often do to get me in the mood before writing.  Guaranteed mood changers for me are:

• Eminem's Lose Yourself is my power up track.

• Pharrell Williams Happy  to cheer me up: 

• Coldplay's Fix You to make me weepy:

2. Pretend:

 I used to be an actor, where pretend is your bread and butter. Here are a few simple tricks for you:

•  If you're down and you need to not be,  force yourself to smile - this can genuinely work.
•  If you need to write something upbeat and strong try the Wonderwoman stance. Stand up, raise both arms in a V above your head then bring your fists down to your hips, arms akimbo. Job done. You are powered up.
• Need to write a sad scene but you're full of the joys of spring? This is hard, be prepared to dig deep - think about something really sad that happened to you. Touch all the emotion but don't let it swallow you - this is work, you are using your experience for your writing  so you need to control it.
• Stand in front of a mirror and act out your character's part - be sincere and note how your feelings actually feel.

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Title: What We Left Behind Author: Robin Talley Publisher: Harlequin Teen, 2015 Themes: Gender, binary identity, lesbianism, transgender, genderqueer, pronouns, starting college, relationships, romance Genre: Contemporary YA/NA Ages: 14+ Source: ARC received from publisher in exchange for an unbiased review. (Quotes from the ARC therefor subject to change.) Opening: October           … Continue reading →

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Hello, readers! Once again, we’ve brought out the Upcoming Titles feature. This month we’re focusing a bit on spooky reads as October is HALLOWEEN MONTH! (Or at least that’s what all the stores tell us.) As always, this is by no means a comprehensive list of forthcoming releases, just a compilation of titles we think our readers (and our contributors!) would enjoy.

Without further ado:

October 6th

• Through the Dark (A Darkest Minds novella compilation) by Alexandra Bracken**
• Carry On by Rainbow Rowell
• The Rest of Us Just Live Here by Patrick Ness
• Happy! by Pharrell Williams
• The Sword of Summer by Rick Riordan
• Against a Brightening Sky by Jaime Lee Moyer
• Ancillary Mercy by Ann Leckie
• The White Rose by Amy Ewing
• We’ll Never Be Apart by Emiko Jean
• A Madness So Discreet by Mindy McGinnis
• A Thousand Nights by E. K. Johnston

October 13th

• The Rose Society by Marie Lu**
• First & Then by Emma Mills

October 20th

• Illuminae by Amie Kaufman** and Jay Kristoff
• Career of Evil by Robert Galbraith¹

October 27th

• Our Lady of the Ice by Cassandra Rose Clarke
• What We Left Behind by Robin Talley

** Distinguished PubCrawl alumni

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