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Viewing: Blog Posts Tagged with: NF, Most Recent at Top [Help]
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1. Comp titles

A key element of a non-fiction book proposal is Comp Titles. These are books that demonstrate there's a market for your book and it's a market with enough buyers to make a book profitable.

You can easily find books but how the HELL do you measure the number of buyers? Unless you have access to Bookscan you're pretty much in the dark.

There is however a tiny candle in the darkness so you only have to curse half as much. There's a way to get a sense of the market (not the actual number) and it's from Amazon rankings.

I suggested this to an author in one recent Chum Bucket and she replied

What Amazon rank would be considered "good" in an agent's mind? I know that's an idiotic question, but I really have no idea. Would a book need to be top 100, top 1,000, top 100,000 to be considered a decent seller?

Well, it's NOT an idiotic question for starters. An idiotic question is "are you excepting queries?" but that's a topic for another day.

And let's refine the question to not what is considered good, but rather what the numbers can do for you.

1. The broader the category, the lower the ranking number you want if you're looking for books that sold well.

I recently needed a comp title that sent me to kids picture books. Here's the rundown for GOOD NIGHT IPAD by Ann Droyd. (you find this in PRODUCT DETAILS on the Amazon page for the book in question)


Amazon Best Sellers Rank: #1,894 in Books
#7 in Books > Children's Books > Social Situations > Sleep
#22 in Books > Professional & Technical > Engineering
#61 in Books > Humor & Entertainment > Humor


The book was published in October of 2011 and it's still pretty high up in the overall Amazon rankings (#1,894 in Books)

Amazon rankings measure how well the book is selling compared to other books sold on Amazon, not actual numbers, so you're getting an sense of velocity, not actual speed and distance.

This feels high and fast for a year old flight. That's good.

It's also doing well in some good subcategories but you want to watch out for those. Those categories can be so narrowly defined there are only ten books total in the category.

2. If the books you're using as comp titles are OLD and not selling well, use this to highlight the point  that a new book in this category is desperately needed and then use the old slow comp titles to show there is still demand even for old books.


3. If you can't find any comp titles at all, you've got a problem.

A. You're delusional because you think there aren't any books like yours.
B. You're writing a book for which there appears to be no market
C. You're describing your book so narrowly you don't think anything fits.

None of these are good things.


Finding the right comp titles can take a while. Don't just pick the first three books you find. Know what you're trying to say with these comps: my proposed book fills a niche that exists; provides new insight or new information; demonstrates there's a market for this topic.

Questions?


11 Comments on Comp titles, last added: 9/8/2012
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2. Mostly Good News

Writing conferences stimulate my creativity, so I try get to at least one every year. But in recent years, market reviews were so discouraging -- fewer publishers acquiring fewer books for fewer bookstores -- I left wondering about my choice of profession.

The SCBWI Winter Conference in January was different. The air bubbled with fresh optimism and renewed enthusiasm (amid familiar cautions, of course).

GOOD NEWS

  • The children’s market is ‘very robust’ (Ken Wright, Agent, Writers House). Kids are still reading real books (Chris Richman, Agent, Upstart Crow Literary).
  • Imprints for YA have increased in the last three years (Regina Brooks, Founder and President, Serendipity Litereary Agency, LLC)
  • MG is the new YA (Regina Brooks) with rising popularity and market potential. YA and MG will continue to grow.
  • Picture Books are ‘alive and well’ (Nancy Paulsen, Nancy Paulsen Books, Penguin). Digital books, so far, seem to be an incremental purchase rather than a cannibalistic one. Parents like a book which is already on their bookshelf, and buy a digital copy for travel purposes.
  • Non-fiction is underestimated (Ken Wright). National Geographic and Discover are doing more, and make NF commercial enough for Barnes & Noble. A number of NF titles have appeared in the National Book Award lists.

  TRENDS

  • The Best Seller Mentality: traditional publisher’s lists are narrower and more focused. They want the books they publish to do very well, theoretically translating to more support for those titles and authors. 
  • Differences between genres will blur as writers seek new and fresh material. (Ginger Knowlton, Agent, Curtis Brown LTD) 

 WORRIES 

  • Amazon: Is it a big bully? ‘Discoverability’ is a problem here. 
  • Transmedia: How will digital evolution continue to change and impact books? Again, ‘discoverability’ can be difficult in the digital world. New devices generate a need for new content, but beware smaller margins and fierce competition. As kids inherit digital devices from their parents, what effect will this have? 
  • Continued consolidation of the traditional bookstore. Where will it end? 

The landscape is becoming more defined, and more certainty enables the market to move forward. Publishers have mostly stopped merging and wringing their hands. E-books, digital devices and self-publishing are part of the future, but are now more tangible and predictable. 

Personally, I write MG fiction (as well as PBs), so I was pleased to hear MG is ‘the new YA’, and note that many editors list it as one of their needs. Now I have to use my conference-inspired enthusiasm to follow up with those agents and editors who said it. 

What’s your feel about the children’s market?  Do you agree or disagree?  Any good news to share?

2 Comments on Mostly Good News, last added: 2/27/2012
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3. Favorites: Part SixMark Sarvas

To celebrate the holidays we asked some of our favorite people in publishing what their favorite book was. Let us know in the comments what your favorite book is and be sure to check back throughout the week for more “favorites”.

Mark Sarvas runs the literary blog The Elegant Variation. His criticism has appeared in the New York Times Book Review, The Philadelphia Inquirer, the Threepenny Review and others. His debut novel, HARRY, REVISED, will be released by Bloomsbury in the spring.

I absolutely loved David Leavitt’s The Indian Clerk. Within a few pages I was completely caught up, and found my pleasure never dimmed as I read this bracingly intelligent novel which recounts the unlikely friendship between the British mathematician G.H. Hardy and the Indian prodigy of the title, Srinivasa Ramanujan. It’s an epic and elegant work which spans continents and decades, and encompasses a World War. Leavitt’s prose is consistently gorgeous, and his control of this dense, sprawling material is impressive – astonishing, at times. And yet, for all its breadth, it remains firmly rooted in the interior lives of its two fascinating protagonists and affords us a glimpse at the costs of genius. A remarkable, affecting novel.

0 Comments on Favorites: Part SixMark Sarvas as of 1/1/1990
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