A few weeks ago, amidst the deepening refugee crisis from the war in Syria, many people and organisations around the world came together for the Continue reading ...
Add a Comment
A few weeks ago, amidst the deepening refugee crisis from the war in Syria, many people and organisations around the world came together for the Continue reading ...
Add a Comment
One Green Apple tells the story of Farah, who has … Continue reading ...
Add a Comment
In her post at the beginning of the month, Aline talked about books which help young people gain some insight into what it means to be a refugee, in light of World Refugee Day on the 20th June – and in fact we decided to bring her post up to the top on Friday to keep the day at the forefront of our minds.
She mentioned Four Feet, Two Sandals by Karen Williams and Khadra Mohammed (Eerdman, US 2008) and this really is a particularly special book for giving an idea of what life is like for children in a refugee camp.
Two other books for younger children which also highlight some of the difficulties faced by refugees but also, crucially, that in essence children are children the world over, are:
A True Person By Gabiann Marin, illustrated by Jacqui Grantford (New Frontier Publishing, 2007), in which a young girl, Zallah, is living with her mother in an Australian immigration detention centre, while they wait to hear if they will be allowed to stay in Australia - see our full review here; and…
One Green Apple by Eve Bunting, illustrated by Ted Lewin (Clarion Books, 2006), which tells the story of Farah, who has recently arrived in the US from the Middle East. She is not finding it easy to cope with a new culture and language – but on this, her second day of school, she is going on a field trip to an apple orchard and it is a chance for Farah and her classmates to make the first steps towards friendship and learn that there are ways to get over any barrier of language. Tone of voice, gestures, smiles – all these help to make Farah begin to feel welcome and recognise that some things can and will be just like they were at home.
Perhaps what makes the story so powerful is that Farah herself is the narrator – through the picture-book medium, Eve Bunting has given a clear voice to all those young people who arrive in a new place feeling vulnerable and unable to communicate. It is a story but it reflects certain aspects of reality – not everyone is nice and there are references to intolerance and impatience: but the overriding message for children in Farah’s situation is that it is possible to feel whole again; and it serves as a compelling reminder to children generally how to make a newcomer feel welcome and reassured.
Lewin’s stunning illustrations also deserve a special mention – they enhance the insight offered by the story through their perfectly attuned observation of body language as much as verbal communication; his children’s faces are perfect, whatever their expression. And the word luminosity comes to my mind every time I look at them, they are so enfused with dappled sunlight.
These are all well-written and beautifully presented books, which will make young children ponder, and probably ask lots of questions. Certainly they are best read aloud the first time they are introduced. Can anyone else recommend books for reading aloud to children which touch on the experiences of young refugees?
Bits and pieces of cultural news, and one more march for peace.
SHERYL LUNA, GABE GOMEZ, ERIKA T. WURTH AT KGB BAR IN NYC
Saturday, January 26 7:00 PM to Sunday, January 27 12:00 AM
85 E. 4th Street, NYC
Lisa Alvarado mentioned on La Bloga earlier this week that Sheryl Luna was in New York City on Friday night. Here's info about a Saturday event with more poets.
"Erika T Wurth (Indian Trains), Sheryl Luna (Pity the Drowned Horses),
and Gabe Gomez (The Outer Bands) represent a fresh perspective not only in ethnic writing, but in poetry. Rather than attach themselves to a particular school of writing, their work is about people, and landscapes and works on more than a purely intellectual level. Although none of them would do well in a hallmark, all of them express themselves in ways that are new and unique but that still speak to people not just below the waist, but more importantly, below the neck."
The KGB's website says this about itself: "In the years since it opened in 1993, KGB has become something of a New York literary institution. Writers hooked up in the publishing world read here with pleasure and without pay to an adoring public over drinks almost every Sunday evening (fiction), Monday evening (poetry), and most Tuesdays, Wednesdays and Thursdays. The crowd loves it. Admission is free, drinks are cheap and strong, and the level of excellence is such that KGB has been named best literary venue in New York City by New York Magazine, the Village Voice, and everyone else who bestows these awards of recognition."
Read more here.
Sounds like a great place to listen to some great poetry.
OLLIN
El Centro Su Teatro will proudly present the regional premiere of world-renowned composer Daniel Valdez’s stunning original play, Ollin, February 21 – March 29, 2007 at El Centro Su Teatro, 4725 High Street, Denver.
Ollin is a spectacular recreation of one of the most profound cultural collisions in human history—the conquest of Mexico by Spain. The poetic interpretation of the meeting of these two great empires was something Valdez felt drawn to create as a symbol of both his cultural and personal identity, as the Conquest marks the birth of the Mestizo—the mixed blood race to whom most Mexicans and Mexican Americans trace their heritage.
Valdez has included elements from multiple disciplines to tell this dramatic tale, including theater, dance, music, and visual art. Distinguished painter Carlos Frésquez, local musician Tony Silva, and Boulder choreographer Concetta Troskie are working with Su Teatro actors to augment the artistic layering of the play. Add in Valdez’s original music and the result should be, as Valdez describes it, a sort of modern codices—a stunning visual and musical tablet.
Originally developed by Valdez as a radio play, Ollin was given a workshop production in San Diego and a full student production at Stanford University. Valdez is excited to work with Su Teatro in bringing the final evolution of this remarkable piece to Denver.
Valdez was an instrumental figure in the birth of Chicano Theater—working alongside his brother, the famed writer/director Luis Valdez, in the agitprop California theater group Teatro Campesino. Valdez went on to make a name for himself as a brilliant songwriter with the release of his solo album Mestizo. Valdez also worked alongside Linda Ronstadt on her album Canciones de mi Padre.
Su Teatro has enjoyed a longstanding relationship with Valdez, beginning in 1975 when he and El Centro Su Teatro Artistic Director Tony Garcia met and exchanged ideas at a theater workshop in Denver. More recently, the two teamed up to create the original Su Teatro productions The Westside Oratorio and El Sol Que Tu Eres. Ollin marks their third collaboration.
Ollin, written and directed by Daniel Valdez, February 21 – March 29 at El Centro Su Teatro, 4725 High Street. Thursdays, Fridays, and Saturdays, curtain at 8:05 PM. Tickets are $18, $15 students/seniors, with special group discounts available. Call (303) 296-0219 for tickets and information.
Music provided by Latin Fusion Band Debajo Del Aqua
Cocktail attire optional.
CHAC Gallery (see below) will be open during the event.