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A new HBO series, Boardwalk Empire, premiered this weekend. Worlds away from what we see on Jersey Shore, it has reignited interest in New Jersey history and culture. Bryant Simon (author of Boardwalk of Dreams: Atlantic City and the Fate of Urban America and Professor of History at Temple University) has been interviewed for the accompanying HBO documentary, and here we ask him some questions about the “dreamlike” place that is AC.

You’ve described yourself as a native of South New Jersey. What drew you to writing the history of Atlantic City?

When I was growing up in the 1960s and 1970s in Vineland, Philly was not the place that drew us; it was more Atlantic City. That was where we went for splurge meals, special occasions, amusement parks, parades, and shopping. In fact, that’s where I got my bar mitzvah suit! Years later, my family moved just outside of Atlantic City and I watched, while riding my bike in the morning on the Boardwalk, as gambling woke the place up and irrevocably transformed it. I was transfixed by the city, by people’s nostalgia for it, by its nervous energy, and its aching sadness and painful poverty in the midst of plenty. Really, it had everything I wanted to write about it – it was like a Springsteen song, a place that could be mean and cruel, but a place of romance and possible redemption. How could I resist?

Compared to places like Las Vegas or Coney Island in its heyday, how did/does Atlantic City epitomize the urban playground?

All of these places share something in common – they are each the tale of two cities. They are places built in the interests of visitors, not necessarily residents; they sell (or sold) fantasies – fantasies that put tourists as the center of the narrative and allowed them to slip their daily skin and imagine themselves not as they were, but as they wanted to be. That is what people paid for when they went these places – they paid for fantasies.

As you researched the book, what memorable anecdotes did you come across that really captured the heart and history of Atlantic City?

One of the first things I learned about Atlantic City stayed with me throughout the project. I remember looking at a postcard from the 1920s or so. In it, the benches on the Boardwalk were pointed away from the beach. I asked if this was a mistake. “No” an expert on the city told me, “That’s how it was.” That was my first lesson that Atlantic City was essentially a stage and the visitors were both actors and audience.

You’ve been interviewed for a documentary that’s set to run in conjunction with the HBO series, Boardwalk Empire. What do you make of the series’ take on Atlantic City, and what to your mind does it say about public perception of the city?

If the show is a success, it will no doubt draw tourists to town, looking for the romantic, if still violent, past the program surely mythologizes. Yet the real Atlantic City Boardwalk of today has little relationship to the past except its common geography. Most of the dreamlike hotels – buildings that looked like French chateaux and Moorish palaces – have been torn down. The amusement piers are long gone or covered up and turned into air-conditioned malls. The crowds of people dressed in their Sunday – really their sleek and elegant Saturday night best – have been replaced by people in t-shirts and flip flops. Except for the ocean and

I've just been informed by a fellow Brooklyn litblogger -- and have since confirmed with the man himself -- that Larry Portzline has decided to quit the bookstore tourism business.

Don't try to find his noted Bookstore Tourism blog -- it's not there anymore. In fact, Larry's taken down all of his related sites. Here's an article about his project in the New York Sun if you're curious.

Larry was trying to raise funds for a nationwide indie bookstore tour -- he had lined up media, made a massive itinerary of indie bookstores across the country, and had appealed to the ABA and the regional associations and other organizations in publishing to help fund the tour.

Apparently, not enough folks stepped up.

After five years of appearing at trade shows, running Bookstore Tourism buses in New York and California, writing a book, and enjoying the approval of the indie community.... Larry found that no one wanted to put their money behind his project.

I'm disappointed, and a little ashamed of us.* Making bookstores a destination is one of the ways that independent bookstores can remain vital and viable. It sucks that no one believes that enough to fund it.

You'll probably be hearing more from me on this. In the meantime, what do you think?

* And honestly, I'm also surprised: I was at the NAIBA fall board meeting when this came up, and while the bylaws don't allow me to tell you about the conversation, the decision was made to make a donation to the tour, though not as much as had initially been requested. My impression then was that other regionals were donating as well. Maybe that didn't come through, or maybe it just wasn't enough.