How to use this Page

What a great way to celebrate the UN’s World Wildlife Day, than to introduce the second book in this series about children caring for animals. Title: Tortuga Squad-Kids Saving Sea Turtles in Costa Rica Written and photos by: Cathleen Burnham Additional photos by: … Continue reading →

I have known Jonathan a number of years as he is married to one of my best friends (author, Marcie Colleen.) I had the joy of attending their wedding just over twelve months ago in Gowanus (Brooklyn.) When I first … Continue reading →

Title: Won Ton and Chopstick – A Cat and Dog tale Told in Haiku Written by: Lee Wardlaw Illustrated by: Eugene Yelchin Published by: Henry Holt and Company, LLC, 2015 Themes/Topics: cats, dogs, haiku, pets, friends Suitable for ages: 7-11 Hardcover, 40 pages Opening: It’s … Continue reading →

by Marcie Colleen

“Show, don’t tell.”

We hear this all of the time. Yet, many writers struggle with this very idea.

Writers like to research. We travel to faraway places, we talk with people who live there. We look through old files and photographs. We mine our memories for tidbits and call upon our imagination to fill in the rest.

We stay cerebral.

But this is where we fail ourselves. This is where we fail our readers.

We all want to write books that make people feel, but in order to do that—we must feel first. We must cry. We must get angry. We must laugh. We must fall in love. We must face fear.

But to achieve true emotion with our words, we need to get out of our heads and tune into our guts.

To do this, I like to call upon the actor’s craft.

Here are 3 tips to get out of your writer’s head and write from the gut.

1. Keep an Emotion Diary.
   An actor knows that whatever happens to them in life is fodder for their craft. Even at a moment of extreme heartbreak, an actor knows, “I can use this.” Observe yourself on a daily basis. How are you feeling? Don’t detail the situations that are happening to you, but write down what an emotion feels like physically. Tune into your hands, your chest, your legs, and your jaw. These are places we hold emotion.
2. Be emotional.
   An actor practices playing with emotion. They take the time to experiment in order to better know how to portray it when the time comes. Much like a yogi will hold a pose to build strength, actors practice holding emotion in their bodies to gain emotional fluency. Refer back to your Emotion Diary to remember how a certain emotion manifests in your body. Soak in it. Go about some daily tasks while in this emotional state. (Although keep these tasks solo. You are working on craft here, not ruining relationships and getting a reputation. Hint: scrubbing the tub while angry is amazing!) Observe how the emotion affects your movement and your actions. Of course, when play time is done, find ways to unwind…we don’t want you to end up a basket case.
3. Embrace the First Person.
   An actor walks in the shoes of others to learn to live in their moments. They speak directly from the mouth, the heart, the gut of the very person they are performing. Spend some time pretending to be your character. You can go through the same emotional practice you did in the previous step, but this time with your character’s situation in mind.

Take your character to the most heightened moment in this emotion. How do they react? Write a letter or a diary entry as your character while holding this emotion. Or create audio or video as your character. Abandon flowery metaphor and other authorly devices for the time being and speak raw, from your character’s gut. You might be surprised what you learn.

It is so easy to fall into summarizing a scene instead of delving in and living each moment. Maybe as writers we prefer to play God and observe the tough situations from afar. It’s more pleasant to be omnipresent than personally absorbed.

But when we learn to write from the gut, our hands may tremble with each keystroke, a lump might form in our throat, tears might well. It’s not always comfortable. Yet it is essential that we learn to breathe life into each moment, so that the very DNA of our story can breathe on the page and fill the lungs of every reader it touches. This is the essence of “show, don’t tell.” In fact, it takes the idea one step further.

“Be, don’t show.”

Before Marcie Colleen was a picture book writer, she was a former actress, director and theatre educator. In her 15 year career, Marcie worked within the classroom, as well as on Regional, Off-Broadway and Broadway stages. Formerly the Director of Education for TADA! Youth Theater, she also worked for Syracuse Stage, Camp Broadway, the Metropolitan School for the Arts, and Tony Randall’s National Actors Theater. She holds a bachelor’s degree in Secondary Education and Theater from Oswego State University and a Masters degree in Educational Theater from NYU. She has taught theater workshops in the UK and throughout the US, including Alaska.

Marcie’s From the Gut: An Acting for Writers Workshop (being held on September 14th at NJ-SCBWI) helps writers get out of their heads. Her up-on-your-feet techniques feature acting and writing exercises to tap into raw emotion. Through guided practice, writers learn to breathe life into the voice of every character. Time is spent exploring, playing and simply “being” emotion while learning how to transfer the discoveries onto the page in a way that creates immediacy and authenticity for the reader. Participants are given tools to deepen their writing through voice and movement even when alone in their writing caves.

Visit Marcie at www.thisismarciecolleen.com.

by Marcie Colleen

Many of us struggle throughout the year to find the time to write. We struggle to utter the words, “I am a writer.” We feel like we are not progressing. We don’t feel like we have a real writing routine and we fail to write daily.

But for the month of November you are given a gift. It’s like going to the writer’s spa.

Your challenge: create one idea for a picture book each day. One. That’s it. You can do it.

You’ll be amazed at what this little challenge can do for your writer’s morale. Once you put up that antennae you become a lightning rod for inspiration. Thirty days of inspiration! Fill yourself up.  Gather. Slather. Enjoy.

This year will be my third participating in PiBoIdMo and I cannot wait. One look at my desk and you will see…I am ready.

I know. I just made you panic. You are thinking, “I haven’t done anything to prepare my desk! Am I supposed to? Am I failing at this challenge already?!”

Hush, my fellow Type A’s.

Deep breath. Remember, you are going to the writer’s spa. It’s time to indulge your writer’s spirit. So put on some calming music and read through my list of ways to prepare your writing space for PiBoIdMo.

Marcie’s 5 Tips for Preparing your Writing Space for PiBoIdMo 

1) Clean the Clutter.
If your brain is cluttered there is no room for new ideas. Same can be true for your work space.So clear it all out. You have a week. It’s not an impossible task. And shhhh…no one said you can’t shove it all under the bed or into the oven (don’t fool yourself, you aren’t going to do any cooking during PiBoIdMo…just cooking up ideas!).  You can always bring back the clutter on Dec 1^st.

2) Gather your Gear.
Make a small pile of resources.These are items that will help you with ideas when you are depleting. As a marathoner, I think of this pile as my “Mile 20 pile”. When it’s November 25^th you might need one of these “idea joggers”. Some of my favorites are:

Origin of Everyday Things (Sterling, 2006)

14,000 things to be happy about. by Barbara Ann Kipfer (Workman, 1990)

Rory’s Story Cubes game (Gamewright, 2010)

3)  Schedule some Search Parties.
That’s right. It’s time to explore. Get out. Go to a museum, a cemetery, a garden, etc. And now that the government shutdown is over, you can even go to a National Park or monument! Schedule it now before the month even begins…and don’t cancel. If you are like me, your area has some wonderful places to visit that you never go. Maybe you only go to these places when you have visitors in from out of town. But this month, try to schedule two to four “search parties”. Go and let the ideas come to you.

4) Harvest the Heap of Ideas.
You are going to need some place to collect all of your 30 ideas. There is no right or wrong way here, it really has to do with what works best for you. The first year I used index cards bound by a rubber band.  I loved it because it gave me a full card, front and back, for one idea. Plus, it left room for me to make notes on the card as the idea grew in the coming year. It also allowed me to isolate each idea and not create idea gridlock.  My second year I used a notebook. I know this is what most people do. However, I am the type of person who can easily stick a notebook on a shelf and forget it exists. This year I plan to use a bulletin board. As I create an idea, I will write it on a slip of paper and pin it to the board. That way I can have the ideas visible throughout the coming year and therefore they are more apt to be made into stories in 2014. We’ll see how it goes. Again, it really is a personal thing and it might take some experimentation. The most important aspect is that you write every idea (even if it seems awful) down!

5) Connect with your Cause.
In the coming week, think about why you want to write picture books. Look for a trinket or talisman that reminds you of your crusade. Give it a prominent place on your desk. I, personally, have many reasons why I write for children, but one particular reminder has sat on my shelf by my desk all year. It is a red mud-caked LEGO brick. One year ago Hurricane Sandy ripped through my area and changed life for many.  As I was supposed to run the NYC Marathon (which was canceled, albeit too late in my opinion), my entire team chose on November 4, 2012 to travel to Staten Island, not for the start of the marathon, but to help with clean up. For hours I helped one family empty their basement of their muddied belongings. Heaps of mud-soaked toys, holiday decorations, and memories. Before taking a wheelbarrow-full to the already overflowing piles on the curb, I pocketed this red LEGO brick. To me it symbolizes the hardships in life that affect us all, even children. If I can ease that, even slightly, I will have done what I set out to do.

In previous chapters Marcie Colleen has been a teacher and a theatre educator, but now she splits her days between chasing the Picture Book Writer dream and chasing toddlers on the playground as a nanny. Both are equally glamorous!

Her blog, The Write Routine and her Teacher’s Guides, can be found at www.thisismarciecolleen.com.  (She created a teacher’s guide for Tara Lazar’s THE MONSTORE.) You can also follow her on Twitter. Additionally, Marcie is the Education Consultant for Picture Book Month (www.picturebookmonth.com) and contributes monthly, as a Blogette, to The Picture Book Academy’s blog (www.picturebookacademy.com/blogettes), posting on humor in picture books.

She lives with her fiancé and their mischievous sock monkey in Brooklyn, NYC.