What does Mark Carver have to say about Gothic Cathedrals and the Art of Melodrama?
As the seeds for The Age of Apollyon were taking root in my imagination, I read Victor Hugo’s The Hunchback of Notre Dame. In addition to being a fantastic story, that book opened my eyes to the breathtaking marvels of Gothic architecture. I’d always been a casual fan of cathedrals (who isn’t?) but after finishing Hugo’s masterpiece, I was determined to incorporate the Gothic church and all of its accompanying melodramatics into my own writing.
The Age of Apollyondoesn’t aim for the same heights as The Hunchback of Notre Dame. I never intended to write a massive, sweeping epic to ring throughout the ages – I just wanted to create a rip-roaring horror/action novel with all of the creepy, gothic-y goodness I could muster. So I chartered the Good Ship Google and set out on a virtual journey through dozens of cathedrals and churches, searching for the proper settings for my scenes. It was quite an endeavour, because I had to find several churches that fit descriptions I had already written. But with the power of Google Images and Wikipedia at my fingertips, I was able to find everything I was looking for.
A total of seven churches are featured in The Age of Apollyon. Not all of them fall under the umbrella of Gothic architecture, but they all contain rich history and dramatic atmosphere. Three of them, St. Peter’s Basilica at the Vatican, Notre Dame Cathedral in Paris, and the Milan Cathedral, are quite famous, while the others are less well-known. And, I must confess, not all of them emerge from the book unscathed. Yet each church plays an important role in the story, and though I’ve never visited them personally, I strove to capture what I imagined their unique personalities to be like. It was a tiring ordeal that devoured countless hours, but it was the most fun I’ve ever had doing research. Sometimes just staring (and drooling) over photos of these architectural masterworks was enough to inspire entire passages of writing.
My love affair with historic churches continues in the sequel to The Age of Apollyonentitled Black Sun, which I am currently writing at a feverish pace. These books aren’t only about churches and cathedrals of course, but for my money, it doesn’t get any better than a ferocious gun battle in a soaring candlelit sanctuary.
Or maybe I’ve just watched too many movies.
The Age of Apollyonwill be available from Trestle Press in October. In the meantime, check out the official website, and “Like” The Age of Apollyon on Facebook.
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Now that is interesting because you said potato and I looked at your first shape and thought "peanut in a shell"! I do most definitely like your puffins though, especially in a deckchair at the seaside!
Please continue drawing your puffin characters. Love the fishy ice too. I saw puffins on the Farne Islands. Maybe your How to draw page will inspire some children to research to discover a life long love of birds.
I love the two-eyes bit!
Isn't it interesting how google has become the "get your references together" for lots of artists these days.But I, too, still have a shelf full of how to paint, how to draw, how to do pastels, how to etc etc books from my younger days and I still love them. But google is definitely the quick way to check something out and adapt for use.
Love your website btw.
This is fantastic! I wish you'd been the illustrator for my book about a puffin (Muffin). Not that the illustrator I had isn't good, but your puffins are much more fun. I will now spend the morning drawing puffins instead of writing.
I agree - your puffins are lovely!
This is a gorgeous post. Love those puffins with two eyes on one side. Love all your artwork, Hannah!
I also remember the ‘How to draw horses’ book!
An illustrator in an ad agency I worked for, years ago, had a huge stack of Sunday Times mags under his desk to use for pictorial ref. How much easier to go to Google!
I'd quite like to p-p-pick up one of your p-p-puffins and give it a hug :-)
Jane Gray
Thanks for all your kind comments everyone! I may have to do another post on 'how to draw humans' quite possibly the most difficult creature to masterfully interpret with a pencil...and the bit I ALWAYS get stuck on? The hands!